Austria |
Acoustics Research Institute, Austrian Academy of Sciences, Vienna |
Austria |
Center for Systematic Musicology, University of Graz |
Austria |
Department of Computational Perception, Johannes Kepler University, Linz |
Austria |
IMP/ML Group, Austrian Research Institute for AI, Vienna |
Austria |
Institut für Wiener Klangstil, Vienna |
Austria |
Institute of Electronic Music and Acoustics, Graz |
Austria |
MIR Group, Department of Software Technology and Interactive Systems, Vienna University of Technology |
Belgium |
Institute for Psychoacoustics and Electronic Music, University of Ghent |
Belgium |
ORCiM – Orpheus Research Centre in Music |
Brazil |
Audio Processing Group, Federal University of Rio de Janeiro |
Brazil |
Centro de Música Eletrônica, Federal University of Rio Grande do Sul |
Brazil |
Computer Music Lab, Federal University of Rio Grande do Sul |
Canada |
aRMADILo: Rough Music and Audio digital Interaction Lab |
Canada |
Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT) |
Canada |
MISTIC – Music Intelligence Sound Technology Interdisciplinary Collective |
Denmark |
Section for Cognityive Systems, Department of Informatics and Mathematical Modelling, Technical University of Denmark |
Denmark |
Sound and Music Computing, Aalborg University, Copenhagen |
Finland |
Audio Research Group, Digital Media Institute, Tampere University of Technology |
Finland |
Audio Signal Processing Group, School of Electrical Engineering, Aalto University |
Finland |
Finnish Centre of Excellence in Interdisciplinary Music Research, Music Department, University of Jyväskylä |
France |
ACROE, Grenoble |
France |
Algorithmic musicology group, LIFL (Lille) and MIS (Amiens) |
France |
CIEREC |
France |
Equipe “Cognition Auditive et Psychoacoustique”, Neurosciences et Systèmes Sensoriels, CNRS UMR5020, Université Claude Bernard |
France |
Equipe “Langage, musique et motricité”, Institut de Neurosciences Cognitives de la Méditerranée |
France |
GMEM, Marseille |
France |
GRAME, Lyon |
France |
GRM, INA, Paris |
France |
IRCAM, Paris |
France |
IRISA, Rennes |
France |
Laboratoire d”Acoustique Musicale, Université Paris 6, Paris |
France |
Laboratoire de Mecanique et Acoustique, CNRS, Marseille |
France |
LaBRI, Bordeaux |
France |
Sony CSL, Paris |
France |
Télécom ParisTech, Audio Acoustics and Waves research group |
Germany |
Communication Systems Group, Technical University Berlin |
Germany |
Fraunhofer IIS, Erlangen |
Germany |
Fraunhofer Institute for Digital Media Technology, Ilmenau |
Germany |
German Research Center for AI |
Germany |
Institute for Media Technology, Technical University Ilmenau |
Germany |
Institute of Communication Acoustics, Ruhr-University Bochum |
Germany |
Multimedia Communications and Signal Processing, University Erlangen-Nuremberg |
Germany |
Neurocognition of Music Group, Max Planck Institute for Human Cognitive and Brain Science |
Greece |
Centre for Music Acoustics and Technology, Department of Music Studies, University of Athens |
Greece |
Department of Music Studies, Aristotle University of Thessaloniki |
Greece |
Department of Music technology & Acoustics, TEI of Crete |
India |
Digital Audio Processing Lab, IIT Bombay |
Ireland |
Centre for Computational Musicology and Computer Music, University of Limerick |
Ireland |
Music Technology Laboratory, National University of Ireland, Maynooth |
Italy |
Lab. of Music Informatics, Dept. of Computer Science, University of Milan |
Italy |
InfoMus Lab, University of Genoa Genoa |
Italy |
SMC Group, Department of Information Engineering, University of Padova |
Italy |
Music and New Technologies, Conservatory A. Casella |
Netherlands |
Music, Mind, Machine Group, Nijmegen Institute for Cognition and Information, Radboud University, Nijmegen |
Netherlands |
Music Cognition Group, University of Amsterdam |
Netherlands |
STEIM, Amsterdam |
Netherlands |
Utrecht School of the Arts (Hogeschool voor de Kunsten Utrecht) |
Netherlands |
Department of Information and Computing Sciences, Utrecht University |
Netherlands |
e-Laboratory Oral Culture, Meertens Institute |
Norway |
Department of Musicology, University of Oslo |
Norway |
Acoustics Group, Department of Electronics and Telecommunications, Norwegian University of Science and Technology, Trondheim |
Norway |
Norwegian network for Technology, Acoustics and Music, Oslo |
Norway |
BEK – Bergen Center for Electronic Arts |
Norway |
fourMs (Music, Mind, Motion, Machines), University of Oslo |
Poland |
Multimedia Systems Department, Gdansk University of Technology |
Poland |
Division of Electroacoustics, Faculty of Electronics and Information Technology, Warsaw University of Technology |
Portugal |
MIR @ CISUC – Center for Informatics and Systems of the University of Coimbra |
Portugal |
CITAR, Portuguese Catholic University, Porto |
Portugal |
Sound and Music Computing Group, Telecommunications and Multimedia Unit, INESC Porto |
Spain |
Pattern Recognition and Artificial Intelligence Group, University of Alicante |
Spain |
GAPS, Signal, Systems and Radiocommunications Department, Universidad Politécnica de Madrid |
Spain |
Department of Sonology, Escola Superior de Musica de Catalunya, Barcelona |
Spain |
Music Technology Group, Universitat Pompeu Fabra, Barcelona |
Spain |
Artificial Intelligence Research Institute (IIIA,CSIC) |
Spain |
ATIC – Grupo de Aplicación de las Tecnologías de la Información y Comunicaciones, Universidad de Málaga |
Sweden |
Sound and Music Computing group, EECS School of Electrical Engineering and Computer Science, KTH Kungliga Tekniska Högskolan, Stockholm |
Sweden |
TMH Division of Speech Music and Hearing, EECS School of Electrical Engineering and Computer Science, KTH Kungliga Tekniska Högskolan, Stockholm |
Sweden |
NAVET - Center for Research in Art, Technology and Design, KTH Kungliga Tekniska Högskolan, Stockholm |
Sweden |
KMH Royal College of Music, Stockholm |
Sweden |
Music Psychology Group, Department of Psychology, Uppsala University |
Switzerland |
LCAV – Audiovisual Communications Laboratory, EPFL, Lausanne |
Taiwan |
Music and Audio Computing Lab, Academia Sinica |
Turkey |
Bilkent University, Department of Communication and Design (COMD) |
United Kingdom |
Audio Lab, University of York |
United Kingdom |
Music Technology, London Metropolitain University |
United Kingdom |
Music, Technology and Innovation Research Centre, De Montfort University, Leicester |
United Kingdom |
Interdisciplinary Centre for Scientific Research in Music, University of Leeds |
United Kingdom |
Music Information Systems and Technology Research, University of Sheffield |
United Kingdom |
Music Informatics research group, City University, London |
United Kingdom |
Intelligent Sound and Music Systems, Goldmiths College, London |
United Kingdom |
Center for Music and Science, University of Cambridge |
United Kingdom |
Signal Processing Group, Cambridge University Engineering Department |
United Kingdom |
Acoustics Research Centre, Salford University |
United Kingdom |
Interdisciplinary Center for Computer Music Research, University of Plymouth |
United Kingdom |
Centre for Music Technology, University of Glasgow |
United Kingdom |
Faculty of Music, University of Edinburgh |
United Kingdom |
Music Technology Group, York University |
United Kingdom |
Interdisciplinary Centre for Scientific Research in Music, Department of Music, Leeds University |
United Kingdom |
Sonic Arts Research Centre, Queen’s University Belfast |
United Kingdom |
NOVARS Research Centre, University of Machester |
United Kingdom |
Centre for Digital Music, Queen Mary, University of London |
United Kingdom |
Music Computing Lab, The Open University |
United Kingdom |
Integra Lab, Birmingham Conservatoire, United Kingdom |
USA |
Center for Computer Research in Music and Acoustics (CCRMA), Stanford University |
USA |
Center for New Music and Audio Technologies (CNMAT), UC Berkeley |
USA |
Center for Research in Electronic Art Technology (CREATE), UC Santa Barbara |
USA |
Center for Research in Computing and the Arts (CRCA), UC San Diego |
USA |
Center for Music Technology, Georgia Tech |
USA |
Bregman Music and Auditory Research Studio (BMARS) at Dartmouth |
USA |
Music Dynamics Laboratory, University of Connecticut |
USA |
Computer Music Project, Computer Science Department, Carnegie Mellon University |
USA |
LabROSA, Columbia University |
USA |
Soundlab, Princeton University |
USA |
Music and Audio Research Laboratory (MARL), New York University |