Comprehensive List of Proceedings of All SMC Conferences

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Bioacoustical modeling for sound synthesis: a case study of odontoceti clicks Erkut, C.
Immersion and content - a framework for audio research Karjalainen, M.
A Simplified Design of Multidimensional Transfer Function Models Petrausch, S., & Rabenstein R.
RoomWeaver: A digital waveguide mesh based room acoustics research tool Beeson, M. J., & Murphy D. T.
Digital sound synthesis based on multidimensional system theory Rabenstein, R., & Trautmann L.
Digital sound sysnthesis based on transfer function models Trautmann, L., & Rabenstein R.
Partial differential equation models for continuous mutlidimensional systems Rabenstein, R., & Trautmann L.
Synthesis of trumpet tones by physical modeling Dietz, P. H., & Amir N.
Synthesis of Shape Dependent Sounds with Physical Modeling van den Doel, K., & Pai D. K.
Learning pseudo-physical models for sound synthesis and transformation Drioli, C., & Rocchesso D.
NVM-a modular real-time physical modeling synthesis system for MSP Dudas, R.
Synthesis of Transients in Guitar Sounds Duru"oz, C. I.
A wavelet-based sinusoid model of sound for auditory signal separation Ellis, D. P. W., & Vercoe B. L.
A computer implementation of psychoacoustic grouping rules Ellis, D. P. W.
Loop filter design techniques for virtual string instruments Erkut, C.
Model order selection techniques for the loop filter design of virtual string instruments Erkut, C.
Virtual strings based on a 1-D FDTD Waveguide Model: Stability, Losses, and travelling waves Erkut, C., & Karjalainen M.
Performance Evaluation of Input Devices in Trajectory-based Tasks: An application of The Steering Law Accot, J., & Zhai S.
Scale Effects in Steering Law Tasks Accot, J., & Zhai S.
Human Movement Performance in Relation to Path Constraint Zhai, S., & Woltjer R.
High Precision Touch Screen Interaction Albinsson, P., & Zhai S.
Gestural control of Music Wanderley, M.
Acquisition of expanding targets McGuffin, M., & Balakrishnan R.
Gestural and audio metaphors as a means of control for mobile devices Pirhonen, A., Brewster S., & Holguin C.
A comparison of input devices in elemental pointing and dragging tasks I., M. K., & W. S. B. A.
Motor Behavior Models for Human-Computer Interaction, Chapter for J.M.Carrol MacKenzie, I.
Input devices for musical expression: borrowing tools from HCI Orio, N., Schnell N., & Wanderley M.
Informative sonic feedback for continuous human controlling a sound model of a rolling ball Rath, M., & Rocchesso D.
Contact sounds for continuous feedback S., R. A. R. B. S. D. F. M. R.
Controlling Material Properties in Physical Models of Sounding Objects Avanzini, F., & Rocchesso D.
Acoustic Cues from Shapes between Spheres and Cubes Fontana, F., Rocchesso D., & Apollonio E.
A Structural Approach to Distance Rendering in Personal Auditory Displays Fontana, F., Rocchesso D., & Ottaviani L.
Emotion from Motion T., A. B. C. K. A.
Experiments on gestures: walking, running, and hitting S., B. D. R.
High-level models: bouncing, breaking, rolling, crumpling, pouring Rath, F. F. F.
Prolegomena to the perceptual study of sound G., V.
Computer synthesis of bird songs and calls Kahrs, M., & Avanzini F.
Compilation of unified physical models for efficient sound synthesis Karjalainen, M., Erkut C., & Savioja L.
The sound signature of linear viscoelastic materials Djoharian, P.
Material Design in Physical Modeling Sound Synthesis Djoharian, P.
A new formulation of the 2D-waveguide mesh for percussion instruments Fontana, F., & Rocchesso D.
A waveguide model for slapbass synthesis Rank, E., & Kubin G.
Methods for simulating string collisions with rigid spatial objects Krishnaswamy, A., & Smith J. O.
Acoustical Analysis of Tanbur, a Turkish long-necked lute Erkut, C., Tolonen T., Karjalainen M., & V
Experimental results showing the effects of optimal spacing between elements of a linear microphone array Alvarado, V. M., & Silverman H. F.
Audio Content Transmission Amatriain, X., & Herrera P.
Transmitting Audio Content as Sound Objects Amatriain, X., & Herrera P.
Accurate and efficient modeling of beating and two-stage decay for string instruments Bank, B.
A multirate approach to instrument body modeling for real-time sound synthesis applications Bank, B.
On the Nonlinear Commuted Synthesis of the Piano Bank, B.
The wave digital piano hammer: a passive formulation Bilbao, S., Bensa J., Kronland-Martinet R., & Smith J. O.
The Wave Digital Reed: A Passive Formulation Bilbao, S., Bensa J., & Kronland-Martinet R.
Elimination of Delay-free Loops in Discrete- Time Models of Nonlinear Acoustic Systems Borin, G., Poli G. D., & Rocchesso D.
Design of an efficient inharmonic digital waveguide filter for synthesis of hand-bell sounds Esquef, P. A. A., & V
Basic physiology of the hearing mechanism Ewans, E. F.
Numerical integration of partial differential equations by means of multidimensional wave digital filters Fettweis, A., & Nitsche G.
Frequency-independent beamforming Goodwin, M. M.
Constant beamwidth beamforming Goodwin, M. M., & Elko G. W.
String excitation: piano, harpsichord and clavichord Hall, D. E.
An Improved Digital Waveguide Model of a Flute with Fractional Delay Filters H
Implementation of recursive filters having delay free loops H
HutEar--a free Matlab toolbox for modeling of human hearing H
Inversion of a physical model of a trumpet H
pmpd : Physical modelling for Pure Data Henry, C.
Physical Modeling for Pure Data (pmpd) and real time interaction with an audio synthesis Henry, C.
Measurements of acoustical parameters for the classical guitar Hill, T. J. W., Richardson B. E., & Richardson S. J.
Virtual instruments in virtual rooms---a real-time binaural room simulation environment for physical modeling of musical instruments Huopaniemi, J., Karjalainen M., & V
Interactive music system for everyone:Exploring visual feedback as a way for creating more intuitive, productive and learnable instruments S., J.
Controlling the virtual bodhran - the vodhran B., B. D. M. R. M. R. S. M. M.
Gesture-tactile controlled physical modelling music synthesis S., H. R. D.
Gestural strategies for specific filtering processes L., A. C. K. D. J. M.
Remutualizing the Instrument: Co-design of Synthesis Algorithms and Controllers P., C.
Making motion musical: gestural mapping strategies for interactive computer music T., W.
Personal WebMelody: customized sonification of web servers, in Proceedings of the 2001 International Conference on Auditory Display Maria Barra, P. M. P.
Dynamic Modeling of Vibrating Structures for Sound Synthesis, Modal Synthesis Adrien, J. M.
Modelling a drum by interfacing 2-D and 3-D waveguide meshes Aird, M. - L., Laird J., & ffitch J.
Simulation of the bowed string dynamics Antunes, J., Tafasca M., & Henrique L.
Modeling Interactions between Rubbed Dry Surfaces Using an Elasto-Plastic Friction Model Avanzini, F., Serafin S., & Rocchesso D.
Digital waveguide mesh modelling of room acoustics: Surround-sound, boundaries and plugin implementation Murphy, D. T., Newton C. J. C., & Howard D. M.
Modeling and real-time synthesis of the kantele using distributed tension modulation Pakarinen, J., Karjalainen M., & V"alim"aki V.
Energy behavior in time-varying fractional delay filters for physical modeling of musical instruments Pakarinen, J., Karjalainen M., Välimäki V., & Bilbao S.
A dispersive resonator in real-time on MARS workstation Paladin, A., & Rocchesso D.
Metal string Palumbi, M., & Seno L.
The string-finger interaction in the classical guitar Pavlidou, M., & Richardson B. E.
The string-finger interaction in the classical guitar: Theoretical model and experiments Pavlidou, M., & Richardson B. E.
New Approaches Of Theatre And Opera Directly Inspired By Interactive Data-mining Bonardi, A., & Rousseaux F.
COMPOSITION AND IMPROVISATION ON THE NET Hajdu, G.
THE REALTIME-SCORE. A MISSING-LINK IN COMPUTER-MUSIC PERFORMANCE Winkler, G. E.
ARCHITECTURE AND EXPERIMENTS IN NETWORKED 3D AUDIO/GRAPHIC RENDERING WITH VIRTUAL CHOREOGRAPHER Jacquemin, C.
SIM - SYSTÈME INTERACTIF MUSICAL (CYBERSONGOSSE 7MI) Clozier, C., Duc J. - C. L., & Mihalic A.
SOLILOQUE SUR [X, X, X ET X], MUSICAL COMMENTARIES FROM A COMPUTER ABOUT A CONCERT MISUNDERSTOOD BY IT Lévy, F., & Seelig T.
Playing Integrated Music Knowledges with Artifical Neural Networks VOISIN, F. ́ed ́eric, & MEIER R.
VIRTUAL VOICES ON HANDS: PROMINENT APPLICATIONS ON THE SYNTHESIS AND CONTROL OF THE SINGING VOICE Georgaki, A.
CONTROL SEARCH USING RULES, TESTS AND MEASURES Phon-Amnuaisuk, S., & Smaill A.
LOGICAL REPRESENTATION OF MUSICAL CONCEPTS Phon-Amnuaisuk, S.
EXTENDING A NETWORK-OF-ELABORATIONS REPRESENTATION TO POLYPHONIC MUSIC: SCHENKER AND SPECIES COUNTERPOINT Marsden, A.
A PREGROUP GRAMMAR FOR CHORD SEQUENCES TERRAT, R. G.
SPECIFICATION OF TEMPORAL RELATIONS BETWEEN INTERACTIVE EVENTS Desainte-Catherine, M., & Allombert A.
RECENT DEVELOPMENTS IN ENP-SCORE-NOTATION Kuuskankare, M., & Laurson M.
PWGL EDITORS: 2D-EDITOR AS A CASE STUDY Laurson, M., & Kuuskankare M.
OPEN SOURCE TOOLS FOR MUSIC REPRESENTATION AND NOTATION Fober, D., Letz S., & Orlarey Y.
IANNIX Aesthetical/Symbolic Visualisations for Hypermedia Compositions. Coduys, T., & Ferry G.
USING PATTERNS TO GENERATE RHYTHMIC ACCOMPANIMENT FOR GUITAR Dahia, M., Trajano H. S. E., Ramalho G., Sandroni C., & Cabral G.
AN ADAPTIVE MULTI-PARAMETRIC AND REDUNDANCY-FILTERING APPROACH FOR MOTIVIC PATTERN DISCOVERY Lartillot, O.
CLASSIFICATION INTO MUSICAL GENRES USING A RHYTHMIC KERNEL Frederico, G.
MELODY CLASSIFICATION USING A SIMILARITY METRIC BASED ON KOLMOGOROV COMPLEXITY Li, M., & Sleep R.
STYLE RECOGNITION THROUGH STATISTICAL EVENT MODELS Perez-Sancho, C., Inesta J. M., & Calera-Rubio J.
MUSIC RETRIEVAL ALGORITHMS FOR THE LEAD SHEET PROBLEM Clifford, R., Groult R., Iliopoulos C. S., & Byrd D.
INFLUENCE OF MUSICAL SIMILARITY ON MELODIC SEGMENTATION: REPRESENTATIONS AND ALGORITHMS Cambouropoulos, E., & Tsougras C.
REGARDS ON TWO REGARDS BY MESSIAEN: AUTOMATIC SEGMENTATION USING THE SPIRAL ARRAY Chew, E.
The AGNULA/DeMuDi distribution: GNU/Linux and Free Software for the pro audio and sound research domain Bernardini, N., Cirotteau D., Ekanayaka F., & Glorioso A.
APPLYING ASPECT ORIENTED PROGRAMMING TO MUSIC COMPUTING Hill, P., Holland S., & Laney R. C.
JACK AUDIO SERVER: MACOSX PORT AND MULTI-PROCESSOR VERSION Letz, S., Fober D., Orlarey Y., & Davis P.
IMPROVISING COMPUTER MUSIC: AN APPROACH Tarabella, L.
INTERACTIVELY DETERMINED GENERATIVE SOUND DESIGN FOR SENSATE ENVIRONMENTS Beilharz, K.
STRATEGIES FOR CONTINUOUS PITCH AND AMPLITUDE TRACKING IN REALTIME INTERACTIVE IMPROVISATION SOFTWARE Dobrian, C.
Pattern Anchoring, Identity and Signatures in Sound, Time and Space Izmirli, Ö., & Zahler N.
ETHERACTION: PLAYING A MUSICAL PIECE USING GRAPHICAL INTERFACES Couturier, J. - M.
ON ONSETS ON-THE-FLY: REAL-TIME EVENT SEGMENTATION AND CATEGORISATION AS A COMPOSITIONAL EFFECT Collins, N.
A REAL-TIME BEAT TRACKER FOR UNRESTRICTED AUDIO SIGNALS Scaringella, N., & Zoia G.
THREE-DIMENSIONAL GESTURAL CONTROLLER BASED ON EYECON MOTION CAPTURE SYSTEM Merlier, B.
EXPRESSIVE GESTURAL CONTROL OF SOUND AND VISUAL OUTPUT IN MULTIMODAL INTERACTIVE SYSTEMS Camurri, A., Mazzarino B., & Volpe G.
GESTURAL CONTROL OF SINGING VOICE, A MUSICAL INSTRUMENT Kessous, L.
DEVELOPING A NON-VISUAL OUTPUT DEVICE FOR MUSICAL PERFORMERS MIYASHITA, H., & NISHIMOTO K.
EXPRESSIVENESS DETECTION OF MUSIC PERFORMANCES IN THE KINEMATICS ENERGY SPACE Mion, L., & Poli G. D.
UNDERSTANDING EXPRESSIVE TRANSFORMATIONS IN SAXOPHONE JAZZ PERFORMANCES USING INDUCTIVE MACHINE LEARNING Ramirez, R., Hazan A., Gomez E., & Maestre E.
COMPOSING IN THE FLESH: PERCEPTUALLYINFORMED HARMONIC SYNTAX Ferguson, S., & Parncutt R.
A ROLE OF METRICAL STRUCTURE IN IMPLICIT MEMORY OF RHYTHM PERCEPTION: TOWARD A COMPUTATIONAL MODELING OF PERCEPTION PROCESS OF METRICAL STRUCTURE GOTO, Y.
TYING SEMANTIC LABELS TO COMPUTATIONAL DESCRIPTORS OF SIMILAR TIMBRES Fitzgerald, R. A., & Lindsay A. T.
PHYSICAL MODELING OF IMPACTS: THEORY AND EXPERIMENTS ON CONTACT TIME AND SPECTRAL CENTROID Avanzini, F., & Rocchesso D.
PHYSICAL MODELING FOR PURE DATA (PMPD) AND REAL TIME INTERACTION WITH AN AUDIO SYNTHESIS Henry, C.
CONSTRAINS ON THE MODEL FOR SELF-SUSTAINED SOUNDS GENERATED BY ORGAN PIPE INFERRED BY INDEPENDENT COMPONENT ANALYSIS Lauro, D. E., Martino D. S., Falanga M., & Sarno G.
SUSTAINABLE LIVE ELECTRO-ACOUSTIC MUSIC Bernardini, N., & Vidolin A.
GMU, A FLEXIBLE GRANULAR SYNTHESIS ENVIRONMENT IN MAX/MSP Bascou, C., & Pottier L.
SEGMENTAL TEMPO ANALYSIS OF PERFORMANCES IN USER-CENTERED EXPERIMENTS IN THE DISTRIBUTED IMMERSIVE PERFORMANCE PROJECT Chew, E., Sawchuk A., Tanoue C., & Zimmermann R.
A STUDY ON USING THE MELLIN TRANSFORM FOR VOWEL RECOGNITION Sena, A. D., & Rocchesso D.
DIGITAL AUDIO EFFECTS AND PHYSICAL MODELING Alexandros, K., & Claude C.
EVENT SYNCHRONOUS MUSIC THUMBNAILS: EXPERIMENTS Evangelista, G., & Cavaliere S.
COMPUTER MUSIC ANALYSIS VIA A MULTIDISCIPLINARY APPROACH Nucibella, F., Porcelluzzi S., & Zattra L.
ON THE LEARNING STAGES OF AN INTELLIGENT RHYTHMIC GENERATOR Gimenes, M., Miranda E. R., & Johnson C.
ARTIFICIAL SINGING WITH A WEBCAM MOUTH-CONTROLLER Hapipis, A., & Miranda E. R.
What is the Essence of "Music?" A Case Study on a Japanese Audience MIYASHITA, H., & NISHIMOTO K.
INTRODUCTION TO COMPUTER-ASSITED MUSIC ANALYSIS IN PWGL Laurson, M., Kuuskankare M., & Kuitunen K.
ANALYSIS AND ANALYSES OF ELECTROACOUSTIC MUSIC Zattra, L.
PHYSICAL MOVEMENT AND MUSICAL GESTURES: A MULTILEVEL MAPPING STRATEGY Fenza, D., Mion L., Canazza S., & Roda A.
MULTISENSORY INTERACTIVE INSTALLATION Voto, D., Limonchi M. V., & D’Auria U.
STEERING GENERATIVE RULES WITH THE EEG: AN APPROACH TO BRAIN-COMPUTER MUSIC INTERFACING Miranda, E. R., & Boskamp B.
MUSIC TRANSFORMATION IN CELLULAR SPACES TRIGGERED BY WALSH FUNCTIONS da Silva, P., & Jr. A. M.
A TEMPORAL CONCURRENT CONSTRAINT CALCULUS AS AN AUDIO PROCESSING FRAMEWORK Rueda, C., & Valencia F.
PHONODEON: CONTROLLING SYNTHETIC VOICES VIA MIDIACCORDEON Georgaki, A., Zannos I., & Valsmakis N.
MX STRUCTURAL METADATA AS MIR TOOLS Haus, G., & Pinto A.
A SYNTHESIZER BASED ON SQUARE WAVES Vergara, S.
Improvisation Planning and Jam Session Design using concepts of Sequence Variation and Flow Experience Dubnov, S., & Assayag G.
AUDIO FEEDBACK IN PREDICTIVE HCI METHODS de Gotzen, A., & Rocchesso D.
INSTRUMENTAL GESTURES AND SONIC TEXTURES FILATRIAU, J. - J., & ARFIB D.
CONVERSATIONAL INTERACTIVITY IN SLOW-MOTION: A COMPARISON OF PHONE DIALOGUES AND OPERA SCENES Reichl, P., Hammer F., & Balinova M.
MATHEMATICAL STRUCTURE AND SOUND SYNTHESIS Essl, G.
EFFICIENT EXTRACTION OF CLOSED MOTIVIC PATTERNS IN MULTI-DIMENSIONAL SYMBOLIC REPRESENTATIONS OF MUSIC Lartillot, O.
MULTIMODAL AND CROSS-MODAL PROCESSING IN INTERACTIVE SYSTEMS BASED ON TANGIBLE ACOUSTIC INTERFACES Camurri, A., Canepa C., Drioli C., Massari A., Mazzarino B., & Volpe G.
THE CROAKER: DESIGN AND EVALUATION OF A NEW MULTIMODAL INTERFACE Serafin, S., & de Gotzen A.
AUGMENTING C-CARDS WITH MUSIC ACTIONS Valente, A., Lyon K., & Jensen K.
EXTENDED WAVEFORM SEGMENT SYNTHESIS, A NONSTANDARD SYNTHESIS MODEL FOR MICROSOUND COMPOSITION Valsamakis, N., & Miranda E. R.
STATE OF THE ART AND NEW RESULTS IN DIRECT MANIPULATION OF MPEG AUDIO CODES Haus, G., & Vercellesi G.
COMPUTER VISION METHOD FOR GUITARIST FINGERING RETRIEVAL Burns, A. - M., & Wanderley M. M.
EXPLORING THE EFFECT OF MAPPING TRAJECTORIES ON MUSICAL PERFORMANCE Nort, D. V., & Wanderley M. M.
EXTRACTING MUSICALLY-RELEVANT RHYTHMIC INFORMATION FROM DANCE MOVEMENT BY APPLYING PITCH TRACKING TECHNIQUES TO A VIDEO SIGNAL Guedes, C.
SOUND AND MUSIC DESIGN FOR GAMES AND INTERACTIVE MEDIA Natkin, S., & Prado C. L.
A JAVA FRAMEWORK FOR DATA SONIFICATION AND 3D GRAPHIC RENDERING Vicinanza, D.
Real-Time Control of Greek Chant Synthesis Georgaki, A., Zannos I., Delviniotis D., & Kouroupetroglou G.
SOUND TEXTURE MODELING: A SURVEY Strobl, G., Eckel G., & Rocchesso D.
TEMPORAL CONTROL OVER SOUND SYNTHESIS PROCESSES Bresson, J., & Agon C.
A GAME AUDIO TECHNOLOGY OVERVIEW VENERI, O., Natkin S., Prado C. L., & EMERIT M.
OMAX-OFON Assayag, G., Bloch G., & Chemillier M.
FIRST STEPS TOWARDS A DIGITALASSISTANT FOR PERFORMERS AND STAGE DIRECTORS Bonardi, A., & Truck I.
KINETIC ENGINE: TOWARD AN INTELLIGENT IMPROVISING INSTRUMENT Eigenfeldt, A.
CONCURRENT CONSTRAINTS MODELS FOR SPECIFYING INTERACTIVE SCORES Allombert, A., Assayag G., Desainte-Catherine M., & Rueda C.
AUTOMATIC COMPOSITION AND NOTATION IN NETWORK MUSIC ENVIRONMENTS Hajdu, G.
IMITATIVE AND GENERATIVE ORCHESTRATIONS USING PRE-ANALYSED SOUNDS DATABASES Carpentier, G., Tardieu D., Assayag G., Rodet X., & Saint-James E.
Generating Chants Using Mnemonic Capabilities Iyengar, S.
MUSIC STRUCTURE REPRESENTATION: A FORMAL MODEL Tagliolato, P.
AN XML-BASED FORMAT FOR ADVANCED MUSIC FRUITION Baratè, A., Haus G., & Ludovico L. A.
COMPUTER-AIDED TRANSFORMATIONAL ANALYSIS WITH TONE SIEVES Noll, T., Andreatta M., Agon C., & Amiot E.
TRENDS IN/OVER TIME: RHYTHM IN SPEECH AND MUSICAL MELODY IN 19TH-CENTURY ART SONG VanHandel, L.
A Computer-Assisted Analysis of Rhythmic Periodicity Applied to Two Metric Versions of Luciano Berio’s Sequenza VII Alessandrini, P.
INTERACTION AND SPATIALIZATION : THREE RECENT MUSICAL WORKS Risset, J. - C.
Minimalism And Process Music: A PureData Realization of Pendulum Music Coco, R.
The Case Study of An Application of The System, "BodySuit" and "RoboticMusic" -Its Introduction and Aesthetics Goto, S.
COMPOSING AUDIO-VISUAL ART: THE ISSUE OF TIME AND THE CONCEPT OF TRANSDUCTION Courribet, B.
VOCABULAIRE DE L’ESPACE ET DE LA SPATIALISATION DES MUSIQUES ÉLECTROACOUSTIQUES : PRÉSENTATION, PROBLÉMATIQUE ET TAXINOMIE DE L’ESPACE Merlier, B.
Fifty Years of Digital Sound for Music Risset, J. - C.
Synthesising Singing Sundberg, J.
Sound Synthesis and Musical Composition by Physical Modelling of Self-Sustained Oscillating Structures Poyer, F., & Cadoz C.
Mapping Chaotic Dynamical Systems Into Timbre Evolution Rizzuti, C.
A Component-Based Framework for the Development of Virtual Musical Instruments Based on Physical Modeling Tzevelekos, P., Perperis T., Kyritsi V., & Kouroupetroglou G.
Expressive text-to-speech approaches Kanellos, I., Suciu I., & Moudenc T.
Advanced Sound Manipulation in Interactive Multimedia Environments Deliyiannis, Y., Floros A., & Tsakostas C.
LISTEN LISBOA: Scripting Languages for Interactive Musical Installations Prado, C. L., & Natkin S.
REVIEWING THE TRANSFORMATION OF SOUND TO IMAGE IN NEW COMPUTER MUSIC SOFTWARE Lemi, E., & Georgaki A.
The Cube: An Audiovisual Interactive Installation Didakis, S.
Injecting Periodicities: Sieves as Timbres Exarchos, D.
Pitch spelling: Investigating reductions of the search space Honingh, A.
Modelling dynamics of key induction in harmony progressions Rohrmeier, M.
Automatic Semantic Annotation of Music with Harmonic Structure Weyde, T., & Wissmann J.
A generative grammar approach to diatonic harmonic structure Rohrmeier, M.
Measured characteristics of development in adolescent singers Barlow, C., & Howard D. M.
An Innovative Method for the Study of African Musical Scales: Cognitive and Technical Aspects Arom, S., Fernando N., & Marandola F.
VEMUS - FEEDBACK AND GROUPWARE TECHNOLOGIES FOR MUSIC INSTRUMENT LEARNING Fober, D., Letz S., & Orlarey Y.
A neurocognitive analysis of rhythmic memory process as a social space phenomenon Bonda, E.
A semi-automated tagging methodology for Orthodox Ecclesiastic Chant Acoustic corpora Chryssochoidis, G., Delviniotis D., & Kouroupetroglou G.
This paper addresses the problem of using a semi automated process for tagging lyrics, notation and musical interval metadata of an Orthodox Ecclesiastic Chant (OEC) voice corpus. The recordings are post processed and segmented using the PRAAT software to Chen, A. L. P., Iliopoulos C. S., Michalakopoulos S., & Rahman S. M.
Experimental (δ, γ)-Pattern-Matching with Don’t Cares Iliopoulos, C. S., Mohamed M., & Mohanaraj V.
Discovery of generalized interval patterns Conklin, D., & Bergeron M.
Mixing Time Representations in a Programmable Score Editor Agon, C., & Bresson J.
A system of interactive scores based on Petri nets Allombert, A., Assayag G., & Desainte-Catherine M.
Synthesis of a Macro Sound Structure within a Self Organizing System BÖKESOY, S.
Prolegomena to sonic toys de Gotzen, A., & Serafin S.
Generation and Representation of Data and Events for the Control of Sound Synthesis Bresson, J., Stroppa M., & Agon C.
A Dynamic Interface for the Audio-Visual Reconstruction of Soundscape, Based on the Mapping of its Properties Stratoudakis, C., & Papadimitriou K.
Gestural Control of Sonic Swarms: Composing with Grouped Sound Objects Davis, T., & Karamanlis O.
Beyond movement an animal, beyond an animal the sound Philippides, A.
Controlling Aural and Visual Particle Systems through Human Movement Guedes, C., & Woolford K.
Cephalomorphic interface for emotion-based music synthesis Maniatakos, V. - F. A.
Wirelessly Interfacing with the Yamaha Disklavier Mark IV Teeter, M., & Dobrian C.
Authenticity Issue in Performing Arts using Live Electronics Guercio, M., Barthélemy J., & Bonardi A.
Embodiment and Agency: Towards an Aesthetics of Interactive Performativity Kim, J. H., & Seifert U.
Is Knowledge Emerging in the Secrecy of our Digital Collections? Rousseaux, F., & Bonardi A.
KLAMA: the Voice from Oral Tradition in Death Rituals to a Work for Choir & Live Electronics Spiropoulos, G., & Meudic B.
Multi-channel formats in electroacoustic composition: Acoustic space as a carrier of musical structure Stavropoulos, N.
The breaking-continuity paradox in artificial vocality aesthetics Bossis, B.
From Music Symbolic Information to Sound Synthesis: An Xml-Based Approach Haus, G., Ludovico L. A., & Russo E.
Preparing for TreeTorika: Computer-Assisted Analysis of Mao’s oratory Lindborg, P. M.
Cordis Anima Physical Modeling and Simulation System Analysis Kontogeorgakopoulos, A., & Cadoz C.
Large Scale Musical Instrument Identification Benetos, E., Kotti M., & Kotropoulos C.
A Neural Network Approach for Synthesising Timbres from Adjectives Gounaropoulos, A., & Johnson C. G.
Real-time Spatial Mixing Using Binaural Processing Tsakostas, C., Floros A., & Deliyiannis Y.
ORPHEUS: A Virtual Learning Environment of Ancient Greek Music Politis, D., Margounakis D., Botsaris G., & Papaleontiou L.
Horizontal and Vertical Integration/Segregation in Auditory Streaming: A Voice Separation Algorithm for Symbolic Musical Data Karydis, I., Nanopoulos A., Papadopoulos A., Cambouropoulos E., & Manolopoulos Y.
Time Domain Pitch Recognition Chourdakis, M. G., & Spyridis H. C.
SRA: A Web-based Research Tool for Spectral and Roughness Analysis of Sound Signals Vassilakis, P. N.
Singer Identification in Rembetiko Music Holzapfel, A., & Stylianou Y.
A Grammatical Approach to Automatic Improvisation Keller, R. M., & Morrison D. R.
An A-Life Approach to Machine Learning of Musical Worldviews for Improvisation Systems Gimenes, M., & Miranda E. R.
Breeding Rhythms with Artificial Life Martins, J. M., & Miranda E. R.
Melody Characterization by a Genetic Fuzzy System de León, P. P. J., Rizo D., Ramirez R., & Iñesta J. M.
Expressive Performance in the Human Tenor Voice Marinescu, M. C., & Ramirez R.
Modeling Moods in Violin Performances Perez, A., Ramirez R., & Kersten S.
RetroSpat: a Perception-Based System for Semi-Automatic Diffusion of Acousmatic Music Mouba, J., Marchand S., Mansencal B., & Rivet J. - M.
Asymmetrical Envelope Shapes in Sound Spatialization Canavese, F., Giomi F., Meacci D., & Schwoon K.
Distance Encoding in Ambisonics Using Three Angular Coordinates Penha, R.
Granular Sound Spatialization Using Dictionary-Based Methods McLeran, A., Roads C., Sturm B. L., & Shynk J. J.
VOCABULARY OF SPACE PERCEPTION IN ELECTROACOUSTIC MUSICS COMPOSED OR SPATIALISED IN PENTAPHONY Merlier, B.
Sound as Multiplicity: Spaces and representations in computer music composition Fuentes, A.
Sound Spatialisation, Free Improvisation and Ambiguity Mooney, J., Belly P., & Parkinson A.
Traditional and digital music instruments : a relationship based on a interactive model Ferreira-Lopes, P.
Memory Space Emmerson, S.
Echi tra le Volte, a sound design project for churches Taroppi, A.
Spatial Orchestration Lyon, E.
Applications of Typomorphology in Acute; Scoring the Ideal and its Mirror Climent, R.
Space Resonating Through Sound Iazzetta, F., & Campesato L.
AUTOMATIC JAZZ HARMONY EVOLUTION Bäckman, K.
EMPIRICALLY BASED AUDITORY DISPLAY DESIGN Brazil, E., & Fernstrom M.
A COMPUTATIONAL MODEL THAT GENERALISES SCHOENBERG’S GUIDELINES FOR FAVOURABLE CHORD PROGRESSIONS Anders, T., & Miranda E. R.
TOWARDS AN EXPERIMENTAL PLATFORM FOR COLLECTIVE MOBILE MUSIC PERFORMANCE Tahiroglu, K.
PV STOCH: A SPECTRAL STOCHASTIC SYNTHESIS GENERATOR Dobereiner, L.
SHAPE-BASED SPECTRAL CONTRAST DESCRIPTOR Akkermans, V., Serrà J., & Herrera P.
VOCALISTENER: A SINGING-TO-SINGING SYNTHESIS SYSTEM BASED ON ITERATIVE PARAMETER ESTIMATION Nakano, T., & Goto M.
INTERACTIVE INFRASONIC ENVIRONMENT: A New Type of Sound Installation for Controlling Infrasound Gupfinger, R., Ogawa H., Sommerer C., & Mignonneau L.
MUSICAL VOICE INTEGRATION/SEGREGATION: VISA REVISITED Rafailidis, D., Cambouropoulos E., & Manolopoulos Y.
MOTION-ENABLED LIVE ELECTRONICS Eckel, G., Pirro D., & Sharma G. K.
JACKTRIP/SOUNDWIRE MEETS SERVER FARM Caceres, J. - P., & Chafe C.
SENSORY THREADS: SONIFYING IMPERCEPTIBLE PHENOMENA IN THE WILD Fencott, R., & Bryan-Kinns N.
ALBUM AND ARTIST EFFECTS FOR AUDIO SIMILARITY AT THE SCALE OF THE WEB Flexer, A., & Schnitzer D.
INSTRUMENT AUGMENTATION USING ANCILLARY GESTURES FOR SUBTLE SONIC EFFECTS Lähdeoja, O., Wanderley M. M., & Malloch J.
NON-NEGATIVE MATRIX FACTORIZATION WITH SELECTIVE SPARSITY CONSTRAINTS FOR TRANSCRIPTION OF BELL CHIMING RECORDINGS Marolt, M.
FM4 SOUNDPARK AUDIO-BASED MUSIC RECOMMENDATION IN EVERYDAY USE Gasser, M., & Flexer A.
LEARNING JAZZ GRAMMARS Gillick, J., Tang K., & Keller R. M.
MAKING AN ORCHESTRA SPEAK Nouno, G., Cont A., Carpentier G., & Harvey J.
A CHROMA-BASED SALIENCE FUNCTION FOR MELODY AND BASS LINE ESTIMATION FROM MUSIC AUDIO SIGNALS Salamon, J., & Gómez E.
CURRENT DIRECTIONS WITH MUSICAL PLUS ONE Raphael, C.
L-SYSTEMS, SCORES, AND EVOLUTIONARY TECHNIQUES Lourenco, B. F., Ralha J. C. L., & Brandao M. C. P.
SOUND OBJECT CLASSIFICATION FOR SYMBOLIC AUDIO MOSAICING: A PROOF-OF-CONCEPT Janer, J., Haro M., Roma G., Fujishima T., & Kojima N.
PARALLELIZATION OF AUDIO APPLICATIONS WITH FAUST Orlarey, Y., Fober D., & Letz S.
PROTOTYPING MUSICAL EXPERIMENTS FOR TANGISENSE, A TANGIBLE AND TRACEABLE TABLE ARFIB, D., Filatriau J. - J., & Kessous L.
INTUNE: A MUSICIAN’S INTONATION VISUALIZATION SYSTEM Lim, K. A., & Raphael C.
THE SONIFIED MUSIC STAND – AN INTERACTIVE SONIFICATION SYSTEM FOR MUSICIANS Grosshauser, T., & Hermann T.
THE HYPER-KALIMBA: DEVELOPING AN AUGMENTED INSTRUMENT FROM A PERFORMER’S PERSPECTIVE Rocha, F., & Malloch J.
MUSICAL APPLICATIONS AND DESIGN TECHNIQUES FOR THE GAMETRAK TETHERED SPATIAL POSITION CONTROLLER Freed, A., McCutchen D., Schmeder A., Hansen A. - M. S., Overholt D., Burleson W., et al.
A FRAMEWORK FOR ECOSYSTEM-BASED GENERATIVE MUSIC Bown, O.
DISSONANCES: BRIEF DESCRIPTION AND ITS COMPUTATIONAL REPRESENTATION IN THE RTCC CALCULUS Perchy, S., & M. G. S. M.
A DYNAMIC ANALOGY BETWEEN INTEGRO-DIFFERENTIAL OPERATORS AND MUSICAL EXPRESSIVENESS Poli, G. D., Roda A., & Mion L.
EXPRESSIVE PERFORMANCE RENDERING: INTRODUCING PERFORMANCE CONTEXT Flossmann, S., Grachten M., & Widmer G.
SOUND AND THE CITY: MULTI-LAYER REPRESENTATION AND NAVIGATION OF AUDIO SCENARIOS Ludovico, L. A., & Mauro D. A.
A FRAMEWORK FOR MUSICAL MULTIAGENT SYSTEMS Thomaz, L. F., & Queiroz M.
TOWARDS AUDIO TO SCORE ALIGNMENT IN THE SYMBOLIC DOMAIN Niedermayer, B.
NEW TENDENCIES IN THE DIGITAL MUSIC INSTRUMENT DESIGN : PROGRESS REPORT Ferreira-Lopes, P., Vitez F., Dominguez D., & Wikström V.
AUTOMATIC MANIPULATION OF MUSIC TO EXPRESS DESIRED EMOTIONS Oliveira, A. P., & Cardoso A.
SCORE PLAYBACK DEVICES IN PWGL Laurson, M., & Kuuskankare M.
A FRAMEWORK FOR SOUNDSCAPE ANALYSIS AND RE-SYNTHESIS Valle, A., Schirosa M., & Lombardo V.
COMPUTATIONAL INVESTIGATIONS INTO BETWEEN-HAND SYNCHRONIZATION IN PIANO PLAYING: MAGALOFF’S COMPLETE CHOPIN Goebl, W., Flossmann S., & Widmer G.
FREE CLASSIFICATION OF VOCAL IMITATIONS OF EVERYDAY SOUNDS Dessein, A., & Lemaitre G.
ACCESSING STRUCTURE OF SAMBA RHYTHMS THROUGH CULTURAL PRACTICES OF VOCAL PERCUSSION Naveda, L., & Leman M.
MUSICAL GROOVE IS CORRELATED WITH PROPERTIES OF THE AUDIO SIGNAL AS REVEALED BY COMPUTATIONAL MODELLING, DEPENDING ON MUSICAL STYLE Madison, G., Gouyon F., & Ullén F.
THREE METHODS FOR PIANIST HAND ASSIGNMENT Hadjakos, A., & Lefebvre-Albaret F.
ENHANCING EXPRESSIVE AND TECHNICAL PERFORMANCE IN MUSICAL VIDEO GAMES Marczak, R., Robine M., Desainte-Catherine M., Allombert A., Hanna P., & Kurtag G.
THE FLOPS GLASS: A DEVICE TO STUDY EMOTIONAL REACTIONS ARISING FROM SONIC INTERACTIONS Lemaitre, G., Houix O., Franinovic K., Visell Y., & Susini P.
DOES A “NATURAL” SONIC FEEDBACK AFFECT PERCEIVED USABILITY AND EMOTION IN THE CONTEXT OF USE OF AN ATM? Susini, P., Misdariis N., Houix O., & Lemaitre G.
POLYNOMIAL EXTRAPOLATION FOR PREDICTION OF SURPRISE BASED ON LOUDNESS - A PRELIMINARY STUDY Purwins, H., Holonowicz P., & Herrera P.
AUDITORY REPRESENTATIONS AS LANDMARKS IN THE SOUND DESIGN SPACE Drioli, C., Polotti P., Rocchesso D., Monache S. D., Adiloglu K., Annies R., et al.
REAL-TIME BINAURAL AUDIO RENDERING IN THE NEAR FIELD Spagnol, S., & Avanzini F.
EXTENDING THE FOLKSONOMIES OF FREESOUND.ORG USING CONTENT-BASED AUDIO ANALYSIS Martınez, E., Celma O., Sordo M., Jong B., & XavierSerra
CONTENT ANALYSIS OF NOTE TRANSITIONS IN MUSIC PERFORMANCE Loureiro, M., Yehia H., de Paula H., Campolina T., & Mota D.
FIRST-ORDER LOGIC CLASSIFICATION MODELS OF MUSICAL GENRES BASED ON HARMONY Anglade, A., Ramirez R., & Dixon S.
SOUND SEARCH BY CONTENT-BASED NAVIGATION IN LARGE DATABASES Schwarz, D., & Schnell N.
THE KINEMATIC RUBATO MODEL AS A MEANS OF STUDYING FINAL RITARDS ACROSS PIECES AND PIANISTS Grachten, M., & Widmer G.
A STRATIFIED APPROACH FOR SOUND SPATIALIZATION Peters, N., Lossius T., Schacher J., Baltazar P., Bascou C., & Place T.
PREDICTING THE PERCEIVED SPACIOUSNESS OF STEREOPHONIC MUSIC RECORDINGS Sarroff, A. M., & Bello J. P.
A CLASSIFICATION APPROACH TO MULTIPITCH ANALYSIS Klapuri, A.
A SYSTEM FOR MUSICAL IMPROVISATION COMBINING SONIC GESTURE RECOGNITION AND GENETIC ALGORITHMS Nort, D. V., Braasch J., & Oliveros P.
EXPLORATIONS IN CONVOLUTIONAL SYNTHESIS Smyth, T., & Elmore A. R.
TOWARDS A PROSODY MODEL OF ATTIC TRAGIC POETRY: FROM LOGOS TO MOUSIKE Georgaki, A., Psaroudakes S., Carle M., & Tzevelekos P.
REAL-TIME DTW-BASED GESTURE RECOGNITION EXTERNAL OBJECT FOR MAX/MSP AND PUREDATA Bettens, F., & Todoroff T.
Space as an Evolution Strategy. Sketch of a Generative Ecosystemic Structure of Sound Scamarcio, M.
Textural Composition and its Space Hagan, K.
Sound in Cyberspace: Exploring Material Technoculture Polymeropoulou, M.
Towards a decodification of the graphical scores of Anestis Logothetis (1921-1994) . The graphical space of Odysee(1963). Maria-Dimitra, B., & Anastasia G.
CompScheme: A Language for Composition and Stochastic Synthesis Dobereiner, L.
A dynamic spatial locator ugen for CLM Lopez-Lezcano, F.
Zsa.Descriptors: a library for real-time descriptors analysis Malt, M., & Jourdan E.
Ephemeron: Control over Self-Organised Music KOLLIAS, P. - A.
An algorithm for real-time harmonic microtuning Sabat, M.
NOVARS RESEARCH CENTRE, UNIVERSITY OF MANCHESTER, UK. STUDIO REPORT Climent, R., Berezan D., & Davison A.
Speaker-Herd: A Multi-channel Loudspeaker Project for Miscellaneous Spaces, Loudspeaker Architectures and Compositional Approaches Bierlein, F., Farchmin E., Fütterer L., Kerschkewitz A., Loscher D., Modler P., et al.
Modeling Affective Content of Music: A Knowledge Base Approach Oliveira, A. P., & Cardoso A.
Mode-dependent Differences in Chord Classification under an Original Computational Method of Tonal Structure Analysis Majchrzak, M.
Concatenative Synthesis of Expressive Saxophone Performance Kersten, S., & Ramirez R.
Designing and Synthesizing Delay-Based Digital Audio Effects using the CORDIS ANIMA Physical Modeling Formalism Kontogeorgakopoulos, A., & Cadoz C.
Extending voice-driven synthesis to audio mosaicing Janer, J., & de Boer M.
Digitally Augmented Everyday Objects in Music Composition Kojs, J., & Serafin S.
Autosimilar melodies and their implementation in OpenMusic Amiot, E., Agon C., & Andreatta M.
Algorithmic Composition – ”gestalt revolution“– a new approach to a unfied view on structuring diverse levels of musical composition Schmitt, J.
Self-Space: Interactive, Self Organized, Robotics Mediated, Cross-Media Platform for Music and Multimedia Performance Marinos, G., & Iannis Z.
Image Features Based on Two-dimensional FFT for Gesture Analysis and Recognition Modler, P., & Myatt T.
Haptic Feedback for Improved Positioning of the Hand for Empty Handed Gestural Control Modler, P., & Myatt T.
The Program in Electronic Music Composition and Musical Production at the School of the Arts of the Polytechnic Institute of Castelo Branco Guedes, C., & Dias R.
Sonification of Gestures Using Specknets Lympouridis, V., Parker M., Young A., & Arvind D. K.
Mapping and dimensionality of a cloth-based sound instrument Birnbaum, D., Abtan F., Wei† S. X., & Wanderley M. M.
EXPLORING COMMON VARIATIONS IN STATE OF THE ART CHORD RECOGNITION SYSTEMS Cho, T., Weiss R. J., & Bello J. P.
LYRICS-TO-AUDIO ALIGNMENT AND PHRASE-LEVEL SEGMENTATION USING INCOMPLETE INTERNET-STYLE CHORD ANNOTATIONS Mauch, M., Fujihara H., & Goto M.
CHORD SEQUENCE PATTERNS IN OWL Wissmann, J., Weyde T., & Conklin D.
PERFORMANCE RENDERING FOR POLYPHONIC PIANO MUSIC WITH A COMBINATION OF PROBABILISTIC MODELS FOR MELODY AND HARMONY Kim, T. H., Fukayama S., Nishimoto T., & Sagayama S.
THE INFLUENCE OF REED MAKING ON THE PERFORMANCE AND SOUND QUALITY OF THE OBOE Blasco-Yepes, C., & Payri B.
KETTLE: A REAL-TIME MODEL FOR ORCHESTRAL TIMPANI Papiotis, P., & Papaioannou G.
TIMBRE REMAPPING THROUGH A REGRESSION-TREE TECHNIQUE Stowell, D., & Plumbley M. D.
MELODIC MEMORY AND ITS DEPENDENCE ON FAMILIARITY AND DIFFICULTY Benassi-Werke, M. E., Queiroz M., Germano N. G., & Oliveira M. G. M.
ANALYZING GESTURE AND SOUND SIMILARITIES WITH A HMM-BASED DIVERGENCE MEASURE Caramiaux, B., Bevilacqua F., & Schnell N.
LIMITATIONS IN THE RECOGNITION OF SOUND TRAJECTORIES AS MUSICAL PATTERNS Payri, B.
Examining the role of context in the recognition of walking sounds Turchet, L., Nordahl R., & Serafin S.
AN AUDIOVISUAL WORKSPACE FOR PHYSICAL MODELS enjamin Schroeder, Ainger M., & Parent R.
COMPARISON OF NON-STATIONARY SINUSOID ESTIMATION METHODS USING REASSIGNMENT AND DERIVATIVES Musevic, S., & Bonada J.
PHASESHAPING OSCILLATOR ALGORITHMS FOR MUSICAL SOUND SYNTHESIS Kleimola, J., Lazzarini V., Timoney J., & Välimäki V.
Sparse Regression in Time-Frequency Representations of Complex Audio Dorfler, M., Velasco G., Flexer A., & Klien V.
MUSICJSON: A REPRESENTATION FOR THE COMPUTER MUSIC CLOUD Alvaro, J. L., & Barros B.
STRATEGIES TOWARDS THE AUTOMATIC ANNOTATION OF CLASSICAL PIANO MUSIC Niedermayer, B., & Widmer G.
AUTOMATIC MUSIC TAG CLASSIFICATION BASED ON BLOCK-LEVEL FEATURES Seyerlehner, K., Widmer G., Schedl M., & Knees P.
ADDITIONAL EVIDENCE THAT COMMON LOW-LEVEL FEATURES OF INDIVIDUAL AUDIO FRAMES ARE NOT REPRESENTATIVE OF MUSIC GENRE Marques, G., Lopes M., Sordo M., Langlois T., & Gouyon F.
DYNAMIC CUES FOR NETWORK MUSIC INTERACTIONS Renaud, A. B.
ISSUES AND TECHNIQUES FOR COLLABORATIVE MUSIC MAKING ON MULTI-TOUCH SURFACES Laney, R., Dobbyn C., Xambo A., Schirosa M., Miell D., Littleton K., et al.
TOWARDS A PRACTICAL APPROACH TO MUSIC THEORY ON THE REACTABLE Franceschini, A.
TOWARDS ADAPTIVE MUSIC GENERATION BY REINFORCEMENT LEARNING OF MUSICAL TENSION Groux, S. L., & Verschure P. F. M. J.
ÕDAIKO: A REAL TIME SCORE GENERATOR BASED ON RHYTHM Lopes, F.
STYLE EMULATION OF DRUM PATTERNS BY MEANS OF EVOLUTIONARY METHODS AND STATISTICAL ANALYSIS Bernardes, G., Guedes C., & Pennycook B.
SIMPLE TEMPO MODELS FOR REAL-TIME MUSIC TRACKING Arzt, A., & Widmer G.
DANCE PATTERN RECOGNITION USING DYNAMIC TIME WARPING Pohl, H., & Hadjakos A.
Analysis and automatic annotation of singer’s postures during concert and rehearsal Grachten, M., Demey M., Moelants D., & Leman M.
EMOTIONS IN THE VOICE: HUMANISING A ROBOTIC VOICE Bowles, T., & Pauletto S.
REAL-TIME ESTIMATION OF THE VOCAL TRACT SHAPE FOR MUSICAL CONTROL Kestian, A. P., & Smyth T.
CREATION AND EXPLORATION OF A PERCEPTUAL SONIC TEXTURES SPACE USING A TANGIBLE INTERFACE Filatriau, J. - J., & ARFIB D.
AV CLASH – ONLINE TOOL FOR MIXING AND VISUALIZING AUDIO RETRIEVED FROM FREESOUND.ORG DATABASE Correia, N. N.
PHOXES - MODULAR ELECTRONIC MUSIC INSTRUMENTS BASED ON PHYSICAL MODELING SOUND SYNTHESIS Gelineck, S., & Serafin S.
INTERLUDE - A FRAMEWORK FOR AUGMENTED MUSIC SCORES Fober, D., Daudin C., Orlarey Y., & Letz S.
QUANTIFYING MASKING IN MULTI-TRACK RECORDINGS Vega, S., & Janer J.
MIXTRACT: AN ENVIRONMENT FOR DESIGNING MUSICAL PHRASE EXPRESSION Hashida, M., Tanaka S., Baba T., & Katayose H.
ON THE TRACEABILITY OF THE COMPOSITIONAL PROCESS Rutz, H. H., Miranda E., & Eckel G.
TIDAL – PATTERN LANGUAGE FOR LIVE CODING OF MUSIC McLean, A., & Wiggins G.
IN A CONCRETE SPACE. RECONSTRUCTING THE SPATIALIZATION OF IANNIS XENAKIS’ CONCRET PH ON A MULTICHANNEL SETUP Valle, A., Tazelaar K., & Lombardo K. T. V.
A LYRICS-MATCHING QBH SYSTEM FOR INTERACTIVE ENVIRONMENTS Papiotis, P., & Purwins H.
ANALYZING LEFT HAND FINGERING IN GUITAR PLAYING Guauss, E., & Arcos J. L.
VOICE CONVERSION: A CRITICAL SURVEY Machado, A. F., & Queiroz M.
AUTOMATIC SONG COMPOSITION FROM THE LYRICS EXPLOITING PROSODY OF JAPANESE LANGUAGE Fukayama, S., Nakatsuma K., Sako S., Nishimoto T., & Sagayama S.
MIMICRY OF TONE PRODUCTION: RESULTS FROM A PILOT EXPERIMENT Bianco, T., Wanderley M. M., & Bevilacqua F.
HUBS AND ORPHANS - AN EXPLORATIVE APPROACH Gasser, M., Flexer A., & Schnitzer D.
RESTORATION OF AUDIO DOCUMENTS WITH LOW SNR: A NMF PARAMETER ESTIMATION AND PERCEPTUALLY MOTIVATED BAYESIAN SUPPRESSION RULE Cabras, G., Canazza S., Montessoro P. L., & Rinaldo R.
CONSTANT-Q TRANSFORM TOOLBOX FOR MUSIC PROCESSING Schorkhuber, C., & Klapuri A.
AUTOMATIC MUSIC COMPOSITION BASED ON COUNTERPOINT AND IMITATION USING STOCHASTIC MODELS Tanaka, T., Nishimoto T., Ono N., & Sagayama S.
EXPLORING TIMBRE SPACES WITH TWO MULTIPARAMETRIC CONTROLLERS Kiefer, C.
DEPENDENT VECTOR TYPES FOR MULTIRATE FAUST Jouvelot, P., & Orlarey Y.
THE ‘STANZA LOGO–MOTORIA’: AN INTERACTIVE ENVIRONMENT FOR LEARNING AND COMMUNICATION Camurri, A., Volpe G., & Canazza S.
SOUND TEXTURE SYNTHESIS WITH HIDDEN MARKOV TREE MODELS IN THE WAVELET DOMAIN Kersten, S., & Purwins H.
HEAD IN SPACE: A HEAD-TRACKING BASED BINAURAL SPATIALIZATION SYSTEM Ludovico, L. A., Mauro D. A., & Pizzamiglio D.
A LOOK INTO THE PAST: ANALYSIS OF TRENDS AND TOPICS IN PROCEEDINGS OF SOUND AND MUSIC COMPUTING CONFERENCE Pratyush, Umbert M., & XavierSerra
MUSICGALAXY – AN ADAPTIVE USER-INTERFACE FOR EXPLORATORY MUSIC RETRIEVAL Stober, S., & ̈rnberger A. N.
FIRST STEPS IN RELAXED REAL-TIME TYPO-MORPHOLOGICAL AUDIO ANALYSIS/SYNTHESIS Schnell, N., Cifuentes M. A. S., & Lambert J. - P.
INTERPRETATION AND COMPUTER ASSISTANCE IN JOHN CAGE’S CONCERT FOR PIANO AND ORCHESTRA (1957-58) Sluchin, B., & Malt M.
ADAPTIVE SPATIALIZATION AND SCRIPTING CAPABILITIES IN THE SPATIAL TRAJECTORY EDITOR HOLO-EDIT Bascou, C.
ON ARCHITECTURE AND FORMALISMS FOR COMPUTER-ASSISTED IMPROVISATION Maniatakos, F., Assayag G., Bevilacqua F., & Agon C.
A PERCEPTUAL STUDY ON DYNAMICAL FORM IN MUSIC Hjortkjær, J., & Nielbo F.
Structural Modeling Of Pinna-Related Transfer Functions Spagnol, S., Geronazzo M., & Avanzini F.
CONNECTING GRAPHICAL SCORES TO SOUND SYNTHESIS IN PWGL Kuuskankare, M., & Laurson M.
CROWDSOURCING A REAL-WORLD ON-LINE QUERY BY HUMMING SYSTEM Huq, A., Cartwright M., & Pardo B.
CONCURRENT CONSTRAINTS CONDITIONAL-BRANCHING TIMED INTERACTIVE SCORES Toro-Bermudez, M., & Desainte-Catherine M.
D-JOGGER: SYNCING MUSIC WITH WALKING Moens, B., van Noorden L., & Leman M.
LEGATO AND GLISSANDO IDENTIFICATION IN CLASSICAL GUITAR Ozaslan, T. H., & JosepLluisArcos
TONAL SIGNATURES Nouno, G., & Mezzadri M.
ACOUSTIC REHABILITATIO Jaume Segura, A. R., & Navarro E.
UNSUPERVISED GENERATION OF PERCUSSION SOUND SEQUENCES FROM A SOUND EXAMPLE Marchini, M., & Purwins H.
EFFICIENT FINITE DIFFERENCE-BASED SOUND SYNTHESIS USING GPUS Sosnick, M., & Hsu W.
SHORT TERM PITCH MEMORY IN WESTERN vs. OTHER EQUAL TEMPERAMENT TUNING SYSTEMS Andreopoulou, A., & Farbood M.
AUDIO-BASED MUSIC VISUALIZATION FOR MUSIC STRUCTURE ANALYSIS Wu, H. - H., & Bello J. P.
A COMPARISON OF PROBABILISTIC MODELS FOR ONLINE PITCH TRACKING Simsekli, U., & Cemgil T. A.
DESCRIPTOR-BASED SOUND TEXTURE SAMPLING Schwarz, D., & Schnell N.
Active preservation of electrophone musical instruments. The case of the "Liettizzatore" of "Studio di Fonologia Musicale" (RAI, Milano) Canazza, S., Rodà A., Novati M., & Avanzini F.
Improving tempo-sensitive and tempo-robust descriptors for rhythmic similarity Holzapfel, A., Flexer A., & Widmer G.
PERSONALITY AND COMPUTER MUSIC Garrido, S., Schubert E., Kreutz G., & Halpern A.
Automatically detecting key modulations in J.S. Bach chorale recordings Mearns, L., Benetos E., & Dixon S.
GESTURAL CONTROL OF THE SPEECH SYNTHESIS IN LUNA PARK Beller, G.
Applications of Synchronization in Sound Synthesis Neukom, M.
TOWARDS A PERSONALIZED TECHNICAL EAR TRAINING PROGRAM: AN INVESTIGATION OF THE EFFECT OF ADAPTIVE FEEDBACK Kaniwa, T., Kim S., Terasawa H., Ikeda M., Yamada T., & Makino S.
DANCEREPRODUCER: AN AUTOMATIC MASHUP MUSIC VIDEO GENERATION SYSTEM BY REUSING DANCE VIDEO CLIPS ON THE WEB Nakano, T., Murofushi S., Goto M., & Morishima S.
AN INTERACTIVE MUSIC COMPOSITION SYSTEM BASED ON AUTONOMOUS MAINTENANCE OF MUSICAL CONSISTENCY Kitahara, T., Fukayama S., Sagayama S., Katayose H., & Nagata N.
An Interactive Surface Realisation of Henri Pousseur's `Scambi' Fencott, R., & Dack J.
Extraction of sound localization cue utilizing pitch cue for modelling auditory system Okuno, T., Mcginnity T. M., & Maguire L. P.
Audio Physical Computing Valle, A.
Using Physical Models is Necessary to Guarantee Stable Analog Haptic Feedback Control for New Media Edgar Berdahl, Florens J. - L., & Cadoz C.
A Learning Interface for Novice Guitar Players using Vibrotactile Stimulation Giordano, M., & Wanderley M.
Functional Signal Processing with Pure and Faust using the LLVM Toolkit Gräf, A.
RaPScoM - A Framework for Rapid Prototyping of Semantically Enhanced Score Music Rubisch, J., Doppler J., & Raffaseder H.
A Rule-Based Generative Music System Controlled by Desired Valence and Arousal Wallis, I., Ingalls T., Campana E., & Goodman J.
REAL-TIME UNSUPERVISED MUSIC STRUCTURAL SEGMENTATION USING DYNAMIC DESCRIPTORS Pires, A. S., & Queiroz M.
Multiple-Instrument Polyphonic Music Transcription using a Convolutive Probabilistic Model Benetos, E., & Dixon S.
Sonic Gestures as Input in Human-Computer Interaction: Towards a Systematic Approach Jylhä, A.
Generating Musical Accompaniment through Functional Scaffolding Hoover, A. K., Szerlip P. A., & Stanley K. O.
Foley Sounds vs Real Sounds Trento, S., & de Gotzen A.
Explaining musical expression as a mixture of basis functions Grachten, M., & Widmer G.
Investigation of the relationships between audio features and induced emotions in Contemporary Western music Trochidis, K., Delbé C., & Bigand E.
When sound teaches Zanolla, S., Canazza S., Rodà A., Romano F., Scattolin F., & Foresti G. L.
Support for Learning Synthesiser Programming Dykiert, M., & Gold N.
Robotic piano player making pianos talk Ritsch, W.
HUMANITIES, ART AND SCIENCE IN THE CONTEXT OF INTERACTIVE SONIC SYSTEMS – SOME CONSIDERATIONS ON A CUMBERSOME RELATIONSHIP Polotti, P.
Analysis of Social Interaction in Music Performance with Score-Independent Audio Features Volpe, G., Varni G., Mazzarino B., Pisano S., & Camurri A.
SOUND SPHERES: A DESIGN STUDY OF THE ARTICULACY OF A NON-CONTACT FINGER TRACKING VIRTUAL MUSICAL INSTRUMENT Hughes, C., Wermelinger M., & Holland S.
Spatio-temporal unfolding of sound sequences Rocchesso, D., & Monache S. D.
Leech: BitTorrent and Music Piracy Sonification Mckinney, C., & Renaud A.
AN EXPLORATION ON THE INFLUENCE OF VIBROTACTILE CUES DURING DIGITAL PIANO PLAYING Fontana, F., Papetti S., Bello V. D., Civolani M., & Bank B.
Prioritized Contig Combining to Segregate Voices in Polyphonic Music Ishigaki, A., Matsubara M., & Saito H.
MARCO STROPPA’S COMPOSITIONAL PROCESS AND SCIENTIFIC KNOWLEDGE BETWEEN 1980-1991 Tiffon, V., & Sprenger-Ohana N.
On Computing Morphological Similarity of Audio Signals Gasser, M., Flexer A., & Grill T.
SOUND SPATIALIZATION CONTROL BY MEANS OF ACOUSTIC SOURCE LOCALIZATION SYSTEM Salvati, D., Canazza S., & Roda' A.
Automatic Creation of Mood Playlists in the Thayer Plane: a Methodology and a Comparative Study Panda, R., & Paiva R. P.
Rencon Workshop 2011 (SMC-Rencon): Performance Rendering Contest for Computer Systems Hashida, M., Hirata K., & Katayose H.
An analog I/O interface board for Audio Arduino open sound card system Dimitrov, S., & Serafin S.
On the Creative use of Score Following and its Impact on Research Cont, A.
Designing an Expressive Virtual Percussive Instrument Dolhansky, B., Mcpherson A., & Kim Y.
Comparing Inertial and Optical MoCap Technologies for Synthesis Control Skogstad, S. A., Nymoen K., & Høvin M.
A Survey of Raaga Recognition Techniques and Improvements to the State-of-the-Art Gopala-Krishna, K., Gulati S., & Rao P.
A toolbox for storing and streaming music-related data Nymoen, K., & Jensenius A. R.
IMPROVING PERFORMERS’ MUSICALITY THROUGH LIVE INTERACTION WITH HAPTIC FEEDBACK: A CASE STUDY Michailidis, T., & Bullock J.
Demetrio Stratos rethinks voice techniques: a historical investigation at ISTC in Padova Ceolin, E., Tisato G., & Zattra L.
Distance Mapping for Corpus-Based Concatenative Synthesis Schwarz, D.
A COMPARISON OF PERCEPTUAL RATINGS AND COMPUTED AUDIO FEATURES Friberg, A., & Hedblad A.
PHYSICAL MODELING MEETS MACHINE LEARNING: TEACHING BOW CONTROL TO A VIRTUAL VIOLINIST Percival, G., Bailey N., & Tzanetakis G.
SONIK SPRING Henriques, T.
Ensemble: Implementing a Musical Multiagent System Framework Thomaz, L., & Queiroz M.
Emotional response to major mode musical pieces: score-dependent perceptual and acoustic analysis Canazza, S., Roda' A., & Poli G. D.
Limits of Control Rutz, H. H.
The EyeHarp: An Eye-Tracking-Based Musical Instrument Vamvakousis, Z., & Ramirez R.
Auditory feedback in a multimodal balancing task: walking on a virtual rope Serafin, S., Turchet L., & Nordahl R.
SoundScape: A music composition environment designed to facilitate collaborative creativity in the classroom Truman, S.
The VowelWorm: Real-time Mapping and Visualisation of Sung Vowels in Music Frostel, H., Arzt A., & Widmer G.
C. Elegans Meets Data Sonification: Can We Hear its Elegant Movement? Terasawa, H., Takahashi Y., Hirota K., Hamano T., Yamada T., Fukamizu A., et al.
Isomorphic Tessellations for Musical Keyboards Maupin, S., Gerhard D., & Park B.
Design and Applications of a Multi-Touch Musical Keyboard Mcpherson, A., & Kim Y.
Improved Sinusoidal Parameter Estimation through Iterative Linear Programming Schemes Shiv, V. L.
Ljudskrapan/The Soundscraper: Sound exploration for children with complex needs, accommodating hearing aids and cochlear implants Hansen, K. F., Dravins C., & Bresin R.
Automatic Multitrack Mixing Using Linear Dynamical Systems Scott, J., Prockup M., Schmidt E., & Kim Y.
Melody Harmonization in Evolutionary Music using Multiobjective Genetic Algorithms Freitas, A., & Guimarães F.
Version Detection for Historical Music Boxes Niedermayer, B., Widmer G., & Reuter C.
Exploring the design space: prototyping "The Throat v3" for the Elephant Man opera Elblaus, L., Hansen K. F., & Unander-Scharin C.
An Adaptive Classification Algorithm For Semiotic Musical Gestures Gillian, N., Knapp B. R., & O'Modhrain S.
A Bayesian Approach to Drum Tracking Robertson, A.
Improving the Efficiency of Open Sound Control with Compressed Address Strings Kleimola, J., & Mcglynn P. J.
Towards a Generative Electronica: Human-Informed Machine Transcription and Analysis in MaxMSP Eigenfeldt, A., & Pasquier P.
BeatLED - The Social Gaming Partyshirt Nies, T. D., Vervust T., Demey M., Walle R. V. D., Vanfleteren J., & Leman M.
The Closure-based Cueing Model: Cognitively-Inspired Learning and Generation of Musical Sequences Maxwell, J., Pasquier P., & Eigenfeldt A.
The plurality of melodic similarity Marsden, A.
Evaluating of sensor technologies for The Rulers, a kalimba-like Digital Musical Instrument Medeiros, C. B., & Wanderley M. M.
DYNAMIC INTERMEDIATE MODELS FOR AUDIOGRAPHIC SYNTHESIS Goudard, V., Genevois H., Doval B., & Ghomi É.
Where do you want your ears? Comparing performance quality as a function of listening position in a virtual jazz band Olmos, A., Rushka P., Ko D., Foote G., Woszczyk W., & Cooperstock J. R.
from snow [to space to movement] to sound Kontogeorgakopoulos, A., Kotsifa O., & Erichsen M.
Parametric Trombone Synthesis by Coupling Dynamic Lip Valve and Instrument Models Smyth, T., & Scott F.
3D GESTURAL INTERACTION WITH HARMONIC PITCH SPACE Hedges, T. W., & McPherson A. P.
A COMPUTATIONAL METHOD FOR EXPLORING MUSICAL CREATIVITY DEVELOPMENT Alexakis, A.
A CONTOUR-BASED JAZZ WALKING BASS GENERATOR Guedes, C., Blanton J., Brown R., Carter R., & Min- C.
A HISTORY OF SEQUENCERS : INTERFACES FOR ORGANIZING PATTERN-BASED MUSIC Arar, R., & Kapur A.
A MULTIPITCH ESTIMATION ALGORITHM BASED ON FUNDAMENTAL FREQUENCIES AND PRIME HARMONICS Camacho, A., & Kaver-oreamuno I.
A PRELIMINARY COMPUTATIONAL MODEL OF IMMANENT ACCENT SALIENCE IN TONAL MUSIC Parncutt, R., Bisesi E., & Friberg A.
A Quantitative Review of Mappings in Musical iOS Applications Kell, T., Wanderley M. M., & Kit D.
A social network integrated game experiment to relate tapping to speed perception and explore rhythm reproduction Bellec, G., Elowsson A., Friberg A., Wolff D., & Weyde T.
A VERSATILE TOOLKIT FOR CONTROLLING DYNAMIC STOCHASTIC SYNTHESIS Krekovi, G., & Petrinovi D.
About the Impact of Audio Quality on Overall Listening Experience Schoeffler, M.
ACOUSTIC RETROREFLECTORS FOR MUSIC PERFORMANCE MONITORING Tuominen, H. T.
ACOUSTIC SCORE FOLLOWING TO MUSICAL PERFORMANCE WITH ERRORS AND ARBITRARY REPEATS AND SKIPS Nakamura, T., Nakamura E., & Sagayama S.
Acoustics-like dynamics in signal-based synthesis through parameter mapping Gaffney, B. B., & Smyth T.
AMAROK PIKAP: INTERACTIVE PERCUSSION PLAYING AUTOMOBILE Artut, S.
AN ENERGY CONSERVING FINITE DIFFERENCE SCHEME FOR SIMULATION OF COLLISIONS Chatziioannou, V., & Walstijn M. V.
An Open-source Framework for Time-domain Simulations Geyer, C. B.
Artificial Affective Listening towards a Machine Learning Tool for Sound-Based Emotion Therapy and Control Kirke, A., Miranda E., & Nasuto S. J.
AUDIO INTERPOLATION AND MORPHING VIA STRUCTURED-SPARSE LINEAR REGRESSION Kereliuk, C., Depalle P., & Pasquier P.
Audio restoration of solo guitar excerpts using a excitation-filter instrument model Parras-Moral, J., Cañadas-Quesada F. J., Vera-Candeas P., & Ruiz-Reyes N.
AUDIO-TACTILE FEEDBACK IN MUSICAL GESTURE PRIMITIVES: FINGER PRESSING Järveläinen, H., Papetti S., Schiesser S., & Grosshauser T.
AURALIZATION OF COUPLED SPACES BASED ON A DIFFUSION EQUATION MODEL Luizard, P., Polack J. - D., & Katz B. F. G.
Automatic Tuning of the OP-1 Synthesizer Using a Multi-objective Genetic Algorithm Macret, M., & Pasquier P.
BEAT-STATION: A REAL-TIME RHYTHM ANNOTATION SOFTWARE Miron, M., Gouyon F., Davies M. E. P., & Holzapfel A.
Brazilian challenges on network music Arango, J. J., Tomiyoshi M., Iazzetta F., & Queiroz M.
Capacitive Left Hand Finger and Bow Sensors for Synchronization and Rhythmical Regularity Analysis in String Ensembles Grosshauser, T., Feese S., & Tröster G.
CHILD / MACHINE INTERACTION IN REFLEXIVE ENVIRONMENT. THE MIROR PLATFORM Addessi, A. R.
Comparing Timbre-based Features for Musical Genre Classification Hartmann, M., Saari P., Toiviainen P., & Lartillot O.
Composing for cars Parkinson, A., & Tanaka A.
Composing Social Interactions for an Interactive-Spatial Performance System Parkinson, A., & Tahiroğlu K.
CONDUCTING A VIRTUAL ENSEMBLE WITH A KINECT DEVICE Rosa-Pujazón, A., Barbancho I., Tardón L. J., & Barbancho A. M.
CONTROLLING A SOUND SYNTHESIZER USING TIMBRAL ATTRIBUTES Pošćić, A., & Kreković G.
Creating Expressive Piano Performance Using a Low-dimensional Performance Model Gu, Y., & Raphael C.
Design of an Interactive Earphone Simulator and Results from a Perceptual Experiment Lindborg, P. M., & Lim M. J. Y.
Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format Park, B., & Gerhard D.
DOWNY OAK: RENDERING ECOPHYSIOLOGICAL PROCESSES IN PLANTS AUDIBLE Maeder, M., & Zweifel R.
Dynamic FM synthesis using a network of complex resonator filters Parker, J., & Bovermann T.
EFFECT OF TIMBRE ON MELODY RECOGNITION IN THREE-VOICE COUNTERPOINT MUSIC Chon, S. H., Schwartzbach K., Smith B., & McAdams S.
ENERGY HARVESTING POWER FLOWER BELL -€“ A CYBERNETIC SOUND INSTALLATION DRIVEN BY A DIRT-BATTERY Schauer, J., Ritsch W., & Fickert L.
EXPLOITING DOMAIN KNOWLEDGE IN MUSIC INFORMATION RESEARCH XavierSerra
EXPRESSIVE PRODUCTION OF PIANO TIMBRE: TOUCH AND PLAYING TECHNIQUES FOR TIMBRE CONTROL IN PIANO PERFORMANCE Bernays, M., & Traube C.
Four-part Harmonization Using Probabilistic Models: Comparison of Models With and Without Chord Nodes Suzuki, S., & Kitahara T.
FULL AUTOMATION OF REAL-TIME PROCESSES IN INTERACTIVE COMPOSITIONS: TWO RELATED EXAMPLES Garavaglia, J. A.
GLOBAL KEY EXTRACTION FROM CLASSICAL MUSIC AUDIO RECORDINGS BASED ON THE FINAL CHORD Weiß, C.
HOW DO PEOPLE ASSESS COMPUTER GENERATED EXPRESSIVE MUSIC PERFORMANCES? Canazza, S., Poli G. D., & Rodà A.
How Predictable Do We Like Our Music? Eliciting Aesthetic Preferences With The Melody Triangle Mobile App Ekeus, H., Abdallah S. A., McOwan P. W., & Plumbley M. D.
Human-Computer Music Performance: From Synchronized Accompaniment to Musical Partner Dannenberg, R. B., Jin Z., Gold N. E., Sandu O. - E., Palliyaguru P. N., Robertson A., et al.
IMAGE SONIFICATION BASED ON OBJECT AND FEATURE EXTRACTION Kim, K. L., & Yeo W. S.
IMPROVED POLYNOMIAL TRANSITION REGIONS ALGORITHM FOR ALIAS-SUPPRESSED SIGNAL SYNTHESIS Ambrits, D., & Bank B.
IMPROVING THE REAL-TIME PERFORMANCE OF A CAUSAL AUDIO DRUM TRANSCRIPTION SYSTEM Miron, M., Davies M. E. P., & Gouyon F.
Impulse Response Estimation for the Auralisation of Vehicle Engine Sounds using Dual Channel FFT Analysis Shelley, S., Murphy D., & Goodwin S.
Joint f0 and inharmoncity estimation using second order optimization Hahn, H., & Axel R.
Komeda: Framework for Interactive Algorithmic Music On Embedded Systems Bacławski, K., & Jackowski D.
LANdini : a networking utility for wireless LAN-based laptop ensembles Narveson, J., & Trueman D.
LARGE DATA SETS & RECOMMENDER SYSTEMS: A FEASIBLE APPROACH TO LEARNING MUSIC ? Gabriel, J.
MEASURING THE INTERACTION BETWEEN BASSOON AND HORN PLAYERS IN ACHIEVING TIMBRE BLEND Lembke, S. -amin, Levine S., de Francisco M., & McAdams S.
Melodic Outline Extraction Method for Non-note-level Melody Editing Tsuchiya, Y., & Kitahara T.
MELODY BOUNCE: MOBILE RHYTHMIC INTERACTION FOR CHILDREN Baldan, S., Serafin S., & Götzen A. D.
Methods for Real Time Harmonic Excitation of Acoustic Signals Enderby, S., Baracskai Z., & Athwal C.
MIXING SYMBOLIC AND AUDIO DATA IN COMPUTER ASSISTED MUSIC ANALYSIS A Case study from J . Harvey's Speakings (2008) for Orchestra and Live Electronics Schaub, S., Simurra I., & Tavares T. F.
MOCAP TOOLBOX – A MATLAB TOOLBOX FOR COMPUTATIONAL ANALYSIS OF MOVEMENT DATA Burger, B., & Toiviainen P.
MODELING AND SIMULATION: THE SPECTRAL CANON FOR CONLON NANCARROW BY JAMES TENNEY de Paiva Santana, C., Bresson J., & Andreatta M.
Modeling of Melodic Rhythm Based on Entropy toward Creating Expectation and Emotion Ohmura, H., Shibayama T., Shibuya S., Takahashi T., Okanoya K., & Furukawa K.
MODELLING EMOTIONAL EFFECTS OF MUSIC: KEY AREAS OF IMPROVEMENT Eerola, T.
MODELLING PERCEPTION OF SPEED IN MUSIC AUDIO Elowsson, A., & Friberg A.
mono2eN: A Multi-Channel Autospatialisation Performance System Goddard, C.
Motion recurrence analysis in music performances Teixeira, E., Yehia H., Loureiro M., & Wanderley M.
Multi-scale design of interactive music systems: the libTuiles experiment Janin, D., Berthaut F., & Desainte-Catherine M.
MULTICHANNEL CONTROL OF SPATIAL EXTENT THROUGH SINUSOIDAL PARTIAL MODULATION (SPM) Cabrera, A., & Kendall G.
MUSIC AS THE GOAL OF TRAINING AND MEANS OF REHABILITATION: EVIDENCE FROM BRAIN SCIENCE Tervaniemi, M.
NETWORK MUSIC WITH MEDUSA: A COMPARISON OF TEMPO ALIGNMENT IN EXISTING MIDI APIS Schiavoni, F. L., Queiroz M., & Wanderley M.
Non-Realtime Sonification of Motiongrams Jensenius, A. R.
OBSERVED DIFFERENCES IN RHYTHM BETWEEN PERFORMANCES OF CLASSICAL AND JAZZ VIOLIN STUDENTS Guaus, E., Saña O., & Llimona Q.
ON FINITE DIFFERENCE SCHEMES FOR THE 3-D WAVE EQUATION USING NON-CARTESIAN GRIDS Hamilton, B., & Bilbao S.
PEVI: INTERFACE FOR RETRIEVING AND ANALYZING EXPRESSIVE MUSICAL PERFORMANCES WITH SCAPE PLOTS Miki, S., Baba T., & Katayose H.
PHENICX: Performances as Highly Enriched aNd Interactive Concert Experiences Gómez, E., Grachten M., Hanjalic A., Janer J., Jordá S., Juliá C. F., et al.
PLUCKING BUTTONS: AN ALTERNATE SOFT BUTTON INPUT METHOD ON TOUCH SCREENS FOR MUSICAL INTERACTION Lee, E. J., & Yeo W. S.
Programming Interactive Music Scores with INScore Fober, D., Letz S., Orlarey Y., & Bevilacqua F.
Real time digital audio processing using Arduino Bianchi, A. J́, & Queiroz M.
Real-time event sequencing without a visual interface Tavares, T. F., Monteiro A., Barbedo J. G. A., Attux R., & Manzolli J.
REAL-TIME HALLUCATINATION SONIFICATION AND SIMULATION THROUGH USER-LED DEVELOPMENT OF AN IPAD AUGMENTED REALITY PERFORMANCE Kirke, A., Eaton J., & Miranda E.
REAL-TIME NOTATION USING BRAINWAVE CONTROL Eaton, J., & Miranda E.
Real, Foley or synthetic? An evaluation of everyday walking sounds Götzen, A. D., Sikström E., Grani F., & Serafin S.
Reconfigurable Autonomous Novel Guitar Effects (RANGE) Macconnell, D., Trail S., Tzanetakis G., Driessen P., & Page W.
Refined Spectral Template Models for Score Following Korzeniowski, F., & Widmer G.
REINFORCEMENT LEARNING MODELS FOR ACQUIRING Tanaka, T., Ohmura H., & Furukawa K.
RELATIONSHIPS BETWEEN SPECTRAL FLUX, PERCEIVED RHYTHMIC STRENGTH, AND THE PROPENSITY TO MOVE Burger, B., Ahokas R., Keipi A., & Toiviainen P.
ROBIN: AN ALGORITHMIC COMPOSER FOR INTERACTIVE SCENARIOS Morreale, F., Masu R., & Angeli A. D.
Segmentation and Timbre Similarity in Electronic Dance Music Rocha, B., Bogaards N., & Honingh A.
SEMI-AUTOMATIC MELODY EXTRACTION USING NOTE ONSET TIME AND PITCH INFORMATION FROM USERS Laaksonen, A.
SENSITIVITY TO LOUDSPEAKER PERMUTATIONS DURING AN EIGHT-CHANNEL ARRAY REPRODUCTION OF PIANO NOTES Fontana, F., Pra Y. D., & Amendola A.
SIMILARITY SEARCH OF FREESOUND ENVIRONMENTAL SOUND BASED ON THEIR ENHANCED MULTISCALE FRACTAL DIMENSION Sunouchi, M., & Tanaka Y.
Situating the Performer and the Instrument in a Rich Social Context with PESI Extended System Goddard, C., & Tahiroğlu K.
SKALLDANS, AN AUDIOVISUAL IMPROVISATION FRAMEWORK Lindborg, P. M.
SmartDJ, An Interactive Music Player for Music Discovery by Similarity Comparison Maureen, A. S. Y., Sion L. C., & Lindborg P. M.
Visions of sound : The Centro di Sonologia Computazionale , from Computer Music to Sound and Music Computing Canazza, S., Poli G. D., & Vidolin A.
Solving interactions between nonlinear resonators Bensoam, J., & Roze D.
SONIFICATION AND AUDITORY DISPLAYS IN ELECTRONIC DEVICES Walker, B. N.
Sound analysis based on phase information that connects time and frequency Pabon, P., & van Velthoven J.
Sound Hunter. Developing a Navigational HRTF-Based Audio Game for People with Visual Impairments Brieger, S. W.
SoundAnchoring: Content-based Exploration of Music Collections with Anchored Self-Organized Maps Collares, L., Tavares T. F., Feliciano J., Gao S., Tzanetakis G., & Gooch A.
SPATIUM, TOOLS FOR SOUND SPATIALIZATION Penha, R., & Oliveira J. P.
Spectral Distortion Using Second-Order Allpass Filters Surges, G., & Smyth T.
STUDY OF THE TREMOLO TECHNIQUE ON THE ACOUSTIC GUITAR: EXPERIMENTAL SETUP AND PRELIMINARY RESULTS ON REGULARITY Freire, S., & Nézio L.
Tale following: real-time speech recognition applied to live performance Rouas, J. -luc, Mansencal B., & Larralde J.
Technical Report on a Short Live-action Film whose Story with Soundtrack is selected in Real-time based on Audience Arousal during Performance Kirke, A., Williams D., Miranda E., Bluglass A., Whyte C., Pruthi R., et al.
THE ACTUATED GUITAR: A PLATFORM ENABLING ALTERNATIVE INTERACTION METHODS Larsen, J. V., Overholt D., & Moeslund T. B.
THE AIRSTICKS: A NEW INTERFACE FOR ELECTRONIC PERCUSSIONISTS Ilsar, A., Havryliv M., & Johnston A.
THE IMPORTANCE OF AMPLITUDE ENVELOPE: SURVEYING THE TEMPORAL STRUCTURE OF SOUNDS IN PERCEPTUAL RESEARCH Gillard, J., & Schutz M.
The Influence of Graphical User Interface Design on Critical Listening Skills Mycroft, J., Reiss J. D., & Stockman T.
Towards a discrete electronic transmission line as a musical harmonic oscillator Buys, K., & Auvray R.
TOWARDS COMPUTABLE PROCEDURES FOR DERIVING TREE STRUCTURES IN MUSIC: CONTEXT DEPENDENCY IN GTTM AND SCHENKERIAN THEORY Marsden, A., Hirata K., & Tojo S.
Urb: urban sound analysis and storage project Gomes, J. A., & Tudela D.
USING SEMANTIC LAYER PROJECTION FOR ENHANCING MUSIC MOOD PREDICTION WITH AUDIO FEATURES Saari, P., Eerola T., Fazekas G., & Sandler M.
VIRTUAL CONDUCTOR FOR STRING QUARTET PRACTICE Baez, R., Barbancho A. M., Rosa-Pujazón A., Barbancho I., & Tardón L. J.
VocaRefiner: An Interactive Singing Recording System with Integration of Multiple Singing Recordings Nakano, T., & Goto M.
Warped Frames: dispersive vs. non-dispersive sampling Evangelista, G.
x-OSC: A Versatile Wireless I/O Device For Creative/Music Applications Madgwick, S., & Mitchell T.
Warped low-order modeling of musical tones Mignot, R., Lehtonen H. - M., & Välimäki V.
Rendering and Subjective Evaluation of Real vs. Synthetic Vibrotactile Cues on a Digital Piano Keyboard Fontana, F., Avanzini F., Järveläinen H., Papetti S., Klauer G., & Malavolta L.
Online Harmonic/percussive Separation Using Smoothness/sparseness Constraints Canadas-Quesada, F., Vera-Candeas P., N.Ruiz-Reyes, Alonso P., & Ranilla J.
Embodied Auditory Display Affordances Roddy, S., & Furlong D.
An Exploration of Mood Classification in the Million Songs Dataset Corona, H., & O’Mahony M. P.
Follow the Tactile Metronome: Vibrotactile Stimulation for Tempo Synchronization in Music Performance Giordano, M., & Wanderley M. M.
Design and Implementation of a Whole-Body Haptic Suit for “Ilinx”, a Multisensory Art Installation
Multi-channel Spatial Sonification Of Chinook Salmon Migration Patterns In The Snake River Watershed Robertson, B. L., Middleton J., & Hegg J.
Pop Music Visualization Based on Acoustic Features and Chord Progression Patterns Applying Dual Scatterplots Uehara, M., & Itoh T.
Design and Implementation of a Whole-Body Haptic Suit for “Ilinx”, a Multisensory Art Installation Giordano, M., Hattwick I., Franco I., Egloff D., Frid E., Lamontagne V., et al.
Automatic Singing Voice To Music Video Generation Via Mashup Of Singing Video Clips Hirai, T., Ikemiya Y., Yoshii K., Nakano T., Goto M., & Morishima S.
Exploring the General Melodic Characteristics of XinTianYou Folk Songs Li, J., Dong L., Ding J., & Yang X.
Wave Voxel Synthesis Haron, A., & Wright M.
Non-negative Sparse Decomposition of Musical Signal using Pre-trained Dictionary of Feature Vectors of Possible Tones from Different Instruments Nomura, R., & Kurita T.
Rendering And Subjective Evaluation Of Real Vs. Synthetic Vibrotactile Cues On A Digital Piano Keyboard Fontana, F., Avanzini F., Järveläinen H., Papetti S., Klauer G., & Malavolta L.
Investigating The Effects Of Introducing Nonlinear Dynamical Processes Into Digital Musical Interfaces Mudd, T., Holland S., Mulholland P., & Dalton N.
The “Harmonic Walk” And Enactive Knowledge: An Assessment Report Mandanici, M., Rod`a A., Canazza S., & Altieri F.
Capturing And Ranking Perspectives On The Consonance And Dissonance Of Dyads Breen, A., & O’Riordan C.
An Augmented Guitar with Active Acoustics Lähdeoja, O.
To “Sketch-a-Scratch” Piccolo, D. A., Monache D. S., Rocchesso D., Papetti S., & Mauro D. A.
Acoustically Guided Redirected Walking in a WFS System: Design of an Experiment to Identify Detection Thresholds Nogalski, M., & Fohl W.
How well Can A Music Emotion Recognition System Predict The Emotional Responses Of Participants? Song, Y., & Dixon S.
Vibrotactile Discrimination of Pure and Complex Waveforms Young, G. W., Murphy D., & Weeter J.
A Tambourine Support System to Improve the Atmosphere of Karaoke Kurihara, T., Kinoshita N., Yamaguchi R., & Kitahara T.
Distributing Music Scores to Mobile Platforms and to the Internet using INScore Fober, D., Gouilloux G., Orlarey Y., & Letz S.
Perceiving And Predicting Expressive Rhythm With Recurrent Neural Networks Lambert, A. J., Weyde T., & Armstrong N.
Loop Sequencer That Selects Music Loops Based On The Degree Of Excitement Kitahara, T., Iijima K., Okada M., Yamashita Y., & Tsuruoka A.
Archaeology And Virtual Acoustics. A Pan Flute From Ancient Egypt Avanzini, F., Canazza S., Poli G. D., Fantozzi C., Pretto N., Rodà A., et al.
Bean: A Digital Musical Instrument For Use In Music Therapy Kirwan, N. J., Overholt D., & Erkut C.
Musicmean: Fusion-based Music Generation Hirai, T., Sasaki S., & Morishima S.
Voice quality transformation using an extended source-filter speech model Huber, S., & Roebel A.
Analysis Of Musical Textures Played On The Guitar By Means Of Real-time Extraction Of Mid-level Descriptors Freire, S., & Cambraia P.
Sound My Vision: Real-time Video Analysis On Mobile Platforms For Controlling Multimedia Performances Kreković, M., Grbac F., & Kreković G.
Desirable Aspects Of Visual Programming Languages For Different Applications In Music Creation Pošćić, A., Kreković G., & Butković A.
On the Musical Opportunities of Cylindrical Hexagonal Lattices: Mapping Flat Isomorphisms Onto Nanotube Structures Hu, H., Park B., & Gerhard D.
Developing Mixer-style Controllers Based On Arduino/Teensy Microcontrollers Popp, C., & Soria-Luz R.
Granular Model of Multidimensional Spatial Sonification Rosli, M. H. W., Cabrera A., Wright M., & Roads C.
Songrium: Browsing and Listening Environment for Music Content Creation Community Hamasaki, M., Goto M., & Nakano T.
Irish Traditional Ethnomusicology Analysis Using Decision Trees And High Level Symbolic Features Martins, M. L. G., & Jr. C. S. N.
CrossSong Puzzle: Generating and Unscrambling Music Mashups with Real-time Interactivity Smith, J., Percival G., Kato J., Goto M., & Fukayama S.
Music Synthesis based on Impression and Emotion of Input Narratives Kanno, S., Itoh T., & Takamura H.
TRAP: TRAnsient Presence detection exploiting Continuous Brightness Estimation (CoBE) Presti, G., Mauro D. A., & Haus G.
Sensor and Software Technologies for Lip Pressure Measurements in Trumpet and Cornet Playing - from Lab to Classroom Grosshauser, T., Troester G., Thul A., & Bertsch M.
Movement Perception in Music Performance – A Mixed Methods Investigation Schacher, J. C., Järveläinen H., Strinning C., & Neff P.
Tempo Curving As A Framework For Interactive Computer-aided Composition Bresson, J., & MacCallum J.
Musically Informed Sonification For Self-directed Chronic Pain Physical Rehabilitation Newbold, J. W., Bianchi-Berthouze N., Gold N. E., & Williams A.
Navigating The Mix-space: Theoretical And Practical Level-balancing Technique In Multitrack Music Mixtures AlexWilson, & Fazenda B. M.
Cooperative musical creation using Kinect,WiiMote, Epoc and microphones: a case study with MinDSounDS Tavares, T. F., Rimoldi G., Pontes V. E., & Manzolli J.
Music Content Driven Automated Choreography With Beat-wise Motion Connectivity Constraints Fukayama, S., & Goto M.
Inter-channel Synchronisation For Transmitting Live Audio Streams Over Digital Radio Links Brown, S., & Oliver J.
Target-Based Rhythmic Pattern Generation and Variation with Genetic Algorithms and Cárthach Ó Nuanáin, P. H. S. J., Herrera P., & Jordà S.
Mozart is still blue: a comparison of sensory and verbal scales to describe qualities in music Murari, M., Rod`a A., Pos O. D., Schubert E., Canazza S., & Poli G. D.
Analyzing the influence of pitch quantization and note segmentation on singing voice alignment in the context of audio-based Query-by-Humming Valero-Mas, J. J., Salamon J., & Gómez E.
Smooth Granular Sound Texture Synthesis by Control of Timbral Similarity Schwarz, D., & O’Leary S.
DTW-based Score Following Method For Score-informed Sound Source Separation Rodriguez-Serrano, F. J., Canadas-Quesada F. J., Menndez-Canal J., Cortina R., & Vidal A.
Score-informed Piano Tutoring System With Mistake Detection And Score Simplification Fukuda, T., Ikemiya Y., Itoyama K., & Yoshii K.
Synchronizing Spatially Distributed Musical Ensembles Hadjakos, A., Berndt A., & Waloschek S.
Music Performance Assistance System Based On Vocal, Harmonic, And Percussive Source Separation And Content Visualization For Music Audio Signals Dobashi, A., Ikemiya Y., Itoyama K., & Yoshii K.
Multichannel Composition Using State-space Models And Sonification Soria-Luz, R.
The Virtuoso Composer and the Formidable Machine: A Path to Preserving Human Compositional Expression Cullimore, J., & Gerhard D.
Addressing Tempo Estimation Octave Errors in Electronic Music by Incorporating Style Information Extracted from Wikipedia Hörschläger, F., Vogl R., Böck S., & Knees P.
“Virtual Tettix” : Cicadas’ Sound Analysis And Modeling At Plato’s Academy Georgaki, A., & Queiroz M.
Guided improvisation as dynamic calls to an offline model Nika, J., Bouche D., Bresson J., Chemillier M., & Assayag G.
Psychoacoustic impact assessment of smoothed AM/FM "303" resonance signals Goulart, A. J. H., Timoney J., Lazzarini V., & Queiroz M.
MEPHISTO: A Source to Source Transpiler from Pure Data to Faust Demir, A. O., & Hacıhabiboğlu H.
Web Audio Modules Kleimola, J., & Larkin O.
LICHTGESTALT: Interaction With Sound Through Swarms Of Light Rays Fehr, J., & Erkut C.
Analysis and Resynthesis of the Handpan Sound Alon, E., & Murphy D.
Mapping brain signals to music via executable graphs Crowley, K., & McDermott J.
Web Audio Evaluation Tool: A Browser-based Listening Test Environment Jillings, N., Man B. D., Moffat D., & Reiss J. D.
MUSE: a Music-making Sandbox Environment for Real-Time Collaborative Play Popa, I. A. T., Boyd J. E., & Eagle D.
Sensors2OSC de Junior, A. D. C., & Mayer T.
Harmony of the Spheres: A Physics-Based Android Synthesizer and Controller with Gestural Objects and Physical Transformations Thalmann, F.
A Computational Model of Tonality Cognition Based on Prime Factor Representation of Frequency Ratios and Its Application Shiramatsu, S., Ozono T., & Shintani T.
SynPy: a Python Toolkit for Syncopation Modelling Song, C., Pearce M., & Harte C.
A Study on the Use of Perceptual Features for Music Emotion Recognition Abela Scicluna, M., Muscat A., & Buttigieg V.
SONIFICATION AS CATALYST IN TRAINING MANUAL WHEELCHAIR OPERATION FOR SPORTS AND EVERYDAY LIFE Almqvist Gref, A., Elblaus L., & Hansen K. F.
The state of the art on the educational software tools for electroacoustic composition Anatrini, A.
REVEALING THE SECRET OF "GROOVE" SINGING: ANALYSIS OF J-POP MUSIC Arai, M., Matuba T., Hashida M., & Katayose H.
IMPROVISATION AND GESTURE AS FORM DETERMINANTS IN WORKS WITH ELECTRONICS Aska, A.
FORM-AWARE, REAL-TIME ADAPTIVE MUSIC GENERATION FOR INTERACTIVE EXPERIENCES Aspromallis, C., & Gold N. E.
VIRTUAL RECONSTRUCTION OF AN ANCIENT GREEK PAN FLUTE Avanzini, F., Canazza S., Poli G. D., Fantozzi C., Micheloni E., Pretto N., et al.
SKETCHING SONIC INTERACTIONS BY IMITATION-DRIVEN SOUND SYNTHESIS Baldan, S., Monache S. D., Rocchesso D., & Lachambre H.
SEED: Resynthesizing Environmental Sounds from Examples Bernardes, G., Aly L., & Davies M.
Sonification of Dark Matter: Challenges and Opportunities Bonet, N., Kirke A., & Miranda E.
Melody extraction based on a source-filter model using pitch contour selection Bosch, J. J., & Gómez E.
SoundScavenger: An Interactive Soundwalk Bosse, N.
SOUND FOREST/LJUDSKOGEN: A LARGE-SCALE STRING-BASED INTERACTIVE MUSICAL INSTRUMENT Bresin, R., Elblaus L., Frid E., Favero F., Annersten L., Berner D., et al.
GestureChords: Transparency in Gesturally Controlled Digital Musical Instruments through Iconicity and Conceptual Metaphor Brown, D., Nash C., & Mitchell T.
An Online Tempo Tracker for Automatic Accompaniment based on Audio-to-audio Alignment and Beat Tracking Burloiu, G.
FACTORSYNTH: A MAX TOOL FOR SOUND ANALYSIS AND RESYNTHESIS BASED ON MATRIX FACTORIZATION Burred, J. J.
VR ‘SPACE OPERA’: MIMETIC SPECTRALISM IN AN IMMERSIVE STARLIGHT AUDIFICATION SYS-TEM Carey, B., & Ulas B.
Rethinking the audio workstation : tree-based sequencing with i-score and the LibAudioStream Celerier, J. - M., Desainte-Catherine M., & Couturier J. - M.
Using Multidimensional Sequences For Improvisation In The OMax Paradigm Déguernel, K., Vincent E., & Assayag G.
Exploring Moment-form in Generative Music Eigenfeldt, A.
TSAM: A TOOL FOR ANALYZING, MODELING, AND MAPPING THE TIMBRE OF SOUND SYNTHESIZERS Fasciani, S.
Precision Finger Pressing Force Sensing in the Pianist-Piano Interaction Flückiger, M., Grosshauser T., & Tröster G.
AN EXPLORATION ON WHOLE-BODY AND FOOT-BASED VIBROTACTILE SENSITIVITY TO MELODIC CONSONANCE Fontana, F., Camponogara I., Vallicella M., Ruzzenente M., & Cesari P.
David Wessel’s Slabs: a case study in Preventative Digital Musical Instrument Conservation Freed, A.
Using EarSketch to Broaden Participation in Computing and Music Freeman, J., Magerko B., Edwards D., Miller M., Moore R., & Xambó A.
THE SELFEAR PROJECT: A MOBILE APPLICATION FOR LOW-COST PINNA-RELATED TRANSFER FUNCTION ACQUISITION Geronazzo, M., Fantin J., Sorato G., Baldovino G., & Avanzini F.
Pitch Contour Segmentation for Computer-aided Jingju Singing Training Gong, R., Yang Y., & XavierSerra
ENGAGEMENT AND INTERACTION IN PARTICIPATORY SOUND ART Goudarzi, V., & Gioti A. - M.
Gestural control of wavefield synthesis Grani, F., Di Carlo D., Madrid Portillo J., Girardi M., Paisa R., Banas J. S., et al.
Interfaces for Sound: Representing Material in Pop Music Productions Grote, F.
DEVELOPING A PARAMETRIC SPATIAL DESIGN FRAMEWORK FOR DIGITAL DRUMMING Ham, J., & Prohasky D.
deepGTTM-II: Automatic Generation of Metrical Structure based on Deep Learning Technique Hamanaka, M., Hirata K., & Tojo S.
Modulating or 'Transferring' Between Non-octave Scales Harrop, T.
SYNCHRONIZATION IN CHAINS OF VAN DER POL OSCILLATORS Henrici, A., & Neukom M.
Movement Sonification of Musical Gestures: Investigating Perceptual Processes Underlying Musical Performance Movements Hohagen, J., & Wöllner C.
Primary-Ambient Extraction Using Adaptive Weighting and Principal Component Analysis Ibrahim, K. M., & Allam M.
A Virtual Acousmonium for Transparent Speaker Systems Kermit-Canfield, E.
POLYTEMPO COMPOSER: A TOOL FOR THE COMPUTATION OF SYNCHRONISABLE TEMPO PROGRESSIONS Kocher, P.
This is an important message for Julie Wade: Emergent Performance Events in an Interactive Installation Lee, B.
A MODEL SELECTION TEST ON EFFECTIVE FACTORS OF THE CHOICE OF EXPRESSIVE TIMING CLUSTERS FOR A PHRASE Li, S., Black D., Plumbley M., & Dixon S.
Sound Bubbles: the aesthetic additive design approach to actively enhance acoustic office environments Ljungdahl Eriksson, M., Atienza R., & Pareto L.
Trees: An artistic-scientific observation system Maeder, M., & Zweifel R.
VISA3: REFINING THE VOICE INTEGRATION/SEGREGATION ALGORITHM Makris, D., Karydis I., & Cambouropoulos E.
Adapting a Computational Multi Agent Model for Humpback Whale Song Research for use as a Tool for Algorithmic Composition Mcloughlin, M., Lamoni L., Garland E., Ingram S., Kirke A., Noad M., et al.
Factors Influencing Vocal Pitch in Articulatory Speech Synthesis: A Study Using PRAAT Meenakshisundaram, S., Miranda E., & Kaimi I.
Towards a Virtual-Acoustic String Instrument Mehes, S., Walstijn M. V., & Stapleton P.
Detection Thresholds in Audio-Visual Redirected Walking Meyer, F., Nogalski M., & Fohl W.
A Faust Based Driving Simulator Sound Synthesis Engine Michon, R., Chafe C., Gang N., Johns M., O'Modhrain S., Wright M., et al.
Nuance: Adding Multi-Touch Force Detection to the iPad Michon, R., Smith J., Chafe C., Wang G., & Wright M. J.
FaucK!! Hybridizing the FAUST and ChucK Audio Programming Languages Michon, R., & Wang G.
Teaching Audio Programming with the Neonlicht-Engine Milde, J. - T.
Zirkonium, SpatDIF, and mediaartbase.de; an archiving strategy for spatial music at ZKM Miyama, C., Dipper G., Krämer R., & Schacher J.
FONASKEIN: An interactive application software for the practice of the singing voice Moschos, F., Georgaki A., & Kouroupetroglou G.
Representing and Interpreting Multivariate Mix Data Mycroft, J., Reiss J., & Stockman T.
RHYTHM TRANSCRIPTION OF POLYPHONIC MIDI PERFORMANCES BASED ON A MERGED-OUTPUT HMM FOR MULTIPLE VOICES Nakamura, E., Yoshii K., & Sagayama S.
LyricListPlayer: A Consecutive-Query-by-Playback Interface for Retrieving Similar Word Sequences from Different Song Lyrics Nakano, T., & Goto M.
Lazy Evaluation in Microsound Synthesis Nishino, H., & Cheok A.
Speculative Digital Sound Synthesis Nishino, H., & Cheok A.
A Hybrid Filter-Wavetable Oscillator Technique for FOF Synthesis Olsen, M., Smith J., & Abel J.
The perceptual similarity of tone clusters: an experimental approach to the listening of avant-garde music Ong, A., & Kopiez R.
STATISTICAL GENERATION OF TWO-VOICE FLORID COUNTERPOINT Padilla, V., & Conklin D.
INTERACTION WITH A LARGE SIZED AUGMENTED STRING INSTRUMENT INTENDED FOR A PUBLIC SETTING Paloranta, J., Lundström A., Elblaus L., Bresin R., & Frid E.
A Liberated Sonic Sublime: Perspectives On The Aesthetics & Phenomenology Of Sound Synthesis Pedersen, A. B.
Beatings: a web application to foster the renaissance of the art of musical temperaments Penha, R., & Bernardes G.
Exploring Gesturality in Music Performance Schacher, J. C., Bisig D., & Neff P.
Authoring Spatial Music with SpatDIF Version 0.4 Schacher, J. C., Peters N., Lossius T., & Miyama C.
THE LOOP ENSEMBLE - OPEN SOURCE INSTRUMENTS FOR TEACHING ELECTRONIC MUSIC IN THE CLASSROOM Schultz, C. M., & Seedorf M.
A Score-Informed Computational Description of Svaras Using a Statistical Model Şentürk, S., Koduri G. K., & XavierSerra
Composition Identification in Ottoman-Turkish Makam Music Using Transposition-Invariant Partial Audio-Score Alignment Şentürk, S., & XavierSerra
Automatic musical instrument recognition in audiovisual recordings by combining image and audio classification strategies Slizovskaia, O., Gomez E., & Haro G.
Musical sonification in electronic therapy aids for motor-functional treatment - a smartphone approach Stahl, B., & Zmölnig I.
EMOTION AND SOUNDSCAPE PREFERENCE RATING USING SEMANTIC DIFFERENTIAL PAIRS AND THE SELF-ASSESSMENT MANIKIN Stevens, F., Murphy D., & Smith S.
Emerging Composition: Being and Becoming Tipei, S.
Optical or Inertial? Evaluation of Two Motion Capture Systems for Studies of Clubbing to Electronic Dance Music Torvanger Solberg, R., & Jensenius A. R.
CAMeL: Carnatic Percussion Music Generation Using N-Gram Models Trochidis, K., Guedes C., Anantapadmanabhan A., & Klaric A.
PROTOTYPING WIRELESS INTEGRATED WEARABLE INTERACTIVE MUSIC SYSTEM Tseng, Y. - C., Li B. - T., & Wang T. - H.
The Hyper Zampogna Turchet, L.
The Hyper Hurdy-Gurdy Turchet, L.
Smart Instruments: Towards an Ecosystem of Interoperable Devices Connecting Performers and Audiences Turchet, L., Mcpherson A., & Fischione C.
EXPRESSIVE HUMANOID ROBOT FOR AUTOMATIC ACCOMPANIMENT Xia, G., Kawai M., Matsuki K., Fu M., Cosentino S., Trovato G., et al.