Comprehensive List of Proceedings of All SMC Conferences

Titlesort icon Authors
“Virtual Tettix” : Cicadas’ Sound Analysis And Modeling At Plato’s Academy Georgaki, A., & Queiroz M.
Zsa.Descriptors: a library for real-time descriptors analysis Malt, M., & Jourdan E.
Zirkonium, SpatDIF, and mediaartbase.de; an archiving strategy for spatial music at ZKM Miyama, C., Dipper G., Krämer R., & Schacher J.
x-OSC: A Versatile Wireless I/O Device For Creative/Music Applications Madgwick, S., & Mitchell T.
Wirelessly Interfacing with the Yamaha Disklavier Mark IV Teeter, M., & Dobrian C.
Where do you want your ears? Comparing performance quality as a function of listening position in a virtual jazz band Olmos, A., Rushka P., Ko D., Foote G., Woszczyk W., & Cooperstock J. R.
When sound teaches Zanolla, S., Canazza S., Rodà A., Romano F., Scattolin F., & Foresti G. L.
What is the Essence of "Music?" A Case Study on a Japanese Audience MIYASHITA, H., & NISHIMOTO K.
Web Audio Modules Kleimola, J., & Larkin O.
Web Audio Evaluation Tool: A Browser-based Listening Test Environment Jillings, N., Man B. D., Moffat D., & Reiss J. D.
Wave Voxel Synthesis Haron, A., & Wright M.
Warped low-order modeling of musical tones Mignot, R., Lehtonen H. - M., & Välimäki V.
Warped Frames: dispersive vs. non-dispersive sampling Evangelista, G.
VR ‘SPACE OPERA’: MIMETIC SPECTRALISM IN AN IMMERSIVE STARLIGHT AUDIFICATION SYS-TEM Carey, B., & Ulas B.
Voice quality transformation using an extended source-filter speech model Huber, S., & Roebel A.
VOICE CONVERSION: A CRITICAL SURVEY Machado, A. F., & Queiroz M.
VocaRefiner: An Interactive Singing Recording System with Integration of Multiple Singing Recordings Nakano, T., & Goto M.
VOCALISTENER: A SINGING-TO-SINGING SYNTHESIS SYSTEM BASED ON ITERATIVE PARAMETER ESTIMATION Nakano, T., & Goto M.
VOCABULARY OF SPACE PERCEPTION IN ELECTROACOUSTIC MUSICS COMPOSED OR SPATIALISED IN PENTAPHONY Merlier, B.
VOCABULAIRE DE L’ESPACE ET DE LA SPATIALISATION DES MUSIQUES ÉLECTROACOUSTIQUES : PRÉSENTATION, PROBLÉMATIQUE ET TAXINOMIE DE L’ESPACE Merlier, B.
Visions of sound : The Centro di Sonologia Computazionale , from Computer Music to Sound and Music Computing Canazza, S., Poli G. D., & Vidolin A.
VISA3: REFINING THE VOICE INTEGRATION/SEGREGATION ALGORITHM Makris, D., Karydis I., & Cambouropoulos E.
VIRTUAL VOICES ON HANDS: PROMINENT APPLICATIONS ON THE SYNTHESIS AND CONTROL OF THE SINGING VOICE Georgaki, A.
Virtual strings based on a 1-D FDTD Waveguide Model: Stability, Losses, and travelling waves Erkut, C., & Karjalainen M.
VIRTUAL RECONSTRUCTION OF AN ANCIENT GREEK PAN FLUTE Avanzini, F., Canazza S., Poli G. D., Fantozzi C., Micheloni E., Pretto N., et al.
Virtual instruments in virtual rooms---a real-time binaural room simulation environment for physical modeling of musical instruments Huopaniemi, J., Karjalainen M., & V
VIRTUAL CONDUCTOR FOR STRING QUARTET PRACTICE Baez, R., Barbancho A. M., Rosa-Pujazón A., Barbancho I., & Tardón L. J.
Vibrotactile Discrimination of Pure and Complex Waveforms Young, G. W., Murphy D., & Weeter J.
Version Detection for Historical Music Boxes Niedermayer, B., Widmer G., & Reuter C.
VEMUS - FEEDBACK AND GROUPWARE TECHNOLOGIES FOR MUSIC INSTRUMENT LEARNING Fober, D., Letz S., & Orlarey Y.
USING SEMANTIC LAYER PROJECTION FOR ENHANCING MUSIC MOOD PREDICTION WITH AUDIO FEATURES Saari, P., Eerola T., Fazekas G., & Sandler M.
Using Physical Models is Necessary to Guarantee Stable Analog Haptic Feedback Control for New Media Edgar Berdahl, Florens J. - L., & Cadoz C.
USING PATTERNS TO GENERATE RHYTHMIC ACCOMPANIMENT FOR GUITAR Dahia, M., Trajano H. S. E., Ramalho G., Sandroni C., & Cabral G.
Using Multidimensional Sequences For Improvisation In The OMax Paradigm Déguernel, K., Vincent E., & Assayag G.
Using EarSketch to Broaden Participation in Computing and Music Freeman, J., Magerko B., Edwards D., Miller M., Moore R., & Xambó A.
Urb: urban sound analysis and storage project Gomes, J. A., & Tudela D.
UNSUPERVISED GENERATION OF PERCUSSION SOUND SEQUENCES FROM A SOUND EXAMPLE Marchini, M., & Purwins H.
UNDERSTANDING EXPRESSIVE TRANSFORMATIONS IN SAXOPHONE JAZZ PERFORMANCES USING INDUCTIVE MACHINE LEARNING Ramirez, R., Hazan A., Gomez E., & Maestre E.
TYING SEMANTIC LABELS TO COMPUTATIONAL DESCRIPTORS OF SIMILAR TIMBRES Fitzgerald, R. A., & Lindsay A. T.
TSAM: A TOOL FOR ANALYZING, MODELING, AND MAPPING THE TIMBRE OF SOUND SYNTHESIZERS Fasciani, S.
TRENDS IN/OVER TIME: RHYTHM IN SPEECH AND MUSICAL MELODY IN 19TH-CENTURY ART SONG VanHandel, L.
Trees: An artistic-scientific observation system Maeder, M., & Zweifel R.
TRAP: TRAnsient Presence detection exploiting Continuous Brightness Estimation (CoBE) Presti, G., Mauro D. A., & Haus G.
Transmitting Audio Content as Sound Objects Amatriain, X., & Herrera P.
Traditional and digital music instruments : a relationship based on a interactive model Ferreira-Lopes, P.
TOWARDS COMPUTABLE PROCEDURES FOR DERIVING TREE STRUCTURES IN MUSIC: CONTEXT DEPENDENCY IN GTTM AND SCHENKERIAN THEORY Marsden, A., Hirata K., & Tojo S.
TOWARDS AUDIO TO SCORE ALIGNMENT IN THE SYMBOLIC DOMAIN Niedermayer, B.
TOWARDS AN EXPERIMENTAL PLATFORM FOR COLLECTIVE MOBILE MUSIC PERFORMANCE Tahiroglu, K.
TOWARDS ADAPTIVE MUSIC GENERATION BY REINFORCEMENT LEARNING OF MUSICAL TENSION Groux, S. L., & Verschure P. F. M. J.
Towards a Virtual-Acoustic String Instrument Mehes, S., Walstijn M. V., & Stapleton P.
TOWARDS A PROSODY MODEL OF ATTIC TRAGIC POETRY: FROM LOGOS TO MOUSIKE Georgaki, A., Psaroudakes S., Carle M., & Tzevelekos P.
TOWARDS A PRACTICAL APPROACH TO MUSIC THEORY ON THE REACTABLE Franceschini, A.
TOWARDS A PERSONALIZED TECHNICAL EAR TRAINING PROGRAM: AN INVESTIGATION OF THE EFFECT OF ADAPTIVE FEEDBACK Kaniwa, T., Kim S., Terasawa H., Ikeda M., Yamada T., & Makino S.
Towards a Generative Electronica: Human-Informed Machine Transcription and Analysis in MaxMSP Eigenfeldt, A., & Pasquier P.
Towards a discrete electronic transmission line as a musical harmonic oscillator Buys, K., & Auvray R.
Towards a decodification of the graphical scores of Anestis Logothetis (1921-1994) . The graphical space of Odysee(1963). Maria-Dimitra, B., & Anastasia G.
TONAL SIGNATURES Nouno, G., & Mezzadri M.
To “Sketch-a-Scratch” Piccolo, D. A., Monache D. S., Rocchesso D., Papetti S., & Mauro D. A.
Time Domain Pitch Recognition Chourdakis, M. G., & Spyridis H. C.
TIMBRE REMAPPING THROUGH A REGRESSION-TREE TECHNIQUE Stowell, D., & Plumbley M. D.
TIDAL – PATTERN LANGUAGE FOR LIVE CODING OF MUSIC McLean, A., & Wiggins G.
THREE-DIMENSIONAL GESTURAL CONTROLLER BASED ON EYECON MOTION CAPTURE SYSTEM Merlier, B.
THREE METHODS FOR PIANIST HAND ASSIGNMENT Hadjakos, A., & Lefebvre-Albaret F.
This paper addresses the problem of using a semi automated process for tagging lyrics, notation and musical interval metadata of an Orthodox Ecclesiastic Chant (OEC) voice corpus. The recordings are post processed and segmented using the PRAAT software to Chen, A. L. P., Iliopoulos C. S., Michalakopoulos S., & Rahman S. M.
This is an important message for Julie Wade: Emergent Performance Events in an Interactive Installation Lee, B.
The “Harmonic Walk” And Enactive Knowledge: An Assessment Report Mandanici, M., Rod`a A., Canazza S., & Altieri F.
THE ‘STANZA LOGO–MOTORIA’: AN INTERACTIVE ENVIRONMENT FOR LEARNING AND COMMUNICATION Camurri, A., Volpe G., & Canazza S.
The Wave Digital Reed: A Passive Formulation Bilbao, S., Bensa J., & Kronland-Martinet R.
The wave digital piano hammer: a passive formulation Bilbao, S., Bensa J., Kronland-Martinet R., & Smith J. O.
The VowelWorm: Real-time Mapping and Visualisation of Sung Vowels in Music Frostel, H., Arzt A., & Widmer G.
The Virtuoso Composer and the Formidable Machine: A Path to Preserving Human Compositional Expression Cullimore, J., & Gerhard D.
The string-finger interaction in the classical guitar: Theoretical model and experiments Pavlidou, M., & Richardson B. E.
The string-finger interaction in the classical guitar Pavlidou, M., & Richardson B. E.
The state of the art on the educational software tools for electroacoustic composition Anatrini, A.
The sound signature of linear viscoelastic materials Djoharian, P.
THE SONIFIED MUSIC STAND – AN INTERACTIVE SONIFICATION SYSTEM FOR MUSICIANS Grosshauser, T., & Hermann T.
THE SELFEAR PROJECT: A MOBILE APPLICATION FOR LOW-COST PINNA-RELATED TRANSFER FUNCTION ACQUISITION Geronazzo, M., Fantin J., Sorato G., Baldovino G., & Avanzini F.
THE REALTIME-SCORE. A MISSING-LINK IN COMPUTER-MUSIC PERFORMANCE Winkler, G. E.
The Program in Electronic Music Composition and Musical Production at the School of the Arts of the Polytechnic Institute of Castelo Branco Guedes, C., & Dias R.
The plurality of melodic similarity Marsden, A.
The perceptual similarity of tone clusters: an experimental approach to the listening of avant-garde music Ong, A., & Kopiez R.
THE LOOP ENSEMBLE - OPEN SOURCE INSTRUMENTS FOR TEACHING ELECTRONIC MUSIC IN THE CLASSROOM Schultz, C. M., & Seedorf M.
THE KINEMATIC RUBATO MODEL AS A MEANS OF STUDYING FINAL RITARDS ACROSS PIECES AND PIANISTS Grachten, M., & Widmer G.
THE INFLUENCE OF REED MAKING ON THE PERFORMANCE AND SOUND QUALITY OF THE OBOE Blasco-Yepes, C., & Payri B.
The Influence of Graphical User Interface Design on Critical Listening Skills Mycroft, J., Reiss J. D., & Stockman T.
THE IMPORTANCE OF AMPLITUDE ENVELOPE: SURVEYING THE TEMPORAL STRUCTURE OF SOUNDS IN PERCEPTUAL RESEARCH Gillard, J., & Schutz M.
THE HYPER-KALIMBA: DEVELOPING AN AUGMENTED INSTRUMENT FROM A PERFORMER’S PERSPECTIVE Rocha, F., & Malloch J.
The Hyper Zampogna Turchet, L.
The Hyper Hurdy-Gurdy Turchet, L.
THE FLOPS GLASS: A DEVICE TO STUDY EMOTIONAL REACTIONS ARISING FROM SONIC INTERACTIONS Lemaitre, G., Houix O., Franinovic K., Visell Y., & Susini P.
The EyeHarp: An Eye-Tracking-Based Musical Instrument Vamvakousis, Z., & Ramirez R.
The Cube: An Audiovisual Interactive Installation Didakis, S.
THE CROAKER: DESIGN AND EVALUATION OF A NEW MULTIMODAL INTERFACE Serafin, S., & de Gotzen A.
The Closure-based Cueing Model: Cognitively-Inspired Learning and Generation of Musical Sequences Maxwell, J., Pasquier P., & Eigenfeldt A.
The Case Study of An Application of The System, "BodySuit" and "RoboticMusic" -Its Introduction and Aesthetics Goto, S.
The breaking-continuity paradox in artificial vocality aesthetics Bossis, B.
THE AIRSTICKS: A NEW INTERFACE FOR ELECTRONIC PERCUSSIONISTS Ilsar, A., Havryliv M., & Johnston A.
The AGNULA/DeMuDi distribution: GNU/Linux and Free Software for the pro audio and sound research domain Bernardini, N., Cirotteau D., Ekanayaka F., & Glorioso A.
THE ACTUATED GUITAR: A PLATFORM ENABLING ALTERNATIVE INTERACTION METHODS Larsen, J. V., Overholt D., & Moeslund T. B.
Textural Composition and its Space Hagan, K.
TEMPORAL CONTROL OVER SOUND SYNTHESIS PROCESSES Bresson, J., & Agon C.
Tempo Curving As A Framework For Interactive Computer-aided Composition Bresson, J., & MacCallum J.
Technical Report on a Short Live-action Film whose Story with Soundtrack is selected in Real-time based on Audience Arousal during Performance Kirke, A., Williams D., Miranda E., Bluglass A., Whyte C., Pruthi R., et al.
Teaching Audio Programming with the Neonlicht-Engine Milde, J. - T.
Target-Based Rhythmic Pattern Generation and Variation with Genetic Algorithms and Cárthach Ó Nuanáin, P. H. S. J., Herrera P., & Jordà S.
Tale following: real-time speech recognition applied to live performance Rouas, J. -luc, Mansencal B., & Larralde J.
Synthesising Singing Sundberg, J.
Synthesis of trumpet tones by physical modeling Dietz, P. H., & Amir N.
Synthesis of Transients in Guitar Sounds Duru"oz, C. I.
Synthesis of Shape Dependent Sounds with Physical Modeling van den Doel, K., & Pai D. K.
Synthesis of a Macro Sound Structure within a Self Organizing System BÖKESOY, S.
SynPy: a Python Toolkit for Syncopation Modelling Song, C., Pearce M., & Harte C.
Synchronizing Spatially Distributed Musical Ensembles Hadjakos, A., Berndt A., & Waloschek S.
SYNCHRONIZATION IN CHAINS OF VAN DER POL OSCILLATORS Henrici, A., & Neukom M.
SUSTAINABLE LIVE ELECTRO-ACOUSTIC MUSIC Bernardini, N., & Vidolin A.
Support for Learning Synthesiser Programming Dykiert, M., & Gold N.
STYLE RECOGNITION THROUGH STATISTICAL EVENT MODELS Perez-Sancho, C., Inesta J. M., & Calera-Rubio J.
STYLE EMULATION OF DRUM PATTERNS BY MEANS OF EVOLUTIONARY METHODS AND STATISTICAL ANALYSIS Bernardes, G., Guedes C., & Pennycook B.
STUDY OF THE TREMOLO TECHNIQUE ON THE ACOUSTIC GUITAR: EXPERIMENTAL SETUP AND PRELIMINARY RESULTS ON REGULARITY Freire, S., & Nézio L.
Structural Modeling Of Pinna-Related Transfer Functions Spagnol, S., Geronazzo M., & Avanzini F.
String excitation: piano, harpsichord and clavichord Hall, D. E.
STRATEGIES TOWARDS THE AUTOMATIC ANNOTATION OF CLASSICAL PIANO MUSIC Niedermayer, B., & Widmer G.
STRATEGIES FOR CONTINUOUS PITCH AND AMPLITUDE TRACKING IN REALTIME INTERACTIVE IMPROVISATION SOFTWARE Dobrian, C.
STEERING GENERATIVE RULES WITH THE EEG: AN APPROACH TO BRAIN-COMPUTER MUSIC INTERFACING Miranda, E. R., & Boskamp B.
STATISTICAL GENERATION OF TWO-VOICE FLORID COUNTERPOINT Padilla, V., & Conklin D.
STATE OF THE ART AND NEW RESULTS IN DIRECT MANIPULATION OF MPEG AUDIO CODES Haus, G., & Vercellesi G.
SRA: A Web-based Research Tool for Spectral and Roughness Analysis of Sound Signals Vassilakis, P. N.
Speculative Digital Sound Synthesis Nishino, H., & Cheok A.
Spectral Distortion Using Second-Order Allpass Filters Surges, G., & Smyth T.
SPECIFICATION OF TEMPORAL RELATIONS BETWEEN INTERACTIVE EVENTS Desainte-Catherine, M., & Allombert A.
Speaker-Herd: A Multi-channel Loudspeaker Project for Miscellaneous Spaces, Loudspeaker Architectures and Compositional Approaches Bierlein, F., Farchmin E., Fütterer L., Kerschkewitz A., Loscher D., Modler P., et al.
SPATIUM, TOOLS FOR SOUND SPATIALIZATION Penha, R., & Oliveira J. P.
Spatio-temporal unfolding of sound sequences Rocchesso, D., & Monache S. D.
Spatial Orchestration Lyon, E.
Sparse Regression in Time-Frequency Representations of Complex Audio Dorfler, M., Velasco G., Flexer A., & Klien V.
Space Resonating Through Sound Iazzetta, F., & Campesato L.
Space as an Evolution Strategy. Sketch of a Generative Ecosystemic Structure of Sound Scamarcio, M.
SoundScavenger: An Interactive Soundwalk Bosse, N.
SoundScape: A music composition environment designed to facilitate collaborative creativity in the classroom Truman, S.
SoundAnchoring: Content-based Exploration of Music Collections with Anchored Self-Organized Maps Collares, L., Tavares T. F., Feliciano J., Gao S., Tzanetakis G., & Gooch A.
SOUND TEXTURE SYNTHESIS WITH HIDDEN MARKOV TREE MODELS IN THE WAVELET DOMAIN Kersten, S., & Purwins H.
SOUND TEXTURE MODELING: A SURVEY Strobl, G., Eckel G., & Rocchesso D.
Sound Synthesis and Musical Composition by Physical Modelling of Self-Sustained Oscillating Structures Poyer, F., & Cadoz C.
SOUND SPHERES: A DESIGN STUDY OF THE ARTICULACY OF A NON-CONTACT FINGER TRACKING VIRTUAL MUSICAL INSTRUMENT Hughes, C., Wermelinger M., & Holland S.
SOUND SPATIALIZATION CONTROL BY MEANS OF ACOUSTIC SOURCE LOCALIZATION SYSTEM Salvati, D., Canazza S., & Roda' A.
Sound Spatialisation, Free Improvisation and Ambiguity Mooney, J., Belly P., & Parkinson A.
SOUND SEARCH BY CONTENT-BASED NAVIGATION IN LARGE DATABASES Schwarz, D., & Schnell N.
SOUND OBJECT CLASSIFICATION FOR SYMBOLIC AUDIO MOSAICING: A PROOF-OF-CONCEPT Janer, J., Haro M., Roma G., Fujishima T., & Kojima N.
Sound My Vision: Real-time Video Analysis On Mobile Platforms For Controlling Multimedia Performances Kreković, M., Grbac F., & Kreković G.
Sound in Cyberspace: Exploring Material Technoculture Polymeropoulou, M.
Sound Hunter. Developing a Navigational HRTF-Based Audio Game for People with Visual Impairments Brieger, S. W.
SOUND FOREST/LJUDSKOGEN: A LARGE-SCALE STRING-BASED INTERACTIVE MUSICAL INSTRUMENT Bresin, R., Elblaus L., Frid E., Favero F., Annersten L., Berner D., et al.
Sound Bubbles: the aesthetic additive design approach to actively enhance acoustic office environments Ljungdahl Eriksson, M., Atienza R., & Pareto L.
Sound as Multiplicity: Spaces and representations in computer music composition Fuentes, A.
SOUND AND THE CITY: MULTI-LAYER REPRESENTATION AND NAVIGATION OF AUDIO SCENARIOS Ludovico, L. A., & Mauro D. A.
SOUND AND MUSIC DESIGN FOR GAMES AND INTERACTIVE MEDIA Natkin, S., & Prado C. L.
Sound analysis based on phase information that connects time and frequency Pabon, P., & van Velthoven J.
SONIK SPRING Henriques, T.
Sonification of Gestures Using Specknets Lympouridis, V., Parker M., Young A., & Arvind D. K.
Sonification of Dark Matter: Challenges and Opportunities Bonet, N., Kirke A., & Miranda E.
SONIFICATION AS CATALYST IN TRAINING MANUAL WHEELCHAIR OPERATION FOR SPORTS AND EVERYDAY LIFE Almqvist Gref, A., Elblaus L., & Hansen K. F.
SONIFICATION AND AUDITORY DISPLAYS IN ELECTRONIC DEVICES Walker, B. N.
Sonic Gestures as Input in Human-Computer Interaction: Towards a Systematic Approach Jylhä, A.
Songrium: Browsing and Listening Environment for Music Content Creation Community Hamasaki, M., Goto M., & Nakano T.
Solving interactions between nonlinear resonators Bensoam, J., & Roze D.
SOLILOQUE SUR [X, X, X ET X], MUSICAL COMMENTARIES FROM A COMPUTER ABOUT A CONCERT MISUNDERSTOOD BY IT Lévy, F., & Seelig T.
Smooth Granular Sound Texture Synthesis by Control of Timbral Similarity Schwarz, D., & O’Leary S.
SmartDJ, An Interactive Music Player for Music Discovery by Similarity Comparison Maureen, A. S. Y., Sion L. C., & Lindborg P. M.
Smart Instruments: Towards an Ecosystem of Interoperable Devices Connecting Performers and Audiences Turchet, L., Mcpherson A., & Fischione C.
SKETCHING SONIC INTERACTIONS BY IMITATION-DRIVEN SOUND SYNTHESIS Baldan, S., Monache S. D., Rocchesso D., & Lachambre H.
SKALLDANS, AN AUDIOVISUAL IMPROVISATION FRAMEWORK Lindborg, P. M.
Situating the Performer and the Instrument in a Rich Social Context with PESI Extended System Goddard, C., & Tahiroğlu K.
Singer Identification in Rembetiko Music Holzapfel, A., & Stylianou Y.
Simulation of the bowed string dynamics Antunes, J., Tafasca M., & Henrique L.
SIMPLE TEMPO MODELS FOR REAL-TIME MUSIC TRACKING Arzt, A., & Widmer G.
SIMILARITY SEARCH OF FREESOUND ENVIRONMENTAL SOUND BASED ON THEIR ENHANCED MULTISCALE FRACTAL DIMENSION Sunouchi, M., & Tanaka Y.
SIM - SYSTÈME INTERACTIF MUSICAL (CYBERSONGOSSE 7MI) Clozier, C., Duc J. - C. L., & Mihalic A.
SHORT TERM PITCH MEMORY IN WESTERN vs. OTHER EQUAL TEMPERAMENT TUNING SYSTEMS Andreopoulou, A., & Farbood M.
SHAPE-BASED SPECTRAL CONTRAST DESCRIPTOR Akkermans, V., Serrà J., & Herrera P.
SENSORY THREADS: SONIFYING IMPERCEPTIBLE PHENOMENA IN THE WILD Fencott, R., & Bryan-Kinns N.
Sensors2OSC de Junior, A. D. C., & Mayer T.
Sensor and Software Technologies for Lip Pressure Measurements in Trumpet and Cornet Playing - from Lab to Classroom Grosshauser, T., Troester G., Thul A., & Bertsch M.
SENSITIVITY TO LOUDSPEAKER PERMUTATIONS DURING AN EIGHT-CHANNEL ARRAY REPRODUCTION OF PIANO NOTES Fontana, F., Pra Y. D., & Amendola A.
SEMI-AUTOMATIC MELODY EXTRACTION USING NOTE ONSET TIME AND PITCH INFORMATION FROM USERS Laaksonen, A.
Self-Space: Interactive, Self Organized, Robotics Mediated, Cross-Media Platform for Music and Multimedia Performance Marinos, G., & Iannis Z.
Segmentation and Timbre Similarity in Electronic Dance Music Rocha, B., Bogaards N., & Honingh A.
SEGMENTAL TEMPO ANALYSIS OF PERFORMANCES IN USER-CENTERED EXPERIMENTS IN THE DISTRIBUTED IMMERSIVE PERFORMANCE PROJECT Chew, E., Sawchuk A., Tanoue C., & Zimmermann R.
SEED: Resynthesizing Environmental Sounds from Examples Bernardes, G., Aly L., & Davies M.
Score-informed Piano Tutoring System With Mistake Detection And Score Simplification Fukuda, T., Ikemiya Y., Itoyama K., & Yoshii K.
SCORE PLAYBACK DEVICES IN PWGL Laurson, M., & Kuuskankare M.
Scale Effects in Steering Law Tasks Accot, J., & Zhai S.
RoomWeaver: A digital waveguide mesh based room acoustics research tool Beeson, M. J., & Murphy D. T.
Robotic piano player making pianos talk Ritsch, W.
ROBIN: AN ALGORITHMIC COMPOSER FOR INTERACTIVE SCENARIOS Morreale, F., Masu R., & Angeli A. D.
RHYTHM TRANSCRIPTION OF POLYPHONIC MIDI PERFORMANCES BASED ON A MERGED-OUTPUT HMM FOR MULTIPLE VOICES Nakamura, E., Yoshii K., & Sagayama S.
REVIEWING THE TRANSFORMATION OF SOUND TO IMAGE IN NEW COMPUTER MUSIC SOFTWARE Lemi, E., & Georgaki A.
REVEALING THE SECRET OF "GROOVE" SINGING: ANALYSIS OF J-POP MUSIC Arai, M., Matuba T., Hashida M., & Katayose H.
RetroSpat: a Perception-Based System for Semi-Automatic Diffusion of Acousmatic Music Mouba, J., Marchand S., Mansencal B., & Rivet J. - M.
Rethinking the audio workstation : tree-based sequencing with i-score and the LibAudioStream Celerier, J. - M., Desainte-Catherine M., & Couturier J. - M.
RESTORATION OF AUDIO DOCUMENTS WITH LOW SNR: A NMF PARAMETER ESTIMATION AND PERCEPTUALLY MOTIVATED BAYESIAN SUPPRESSION RULE Cabras, G., Canazza S., Montessoro P. L., & Rinaldo R.
Representing and Interpreting Multivariate Mix Data Mycroft, J., Reiss J., & Stockman T.
Rendering and Subjective Evaluation of Real vs. Synthetic Vibrotactile Cues on a Digital Piano Keyboard Fontana, F., Avanzini F., Järveläinen H., Papetti S., Klauer G., & Malavolta L.
Rendering And Subjective Evaluation Of Real Vs. Synthetic Vibrotactile Cues On A Digital Piano Keyboard Fontana, F., Avanzini F., Järveläinen H., Papetti S., Klauer G., & Malavolta L.
Rencon Workshop 2011 (SMC-Rencon): Performance Rendering Contest for Computer Systems Hashida, M., Hirata K., & Katayose H.
Remutualizing the Instrument: Co-design of Synthesis Algorithms and Controllers P., C.
RELATIONSHIPS BETWEEN SPECTRAL FLUX, PERCEIVED RHYTHMIC STRENGTH, AND THE PROPENSITY TO MOVE Burger, B., Ahokas R., Keipi A., & Toiviainen P.
REINFORCEMENT LEARNING MODELS FOR ACQUIRING Tanaka, T., Ohmura H., & Furukawa K.
REGARDS ON TWO REGARDS BY MESSIAEN: AUTOMATIC SEGMENTATION USING THE SPIRAL ARRAY Chew, E.
Refined Spectral Template Models for Score Following Korzeniowski, F., & Widmer G.
Reconfigurable Autonomous Novel Guitar Effects (RANGE) Macconnell, D., Trail S., Tzanetakis G., Driessen P., & Page W.
RECENT DEVELOPMENTS IN ENP-SCORE-NOTATION Kuuskankare, M., & Laurson M.
REAL-TIME UNSUPERVISED MUSIC STRUCTURAL SEGMENTATION USING DYNAMIC DESCRIPTORS Pires, A. S., & Queiroz M.
Real-time Spatial Mixing Using Binaural Processing Tsakostas, C., Floros A., & Deliyiannis Y.
REAL-TIME NOTATION USING BRAINWAVE CONTROL Eaton, J., & Miranda E.
REAL-TIME HALLUCATINATION SONIFICATION AND SIMULATION THROUGH USER-LED DEVELOPMENT OF AN IPAD AUGMENTED REALITY PERFORMANCE Kirke, A., Eaton J., & Miranda E.
Real-time event sequencing without a visual interface Tavares, T. F., Monteiro A., Barbedo J. G. A., Attux R., & Manzolli J.
REAL-TIME ESTIMATION OF THE VOCAL TRACT SHAPE FOR MUSICAL CONTROL Kestian, A. P., & Smyth T.
REAL-TIME DTW-BASED GESTURE RECOGNITION EXTERNAL OBJECT FOR MAX/MSP AND PUREDATA Bettens, F., & Todoroff T.
Real-Time Control of Greek Chant Synthesis Georgaki, A., Zannos I., Delviniotis D., & Kouroupetroglou G.
REAL-TIME BINAURAL AUDIO RENDERING IN THE NEAR FIELD Spagnol, S., & Avanzini F.
Real, Foley or synthetic? An evaluation of everyday walking sounds Götzen, A. D., Sikström E., Grani F., & Serafin S.
Real time digital audio processing using Arduino Bianchi, A. J́, & Queiroz M.
RaPScoM - A Framework for Rapid Prototyping of Semantically Enhanced Score Music Rubisch, J., Doppler J., & Raffaseder H.
QUANTIFYING MASKING IN MULTI-TRACK RECORDINGS Vega, S., & Janer J.
PWGL EDITORS: 2D-EDITOR AS A CASE STUDY Laurson, M., & Kuuskankare M.
PV STOCH: A SPECTRAL STOCHASTIC SYNTHESIS GENERATOR Dobereiner, L.
Psychoacoustic impact assessment of smoothed AM/FM "303" resonance signals Goulart, A. J. H., Timoney J., Lazzarini V., & Queiroz M.
PROTOTYPING WIRELESS INTEGRATED WEARABLE INTERACTIVE MUSIC SYSTEM Tseng, Y. - C., Li B. - T., & Wang T. - H.
PROTOTYPING MUSICAL EXPERIMENTS FOR TANGISENSE, A TANGIBLE AND TRACEABLE TABLE ARFIB, D., Filatriau J. - J., & Kessous L.
Prolegomena to the perceptual study of sound G., V.
Prolegomena to sonic toys de Gotzen, A., & Serafin S.
Programming Interactive Music Scores with INScore Fober, D., Letz S., Orlarey Y., & Bevilacqua F.
Prioritized Contig Combining to Segregate Voices in Polyphonic Music Ishigaki, A., Matsubara M., & Saito H.
Primary-Ambient Extraction Using Adaptive Weighting and Principal Component Analysis Ibrahim, K. M., & Allam M.
Preparing for TreeTorika: Computer-Assisted Analysis of Mao’s oratory Lindborg, P. M.
PREDICTING THE PERCEIVED SPACIOUSNESS OF STEREOPHONIC MUSIC RECORDINGS Sarroff, A. M., & Bello J. P.
Precision Finger Pressing Force Sensing in the Pianist-Piano Interaction Flückiger, M., Grosshauser T., & Tröster G.
Pop Music Visualization Based on Acoustic Features and Chord Progression Patterns Applying Dual Scatterplots Uehara, M., & Itoh T.
POLYTEMPO COMPOSER: A TOOL FOR THE COMPUTATION OF SYNCHRONISABLE TEMPO PROGRESSIONS Kocher, P.
POLYNOMIAL EXTRAPOLATION FOR PREDICTION OF SURPRISE BASED ON LOUDNESS - A PRELIMINARY STUDY Purwins, H., Holonowicz P., & Herrera P.
pmpd : Physical modelling for Pure Data Henry, C.
PLUCKING BUTTONS: AN ALTERNATE SOFT BUTTON INPUT METHOD ON TOUCH SCREENS FOR MUSICAL INTERACTION Lee, E. J., & Yeo W. S.
Playing Integrated Music Knowledges with Artifical Neural Networks VOISIN, F. ́ed ́eric, & MEIER R.
Pitch spelling: Investigating reductions of the search space Honingh, A.
Pitch Contour Segmentation for Computer-aided Jingju Singing Training Gong, R., Yang Y., & XavierSerra
PHYSICAL MOVEMENT AND MUSICAL GESTURES: A MULTILEVEL MAPPING STRATEGY Fenza, D., Mion L., Canazza S., & Roda A.
PHYSICAL MODELING OF IMPACTS: THEORY AND EXPERIMENTS ON CONTACT TIME AND SPECTRAL CENTROID Avanzini, F., & Rocchesso D.
PHYSICAL MODELING MEETS MACHINE LEARNING: TEACHING BOW CONTROL TO A VIRTUAL VIOLINIST Percival, G., Bailey N., & Tzanetakis G.
Physical Modeling for Pure Data (pmpd) and real time interaction with an audio synthesis Henry, C.
PHYSICAL MODELING FOR PURE DATA (PMPD) AND REAL TIME INTERACTION WITH AN AUDIO SYNTHESIS Henry, C.
PHOXES - MODULAR ELECTRONIC MUSIC INSTRUMENTS BASED ON PHYSICAL MODELING SOUND SYNTHESIS Gelineck, S., & Serafin S.
PHONODEON: CONTROLLING SYNTHETIC VOICES VIA MIDIACCORDEON Georgaki, A., Zannos I., & Valsmakis N.
PHENICX: Performances as Highly Enriched aNd Interactive Concert Experiences Gómez, E., Grachten M., Hanjalic A., Janer J., Jordá S., Juliá C. F., et al.
PHASESHAPING OSCILLATOR ALGORITHMS FOR MUSICAL SOUND SYNTHESIS Kleimola, J., Lazzarini V., Timoney J., & Välimäki V.
PEVI: INTERFACE FOR RETRIEVING AND ANALYZING EXPRESSIVE MUSICAL PERFORMANCES WITH SCAPE PLOTS Miki, S., Baba T., & Katayose H.
PERSONALITY AND COMPUTER MUSIC Garrido, S., Schubert E., Kreutz G., & Halpern A.
Personal WebMelody: customized sonification of web servers, in Proceedings of the 2001 International Conference on Auditory Display Maria Barra, P. M. P.
PERFORMANCE RENDERING FOR POLYPHONIC PIANO MUSIC WITH A COMBINATION OF PROBABILISTIC MODELS FOR MELODY AND HARMONY Kim, T. H., Fukayama S., Nishimoto T., & Sagayama S.
Performance Evaluation of Input Devices in Trajectory-based Tasks: An application of The Steering Law Accot, J., & Zhai S.
Perceiving And Predicting Expressive Rhythm With Recurrent Neural Networks Lambert, A. J., Weyde T., & Armstrong N.
Pattern Anchoring, Identity and Signatures in Sound, Time and Space Izmirli, Ö., & Zahler N.
Partial differential equation models for continuous mutlidimensional systems Rabenstein, R., & Trautmann L.
Parametric Trombone Synthesis by Coupling Dynamic Lip Valve and Instrument Models Smyth, T., & Scott F.
PARALLELIZATION OF AUDIO APPLICATIONS WITH FAUST Orlarey, Y., Fober D., & Letz S.
ÕDAIKO: A REAL TIME SCORE GENERATOR BASED ON RHYTHM Lopes, F.
ORPHEUS: A Virtual Learning Environment of Ancient Greek Music Politis, D., Margounakis D., Botsaris G., & Papaleontiou L.
Optical or Inertial? Evaluation of Two Motion Capture Systems for Studies of Clubbing to Electronic Dance Music Torvanger Solberg, R., & Jensenius A. R.
OPEN SOURCE TOOLS FOR MUSIC REPRESENTATION AND NOTATION Fober, D., Letz S., & Orlarey Y.
Online Harmonic/percussive Separation Using Smoothness/sparseness Constraints Canadas-Quesada, F., Vera-Candeas P., N.Ruiz-Reyes, Alonso P., & Ranilla J.
ON THE TRACEABILITY OF THE COMPOSITIONAL PROCESS Rutz, H. H., Miranda E., & Eckel G.
On the Nonlinear Commuted Synthesis of the Piano Bank, B.
On the Musical Opportunities of Cylindrical Hexagonal Lattices: Mapping Flat Isomorphisms Onto Nanotube Structures Hu, H., Park B., & Gerhard D.
ON THE LEARNING STAGES OF AN INTELLIGENT RHYTHMIC GENERATOR Gimenes, M., Miranda E. R., & Johnson C.
On the Creative use of Score Following and its Impact on Research Cont, A.
ON ONSETS ON-THE-FLY: REAL-TIME EVENT SEGMENTATION AND CATEGORISATION AS A COMPOSITIONAL EFFECT Collins, N.
ON FINITE DIFFERENCE SCHEMES FOR THE 3-D WAVE EQUATION USING NON-CARTESIAN GRIDS Hamilton, B., & Bilbao S.
On Computing Morphological Similarity of Audio Signals Gasser, M., Flexer A., & Grill T.
ON ARCHITECTURE AND FORMALISMS FOR COMPUTER-ASSISTED IMPROVISATION Maniatakos, F., Assayag G., Bevilacqua F., & Agon C.
OMAX-OFON Assayag, G., Bloch G., & Chemillier M.
OBSERVED DIFFERENCES IN RHYTHM BETWEEN PERFORMANCES OF CLASSICAL AND JAZZ VIOLIN STUDENTS Guaus, E., Saña O., & Llimona Q.
NVM-a modular real-time physical modeling synthesis system for MSP Dudas, R.
Numerical integration of partial differential equations by means of multidimensional wave digital filters Fettweis, A., & Nitsche G.
Nuance: Adding Multi-Touch Force Detection to the iPad Michon, R., Smith J., Chafe C., Wang G., & Wright M. J.
NOVARS RESEARCH CENTRE, UNIVERSITY OF MANCHESTER, UK. STUDIO REPORT Climent, R., Berezan D., & Davison A.
Non-Realtime Sonification of Motiongrams Jensenius, A. R.
Non-negative Sparse Decomposition of Musical Signal using Pre-trained Dictionary of Feature Vectors of Possible Tones from Different Instruments Nomura, R., & Kurita T.
NON-NEGATIVE MATRIX FACTORIZATION WITH SELECTIVE SPARSITY CONSTRAINTS FOR TRANSCRIPTION OF BELL CHIMING RECORDINGS Marolt, M.
NEW TENDENCIES IN THE DIGITAL MUSIC INSTRUMENT DESIGN : PROGRESS REPORT Ferreira-Lopes, P., Vitez F., Dominguez D., & Wikström V.
New Approaches Of Theatre And Opera Directly Inspired By Interactive Data-mining Bonardi, A., & Rousseaux F.
NETWORK MUSIC WITH MEDUSA: A COMPARISON OF TEMPO ALIGNMENT IN EXISTING MIDI APIS Schiavoni, F. L., Queiroz M., & Wanderley M.
Navigating The Mix-space: Theoretical And Practical Level-balancing Technique In Multitrack Music Mixtures AlexWilson, & Fazenda B. M.
MX STRUCTURAL METADATA AS MIR TOOLS Haus, G., & Pinto A.
Musicmean: Fusion-based Music Generation Hirai, T., Sasaki S., & Morishima S.
MUSICJSON: A REPRESENTATION FOR THE COMPUTER MUSIC CLOUD Alvaro, J. L., & Barros B.
MUSICGALAXY – AN ADAPTIVE USER-INTERFACE FOR EXPLORATORY MUSIC RETRIEVAL Stober, S., & ̈rnberger A. N.
Musically Informed Sonification For Self-directed Chronic Pain Physical Rehabilitation Newbold, J. W., Bianchi-Berthouze N., Gold N. E., & Williams A.
MUSICAL VOICE INTEGRATION/SEGREGATION: VISA REVISITED Rafailidis, D., Cambouropoulos E., & Manolopoulos Y.
Musical sonification in electronic therapy aids for motor-functional treatment - a smartphone approach Stahl, B., & Zmölnig I.
MUSICAL GROOVE IS CORRELATED WITH PROPERTIES OF THE AUDIO SIGNAL AS REVEALED BY COMPUTATIONAL MODELLING, DEPENDING ON MUSICAL STYLE Madison, G., Gouyon F., & Ullén F.
MUSICAL APPLICATIONS AND DESIGN TECHNIQUES FOR THE GAMETRAK TETHERED SPATIAL POSITION CONTROLLER Freed, A., McCutchen D., Schmeder A., Hansen A. - M. S., Overholt D., Burleson W., et al.
MUSIC TRANSFORMATION IN CELLULAR SPACES TRIGGERED BY WALSH FUNCTIONS da Silva, P., & Jr. A. M.
Music Synthesis based on Impression and Emotion of Input Narratives Kanno, S., Itoh T., & Takamura H.
MUSIC STRUCTURE REPRESENTATION: A FORMAL MODEL Tagliolato, P.
MUSIC RETRIEVAL ALGORITHMS FOR THE LEAD SHEET PROBLEM Clifford, R., Groult R., Iliopoulos C. S., & Byrd D.
Music Performance Assistance System Based On Vocal, Harmonic, And Percussive Source Separation And Content Visualization For Music Audio Signals Dobashi, A., Ikemiya Y., Itoyama K., & Yoshii K.
Music Content Driven Automated Choreography With Beat-wise Motion Connectivity Constraints Fukayama, S., & Goto M.
MUSIC AS THE GOAL OF TRAINING AND MEANS OF REHABILITATION: EVIDENCE FROM BRAIN SCIENCE Tervaniemi, M.
MUSE: a Music-making Sandbox Environment for Real-Time Collaborative Play Popa, I. A. T., Boyd J. E., & Eagle D.
MULTISENSORY INTERACTIVE INSTALLATION Voto, D., Limonchi M. V., & D’Auria U.
Multiple-Instrument Polyphonic Music Transcription using a Convolutive Probabilistic Model Benetos, E., & Dixon S.
MULTIMODAL AND CROSS-MODAL PROCESSING IN INTERACTIVE SYSTEMS BASED ON TANGIBLE ACOUSTIC INTERFACES Camurri, A., Canepa C., Drioli C., Massari A., Mazzarino B., & Volpe G.
MULTICHANNEL CONTROL OF SPATIAL EXTENT THROUGH SINUSOIDAL PARTIAL MODULATION (SPM) Cabrera, A., & Kendall G.
Multichannel Composition Using State-space Models And Sonification Soria-Luz, R.
Multi-scale design of interactive music systems: the libTuiles experiment Janin, D., Berthaut F., & Desainte-Catherine M.
Multi-channel Spatial Sonification Of Chinook Salmon Migration Patterns In The Snake River Watershed Robertson, B. L., Middleton J., & Hegg J.
Multi-channel formats in electroacoustic composition: Acoustic space as a carrier of musical structure Stavropoulos, N.
Mozart is still blue: a comparison of sensory and verbal scales to describe qualities in music Murari, M., Rod`a A., Pos O. D., Schubert E., Canazza S., & Poli G. D.
Movement Sonification of Musical Gestures: Investigating Perceptual Processes Underlying Musical Performance Movements Hohagen, J., & Wöllner C.
Movement Perception in Music Performance – A Mixed Methods Investigation Schacher, J. C., Järveläinen H., Strinning C., & Neff P.
Motor Behavior Models for Human-Computer Interaction, Chapter for J.M.Carrol MacKenzie, I.
MOTION-ENABLED LIVE ELECTRONICS Eckel, G., Pirro D., & Sharma G. K.
Motion recurrence analysis in music performances Teixeira, E., Yehia H., Loureiro M., & Wanderley M.
mono2eN: A Multi-Channel Autospatialisation Performance System Goddard, C.
Modulating or 'Transferring' Between Non-octave Scales Harrop, T.
MODELLING PERCEPTION OF SPEED IN MUSIC AUDIO Elowsson, A., & Friberg A.
MODELLING EMOTIONAL EFFECTS OF MUSIC: KEY AREAS OF IMPROVEMENT Eerola, T.
Modelling dynamics of key induction in harmony progressions Rohrmeier, M.
Modelling a drum by interfacing 2-D and 3-D waveguide meshes Aird, M. - L., Laird J., & ffitch J.
Modeling of Melodic Rhythm Based on Entropy toward Creating Expectation and Emotion Ohmura, H., Shibayama T., Shibuya S., Takahashi T., Okanoya K., & Furukawa K.
Modeling Moods in Violin Performances Perez, A., Ramirez R., & Kersten S.
Modeling Interactions between Rubbed Dry Surfaces Using an Elasto-Plastic Friction Model Avanzini, F., Serafin S., & Rocchesso D.
MODELING AND SIMULATION: THE SPECTRAL CANON FOR CONLON NANCARROW BY JAMES TENNEY de Paiva Santana, C., Bresson J., & Andreatta M.
Modeling and real-time synthesis of the kantele using distributed tension modulation Pakarinen, J., Karjalainen M., & V"alim"aki V.
Modeling Affective Content of Music: A Knowledge Base Approach Oliveira, A. P., & Cardoso A.
Model order selection techniques for the loop filter design of virtual string instruments Erkut, C.
Mode-dependent Differences in Chord Classification under an Original Computational Method of Tonal Structure Analysis Majchrzak, M.
MOCAP TOOLBOX – A MATLAB TOOLBOX FOR COMPUTATIONAL ANALYSIS OF MOVEMENT DATA Burger, B., & Toiviainen P.
MIXTRACT: AN ENVIRONMENT FOR DESIGNING MUSICAL PHRASE EXPRESSION Hashida, M., Tanaka S., Baba T., & Katayose H.
Mixing Time Representations in a Programmable Score Editor Agon, C., & Bresson J.
MIXING SYMBOLIC AND AUDIO DATA IN COMPUTER ASSISTED MUSIC ANALYSIS A Case study from J . Harvey's Speakings (2008) for Orchestra and Live Electronics Schaub, S., Simurra I., & Tavares T. F.
Minimalism And Process Music: A PureData Realization of Pendulum Music Coco, R.
MIMICRY OF TONE PRODUCTION: RESULTS FROM A PILOT EXPERIMENT Bianco, T., Wanderley M. M., & Bevilacqua F.
Methods for simulating string collisions with rigid spatial objects Krishnaswamy, A., & Smith J. O.
Methods for Real Time Harmonic Excitation of Acoustic Signals Enderby, S., Baracskai Z., & Athwal C.
Metal string Palumbi, M., & Seno L.
MEPHISTO: A Source to Source Transpiler from Pure Data to Faust Demir, A. O., & Hacıhabiboğlu H.
Memory Space Emmerson, S.
Melody Harmonization in Evolutionary Music using Multiobjective Genetic Algorithms Freitas, A., & Guimarães F.
Melody extraction based on a source-filter model using pitch contour selection Bosch, J. J., & Gómez E.
MELODY CLASSIFICATION USING A SIMILARITY METRIC BASED ON KOLMOGOROV COMPLEXITY Li, M., & Sleep R.
Melody Characterization by a Genetic Fuzzy System de León, P. P. J., Rizo D., Ramirez R., & Iñesta J. M.
MELODY BOUNCE: MOBILE RHYTHMIC INTERACTION FOR CHILDREN Baldan, S., Serafin S., & Götzen A. D.
Melodic Outline Extraction Method for Non-note-level Melody Editing Tsuchiya, Y., & Kitahara T.
MELODIC MEMORY AND ITS DEPENDENCE ON FAMILIARITY AND DIFFICULTY Benassi-Werke, M. E., Queiroz M., Germano N. G., & Oliveira M. G. M.
MEASURING THE INTERACTION BETWEEN BASSOON AND HORN PLAYERS IN ACHIEVING TIMBRE BLEND Lembke, S. -amin, Levine S., de Francisco M., & McAdams S.
Measurements of acoustical parameters for the classical guitar Hill, T. J. W., Richardson B. E., & Richardson S. J.
Measured characteristics of development in adolescent singers Barlow, C., & Howard D. M.
MATHEMATICAL STRUCTURE AND SOUND SYNTHESIS Essl, G.
Material Design in Physical Modeling Sound Synthesis Djoharian, P.
MARCO STROPPA’S COMPOSITIONAL PROCESS AND SCIENTIFIC KNOWLEDGE BETWEEN 1980-1991 Tiffon, V., & Sprenger-Ohana N.
Mapping Chaotic Dynamical Systems Into Timbre Evolution Rizzuti, C.
Mapping brain signals to music via executable graphs Crowley, K., & McDermott J.
Mapping and dimensionality of a cloth-based sound instrument Birnbaum, D., Abtan F., Wei† S. X., & Wanderley M. M.
Making motion musical: gestural mapping strategies for interactive computer music T., W.
MAKING AN ORCHESTRA SPEAK Nouno, G., Cont A., Carpentier G., & Harvey J.
LYRICS-TO-AUDIO ALIGNMENT AND PHRASE-LEVEL SEGMENTATION USING INCOMPLETE INTERNET-STYLE CHORD ANNOTATIONS Mauch, M., Fujihara H., & Goto M.
LyricListPlayer: A Consecutive-Query-by-Playback Interface for Retrieving Similar Word Sequences from Different Song Lyrics Nakano, T., & Goto M.
Loop Sequencer That Selects Music Loops Based On The Degree Of Excitement Kitahara, T., Iijima K., Okada M., Yamashita Y., & Tsuruoka A.
Loop filter design techniques for virtual string instruments Erkut, C.
LOGICAL REPRESENTATION OF MUSICAL CONCEPTS Phon-Amnuaisuk, S.
Ljudskrapan/The Soundscraper: Sound exploration for children with complex needs, accommodating hearing aids and cochlear implants Hansen, K. F., Dravins C., & Bresin R.
LISTEN LISBOA: Scripting Languages for Interactive Musical Installations Prado, C. L., & Natkin S.
Limits of Control Rutz, H. H.
LIMITATIONS IN THE RECOGNITION OF SOUND TRAJECTORIES AS MUSICAL PATTERNS Payri, B.
LICHTGESTALT: Interaction With Sound Through Swarms Of Light Rays Fehr, J., & Erkut C.
LEGATO AND GLISSANDO IDENTIFICATION IN CLASSICAL GUITAR Ozaslan, T. H., & JosepLluisArcos
Leech: BitTorrent and Music Piracy Sonification Mckinney, C., & Renaud A.
Learning pseudo-physical models for sound synthesis and transformation Drioli, C., & Rocchesso D.
LEARNING JAZZ GRAMMARS Gillick, J., Tang K., & Keller R. M.
Lazy Evaluation in Microsound Synthesis Nishino, H., & Cheok A.
Large Scale Musical Instrument Identification Benetos, E., Kotti M., & Kotropoulos C.
LARGE DATA SETS & RECOMMENDER SYSTEMS: A FEASIBLE APPROACH TO LEARNING MUSIC ? Gabriel, J.
LANdini : a networking utility for wireless LAN-based laptop ensembles Narveson, J., & Trueman D.
L-SYSTEMS, SCORES, AND EVOLUTIONARY TECHNIQUES Lourenco, B. F., Ralha J. C. L., & Brandao M. C. P.
Komeda: Framework for Interactive Algorithmic Music On Embedded Systems Bacławski, K., & Jackowski D.
KLAMA: the Voice from Oral Tradition in Death Rituals to a Work for Choir & Live Electronics Spiropoulos, G., & Meudic B.
KINETIC ENGINE: TOWARD AN INTELLIGENT IMPROVISING INSTRUMENT Eigenfeldt, A.
KETTLE: A REAL-TIME MODEL FOR ORCHESTRAL TIMPANI Papiotis, P., & Papaioannou G.
Joint f0 and inharmoncity estimation using second order optimization Hahn, H., & Axel R.
JACKTRIP/SOUNDWIRE MEETS SERVER FARM Caceres, J. - P., & Chafe C.
JACK AUDIO SERVER: MACOSX PORT AND MULTI-PROCESSOR VERSION Letz, S., Fober D., Orlarey Y., & Davis P.
ISSUES AND TECHNIQUES FOR COLLABORATIVE MUSIC MAKING ON MULTI-TOUCH SURFACES Laney, R., Dobbyn C., Xambo A., Schirosa M., Miell D., Littleton K., et al.
Isomorphic Tessellations for Musical Keyboards Maupin, S., Gerhard D., & Park B.
Is Knowledge Emerging in the Secrecy of our Digital Collections? Rousseaux, F., & Bonardi A.
Irish Traditional Ethnomusicology Analysis Using Decision Trees And High Level Symbolic Features Martins, M. L. G., & Jr. C. S. N.
Investigation of the relationships between audio features and induced emotions in Contemporary Western music Trochidis, K., Delbé C., & Bigand E.
Investigating The Effects Of Introducing Nonlinear Dynamical Processes Into Digital Musical Interfaces Mudd, T., Holland S., Mulholland P., & Dalton N.
Inversion of a physical model of a trumpet H
INTUNE: A MUSICIAN’S INTONATION VISUALIZATION SYSTEM Lim, K. A., & Raphael C.
INTRODUCTION TO COMPUTER-ASSITED MUSIC ANALYSIS IN PWGL Laurson, M., Kuuskankare M., & Kuitunen K.
INTERPRETATION AND COMPUTER ASSISTANCE IN JOHN CAGE’S CONCERT FOR PIANO AND ORCHESTRA (1957-58) Sluchin, B., & Malt M.
INTERLUDE - A FRAMEWORK FOR AUGMENTED MUSIC SCORES Fober, D., Daudin C., Orlarey Y., & Letz S.
Interfaces for Sound: Representing Material in Pop Music Productions Grote, F.
INTERACTIVELY DETERMINED GENERATIVE SOUND DESIGN FOR SENSATE ENVIRONMENTS Beilharz, K.
Interactive music system for everyone:Exploring visual feedback as a way for creating more intuitive, productive and learnable instruments S., J.
INTERACTIVE INFRASONIC ENVIRONMENT: A New Type of Sound Installation for Controlling Infrasound Gupfinger, R., Ogawa H., Sommerer C., & Mignonneau L.
INTERACTION WITH A LARGE SIZED AUGMENTED STRING INSTRUMENT INTENDED FOR A PUBLIC SETTING Paloranta, J., Lundström A., Elblaus L., Bresin R., & Frid E.
INTERACTION AND SPATIALIZATION : THREE RECENT MUSICAL WORKS Risset, J. - C.
Inter-channel Synchronisation For Transmitting Live Audio Streams Over Digital Radio Links Brown, S., & Oliver J.
INSTRUMENTAL GESTURES AND SONIC TEXTURES FILATRIAU, J. - J., & ARFIB D.
INSTRUMENT AUGMENTATION USING ANCILLARY GESTURES FOR SUBTLE SONIC EFFECTS Lähdeoja, O., Wanderley M. M., & Malloch J.
Input devices for musical expression: borrowing tools from HCI Orio, N., Schnell N., & Wanderley M.
Injecting Periodicities: Sieves as Timbres Exarchos, D.
Informative sonic feedback for continuous human controlling a sound model of a rolling ball Rath, M., & Rocchesso D.
INFLUENCE OF MUSICAL SIMILARITY ON MELODIC SEGMENTATION: REPRESENTATIONS AND ALGORITHMS Cambouropoulos, E., & Tsougras C.
IN A CONCRETE SPACE. RECONSTRUCTING THE SPATIALIZATION OF IANNIS XENAKIS’ CONCRET PH ON A MULTICHANNEL SETUP Valle, A., Tazelaar K., & Lombardo K. T. V.
Impulse Response Estimation for the Auralisation of Vehicle Engine Sounds using Dual Channel FFT Analysis Shelley, S., Murphy D., & Goodwin S.
IMPROVISING COMPUTER MUSIC: AN APPROACH Tarabella, L.
Improvisation Planning and Jam Session Design using concepts of Sequence Variation and Flow Experience Dubnov, S., & Assayag G.
IMPROVISATION AND GESTURE AS FORM DETERMINANTS IN WORKS WITH ELECTRONICS Aska, A.
IMPROVING THE REAL-TIME PERFORMANCE OF A CAUSAL AUDIO DRUM TRANSCRIPTION SYSTEM Miron, M., Davies M. E. P., & Gouyon F.
Improving the Efficiency of Open Sound Control with Compressed Address Strings Kleimola, J., & Mcglynn P. J.
Improving tempo-sensitive and tempo-robust descriptors for rhythmic similarity Holzapfel, A., Flexer A., & Widmer G.
IMPROVING PERFORMERS’ MUSICALITY THROUGH LIVE INTERACTION WITH HAPTIC FEEDBACK: A CASE STUDY Michailidis, T., & Bullock J.
Improved Sinusoidal Parameter Estimation through Iterative Linear Programming Schemes Shiv, V. L.
IMPROVED POLYNOMIAL TRANSITION REGIONS ALGORITHM FOR ALIAS-SUPPRESSED SIGNAL SYNTHESIS Ambrits, D., & Bank B.
Implementation of recursive filters having delay free loops H
Immersion and content - a framework for audio research Karjalainen, M.
IMITATIVE AND GENERATIVE ORCHESTRATIONS USING PRE-ANALYSED SOUNDS DATABASES Carpentier, G., Tardieu D., Assayag G., Rodet X., & Saint-James E.
IMAGE SONIFICATION BASED ON OBJECT AND FEATURE EXTRACTION Kim, K. L., & Yeo W. S.
Image Features Based on Two-dimensional FFT for Gesture Analysis and Recognition Modler, P., & Myatt T.
IANNIX Aesthetical/Symbolic Visualisations for Hypermedia Compositions. Coduys, T., & Ferry G.
HutEar--a free Matlab toolbox for modeling of human hearing H
HUMANITIES, ART AND SCIENCE IN THE CONTEXT OF INTERACTIVE SONIC SYSTEMS – SOME CONSIDERATIONS ON A CUMBERSOME RELATIONSHIP Polotti, P.
Human-Computer Music Performance: From Synchronized Accompaniment to Musical Partner Dannenberg, R. B., Jin Z., Gold N. E., Sandu O. - E., Palliyaguru P. N., Robertson A., et al.
Human Movement Performance in Relation to Path Constraint Zhai, S., & Woltjer R.
HUBS AND ORPHANS - AN EXPLORATIVE APPROACH Gasser, M., Flexer A., & Schnitzer D.
How well Can A Music Emotion Recognition System Predict The Emotional Responses Of Participants? Song, Y., & Dixon S.
How Predictable Do We Like Our Music? Eliciting Aesthetic Preferences With The Melody Triangle Mobile App Ekeus, H., Abdallah S. A., McOwan P. W., & Plumbley M. D.
HOW DO PEOPLE ASSESS COMPUTER GENERATED EXPRESSIVE MUSIC PERFORMANCES? Canazza, S., Poli G. D., & Rodà A.
Horizontal and Vertical Integration/Segregation in Auditory Streaming: A Voice Separation Algorithm for Symbolic Musical Data Karydis, I., Nanopoulos A., Papadopoulos A., Cambouropoulos E., & Manolopoulos Y.
High-level models: bouncing, breaking, rolling, crumpling, pouring Rath, F. F. F.
High Precision Touch Screen Interaction Albinsson, P., & Zhai S.
HEAD IN SPACE: A HEAD-TRACKING BASED BINAURAL SPATIALIZATION SYSTEM Ludovico, L. A., Mauro D. A., & Pizzamiglio D.
Harmony of the Spheres: A Physics-Based Android Synthesizer and Controller with Gestural Objects and Physical Transformations Thalmann, F.
Haptic Feedback for Improved Positioning of the Hand for Empty Handed Gestural Control Modler, P., & Myatt T.
Guided improvisation as dynamic calls to an offline model Nika, J., Bouche D., Bresson J., Chemillier M., & Assayag G.
Granular Sound Spatialization Using Dictionary-Based Methods McLeran, A., Roads C., Sturm B. L., & Shynk J. J.
Granular Model of Multidimensional Spatial Sonification Rosli, M. H. W., Cabrera A., Wright M., & Roads C.
GMU, A FLEXIBLE GRANULAR SYNTHESIS ENVIRONMENT IN MAX/MSP Bascou, C., & Pottier L.
GLOBAL KEY EXTRACTION FROM CLASSICAL MUSIC AUDIO RECORDINGS BASED ON THE FINAL CHORD Weiß, C.
GestureChords: Transparency in Gesturally Controlled Digital Musical Instruments through Iconicity and Conceptual Metaphor Brown, D., Nash C., & Mitchell T.
Gesture-tactile controlled physical modelling music synthesis S., H. R. D.
Gestural strategies for specific filtering processes L., A. C. K. D. J. M.
Gestural control of wavefield synthesis Grani, F., Di Carlo D., Madrid Portillo J., Girardi M., Paisa R., Banas J. S., et al.
GESTURAL CONTROL OF THE SPEECH SYNTHESIS IN LUNA PARK Beller, G.
Gestural Control of Sonic Swarms: Composing with Grouped Sound Objects Davis, T., & Karamanlis O.
GESTURAL CONTROL OF SINGING VOICE, A MUSICAL INSTRUMENT Kessous, L.
Gestural control of Music Wanderley, M.
Gestural and audio metaphors as a means of control for mobile devices Pirhonen, A., Brewster S., & Holguin C.
Generation and Representation of Data and Events for the Control of Sound Synthesis Bresson, J., Stroppa M., & Agon C.
Generating Musical Accompaniment through Functional Scaffolding Hoover, A. K., Szerlip P. A., & Stanley K. O.
Generating Chants Using Mnemonic Capabilities Iyengar, S.
Functional Signal Processing with Pure and Faust using the LLVM Toolkit Gräf, A.
FULL AUTOMATION OF REAL-TIME PROCESSES IN INTERACTIVE COMPOSITIONS: TWO RELATED EXAMPLES Garavaglia, J. A.
from snow [to space to movement] to sound Kontogeorgakopoulos, A., Kotsifa O., & Erichsen M.
From Music Symbolic Information to Sound Synthesis: An Xml-Based Approach Haus, G., Ludovico L. A., & Russo E.
Frequency-independent beamforming Goodwin, M. M.
FREE CLASSIFICATION OF VOCAL IMITATIONS OF EVERYDAY SOUNDS Dessein, A., & Lemaitre G.
Four-part Harmonization Using Probabilistic Models: Comparison of Models With and Without Chord Nodes Suzuki, S., & Kitahara T.
FORM-AWARE, REAL-TIME ADAPTIVE MUSIC GENERATION FOR INTERACTIVE EXPERIENCES Aspromallis, C., & Gold N. E.
FONASKEIN: An interactive application software for the practice of the singing voice Moschos, F., Georgaki A., & Kouroupetroglou G.
Follow the Tactile Metronome: Vibrotactile Stimulation for Tempo Synchronization in Music Performance Giordano, M., & Wanderley M. M.
Foley Sounds vs Real Sounds Trento, S., & de Gotzen A.
FM4 SOUNDPARK AUDIO-BASED MUSIC RECOMMENDATION IN EVERYDAY USE Gasser, M., & Flexer A.
FIRST-ORDER LOGIC CLASSIFICATION MODELS OF MUSICAL GENRES BASED ON HARMONY Anglade, A., Ramirez R., & Dixon S.
FIRST STEPS TOWARDS A DIGITALASSISTANT FOR PERFORMERS AND STAGE DIRECTORS Bonardi, A., & Truck I.
FIRST STEPS IN RELAXED REAL-TIME TYPO-MORPHOLOGICAL AUDIO ANALYSIS/SYNTHESIS Schnell, N., Cifuentes M. A. S., & Lambert J. - P.
Fifty Years of Digital Sound for Music Risset, J. - C.
FaucK!! Hybridizing the FAUST and ChucK Audio Programming Languages Michon, R., & Wang G.
FACTORSYNTH: A MAX TOOL FOR SOUND ANALYSIS AND RESYNTHESIS BASED ON MATRIX FACTORIZATION Burred, J. J.
Factors Influencing Vocal Pitch in Articulatory Speech Synthesis: A Study Using PRAAT Meenakshisundaram, S., Miranda E., & Kaimi I.
Extraction of sound localization cue utilizing pitch cue for modelling auditory system Okuno, T., Mcginnity T. M., & Maguire L. P.
EXTRACTING MUSICALLY-RELEVANT RHYTHMIC INFORMATION FROM DANCE MOVEMENT BY APPLYING PITCH TRACKING TECHNIQUES TO A VIDEO SIGNAL Guedes, C.
Extending voice-driven synthesis to audio mosaicing Janer, J., & de Boer M.
EXTENDING THE FOLKSONOMIES OF FREESOUND.ORG USING CONTENT-BASED AUDIO ANALYSIS Martınez, E., Celma O., Sordo M., Jong B., & XavierSerra
EXTENDING A NETWORK-OF-ELABORATIONS REPRESENTATION TO POLYPHONIC MUSIC: SCHENKER AND SPECIES COUNTERPOINT Marsden, A.
EXTENDED WAVEFORM SEGMENT SYNTHESIS, A NONSTANDARD SYNTHESIS MODEL FOR MICROSOUND COMPOSITION Valsamakis, N., & Miranda E. R.
EXPRESSIVENESS DETECTION OF MUSIC PERFORMANCES IN THE KINEMATICS ENERGY SPACE Mion, L., & Poli G. D.
Expressive text-to-speech approaches Kanellos, I., Suciu I., & Moudenc T.
EXPRESSIVE PRODUCTION OF PIANO TIMBRE: TOUCH AND PLAYING TECHNIQUES FOR TIMBRE CONTROL IN PIANO PERFORMANCE Bernays, M., & Traube C.
EXPRESSIVE PERFORMANCE RENDERING: INTRODUCING PERFORMANCE CONTEXT Flossmann, S., Grachten M., & Widmer G.
Expressive Performance in the Human Tenor Voice Marinescu, M. C., & Ramirez R.
EXPRESSIVE HUMANOID ROBOT FOR AUTOMATIC ACCOMPANIMENT Xia, G., Kawai M., Matsuki K., Fu M., Cosentino S., Trovato G., et al.
EXPRESSIVE GESTURAL CONTROL OF SOUND AND VISUAL OUTPUT IN MULTIMODAL INTERACTIVE SYSTEMS Camurri, A., Mazzarino B., & Volpe G.
EXPLORING TIMBRE SPACES WITH TWO MULTIPARAMETRIC CONTROLLERS Kiefer, C.
Exploring the General Melodic Characteristics of XinTianYou Folk Songs Li, J., Dong L., Ding J., & Yang X.
EXPLORING THE EFFECT OF MAPPING TRAJECTORIES ON MUSICAL PERFORMANCE Nort, D. V., & Wanderley M. M.
Exploring the design space: prototyping "The Throat v3" for the Elephant Man opera Elblaus, L., Hansen K. F., & Unander-Scharin C.
Exploring Moment-form in Generative Music Eigenfeldt, A.
Exploring Gesturality in Music Performance Schacher, J. C., Bisig D., & Neff P.
EXPLORING COMMON VARIATIONS IN STATE OF THE ART CHORD RECOGNITION SYSTEMS Cho, T., Weiss R. J., & Bello J. P.
EXPLORATIONS IN CONVOLUTIONAL SYNTHESIS Smyth, T., & Elmore A. R.
EXPLOITING DOMAIN KNOWLEDGE IN MUSIC INFORMATION RESEARCH XavierSerra
Explaining musical expression as a mixture of basis functions Grachten, M., & Widmer G.
Experiments on gestures: walking, running, and hitting S., B. D. R.
Experimental results showing the effects of optimal spacing between elements of a linear microphone array Alvarado, V. M., & Silverman H. F.
Experimental (δ, γ)-Pattern-Matching with Don’t Cares Iliopoulos, C. S., Mohamed M., & Mohanaraj V.
Examining the role of context in the recognition of walking sounds Turchet, L., Nordahl R., & Serafin S.
EVENT SYNCHRONOUS MUSIC THUMBNAILS: EXPERIMENTS Evangelista, G., & Cavaliere S.
Evaluating of sensor technologies for The Rulers, a kalimba-like Digital Musical Instrument Medeiros, C. B., & Wanderley M. M.
ETHERACTION: PLAYING A MUSICAL PIECE USING GRAPHICAL INTERFACES Couturier, J. - M.
Ephemeron: Control over Self-Organised Music KOLLIAS, P. - A.
Ensemble: Implementing a Musical Multiagent System Framework Thomaz, L., & Queiroz M.
ENHANCING EXPRESSIVE AND TECHNICAL PERFORMANCE IN MUSICAL VIDEO GAMES Marczak, R., Robine M., Desainte-Catherine M., Allombert A., Hanna P., & Kurtag G.
ENGAGEMENT AND INTERACTION IN PARTICIPATORY SOUND ART Goudarzi, V., & Gioti A. - M.
ENERGY HARVESTING POWER FLOWER BELL -€“ A CYBERNETIC SOUND INSTALLATION DRIVEN BY A DIRT-BATTERY Schauer, J., Ritsch W., & Fickert L.
Energy behavior in time-varying fractional delay filters for physical modeling of musical instruments Pakarinen, J., Karjalainen M., Välimäki V., & Bilbao S.
EMPIRICALLY BASED AUDITORY DISPLAY DESIGN Brazil, E., & Fernstrom M.
EMOTIONS IN THE VOICE: HUMANISING A ROBOTIC VOICE Bowles, T., & Pauletto S.
Emotional response to major mode musical pieces: score-dependent perceptual and acoustic analysis Canazza, S., Roda' A., & Poli G. D.
Emotion from Motion T., A. B. C. K. A.
EMOTION AND SOUNDSCAPE PREFERENCE RATING USING SEMANTIC DIFFERENTIAL PAIRS AND THE SELF-ASSESSMENT MANIKIN Stevens, F., Murphy D., & Smith S.
Emerging Composition: Being and Becoming Tipei, S.
Embodiment and Agency: Towards an Aesthetics of Interactive Performativity Kim, J. H., & Seifert U.
Embodied Auditory Display Affordances Roddy, S., & Furlong D.
Elimination of Delay-free Loops in Discrete- Time Models of Nonlinear Acoustic Systems Borin, G., Poli G. D., & Rocchesso D.
EFFICIENT FINITE DIFFERENCE-BASED SOUND SYNTHESIS USING GPUS Sosnick, M., & Hsu W.
EFFICIENT EXTRACTION OF CLOSED MOTIVIC PATTERNS IN MULTI-DIMENSIONAL SYMBOLIC REPRESENTATIONS OF MUSIC Lartillot, O.
EFFECT OF TIMBRE ON MELODY RECOGNITION IN THREE-VOICE COUNTERPOINT MUSIC Chon, S. H., Schwartzbach K., Smith B., & McAdams S.
Echi tra le Volte, a sound design project for churches Taroppi, A.
Dynamic Modeling of Vibrating Structures for Sound Synthesis, Modal Synthesis Adrien, J. M.
DYNAMIC INTERMEDIATE MODELS FOR AUDIOGRAPHIC SYNTHESIS Goudard, V., Genevois H., Doval B., & Ghomi É.
Dynamic FM synthesis using a network of complex resonator filters Parker, J., & Bovermann T.
DYNAMIC CUES FOR NETWORK MUSIC INTERACTIONS Renaud, A. B.
DTW-based Score Following Method For Score-informed Sound Source Separation Rodriguez-Serrano, F. J., Canadas-Quesada F. J., Menndez-Canal J., Cortina R., & Vidal A.
DOWNY OAK: RENDERING ECOPHYSIOLOGICAL PROCESSES IN PLANTS AUDIBLE Maeder, M., & Zweifel R.
DOES A “NATURAL” SONIC FEEDBACK AFFECT PERCEIVED USABILITY AND EMOTION IN THE CONTEXT OF USE OF AN ATM? Susini, P., Misdariis N., Houix O., & Lemaitre G.
Distributing Music Scores to Mobile Platforms and to the Internet using INScore Fober, D., Gouilloux G., Orlarey Y., & Letz S.
Distance Mapping for Corpus-Based Concatenative Synthesis Schwarz, D.
Distance Encoding in Ambisonics Using Three Angular Coordinates Penha, R.
DISSONANCES: BRIEF DESCRIPTION AND ITS COMPUTATIONAL REPRESENTATION IN THE RTCC CALCULUS Perchy, S., & M. G. S. M.
Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format Park, B., & Gerhard D.
Discovery of generalized interval patterns Conklin, D., & Bergeron M.
Digitally Augmented Everyday Objects in Music Composition Kojs, J., & Serafin S.
Digital waveguide mesh modelling of room acoustics: Surround-sound, boundaries and plugin implementation Murphy, D. T., Newton C. J. C., & Howard D. M.
Digital sound sysnthesis based on transfer function models Trautmann, L., & Rabenstein R.
Digital sound synthesis based on multidimensional system theory Rabenstein, R., & Trautmann L.
DIGITAL AUDIO EFFECTS AND PHYSICAL MODELING Alexandros, K., & Claude C.
Developing Mixer-style Controllers Based On Arduino/Teensy Microcontrollers Popp, C., & Soria-Luz R.
DEVELOPING A PARAMETRIC SPATIAL DESIGN FRAMEWORK FOR DIGITAL DRUMMING Ham, J., & Prohasky D.
DEVELOPING A NON-VISUAL OUTPUT DEVICE FOR MUSICAL PERFORMERS MIYASHITA, H., & NISHIMOTO K.
Detection Thresholds in Audio-Visual Redirected Walking Meyer, F., Nogalski M., & Fohl W.
Desirable Aspects Of Visual Programming Languages For Different Applications In Music Creation Pošćić, A., Kreković G., & Butković A.
Designing and Synthesizing Delay-Based Digital Audio Effects using the CORDIS ANIMA Physical Modeling Formalism Kontogeorgakopoulos, A., & Cadoz C.
Designing an Expressive Virtual Percussive Instrument Dolhansky, B., Mcpherson A., & Kim Y.
Design of an Interactive Earphone Simulator and Results from a Perceptual Experiment Lindborg, P. M., & Lim M. J. Y.
Design of an efficient inharmonic digital waveguide filter for synthesis of hand-bell sounds Esquef, P. A. A., & V
Design and Implementation of a Whole-Body Haptic Suit for “Ilinx”, a Multisensory Art Installation
Design and Implementation of a Whole-Body Haptic Suit for “Ilinx”, a Multisensory Art Installation Giordano, M., Hattwick I., Franco I., Egloff D., Frid E., Lamontagne V., et al.
Design and Applications of a Multi-Touch Musical Keyboard Mcpherson, A., & Kim Y.
DESCRIPTOR-BASED SOUND TEXTURE SAMPLING Schwarz, D., & Schnell N.
DEPENDENT VECTOR TYPES FOR MULTIRATE FAUST Jouvelot, P., & Orlarey Y.
Demetrio Stratos rethinks voice techniques: a historical investigation at ISTC in Padova Ceolin, E., Tisato G., & Zattra L.
deepGTTM-II: Automatic Generation of Metrical Structure based on Deep Learning Technique Hamanaka, M., Hirata K., & Tojo S.
David Wessel’s Slabs: a case study in Preventative Digital Musical Instrument Conservation Freed, A.
DANCEREPRODUCER: AN AUTOMATIC MASHUP MUSIC VIDEO GENERATION SYSTEM BY REUSING DANCE VIDEO CLIPS ON THE WEB Nakano, T., Murofushi S., Goto M., & Morishima S.
DANCE PATTERN RECOGNITION USING DYNAMIC TIME WARPING Pohl, H., & Hadjakos A.
D-JOGGER: SYNCING MUSIC WITH WALKING Moens, B., van Noorden L., & Leman M.
CURRENT DIRECTIONS WITH MUSICAL PLUS ONE Raphael, C.
CROWDSOURCING A REAL-WORLD ON-LINE QUERY BY HUMMING SYSTEM Huq, A., Cartwright M., & Pardo B.
CrossSong Puzzle: Generating and Unscrambling Music Mashups with Real-time Interactivity Smith, J., Percival G., Kato J., Goto M., & Fukayama S.
CREATION AND EXPLORATION OF A PERCEPTUAL SONIC TEXTURES SPACE USING A TANGIBLE INTERFACE Filatriau, J. - J., & ARFIB D.
Creating Expressive Piano Performance Using a Low-dimensional Performance Model Gu, Y., & Raphael C.
Cordis Anima Physical Modeling and Simulation System Analysis Kontogeorgakopoulos, A., & Cadoz C.
Cooperative musical creation using Kinect,WiiMote, Epoc and microphones: a case study with MinDSounDS Tavares, T. F., Rimoldi G., Pontes V. E., & Manzolli J.
CONVERSATIONAL INTERACTIVITY IN SLOW-MOTION: A COMPARISON OF PHONE DIALOGUES AND OPERA SCENES Reichl, P., Hammer F., & Balinova M.
Controlling the virtual bodhran - the vodhran B., B. D. M. R. M. R. S. M. M.
Controlling Material Properties in Physical Models of Sounding Objects Avanzini, F., & Rocchesso D.
Controlling Aural and Visual Particle Systems through Human Movement Guedes, C., & Woolford K.
CONTROLLING A SOUND SYNTHESIZER USING TIMBRAL ATTRIBUTES Pošćić, A., & Kreković G.
CONTROL SEARCH USING RULES, TESTS AND MEASURES Phon-Amnuaisuk, S., & Smaill A.
CONTENT ANALYSIS OF NOTE TRANSITIONS IN MUSIC PERFORMANCE Loureiro, M., Yehia H., de Paula H., Campolina T., & Mota D.
Contact sounds for continuous feedback S., R. A. R. B. S. D. F. M. R.
CONSTRAINS ON THE MODEL FOR SELF-SUSTAINED SOUNDS GENERATED BY ORGAN PIPE INFERRED BY INDEPENDENT COMPONENT ANALYSIS Lauro, D. E., Martino D. S., Falanga M., & Sarno G.
CONSTANT-Q TRANSFORM TOOLBOX FOR MUSIC PROCESSING Schorkhuber, C., & Klapuri A.
Constant beamwidth beamforming Goodwin, M. M., & Elko G. W.
CONNECTING GRAPHICAL SCORES TO SOUND SYNTHESIS IN PWGL Kuuskankare, M., & Laurson M.
CONDUCTING A VIRTUAL ENSEMBLE WITH A KINECT DEVICE Rosa-Pujazón, A., Barbancho I., Tardón L. J., & Barbancho A. M.
CONCURRENT CONSTRAINTS MODELS FOR SPECIFYING INTERACTIVE SCORES Allombert, A., Assayag G., Desainte-Catherine M., & Rueda C.
CONCURRENT CONSTRAINTS CONDITIONAL-BRANCHING TIMED INTERACTIVE SCORES Toro-Bermudez, M., & Desainte-Catherine M.
Concatenative Synthesis of Expressive Saxophone Performance Kersten, S., & Ramirez R.
COMPUTER-AIDED TRANSFORMATIONAL ANALYSIS WITH TONE SIEVES Noll, T., Andreatta M., Agon C., & Amiot E.
COMPUTER VISION METHOD FOR GUITARIST FINGERING RETRIEVAL Burns, A. - M., & Wanderley M. M.
Computer synthesis of bird songs and calls Kahrs, M., & Avanzini F.
COMPUTER MUSIC ANALYSIS VIA A MULTIDISCIPLINARY APPROACH Nucibella, F., Porcelluzzi S., & Zattra L.
COMPUTATIONAL INVESTIGATIONS INTO BETWEEN-HAND SYNCHRONIZATION IN PIANO PLAYING: MAGALOFF’S COMPLETE CHOPIN Goebl, W., Flossmann S., & Widmer G.
CompScheme: A Language for Composition and Stochastic Synthesis Dobereiner, L.
Composition Identification in Ottoman-Turkish Makam Music Using Transposition-Invariant Partial Audio-Score Alignment Şentürk, S., & XavierSerra
COMPOSITION AND IMPROVISATION ON THE NET Hajdu, G.
Composing Social Interactions for an Interactive-Spatial Performance System Parkinson, A., & Tahiroğlu K.
COMPOSING IN THE FLESH: PERCEPTUALLYINFORMED HARMONIC SYNTAX Ferguson, S., & Parncutt R.
Composing for cars Parkinson, A., & Tanaka A.
COMPOSING AUDIO-VISUAL ART: THE ISSUE OF TIME AND THE CONCEPT OF TRANSDUCTION Courribet, B.
Compilation of unified physical models for efficient sound synthesis Karjalainen, M., Erkut C., & Savioja L.
COMPARISON OF NON-STATIONARY SINUSOID ESTIMATION METHODS USING REASSIGNMENT AND DERIVATIVES Musevic, S., & Bonada J.
Comparing Timbre-based Features for Musical Genre Classification Hartmann, M., Saari P., Toiviainen P., & Lartillot O.
Comparing Inertial and Optical MoCap Technologies for Synthesis Control Skogstad, S. A., Nymoen K., & Høvin M.
CLASSIFICATION INTO MUSICAL GENRES USING A RHYTHMIC KERNEL Frederico, G.
CHORD SEQUENCE PATTERNS IN OWL Wissmann, J., Weyde T., & Conklin D.
CHILD / MACHINE INTERACTION IN REFLEXIVE ENVIRONMENT. THE MIROR PLATFORM Addessi, A. R.
Cephalomorphic interface for emotion-based music synthesis Maniatakos, V. - F. A.
Capturing And Ranking Perspectives On The Consonance And Dissonance Of Dyads Breen, A., & O’Riordan C.
Capacitive Left Hand Finger and Bow Sensors for Synchronization and Rhythmical Regularity Analysis in String Ensembles Grosshauser, T., Feese S., & Tröster G.
CAMeL: Carnatic Percussion Music Generation Using N-Gram Models Trochidis, K., Guedes C., Anantapadmanabhan A., & Klaric A.
C. Elegans Meets Data Sonification: Can We Hear its Elegant Movement? Terasawa, H., Takahashi Y., Hirota K., Hamano T., Yamada T., Fukamizu A., et al.
Breeding Rhythms with Artificial Life Martins, J. M., & Miranda E. R.
Brazilian challenges on network music Arango, J. J., Tomiyoshi M., Iazzetta F., & Queiroz M.
Bioacoustical modeling for sound synthesis: a case study of odontoceti clicks Erkut, C.
Beyond movement an animal, beyond an animal the sound Philippides, A.
BeatLED - The Social Gaming Partyshirt Nies, T. D., Vervust T., Demey M., Walle R. V. D., Vanfleteren J., & Leman M.
Beatings: a web application to foster the renaissance of the art of musical temperaments Penha, R., & Bernardes G.
BEAT-STATION: A REAL-TIME RHYTHM ANNOTATION SOFTWARE Miron, M., Gouyon F., Davies M. E. P., & Holzapfel A.
Bean: A Digital Musical Instrument For Use In Music Therapy Kirwan, N. J., Overholt D., & Erkut C.
Basic physiology of the hearing mechanism Ewans, E. F.
AV CLASH – ONLINE TOOL FOR MIXING AND VISUALIZING AUDIO RETRIEVED FROM FREESOUND.ORG DATABASE Correia, N. N.
Autosimilar melodies and their implementation in OpenMusic Amiot, E., Agon C., & Andreatta M.
Automatically detecting key modulations in J.S. Bach chorale recordings Mearns, L., Benetos E., & Dixon S.
Automatic Tuning of the OP-1 Synthesizer Using a Multi-objective Genetic Algorithm Macret, M., & Pasquier P.
AUTOMATIC SONG COMPOSITION FROM THE LYRICS EXPLOITING PROSODY OF JAPANESE LANGUAGE Fukayama, S., Nakatsuma K., Sako S., Nishimoto T., & Sagayama S.
Automatic Singing Voice To Music Video Generation Via Mashup Of Singing Video Clips Hirai, T., Ikemiya Y., Yoshii K., Nakano T., Goto M., & Morishima S.
Automatic Semantic Annotation of Music with Harmonic Structure Weyde, T., & Wissmann J.
Automatic musical instrument recognition in audiovisual recordings by combining image and audio classification strategies Slizovskaia, O., Gomez E., & Haro G.
AUTOMATIC MUSIC TAG CLASSIFICATION BASED ON BLOCK-LEVEL FEATURES Seyerlehner, K., Widmer G., Schedl M., & Knees P.
AUTOMATIC MUSIC COMPOSITION BASED ON COUNTERPOINT AND IMITATION USING STOCHASTIC MODELS Tanaka, T., Nishimoto T., Ono N., & Sagayama S.
Automatic Multitrack Mixing Using Linear Dynamical Systems Scott, J., Prockup M., Schmidt E., & Kim Y.
AUTOMATIC MANIPULATION OF MUSIC TO EXPRESS DESIRED EMOTIONS Oliveira, A. P., & Cardoso A.
AUTOMATIC JAZZ HARMONY EVOLUTION Bäckman, K.
Automatic Creation of Mood Playlists in the Thayer Plane: a Methodology and a Comparative Study Panda, R., & Paiva R. P.
AUTOMATIC COMPOSITION AND NOTATION IN NETWORK MUSIC ENVIRONMENTS Hajdu, G.
Authoring Spatial Music with SpatDIF Version 0.4 Schacher, J. C., Peters N., Lossius T., & Miyama C.
Authenticity Issue in Performing Arts using Live Electronics Guercio, M., Barthélemy J., & Bonardi A.
AURALIZATION OF COUPLED SPACES BASED ON A DIFFUSION EQUATION MODEL Luizard, P., Polack J. - D., & Katz B. F. G.
AUGMENTING C-CARDS WITH MUSIC ACTIONS Valente, A., Lyon K., & Jensen K.
AUDITORY REPRESENTATIONS AS LANDMARKS IN THE SOUND DESIGN SPACE Drioli, C., Polotti P., Rocchesso D., Monache S. D., Adiloglu K., Annies R., et al.
Auditory feedback in a multimodal balancing task: walking on a virtual rope Serafin, S., Turchet L., & Nordahl R.
AUDIO-TACTILE FEEDBACK IN MUSICAL GESTURE PRIMITIVES: FINGER PRESSING Järveläinen, H., Papetti S., Schiesser S., & Grosshauser T.
AUDIO-BASED MUSIC VISUALIZATION FOR MUSIC STRUCTURE ANALYSIS Wu, H. - H., & Bello J. P.
Audio restoration of solo guitar excerpts using a excitation-filter instrument model Parras-Moral, J., Cañadas-Quesada F. J., Vera-Candeas P., & Ruiz-Reyes N.
Audio Physical Computing Valle, A.
AUDIO INTERPOLATION AND MORPHING VIA STRUCTURED-SPARSE LINEAR REGRESSION Kereliuk, C., Depalle P., & Pasquier P.
AUDIO FEEDBACK IN PREDICTIVE HCI METHODS de Gotzen, A., & Rocchesso D.
Audio Content Transmission Amatriain, X., & Herrera P.
Asymmetrical Envelope Shapes in Sound Spatialization Canavese, F., Giomi F., Meacci D., & Schwoon K.
ARTIFICIAL SINGING WITH A WEBCAM MOUTH-CONTROLLER Hapipis, A., & Miranda E. R.
Artificial Affective Listening towards a Machine Learning Tool for Sound-Based Emotion Therapy and Control Kirke, A., Miranda E., & Nasuto S. J.
ARCHITECTURE AND EXPERIMENTS IN NETWORKED 3D AUDIO/GRAPHIC RENDERING WITH VIRTUAL CHOREOGRAPHER Jacquemin, C.
Archaeology And Virtual Acoustics. A Pan Flute From Ancient Egypt Avanzini, F., Canazza S., Poli G. D., Fantozzi C., Pretto N., Rodà A., et al.
APPLYING ASPECT ORIENTED PROGRAMMING TO MUSIC COMPUTING Hill, P., Holland S., & Laney R. C.
Applications of Typomorphology in Acute; Scoring the Ideal and its Mirror Climent, R.
Applications of Synchronization in Sound Synthesis Neukom, M.
Analyzing the influence of pitch quantization and note segmentation on singing voice alignment in the context of audio-based Query-by-Humming Valero-Mas, J. J., Salamon J., & Gómez E.
ANALYZING LEFT HAND FINGERING IN GUITAR PLAYING Guauss, E., & Arcos J. L.
ANALYZING GESTURE AND SOUND SIMILARITIES WITH A HMM-BASED DIVERGENCE MEASURE Caramiaux, B., Bevilacqua F., & Schnell N.
Analysis of Social Interaction in Music Performance with Score-Independent Audio Features Volpe, G., Varni G., Mazzarino B., Pisano S., & Camurri A.
Analysis Of Musical Textures Played On The Guitar By Means Of Real-time Extraction Of Mid-level Descriptors Freire, S., & Cambraia P.
Analysis and Resynthesis of the Handpan Sound Alon, E., & Murphy D.
Analysis and automatic annotation of singer’s postures during concert and rehearsal Grachten, M., Demey M., Moelants D., & Leman M.
ANALYSIS AND ANALYSES OF ELECTROACOUSTIC MUSIC Zattra, L.
AN XML-BASED FORMAT FOR ADVANCED MUSIC FRUITION Baratè, A., Haus G., & Ludovico L. A.
An Open-source Framework for Time-domain Simulations Geyer, C. B.
An Online Tempo Tracker for Automatic Accompaniment based on Audio-to-audio Alignment and Beat Tracking Burloiu, G.
An Interactive Surface Realisation of Henri Pousseur's `Scambi' Fencott, R., & Dack J.
AN INTERACTIVE MUSIC COMPOSITION SYSTEM BASED ON AUTONOMOUS MAINTENANCE OF MUSICAL CONSISTENCY Kitahara, T., Fukayama S., Sagayama S., Katayose H., & Nagata N.
An Innovative Method for the Study of African Musical Scales: Cognitive and Technical Aspects Arom, S., Fernando N., & Marandola F.
An Improved Digital Waveguide Model of a Flute with Fractional Delay Filters H
AN EXPLORATION ON WHOLE-BODY AND FOOT-BASED VIBROTACTILE SENSITIVITY TO MELODIC CONSONANCE Fontana, F., Camponogara I., Vallicella M., Ruzzenente M., & Cesari P.
AN EXPLORATION ON THE INFLUENCE OF VIBROTACTILE CUES DURING DIGITAL PIANO PLAYING Fontana, F., Papetti S., Bello V. D., Civolani M., & Bank B.
An Exploration of Mood Classification in the Million Songs Dataset Corona, H., & O’Mahony M. P.
AN ENERGY CONSERVING FINITE DIFFERENCE SCHEME FOR SIMULATION OF COLLISIONS Chatziioannou, V., & Walstijn M. V.
An Augmented Guitar with Active Acoustics Lähdeoja, O.
AN AUDIOVISUAL WORKSPACE FOR PHYSICAL MODELS enjamin Schroeder, Ainger M., & Parent R.
An analog I/O interface board for Audio Arduino open sound card system Dimitrov, S., & Serafin S.
An algorithm for real-time harmonic microtuning Sabat, M.
AN ADAPTIVE MULTI-PARAMETRIC AND REDUNDANCY-FILTERING APPROACH FOR MOTIVIC PATTERN DISCOVERY Lartillot, O.
An Adaptive Classification Algorithm For Semiotic Musical Gestures Gillian, N., Knapp B. R., & O'Modhrain S.
An A-Life Approach to Machine Learning of Musical Worldviews for Improvisation Systems Gimenes, M., & Miranda E. R.
AMAROK PIKAP: INTERACTIVE PERCUSSION PLAYING AUTOMOBILE Artut, S.
Algorithmic Composition – ”gestalt revolution“– a new approach to a unfied view on structuring diverse levels of musical composition Schmitt, J.
ALBUM AND ARTIST EFFECTS FOR AUDIO SIMILARITY AT THE SCALE OF THE WEB Flexer, A., & Schnitzer D.
Advanced Sound Manipulation in Interactive Multimedia Environments Deliyiannis, Y., Floros A., & Tsakostas C.
Addressing Tempo Estimation Octave Errors in Electronic Music by Incorporating Style Information Extracted from Wikipedia Hörschläger, F., Vogl R., Böck S., & Knees P.
ADDITIONAL EVIDENCE THAT COMMON LOW-LEVEL FEATURES OF INDIVIDUAL AUDIO FRAMES ARE NOT REPRESENTATIVE OF MUSIC GENRE Marques, G., Lopes M., Sordo M., Langlois T., & Gouyon F.
ADAPTIVE SPATIALIZATION AND SCRIPTING CAPABILITIES IN THE SPATIAL TRAJECTORY EDITOR HOLO-EDIT Bascou, C.
Adapting a Computational Multi Agent Model for Humpback Whale Song Research for use as a Tool for Algorithmic Composition Mcloughlin, M., Lamoni L., Garland E., Ingram S., Kirke A., Noad M., et al.
Active preservation of electrophone musical instruments. The case of the "Liettizzatore" of "Studio di Fonologia Musicale" (RAI, Milano) Canazza, S., Rodà A., Novati M., & Avanzini F.
Acquisition of expanding targets McGuffin, M., & Balakrishnan R.
Acoustics-like dynamics in signal-based synthesis through parameter mapping Gaffney, B. B., & Smyth T.
Acoustically Guided Redirected Walking in a WFS System: Design of an Experiment to Identify Detection Thresholds Nogalski, M., & Fohl W.
Acoustical Analysis of Tanbur, a Turkish long-necked lute Erkut, C., Tolonen T., Karjalainen M., & V
ACOUSTIC SCORE FOLLOWING TO MUSICAL PERFORMANCE WITH ERRORS AND ARBITRARY REPEATS AND SKIPS Nakamura, T., Nakamura E., & Sagayama S.
ACOUSTIC RETROREFLECTORS FOR MUSIC PERFORMANCE MONITORING Tuominen, H. T.
ACOUSTIC REHABILITATIO Jaume Segura, A. R., & Navarro E.
Acoustic Cues from Shapes between Spheres and Cubes Fontana, F., Rocchesso D., & Apollonio E.
Accurate and efficient modeling of beating and two-stage decay for string instruments Bank, B.
ACCESSING STRUCTURE OF SAMBA RHYTHMS THROUGH CULTURAL PRACTICES OF VOCAL PERCUSSION Naveda, L., & Leman M.
About the Impact of Audio Quality on Overall Listening Experience Schoeffler, M.
A wavelet-based sinusoid model of sound for auditory signal separation Ellis, D. P. W., & Vercoe B. L.
A waveguide model for slapbass synthesis Rank, E., & Kubin G.
A Virtual Acousmonium for Transparent Speaker Systems Kermit-Canfield, E.
A VERSATILE TOOLKIT FOR CONTROLLING DYNAMIC STOCHASTIC SYNTHESIS Krekovi, G., & Petrinovi D.
A toolbox for storing and streaming music-related data Nymoen, K., & Jensenius A. R.
A TEMPORAL CONCURRENT CONSTRAINT CALCULUS AS AN AUDIO PROCESSING FRAMEWORK Rueda, C., & Valencia F.
A Tambourine Support System to Improve the Atmosphere of Karaoke Kurihara, T., Kinoshita N., Yamaguchi R., & Kitahara T.
A system of interactive scores based on Petri nets Allombert, A., Assayag G., & Desainte-Catherine M.
A SYSTEM FOR MUSICAL IMPROVISATION COMBINING SONIC GESTURE RECOGNITION AND GENETIC ALGORITHMS Nort, D. V., Braasch J., & Oliveros P.
A SYNTHESIZER BASED ON SQUARE WAVES Vergara, S.
A Survey of Raaga Recognition Techniques and Improvements to the State-of-the-Art Gopala-Krishna, K., Gulati S., & Rao P.
A STUDY ON USING THE MELLIN TRANSFORM FOR VOWEL RECOGNITION Sena, A. D., & Rocchesso D.
A Study on the Use of Perceptual Features for Music Emotion Recognition Abela Scicluna, M., Muscat A., & Buttigieg V.
A Structural Approach to Distance Rendering in Personal Auditory Displays Fontana, F., Rocchesso D., & Ottaviani L.
A STRATIFIED APPROACH FOR SOUND SPATIALIZATION Peters, N., Lossius T., Schacher J., Baltazar P., Bascou C., & Place T.
A social network integrated game experiment to relate tapping to speed perception and explore rhythm reproduction Bellec, G., Elowsson A., Friberg A., Wolff D., & Weyde T.
A Simplified Design of Multidimensional Transfer Function Models Petrausch, S., & Rabenstein R.
A semi-automated tagging methodology for Orthodox Ecclesiastic Chant Acoustic corpora Chryssochoidis, G., Delviniotis D., & Kouroupetroglou G.
A Score-Informed Computational Description of Svaras Using a Statistical Model Şentürk, S., Koduri G. K., & XavierSerra
A Rule-Based Generative Music System Controlled by Desired Valence and Arousal Wallis, I., Ingalls T., Campana E., & Goodman J.
A ROLE OF METRICAL STRUCTURE IN IMPLICIT MEMORY OF RHYTHM PERCEPTION: TOWARD A COMPUTATIONAL MODELING OF PERCEPTION PROCESS OF METRICAL STRUCTURE GOTO, Y.
A REAL-TIME BEAT TRACKER FOR UNRESTRICTED AUDIO SIGNALS Scaringella, N., & Zoia G.
A Quantitative Review of Mappings in Musical iOS Applications Kell, T., Wanderley M. M., & Kit D.
A PRELIMINARY COMPUTATIONAL MODEL OF IMMANENT ACCENT SALIENCE IN TONAL MUSIC Parncutt, R., Bisesi E., & Friberg A.
A PREGROUP GRAMMAR FOR CHORD SEQUENCES TERRAT, R. G.
A PERCEPTUAL STUDY ON DYNAMICAL FORM IN MUSIC Hjortkjær, J., & Nielbo F.
A new formulation of the 2D-waveguide mesh for percussion instruments Fontana, F., & Rocchesso D.
A neurocognitive analysis of rhythmic memory process as a social space phenomenon Bonda, E.
A Neural Network Approach for Synthesising Timbres from Adjectives Gounaropoulos, A., & Johnson C. G.
A multirate approach to instrument body modeling for real-time sound synthesis applications Bank, B.
A MULTIPITCH ESTIMATION ALGORITHM BASED ON FUNDAMENTAL FREQUENCIES AND PRIME HARMONICS Camacho, A., & Kaver-oreamuno I.
A MODEL SELECTION TEST ON EFFECTIVE FACTORS OF THE CHOICE OF EXPRESSIVE TIMING CLUSTERS FOR A PHRASE Li, S., Black D., Plumbley M., & Dixon S.
A LYRICS-MATCHING QBH SYSTEM FOR INTERACTIVE ENVIRONMENTS Papiotis, P., & Purwins H.
A LOOK INTO THE PAST: ANALYSIS OF TRENDS AND TOPICS IN PROCEEDINGS OF SOUND AND MUSIC COMPUTING CONFERENCE Pratyush, Umbert M., & XavierSerra
A Liberated Sonic Sublime: Perspectives On The Aesthetics & Phenomenology Of Sound Synthesis Pedersen, A. B.
A Learning Interface for Novice Guitar Players using Vibrotactile Stimulation Giordano, M., & Wanderley M.
A JAVA FRAMEWORK FOR DATA SONIFICATION AND 3D GRAPHIC RENDERING Vicinanza, D.
A Hybrid Filter-Wavetable Oscillator Technique for FOF Synthesis Olsen, M., Smith J., & Abel J.
A HISTORY OF SEQUENCERS : INTERFACES FOR ORGANIZING PATTERN-BASED MUSIC Arar, R., & Kapur A.
A Grammatical Approach to Automatic Improvisation Keller, R. M., & Morrison D. R.
A generative grammar approach to diatonic harmonic structure Rohrmeier, M.
A GAME AUDIO TECHNOLOGY OVERVIEW VENERI, O., Natkin S., Prado C. L., & EMERIT M.
A FRAMEWORK FOR SOUNDSCAPE ANALYSIS AND RE-SYNTHESIS Valle, A., Schirosa M., & Lombardo V.
A FRAMEWORK FOR MUSICAL MULTIAGENT SYSTEMS Thomaz, L. F., & Queiroz M.
A FRAMEWORK FOR ECOSYSTEM-BASED GENERATIVE MUSIC Bown, O.
A Faust Based Driving Simulator Sound Synthesis Engine Michon, R., Chafe C., Gang N., Johns M., O'Modhrain S., Wright M., et al.
A dynamic spatial locator ugen for CLM Lopez-Lezcano, F.
A Dynamic Interface for the Audio-Visual Reconstruction of Soundscape, Based on the Mapping of its Properties Stratoudakis, C., & Papadimitriou K.
A DYNAMIC ANALOGY BETWEEN INTEGRO-DIFFERENTIAL OPERATORS AND MUSICAL EXPRESSIVENESS Poli, G. D., Roda A., & Mion L.
A dispersive resonator in real-time on MARS workstation Paladin, A., & Rocchesso D.
A CONTOUR-BASED JAZZ WALKING BASS GENERATOR Guedes, C., Blanton J., Brown R., Carter R., & Min- C.
A Computer-Assisted Analysis of Rhythmic Periodicity Applied to Two Metric Versions of Luciano Berio’s Sequenza VII Alessandrini, P.
A computer implementation of psychoacoustic grouping rules Ellis, D. P. W.
A COMPUTATIONAL MODEL THAT GENERALISES SCHOENBERG’S GUIDELINES FOR FAVOURABLE CHORD PROGRESSIONS Anders, T., & Miranda E. R.
A Computational Model of Tonality Cognition Based on Prime Factor Representation of Frequency Ratios and Its Application Shiramatsu, S., Ozono T., & Shintani T.
A COMPUTATIONAL METHOD FOR EXPLORING MUSICAL CREATIVITY DEVELOPMENT Alexakis, A.
A Component-Based Framework for the Development of Virtual Musical Instruments Based on Physical Modeling Tzevelekos, P., Perperis T., Kyritsi V., & Kouroupetroglou G.
A COMPARISON OF PROBABILISTIC MODELS FOR ONLINE PITCH TRACKING Simsekli, U., & Cemgil T. A.
A COMPARISON OF PERCEPTUAL RATINGS AND COMPUTED AUDIO FEATURES Friberg, A., & Hedblad A.
A comparison of input devices in elemental pointing and dragging tasks I., M. K., & W. S. B. A.
A CLASSIFICATION APPROACH TO MULTIPITCH ANALYSIS Klapuri, A.
A CHROMA-BASED SALIENCE FUNCTION FOR MELODY AND BASS LINE ESTIMATION FROM MUSIC AUDIO SIGNALS Salamon, J., & Gómez E.
A Bayesian Approach to Drum Tracking Robertson, A.
3D GESTURAL INTERACTION WITH HARMONIC PITCH SPACE Hedges, T. W., & McPherson A. P.