Home

Comprehensive List of Proceedings of All SMC Conferences

Titlesort icon Authors
A Bayesian Approach to Drum Tracking Robertson, A.
A CHROMA-BASED SALIENCE FUNCTION FOR MELODY AND BASS LINE ESTIMATION FROM MUSIC AUDIO SIGNALS Salamon, J., & Gómez E.
A CLASSIFICATION APPROACH TO MULTIPITCH ANALYSIS Klapuri, A.
A comparison of input devices in elemental pointing and dragging tasks I., M. K., & W. S. B. A.
A COMPARISON OF PERCEPTUAL RATINGS AND COMPUTED AUDIO FEATURES Friberg, A., & Hedblad A.
A COMPARISON OF PROBABILISTIC MODELS FOR ONLINE PITCH TRACKING Simsekli, U., & Cemgil T. A.
A Component-Based Framework for the Development of Virtual Musical Instruments Based on Physical Modeling Tzevelekos, P., Perperis T., Kyritsi V., & Kouroupetroglou G.
A COMPUTATIONAL MODEL THAT GENERALISES SCHOENBERG’S GUIDELINES FOR FAVOURABLE CHORD PROGRESSIONS Anders, T., & Miranda E. R.
A computer implementation of psychoacoustic grouping rules Ellis, D. P. W.
A Computer-Assisted Analysis of Rhythmic Periodicity Applied to Two Metric Versions of Luciano Berio’s Sequenza VII Alessandrini, P.
A dispersive resonator in real-time on MARS workstation Paladin, A., & Rocchesso D.
A DYNAMIC ANALOGY BETWEEN INTEGRO-DIFFERENTIAL OPERATORS AND MUSICAL EXPRESSIVENESS Poli, G. D., Roda A., & Mion L.
A Dynamic Interface for the Audio-Visual Reconstruction of Soundscape, Based on the Mapping of its Properties Stratoudakis, C., & Papadimitriou K.
A dynamic spatial locator ugen for CLM Lopez-Lezcano, F.
A FRAMEWORK FOR ECOSYSTEM-BASED GENERATIVE MUSIC Bown, O.
A FRAMEWORK FOR MUSICAL MULTIAGENT SYSTEMS Thomaz, L. F., & Queiroz M.
A FRAMEWORK FOR SOUNDSCAPE ANALYSIS AND RE-SYNTHESIS Valle, A., Schirosa M., & Lombardo V.
A GAME AUDIO TECHNOLOGY OVERVIEW VENERI, O., Natkin S., Prado C. L., & EMERIT M.
A generative grammar approach to diatonic harmonic structure Rohrmeier, M.
A Grammatical Approach to Automatic Improvisation Keller, R. M., & Morrison D. R.
A JAVA FRAMEWORK FOR DATA SONIFICATION AND 3D GRAPHIC RENDERING Vicinanza, D.
A Learning Interface for Novice Guitar Players using Vibrotactile Stimulation Giordano, M., & Wanderley M.
A LOOK INTO THE PAST: ANALYSIS OF TRENDS AND TOPICS IN PROCEEDINGS OF SOUND AND MUSIC COMPUTING CONFERENCE Pratyush, Umbert M., & XavierSerra
A LYRICS-MATCHING QBH SYSTEM FOR INTERACTIVE ENVIRONMENTS Papiotis, P., & Purwins H.
A multirate approach to instrument body modeling for real-time sound synthesis applications Bank, B.
A Neural Network Approach for Synthesising Timbres from Adjectives Gounaropoulos, A., & Johnson C. G.
A neurocognitive analysis of rhythmic memory process as a social space phenomenon Bonda, E.
A new formulation of the 2D-waveguide mesh for percussion instruments Fontana, F., & Rocchesso D.
A PERCEPTUAL STUDY ON DYNAMICAL FORM IN MUSIC Hjortkjær, J., & Nielbo F.
A PREGROUP GRAMMAR FOR CHORD SEQUENCES TERRAT, R. G.
A REAL-TIME BEAT TRACKER FOR UNRESTRICTED AUDIO SIGNALS Scaringella, N., & Zoia G.
A ROLE OF METRICAL STRUCTURE IN IMPLICIT MEMORY OF RHYTHM PERCEPTION: TOWARD A COMPUTATIONAL MODELING OF PERCEPTION PROCESS OF METRICAL STRUCTURE GOTO, Y.
A Rule-Based Generative Music System Controlled by Desired Valence and Arousal Wallis, I., Ingalls T., Campana E., & Goodman J.
A semi-automated tagging methodology for Orthodox Ecclesiastic Chant Acoustic corpora Chryssochoidis, G., Delviniotis D., & Kouroupetroglou G.
A Simplified Design of Multidimensional Transfer Function Models Petrausch, S., & Rabenstein R.
A STRATIFIED APPROACH FOR SOUND SPATIALIZATION Peters, N., Lossius T., Schacher J., Baltazar P., Bascou C., & Place T.
A Structural Approach to Distance Rendering in Personal Auditory Displays Fontana, F., Rocchesso D., & Ottaviani L.
A STUDY ON USING THE MELLIN TRANSFORM FOR VOWEL RECOGNITION Sena, A. D., & Rocchesso D.
A Survey of Raaga Recognition Techniques and Improvements to the State-of-the-Art Gopala-Krishna, K., Gulati S., & Rao P.
A SYNTHESIZER BASED ON SQUARE WAVES Vergara, S.
A SYSTEM FOR MUSICAL IMPROVISATION COMBINING SONIC GESTURE RECOGNITION AND GENETIC ALGORITHMS Nort, D. V., Braasch J., & Oliveros P.
A system of interactive scores based on Petri nets Allombert, A., Assayag G., & Desainte-Catherine M.
A TEMPORAL CONCURRENT CONSTRAINT CALCULUS AS AN AUDIO PROCESSING FRAMEWORK Rueda, C., & Valencia F.
A toolbox for storing and streaming music-related data Nymoen, K., & Jensenius A. R.
A waveguide model for slapbass synthesis Rank, E., & Kubin G.
A wavelet-based sinusoid model of sound for auditory signal separation Ellis, D. P. W., & Vercoe B. L.
ACCESSING STRUCTURE OF SAMBA RHYTHMS THROUGH CULTURAL PRACTICES OF VOCAL PERCUSSION Naveda, L., & Leman M.
Accurate and efficient modeling of beating and two-stage decay for string instruments Bank, B.
Acoustic Cues from Shapes between Spheres and Cubes Fontana, F., Rocchesso D., & Apollonio E.
ACOUSTIC REHABILITATIO Jaume Segura, A. R., & Navarro E.
Acoustical Analysis of Tanbur, a Turkish long-necked lute Erkut, C., Tolonen T., Karjalainen M., & V
Acquisition of expanding targets McGuffin, M., & Balakrishnan R.
Active preservation of electrophone musical instruments. The case of the "Liettizzatore" of "Studio di Fonologia Musicale" (RAI, Milano) Canazza, S., Rodà A., Novati M., & Avanzini F.
ADAPTIVE SPATIALIZATION AND SCRIPTING CAPABILITIES IN THE SPATIAL TRAJECTORY EDITOR HOLO-EDIT Bascou, C.
ADDITIONAL EVIDENCE THAT COMMON LOW-LEVEL FEATURES OF INDIVIDUAL AUDIO FRAMES ARE NOT REPRESENTATIVE OF MUSIC GENRE Marques, G., Lopes M., Sordo M., Langlois T., & Gouyon F.
Advanced Sound Manipulation in Interactive Multimedia Environments Deliyiannis, Y., Floros A., & Tsakostas C.
ALBUM AND ARTIST EFFECTS FOR AUDIO SIMILARITY AT THE SCALE OF THE WEB Flexer, A., & Schnitzer D.
Algorithmic Composition – ”gestalt revolution“– a new approach to a unfied view on structuring diverse levels of musical composition Schmitt, J.
An A-Life Approach to Machine Learning of Musical Worldviews for Improvisation Systems Gimenes, M., & Miranda E. R.
An Adaptive Classification Algorithm For Semiotic Musical Gestures Gillian, N., Knapp B. R., & O'Modhrain S.
AN ADAPTIVE MULTI-PARAMETRIC AND REDUNDANCY-FILTERING APPROACH FOR MOTIVIC PATTERN DISCOVERY Lartillot, O.
An algorithm for real-time harmonic microtuning Sabat, M.
An analog I/O interface board for Audio Arduino open sound card system Dimitrov, S., & Serafin S.
AN AUDIOVISUAL WORKSPACE FOR PHYSICAL MODELS enjamin Schroeder, Ainger M., & Parent R.
AN EXPLORATION ON THE INFLUENCE OF VIBROTACTILE CUES DURING DIGITAL PIANO PLAYING Fontana, F., Papetti S., Bello V. D., Civolani M., & Bank B.
An Improved Digital Waveguide Model of a Flute with Fractional Delay Filters H
An Innovative Method for the Study of African Musical Scales: Cognitive and Technical Aspects Arom, S., Fernando N., & Marandola F.
AN INTERACTIVE MUSIC COMPOSITION SYSTEM BASED ON AUTONOMOUS MAINTENANCE OF MUSICAL CONSISTENCY Kitahara, T., Fukayama S., Sagayama S., Katayose H., & Nagata N.
An Interactive Surface Realisation of Henri Pousseur's `Scambi' Fencott, R., & Dack J.
AN XML-BASED FORMAT FOR ADVANCED MUSIC FRUITION Baratè, A., Haus G., & Ludovico L. A.
ANALYSIS AND ANALYSES OF ELECTROACOUSTIC MUSIC Zattra, L.
Analysis and automatic annotation of singer’s postures during concert and rehearsal Grachten, M., Demey M., Moelants D., & Leman M.
Analysis of Social Interaction in Music Performance with Score-Independent Audio Features Volpe, G., Varni G., Mazzarino B., Pisano S., & Camurri A.
ANALYZING GESTURE AND SOUND SIMILARITIES WITH A HMM-BASED DIVERGENCE MEASURE Caramiaux, B., Bevilacqua F., & Schnell N.
ANALYZING LEFT HAND FINGERING IN GUITAR PLAYING Guauss, E., & Arcos J. L.
Applications of Synchronization in Sound Synthesis Neukom, M.
Applications of Typomorphology in Acute; Scoring the Ideal and its Mirror Climent, R.
APPLYING ASPECT ORIENTED PROGRAMMING TO MUSIC COMPUTING Hill, P., Holland S., & Laney R. C.
ARCHITECTURE AND EXPERIMENTS IN NETWORKED 3D AUDIO/GRAPHIC RENDERING WITH VIRTUAL CHOREOGRAPHER Jacquemin, C.
ARTIFICIAL SINGING WITH A WEBCAM MOUTH-CONTROLLER Hapipis, A., & Miranda E. R.
Asymmetrical Envelope Shapes in Sound Spatialization Canavese, F., Giomi F., Meacci D., & Schwoon K.
Audio Content Transmission Amatriain, X., & Herrera P.
AUDIO FEEDBACK IN PREDICTIVE HCI METHODS de Gotzen, A., & Rocchesso D.
Audio Physical Computing Valle, A.
AUDIO-BASED MUSIC VISUALIZATION FOR MUSIC STRUCTURE ANALYSIS Wu, H. - H., & Bello J. P.
Auditory feedback in a multimodal balancing task: walking on a virtual rope Serafin, S., Turchet L., & Nordahl R.
AUDITORY REPRESENTATIONS AS LANDMARKS IN THE SOUND DESIGN SPACE Drioli, C., Polotti P., Rocchesso D., Monache S. D., Adiloglu K., Annies R., et al.
AUGMENTING C-CARDS WITH MUSIC ACTIONS Valente, A., Lyon K., & Jensen K.
Authenticity Issue in Performing Arts using Live Electronics Guercio, M., Barthélemy J., & Bonardi A.
AUTOMATIC COMPOSITION AND NOTATION IN NETWORK MUSIC ENVIRONMENTS Hajdu, G.
Automatic Creation of Mood Playlists in the Thayer Plane: a Methodology and a Comparative Study Panda, R., & Paiva R. P.
AUTOMATIC JAZZ HARMONY EVOLUTION Bäckman, K.
AUTOMATIC MANIPULATION OF MUSIC TO EXPRESS DESIRED EMOTIONS Oliveira, A. P., & Cardoso A.
Automatic Multitrack Mixing Using Linear Dynamical Systems Scott, J., Prockup M., Schmidt E., & Kim Y.
AUTOMATIC MUSIC COMPOSITION BASED ON COUNTERPOINT AND IMITATION USING STOCHASTIC MODELS Tanaka, T., Nishimoto T., Ono N., & Sagayama S.
AUTOMATIC MUSIC TAG CLASSIFICATION BASED ON BLOCK-LEVEL FEATURES Seyerlehner, K., Widmer G., Schedl M., & Knees P.
Automatic Semantic Annotation of Music with Harmonic Structure Weyde, T., & Wissmann J.
AUTOMATIC SONG COMPOSITION FROM THE LYRICS EXPLOITING PROSODY OF JAPANESE LANGUAGE Fukayama, S., Nakatsuma K., Sako S., Nishimoto T., & Sagayama S.
Automatically detecting key modulations in J.S. Bach chorale recordings Mearns, L., Benetos E., & Dixon S.
Autosimilar melodies and their implementation in OpenMusic Amiot, E., Agon C., & Andreatta M.
AV CLASH – ONLINE TOOL FOR MIXING AND VISUALIZING AUDIO RETRIEVED FROM FREESOUND.ORG DATABASE Correia, N. N.
Basic physiology of the hearing mechanism Ewans, E. F.
BeatLED - The Social Gaming Partyshirt Nies, T. D., Vervust T., Demey M., Walle R. V. D., Vanfleteren J., & Leman M.
Beyond movement an animal, beyond an animal the sound Philippides, A.
Bioacoustical modeling for sound synthesis: a case study of odontoceti clicks Erkut, C.
Breeding Rhythms with Artificial Life Martins, J. M., & Miranda E. R.
C. Elegans Meets Data Sonification: Can We Hear its Elegant Movement? Terasawa, H., Takahashi Y., Hirota K., Hamano T., Yamada T., Fukamizu A., et al.
Cephalomorphic interface for emotion-based music synthesis Maniatakos, V. - F. A.
CHORD SEQUENCE PATTERNS IN OWL Wissmann, J., Weyde T., & Conklin D.
CLASSIFICATION INTO MUSICAL GENRES USING A RHYTHMIC KERNEL Frederico, G.
Comparing Inertial and Optical MoCap Technologies for Synthesis Control Skogstad, S. A., Nymoen K., & Høvin M.
COMPARISON OF NON-STATIONARY SINUSOID ESTIMATION METHODS USING REASSIGNMENT AND DERIVATIVES Musevic, S., & Bonada J.
Compilation of unified physical models for efficient sound synthesis Karjalainen, M., Erkut C., & Savioja L.
COMPOSING AUDIO-VISUAL ART: THE ISSUE OF TIME AND THE CONCEPT OF TRANSDUCTION Courribet, B.
COMPOSING IN THE FLESH: PERCEPTUALLYINFORMED HARMONIC SYNTAX Ferguson, S., & Parncutt R.
COMPOSITION AND IMPROVISATION ON THE NET Hajdu, G.
CompScheme: A Language for Composition and Stochastic Synthesis Dobereiner, L.
COMPUTATIONAL INVESTIGATIONS INTO BETWEEN-HAND SYNCHRONIZATION IN PIANO PLAYING: MAGALOFF’S COMPLETE CHOPIN Goebl, W., Flossmann S., & Widmer G.
COMPUTER MUSIC ANALYSIS VIA A MULTIDISCIPLINARY APPROACH Nucibella, F., Porcelluzzi S., & Zattra L.
Computer synthesis of bird songs and calls Kahrs, M., & Avanzini F.
COMPUTER VISION METHOD FOR GUITARIST FINGERING RETRIEVAL Burns, A. - M., & Wanderley M. M.
COMPUTER-AIDED TRANSFORMATIONAL ANALYSIS WITH TONE SIEVES Noll, T., Andreatta M., Agon C., & Amiot E.
Concatenative Synthesis of Expressive Saxophone Performance Kersten, S., & Ramirez R.
CONCURRENT CONSTRAINTS CONDITIONAL-BRANCHING TIMED INTERACTIVE SCORES Toro-Bermudez, M., & Desainte-Catherine M.
CONCURRENT CONSTRAINTS MODELS FOR SPECIFYING INTERACTIVE SCORES Allombert, A., Assayag G., Desainte-Catherine M., & Rueda C.
CONNECTING GRAPHICAL SCORES TO SOUND SYNTHESIS IN PWGL Kuuskankare, M., & Laurson M.
Constant beamwidth beamforming Goodwin, M. M., & Elko G. W.
CONSTANT-Q TRANSFORM TOOLBOX FOR MUSIC PROCESSING Schorkhuber, C., & Klapuri A.
CONSTRAINS ON THE MODEL FOR SELF-SUSTAINED SOUNDS GENERATED BY ORGAN PIPE INFERRED BY INDEPENDENT COMPONENT ANALYSIS Lauro, D. E., Martino D. S., Falanga M., & Sarno G.
Contact sounds for continuous feedback S., R. A. R. B. S. D. F. M. R.
CONTENT ANALYSIS OF NOTE TRANSITIONS IN MUSIC PERFORMANCE Loureiro, M., Yehia H., de Paula H., Campolina T., & Mota D.
CONTROL SEARCH USING RULES, TESTS AND MEASURES Phon-Amnuaisuk, S., & Smaill A.
Controlling Aural and Visual Particle Systems through Human Movement Guedes, C., & Woolford K.
Controlling Material Properties in Physical Models of Sounding Objects Avanzini, F., & Rocchesso D.
Controlling the virtual bodhran - the vodhran B., B. D. M. R. M. R. S. M. M.
CONVERSATIONAL INTERACTIVITY IN SLOW-MOTION: A COMPARISON OF PHONE DIALOGUES AND OPERA SCENES Reichl, P., Hammer F., & Balinova M.
Cordis Anima Physical Modeling and Simulation System Analysis Kontogeorgakopoulos, A., & Cadoz C.
CREATION AND EXPLORATION OF A PERCEPTUAL SONIC TEXTURES SPACE USING A TANGIBLE INTERFACE Filatriau, J. - J., & ARFIB D.
CROWDSOURCING A REAL-WORLD ON-LINE QUERY BY HUMMING SYSTEM Huq, A., Cartwright M., & Pardo B.
CURRENT DIRECTIONS WITH MUSICAL PLUS ONE Raphael, C.
D-JOGGER: SYNCING MUSIC WITH WALKING Moens, B., van Noorden L., & Leman M.
DANCE PATTERN RECOGNITION USING DYNAMIC TIME WARPING Pohl, H., & Hadjakos A.
DANCEREPRODUCER: AN AUTOMATIC MASHUP MUSIC VIDEO GENERATION SYSTEM BY REUSING DANCE VIDEO CLIPS ON THE WEB Nakano, T., Murofushi S., Goto M., & Morishima S.
Demetrio Stratos rethinks voice techniques: a historical investigation at ISTC in Padova Ceolin, E., Tisato G., & Zattra L.
DEPENDENT VECTOR TYPES FOR MULTIRATE FAUST Jouvelot, P., & Orlarey Y.
DESCRIPTOR-BASED SOUND TEXTURE SAMPLING Schwarz, D., & Schnell N.
Design and Applications of a Multi-Touch Musical Keyboard Mcpherson, A., & Kim Y.
Design of an efficient inharmonic digital waveguide filter for synthesis of hand-bell sounds Esquef, P. A. A., & V
Designing an Expressive Virtual Percussive Instrument Dolhansky, B., Mcpherson A., & Kim Y.
Designing and Synthesizing Delay-Based Digital Audio Effects using the CORDIS ANIMA Physical Modeling Formalism Kontogeorgakopoulos, A., & Cadoz C.
DEVELOPING A NON-VISUAL OUTPUT DEVICE FOR MUSICAL PERFORMERS MIYASHITA, H., & NISHIMOTO K.
DIGITAL AUDIO EFFECTS AND PHYSICAL MODELING Alexandros, K., & Claude C.
Digital sound synthesis based on multidimensional system theory Rabenstein, R., & Trautmann L.
Digital sound sysnthesis based on transfer function models Trautmann, L., & Rabenstein R.
Digital waveguide mesh modelling of room acoustics: Surround-sound, boundaries and plugin implementation Murphy, D. T., Newton C. J. C., & Howard D. M.
Digitally Augmented Everyday Objects in Music Composition Kojs, J., & Serafin S.
Discovery of generalized interval patterns Conklin, D., & Bergeron M.
DISSONANCES: BRIEF DESCRIPTION AND ITS COMPUTATIONAL REPRESENTATION IN THE RTCC CALCULUS Perchy, S., & M. G. S. M.
Distance Encoding in Ambisonics Using Three Angular Coordinates Penha, R.
Distance Mapping for Corpus-Based Concatenative Synthesis Schwarz, D.
DOES A “NATURAL” SONIC FEEDBACK AFFECT PERCEIVED USABILITY AND EMOTION IN THE CONTEXT OF USE OF AN ATM? Susini, P., Misdariis N., Houix O., & Lemaitre G.
DYNAMIC CUES FOR NETWORK MUSIC INTERACTIONS Renaud, A. B.
DYNAMIC INTERMEDIATE MODELS FOR AUDIOGRAPHIC SYNTHESIS Goudard, V., Genevois H., Doval B., & Ghomi É.
Dynamic Modeling of Vibrating Structures for Sound Synthesis, Modal Synthesis Adrien, J. M.
Echi tra le Volte, a sound design project for churches Taroppi, A.
EFFICIENT EXTRACTION OF CLOSED MOTIVIC PATTERNS IN MULTI-DIMENSIONAL SYMBOLIC REPRESENTATIONS OF MUSIC Lartillot, O.
EFFICIENT FINITE DIFFERENCE-BASED SOUND SYNTHESIS USING GPUS Sosnick, M., & Hsu W.
Elimination of Delay-free Loops in Discrete- Time Models of Nonlinear Acoustic Systems Borin, G., Poli G. D., & Rocchesso D.
Embodiment and Agency: Towards an Aesthetics of Interactive Performativity Kim, J. H., & Seifert U.
Emotion from Motion T., A. B. C. K. A.
Emotional response to major mode musical pieces: score-dependent perceptual and acoustic analysis Canazza, S., Roda' A., & Poli G. D.
EMOTIONS IN THE VOICE: HUMANISING A ROBOTIC VOICE Bowles, T., & Pauletto S.
EMPIRICALLY BASED AUDITORY DISPLAY DESIGN Brazil, E., & Fernstrom M.
Energy behavior in time-varying fractional delay filters for physical modeling of musical instruments Pakarinen, J., Karjalainen M., Välimäki V., & Bilbao S.
ENHANCING EXPRESSIVE AND TECHNICAL PERFORMANCE IN MUSICAL VIDEO GAMES Marczak, R., Robine M., Desainte-Catherine M., Allombert A., Hanna P., & Kurtag G.
Ensemble: Implementing a Musical Multiagent System Framework Thomaz, L., & Queiroz M.
Ephemeron: Control over Self-Organised Music KOLLIAS, P. - A.
ETHERACTION: PLAYING A MUSICAL PIECE USING GRAPHICAL INTERFACES Couturier, J. - M.
Evaluating of sensor technologies for The Rulers, a kalimba-like Digital Musical Instrument Medeiros, C. B., & Wanderley M. M.
EVENT SYNCHRONOUS MUSIC THUMBNAILS: EXPERIMENTS Evangelista, G., & Cavaliere S.
Examining the role of context in the recognition of walking sounds Turchet, L., Nordahl R., & Serafin S.
Experimental (δ, γ)-Pattern-Matching with Don’t Cares Iliopoulos, C. S., Mohamed M., & Mohanaraj V.
Experimental results showing the effects of optimal spacing between elements of a linear microphone array Alvarado, V. M., & Silverman H. F.
Experiments on gestures: walking, running, and hitting S., B. D. R.
Explaining musical expression as a mixture of basis functions Grachten, M., & Widmer G.
EXPLORATIONS IN CONVOLUTIONAL SYNTHESIS Smyth, T., & Elmore A. R.
EXPLORING COMMON VARIATIONS IN STATE OF THE ART CHORD RECOGNITION SYSTEMS Cho, T., Weiss R. J., & Bello J. P.
Exploring the design space: prototyping "The Throat v3" for the Elephant Man opera Elblaus, L., Hansen K. F., & Unander-Scharin C.
EXPLORING THE EFFECT OF MAPPING TRAJECTORIES ON MUSICAL PERFORMANCE Nort, D. V., & Wanderley M. M.
EXPLORING TIMBRE SPACES WITH TWO MULTIPARAMETRIC CONTROLLERS Kiefer, C.
EXPRESSIVE GESTURAL CONTROL OF SOUND AND VISUAL OUTPUT IN MULTIMODAL INTERACTIVE SYSTEMS Camurri, A., Mazzarino B., & Volpe G.
Expressive Performance in the Human Tenor Voice Marinescu, M. C., & Ramirez R.
EXPRESSIVE PERFORMANCE RENDERING: INTRODUCING PERFORMANCE CONTEXT Flossmann, S., Grachten M., & Widmer G.
Expressive text-to-speech approaches Kanellos, I., Suciu I., & Moudenc T.
EXPRESSIVENESS DETECTION OF MUSIC PERFORMANCES IN THE KINEMATICS ENERGY SPACE Mion, L., & Poli G. D.
EXTENDED WAVEFORM SEGMENT SYNTHESIS, A NONSTANDARD SYNTHESIS MODEL FOR MICROSOUND COMPOSITION Valsamakis, N., & Miranda E. R.
EXTENDING A NETWORK-OF-ELABORATIONS REPRESENTATION TO POLYPHONIC MUSIC: SCHENKER AND SPECIES COUNTERPOINT Marsden, A.
EXTENDING THE FOLKSONOMIES OF FREESOUND.ORG USING CONTENT-BASED AUDIO ANALYSIS Martınez, E., Celma O., Sordo M., Jong B., & XavierSerra
Extending voice-driven synthesis to audio mosaicing Janer, J., & de Boer M.
EXTRACTING MUSICALLY-RELEVANT RHYTHMIC INFORMATION FROM DANCE MOVEMENT BY APPLYING PITCH TRACKING TECHNIQUES TO A VIDEO SIGNAL Guedes, C.
Extraction of sound localization cue utilizing pitch cue for modelling auditory system Okuno, T., Mcginnity T. M., & Maguire L. P.
Fifty Years of Digital Sound for Music Risset, J. - C.
FIRST STEPS IN RELAXED REAL-TIME TYPO-MORPHOLOGICAL AUDIO ANALYSIS/SYNTHESIS Schnell, N., Cifuentes M. A. S., & Lambert J. - P.
FIRST STEPS TOWARDS A DIGITALASSISTANT FOR PERFORMERS AND STAGE DIRECTORS Bonardi, A., & Truck I.
FIRST-ORDER LOGIC CLASSIFICATION MODELS OF MUSICAL GENRES BASED ON HARMONY Anglade, A., Ramirez R., & Dixon S.
FM4 SOUNDPARK AUDIO-BASED MUSIC RECOMMENDATION IN EVERYDAY USE Gasser, M., & Flexer A.
Foley Sounds vs Real Sounds Trento, S., & de Gotzen A.
FREE CLASSIFICATION OF VOCAL IMITATIONS OF EVERYDAY SOUNDS Dessein, A., & Lemaitre G.
Frequency-independent beamforming Goodwin, M. M.
From Music Symbolic Information to Sound Synthesis: An Xml-Based Approach Haus, G., Ludovico L. A., & Russo E.
from snow [to space to movement] to sound Kontogeorgakopoulos, A., Kotsifa O., & Erichsen M.
Functional Signal Processing with Pure and Faust using the LLVM Toolkit Gräf, A.
Generating Chants Using Mnemonic Capabilities Iyengar, S.
Generating Musical Accompaniment through Functional Scaffolding Hoover, A. K., Szerlip P. A., & Stanley K. O.
Generation and Representation of Data and Events for the Control of Sound Synthesis Bresson, J., Stroppa M., & Agon C.
Gestural and audio metaphors as a means of control for mobile devices Pirhonen, A., Brewster S., & Holguin C.
Gestural control of Music Wanderley, M.
GESTURAL CONTROL OF SINGING VOICE, A MUSICAL INSTRUMENT Kessous, L.
Gestural Control of Sonic Swarms: Composing with Grouped Sound Objects Davis, T., & Karamanlis O.
GESTURAL CONTROL OF THE SPEECH SYNTHESIS IN LUNA PARK Beller, G.
Gestural strategies for specific filtering processes L., A. C. K. D. J. M.
Gesture-tactile controlled physical modelling music synthesis S., H. R. D.
GMU, A FLEXIBLE GRANULAR SYNTHESIS ENVIRONMENT IN MAX/MSP Bascou, C., & Pottier L.
Granular Sound Spatialization Using Dictionary-Based Methods McLeran, A., Roads C., Sturm B. L., & Shynk J. J.
Haptic Feedback for Improved Positioning of the Hand for Empty Handed Gestural Control Modler, P., & Myatt T.
HEAD IN SPACE: A HEAD-TRACKING BASED BINAURAL SPATIALIZATION SYSTEM Ludovico, L. A., Mauro D. A., & Pizzamiglio D.
High Precision Touch Screen Interaction Albinsson, P., & Zhai S.
High-level models: bouncing, breaking, rolling, crumpling, pouring Rath, F. F. F.
Horizontal and Vertical Integration/Segregation in Auditory Streaming: A Voice Separation Algorithm for Symbolic Musical Data Karydis, I., Nanopoulos A., Papadopoulos A., Cambouropoulos E., & Manolopoulos Y.
HUBS AND ORPHANS - AN EXPLORATIVE APPROACH Gasser, M., Flexer A., & Schnitzer D.
Human Movement Performance in Relation to Path Constraint Zhai, S., & Woltjer R.
HUMANITIES, ART AND SCIENCE IN THE CONTEXT OF INTERACTIVE SONIC SYSTEMS – SOME CONSIDERATIONS ON A CUMBERSOME RELATIONSHIP Polotti, P.
HutEar--a free Matlab toolbox for modeling of human hearing H
IANNIX Aesthetical/Symbolic Visualisations for Hypermedia Compositions. Coduys, T., & Ferry G.
Image Features Based on Two-dimensional FFT for Gesture Analysis and Recognition Modler, P., & Myatt T.
IMITATIVE AND GENERATIVE ORCHESTRATIONS USING PRE-ANALYSED SOUNDS DATABASES Carpentier, G., Tardieu D., Assayag G., Rodet X., & Saint-James E.
Immersion and content - a framework for audio research Karjalainen, M.
Implementation of recursive filters having delay free loops H
Improved Sinusoidal Parameter Estimation through Iterative Linear Programming Schemes Shiv, V. L.
IMPROVING PERFORMERS’ MUSICALITY THROUGH LIVE INTERACTION WITH HAPTIC FEEDBACK: A CASE STUDY Michailidis, T., & Bullock J.
Improving tempo-sensitive and tempo-robust descriptors for rhythmic similarity Holzapfel, A., Flexer A., & Widmer G.
Improving the Efficiency of Open Sound Control with Compressed Address Strings Kleimola, J., & Mcglynn P. J.
Improvisation Planning and Jam Session Design using concepts of Sequence Variation and Flow Experience Dubnov, S., & Assayag G.
IMPROVISING COMPUTER MUSIC: AN APPROACH Tarabella, L.
IN A CONCRETE SPACE. RECONSTRUCTING THE SPATIALIZATION OF IANNIS XENAKIS’ CONCRET PH ON A MULTICHANNEL SETUP Valle, A., Tazelaar K., & Lombardo K. T. V.
INFLUENCE OF MUSICAL SIMILARITY ON MELODIC SEGMENTATION: REPRESENTATIONS AND ALGORITHMS Cambouropoulos, E., & Tsougras C.
Informative sonic feedback for continuous human controlling a sound model of a rolling ball Rath, M., & Rocchesso D.
Injecting Periodicities: Sieves as Timbres Exarchos, D.
Input devices for musical expression: borrowing tools from HCI Orio, N., Schnell N., & Wanderley M.
INSTRUMENT AUGMENTATION USING ANCILLARY GESTURES FOR SUBTLE SONIC EFFECTS Lähdeoja, O., Wanderley M. M., & Malloch J.
INSTRUMENTAL GESTURES AND SONIC TEXTURES FILATRIAU, J. - J., & ARFIB D.
INTERACTION AND SPATIALIZATION : THREE RECENT MUSICAL WORKS Risset, J. - C.
INTERACTIVE INFRASONIC ENVIRONMENT: A New Type of Sound Installation for Controlling Infrasound Gupfinger, R., Ogawa H., Sommerer C., & Mignonneau L.
Interactive music system for everyone:Exploring visual feedback as a way for creating more intuitive, productive and learnable instruments S., J.
INTERACTIVELY DETERMINED GENERATIVE SOUND DESIGN FOR SENSATE ENVIRONMENTS Beilharz, K.
INTERLUDE - A FRAMEWORK FOR AUGMENTED MUSIC SCORES Fober, D., Daudin C., Orlarey Y., & Letz S.
INTERPRETATION AND COMPUTER ASSISTANCE IN JOHN CAGE’S CONCERT FOR PIANO AND ORCHESTRA (1957-58) Sluchin, B., & Malt M.
INTRODUCTION TO COMPUTER-ASSITED MUSIC ANALYSIS IN PWGL Laurson, M., Kuuskankare M., & Kuitunen K.
INTUNE: A MUSICIAN’S INTONATION VISUALIZATION SYSTEM Lim, K. A., & Raphael C.
Inversion of a physical model of a trumpet H
Investigation of the relationships between audio features and induced emotions in Contemporary Western music Trochidis, K., Delbé C., & Bigand E.
Is Knowledge Emerging in the Secrecy of our Digital Collections? Rousseaux, F., & Bonardi A.
Isomorphic Tessellations for Musical Keyboards Maupin, S., Gerhard D., & Park B.
ISSUES AND TECHNIQUES FOR COLLABORATIVE MUSIC MAKING ON MULTI-TOUCH SURFACES Laney, R., Dobbyn C., Xambo A., Schirosa M., Miell D., Littleton K., et al.
JACK AUDIO SERVER: MACOSX PORT AND MULTI-PROCESSOR VERSION Letz, S., Fober D., Orlarey Y., & Davis P.
JACKTRIP/SOUNDWIRE MEETS SERVER FARM Caceres, J. - P., & Chafe C.
KETTLE: A REAL-TIME MODEL FOR ORCHESTRAL TIMPANI Papiotis, P., & Papaioannou G.
KINETIC ENGINE: TOWARD AN INTELLIGENT IMPROVISING INSTRUMENT Eigenfeldt, A.
KLAMA: the Voice from Oral Tradition in Death Rituals to a Work for Choir & Live Electronics Spiropoulos, G., & Meudic B.
L-SYSTEMS, SCORES, AND EVOLUTIONARY TECHNIQUES Lourenco, B. F., Ralha J. C. L., & Brandao M. C. P.
Large Scale Musical Instrument Identification Benetos, E., Kotti M., & Kotropoulos C.
LEARNING JAZZ GRAMMARS Gillick, J., Tang K., & Keller R. M.
Learning pseudo-physical models for sound synthesis and transformation Drioli, C., & Rocchesso D.
Leech: BitTorrent and Music Piracy Sonification Mckinney, C., & Renaud A.
LEGATO AND GLISSANDO IDENTIFICATION IN CLASSICAL GUITAR Ozaslan, T. H., & JosepLluisArcos
LIMITATIONS IN THE RECOGNITION OF SOUND TRAJECTORIES AS MUSICAL PATTERNS Payri, B.
Limits of Control Rutz, H. H.
LISTEN LISBOA: Scripting Languages for Interactive Musical Installations Prado, C. L., & Natkin S.
Ljudskrapan/The Soundscraper: Sound exploration for children with complex needs, accommodating hearing aids and cochlear implants Hansen, K. F., Dravins C., & Bresin R.
LOGICAL REPRESENTATION OF MUSICAL CONCEPTS Phon-Amnuaisuk, S.
Loop filter design techniques for virtual string instruments Erkut, C.
LYRICS-TO-AUDIO ALIGNMENT AND PHRASE-LEVEL SEGMENTATION USING INCOMPLETE INTERNET-STYLE CHORD ANNOTATIONS Mauch, M., Fujihara H., & Goto M.
MAKING AN ORCHESTRA SPEAK Nouno, G., Cont A., Carpentier G., & Harvey J.
Making motion musical: gestural mapping strategies for interactive computer music T., W.
Mapping and dimensionality of a cloth-based sound instrument Birnbaum, D., Abtan F., Wei† S. X., & Wanderley M. M.
Mapping Chaotic Dynamical Systems Into Timbre Evolution Rizzuti, C.
MARCO STROPPA’S COMPOSITIONAL PROCESS AND SCIENTIFIC KNOWLEDGE BETWEEN 1980-1991 Tiffon, V., & Sprenger-Ohana N.
Material Design in Physical Modeling Sound Synthesis Djoharian, P.
MATHEMATICAL STRUCTURE AND SOUND SYNTHESIS Essl, G.
Measured characteristics of development in adolescent singers Barlow, C., & Howard D. M.
Measurements of acoustical parameters for the classical guitar Hill, T. J. W., Richardson B. E., & Richardson S. J.
MELODIC MEMORY AND ITS DEPENDENCE ON FAMILIARITY AND DIFFICULTY Benassi-Werke, M. E., Queiroz M., Germano N. G., & Oliveira M. G. M.
Melody Characterization by a Genetic Fuzzy System de León, P. P. J., Rizo D., Ramirez R., & Iñesta J. M.
MELODY CLASSIFICATION USING A SIMILARITY METRIC BASED ON KOLMOGOROV COMPLEXITY Li, M., & Sleep R.
Melody Harmonization in Evolutionary Music using Multiobjective Genetic Algorithms Freitas, A., & Guimarães F.
Memory Space Emmerson, S.
Metal string Palumbi, M., & Seno L.
Methods for simulating string collisions with rigid spatial objects Krishnaswamy, A., & Smith J. O.
MIMICRY OF TONE PRODUCTION: RESULTS FROM A PILOT EXPERIMENT Bianco, T., Wanderley M. M., & Bevilacqua F.
Minimalism And Process Music: A PureData Realization of Pendulum Music Coco, R.
Mixing Time Representations in a Programmable Score Editor Agon, C., & Bresson J.
MIXTRACT: AN ENVIRONMENT FOR DESIGNING MUSICAL PHRASE EXPRESSION Hashida, M., Tanaka S., Baba T., & Katayose H.
Mode-dependent Differences in Chord Classification under an Original Computational Method of Tonal Structure Analysis Majchrzak, M.
Model order selection techniques for the loop filter design of virtual string instruments Erkut, C.
Modeling Affective Content of Music: A Knowledge Base Approach Oliveira, A. P., & Cardoso A.
Modeling and real-time synthesis of the kantele using distributed tension modulation Pakarinen, J., Karjalainen M., & V"alim"aki V.
Modeling Interactions between Rubbed Dry Surfaces Using an Elasto-Plastic Friction Model Avanzini, F., Serafin S., & Rocchesso D.
Modeling Moods in Violin Performances Perez, A., Ramirez R., & Kersten S.
Modelling a drum by interfacing 2-D and 3-D waveguide meshes Aird, M. - L., Laird J., & ffitch J.
Modelling dynamics of key induction in harmony progressions Rohrmeier, M.
MOTION-ENABLED LIVE ELECTRONICS Eckel, G., Pirro D., & Sharma G. K.
Motor Behavior Models for Human-Computer Interaction, Chapter for J.M.Carrol MacKenzie, I.
Multi-channel formats in electroacoustic composition: Acoustic space as a carrier of musical structure Stavropoulos, N.
MULTIMODAL AND CROSS-MODAL PROCESSING IN INTERACTIVE SYSTEMS BASED ON TANGIBLE ACOUSTIC INTERFACES Camurri, A., Canepa C., Drioli C., Massari A., Mazzarino B., & Volpe G.
Multiple-Instrument Polyphonic Music Transcription using a Convolutive Probabilistic Model Benetos, E., & Dixon S.
MULTISENSORY INTERACTIVE INSTALLATION Voto, D., Limonchi M. V., & D’Auria U.
MUSIC RETRIEVAL ALGORITHMS FOR THE LEAD SHEET PROBLEM Clifford, R., Groult R., Iliopoulos C. S., & Byrd D.
MUSIC STRUCTURE REPRESENTATION: A FORMAL MODEL Tagliolato, P.
MUSIC TRANSFORMATION IN CELLULAR SPACES TRIGGERED BY WALSH FUNCTIONS da Silva, P., & Jr. A. M.
MUSICAL APPLICATIONS AND DESIGN TECHNIQUES FOR THE GAMETRAK TETHERED SPATIAL POSITION CONTROLLER Freed, A., McCutchen D., Schmeder A., Hansen A. - M. S., Overholt D., Burleson W., et al.
MUSICAL GROOVE IS CORRELATED WITH PROPERTIES OF THE AUDIO SIGNAL AS REVEALED BY COMPUTATIONAL MODELLING, DEPENDING ON MUSICAL STYLE Madison, G., Gouyon F., & Ullén F.
MUSICAL VOICE INTEGRATION/SEGREGATION: VISA REVISITED Rafailidis, D., Cambouropoulos E., & Manolopoulos Y.
MUSICGALAXY – AN ADAPTIVE USER-INTERFACE FOR EXPLORATORY MUSIC RETRIEVAL Stober, S., & ̈rnberger A. N.
MUSICJSON: A REPRESENTATION FOR THE COMPUTER MUSIC CLOUD Alvaro, J. L., & Barros B.
MX STRUCTURAL METADATA AS MIR TOOLS Haus, G., & Pinto A.
New Approaches Of Theatre And Opera Directly Inspired By Interactive Data-mining Bonardi, A., & Rousseaux F.
NEW TENDENCIES IN THE DIGITAL MUSIC INSTRUMENT DESIGN : PROGRESS REPORT Ferreira-Lopes, P., Vitez F., Dominguez D., & Wikström V.
NON-NEGATIVE MATRIX FACTORIZATION WITH SELECTIVE SPARSITY CONSTRAINTS FOR TRANSCRIPTION OF BELL CHIMING RECORDINGS Marolt, M.
NOVARS RESEARCH CENTRE, UNIVERSITY OF MANCHESTER, UK. STUDIO REPORT Climent, R., Berezan D., & Davison A.
Numerical integration of partial differential equations by means of multidimensional wave digital filters Fettweis, A., & Nitsche G.
NVM-a modular real-time physical modeling synthesis system for MSP Dudas, R.
OMAX-OFON Assayag, G., Bloch G., & Chemillier M.
ON ARCHITECTURE AND FORMALISMS FOR COMPUTER-ASSISTED IMPROVISATION Maniatakos, F., Assayag G., Bevilacqua F., & Agon C.
On Computing Morphological Similarity of Audio Signals Gasser, M., Flexer A., & Grill T.
ON ONSETS ON-THE-FLY: REAL-TIME EVENT SEGMENTATION AND CATEGORISATION AS A COMPOSITIONAL EFFECT Collins, N.
On the Creative use of Score Following and its Impact on Research Cont, A.
ON THE LEARNING STAGES OF AN INTELLIGENT RHYTHMIC GENERATOR Gimenes, M., Miranda E. R., & Johnson C.
On the Nonlinear Commuted Synthesis of the Piano Bank, B.
ON THE TRACEABILITY OF THE COMPOSITIONAL PROCESS Rutz, H. H., Miranda E., & Eckel G.
OPEN SOURCE TOOLS FOR MUSIC REPRESENTATION AND NOTATION Fober, D., Letz S., & Orlarey Y.
ORPHEUS: A Virtual Learning Environment of Ancient Greek Music Politis, D., Margounakis D., Botsaris G., & Papaleontiou L.
ÕDAIKO: A REAL TIME SCORE GENERATOR BASED ON RHYTHM Lopes, F.
PARALLELIZATION OF AUDIO APPLICATIONS WITH FAUST Orlarey, Y., Fober D., & Letz S.
Parametric Trombone Synthesis by Coupling Dynamic Lip Valve and Instrument Models Smyth, T., & Scott F.
Partial differential equation models for continuous mutlidimensional systems Rabenstein, R., & Trautmann L.
Pattern Anchoring, Identity and Signatures in Sound, Time and Space Izmirli, Ö., & Zahler N.
Performance Evaluation of Input Devices in Trajectory-based Tasks: An application of The Steering Law Accot, J., & Zhai S.
PERFORMANCE RENDERING FOR POLYPHONIC PIANO MUSIC WITH A COMBINATION OF PROBABILISTIC MODELS FOR MELODY AND HARMONY Kim, T. H., Fukayama S., Nishimoto T., & Sagayama S.
Personal WebMelody: customized sonification of web servers, in Proceedings of the 2001 International Conference on Auditory Display Maria Barra, P. M. P.
PERSONALITY AND COMPUTER MUSIC Garrido, S., Schubert E., Kreutz G., & Halpern A.
PHASESHAPING OSCILLATOR ALGORITHMS FOR MUSICAL SOUND SYNTHESIS Kleimola, J., Lazzarini V., Timoney J., & Välimäki V.
PHONODEON: CONTROLLING SYNTHETIC VOICES VIA MIDIACCORDEON Georgaki, A., Zannos I., & Valsmakis N.
PHOXES - MODULAR ELECTRONIC MUSIC INSTRUMENTS BASED ON PHYSICAL MODELING SOUND SYNTHESIS Gelineck, S., & Serafin S.
Physical Modeling for Pure Data (pmpd) and real time interaction with an audio synthesis Henry, C.
PHYSICAL MODELING FOR PURE DATA (PMPD) AND REAL TIME INTERACTION WITH AN AUDIO SYNTHESIS Henry, C.
PHYSICAL MODELING MEETS MACHINE LEARNING: TEACHING BOW CONTROL TO A VIRTUAL VIOLINIST Percival, G., Bailey N., & Tzanetakis G.
PHYSICAL MODELING OF IMPACTS: THEORY AND EXPERIMENTS ON CONTACT TIME AND SPECTRAL CENTROID Avanzini, F., & Rocchesso D.
PHYSICAL MOVEMENT AND MUSICAL GESTURES: A MULTILEVEL MAPPING STRATEGY Fenza, D., Mion L., Canazza S., & Roda A.
Pitch spelling: Investigating reductions of the search space Honingh, A.
Playing Integrated Music Knowledges with Artifical Neural Networks VOISIN, F. ́ed ́eric, & MEIER R.
pmpd : Physical modelling for Pure Data Henry, C.
POLYNOMIAL EXTRAPOLATION FOR PREDICTION OF SURPRISE BASED ON LOUDNESS - A PRELIMINARY STUDY Purwins, H., Holonowicz P., & Herrera P.
PREDICTING THE PERCEIVED SPACIOUSNESS OF STEREOPHONIC MUSIC RECORDINGS Sarroff, A. M., & Bello J. P.
Preparing for TreeTorika: Computer-Assisted Analysis of Mao’s oratory Lindborg, P. M.
Prioritized Contig Combining to Segregate Voices in Polyphonic Music Ishigaki, A., Matsubara M., & Saito H.
Prolegomena to sonic toys de Gotzen, A., & Serafin S.
Prolegomena to the perceptual study of sound G., V.
PROTOTYPING MUSICAL EXPERIMENTS FOR TANGISENSE, A TANGIBLE AND TRACEABLE TABLE ARFIB, D., Filatriau J. - J., & Kessous L.
PV STOCH: A SPECTRAL STOCHASTIC SYNTHESIS GENERATOR Dobereiner, L.
PWGL EDITORS: 2D-EDITOR AS A CASE STUDY Laurson, M., & Kuuskankare M.
QUANTIFYING MASKING IN MULTI-TRACK RECORDINGS Vega, S., & Janer J.
RaPScoM - A Framework for Rapid Prototyping of Semantically Enhanced Score Music Rubisch, J., Doppler J., & Raffaseder H.
REAL-TIME BINAURAL AUDIO RENDERING IN THE NEAR FIELD Spagnol, S., & Avanzini F.
Real-Time Control of Greek Chant Synthesis Georgaki, A., Zannos I., Delviniotis D., & Kouroupetroglou G.
REAL-TIME DTW-BASED GESTURE RECOGNITION EXTERNAL OBJECT FOR MAX/MSP AND PUREDATA Bettens, F., & Todoroff T.
REAL-TIME ESTIMATION OF THE VOCAL TRACT SHAPE FOR MUSICAL CONTROL Kestian, A. P., & Smyth T.
Real-time Spatial Mixing Using Binaural Processing Tsakostas, C., Floros A., & Deliyiannis Y.
REAL-TIME UNSUPERVISED MUSIC STRUCTURAL SEGMENTATION USING DYNAMIC DESCRIPTORS Pires, A. S., & Queiroz M.
RECENT DEVELOPMENTS IN ENP-SCORE-NOTATION Kuuskankare, M., & Laurson M.
REGARDS ON TWO REGARDS BY MESSIAEN: AUTOMATIC SEGMENTATION USING THE SPIRAL ARRAY Chew, E.
Remutualizing the Instrument: Co-design of Synthesis Algorithms and Controllers P., C.
Rencon Workshop 2011 (SMC-Rencon): Performance Rendering Contest for Computer Systems Hashida, M., Hirata K., & Katayose H.
RESTORATION OF AUDIO DOCUMENTS WITH LOW SNR: A NMF PARAMETER ESTIMATION AND PERCEPTUALLY MOTIVATED BAYESIAN SUPPRESSION RULE Cabras, G., Canazza S., Montessoro P. L., & Rinaldo R.
RetroSpat: a Perception-Based System for Semi-Automatic Diffusion of Acousmatic Music Mouba, J., Marchand S., Mansencal B., & Rivet J. - M.
REVIEWING THE TRANSFORMATION OF SOUND TO IMAGE IN NEW COMPUTER MUSIC SOFTWARE Lemi, E., & Georgaki A.
Robotic piano player making pianos talk Ritsch, W.
RoomWeaver: A digital waveguide mesh based room acoustics research tool Beeson, M. J., & Murphy D. T.
Scale Effects in Steering Law Tasks Accot, J., & Zhai S.
SCORE PLAYBACK DEVICES IN PWGL Laurson, M., & Kuuskankare M.
SEGMENTAL TEMPO ANALYSIS OF PERFORMANCES IN USER-CENTERED EXPERIMENTS IN THE DISTRIBUTED IMMERSIVE PERFORMANCE PROJECT Chew, E., Sawchuk A., Tanoue C., & Zimmermann R.
Self-Space: Interactive, Self Organized, Robotics Mediated, Cross-Media Platform for Music and Multimedia Performance Marinos, G., & Iannis Z.
SENSORY THREADS: SONIFYING IMPERCEPTIBLE PHENOMENA IN THE WILD Fencott, R., & Bryan-Kinns N.
SHAPE-BASED SPECTRAL CONTRAST DESCRIPTOR Akkermans, V., Serrà J., & Herrera P.
SHORT TERM PITCH MEMORY IN WESTERN vs. OTHER EQUAL TEMPERAMENT TUNING SYSTEMS Andreopoulou, A., & Farbood M.
SIM - SYSTÈME INTERACTIF MUSICAL (CYBERSONGOSSE 7MI) Clozier, C., Duc J. - C. L., & Mihalic A.
SIMPLE TEMPO MODELS FOR REAL-TIME MUSIC TRACKING Arzt, A., & Widmer G.
Simulation of the bowed string dynamics Antunes, J., Tafasca M., & Henrique L.
Singer Identification in Rembetiko Music Holzapfel, A., & Stylianou Y.
SOLILOQUE SUR [X, X, X ET X], MUSICAL COMMENTARIES FROM A COMPUTER ABOUT A CONCERT MISUNDERSTOOD BY IT Lévy, F., & Seelig T.
Sonic Gestures as Input in Human-Computer Interaction: Towards a Systematic Approach Jylhä, A.
Sonification of Gestures Using Specknets Lympouridis, V., Parker M., Young A., & Arvind D. K.
SONIK SPRING Henriques, T.
SOUND AND MUSIC DESIGN FOR GAMES AND INTERACTIVE MEDIA Natkin, S., & Prado C. L.
SOUND AND THE CITY: MULTI-LAYER REPRESENTATION AND NAVIGATION OF AUDIO SCENARIOS Ludovico, L. A., & Mauro D. A.
Sound as Multiplicity: Spaces and representations in computer music composition Fuentes, A.
Sound in Cyberspace: Exploring Material Technoculture Polymeropoulou, M.
SOUND OBJECT CLASSIFICATION FOR SYMBOLIC AUDIO MOSAICING: A PROOF-OF-CONCEPT Janer, J., Haro M., Roma G., Fujishima T., & Kojima N.
SOUND SEARCH BY CONTENT-BASED NAVIGATION IN LARGE DATABASES Schwarz, D., & Schnell N.
Sound Spatialisation, Free Improvisation and Ambiguity Mooney, J., Belly P., & Parkinson A.
SOUND SPATIALIZATION CONTROL BY MEANS OF ACOUSTIC SOURCE LOCALIZATION SYSTEM Salvati, D., Canazza S., & Roda' A.
SOUND SPHERES: A DESIGN STUDY OF THE ARTICULACY OF A NON-CONTACT FINGER TRACKING VIRTUAL MUSICAL INSTRUMENT Hughes, C., Wermelinger M., & Holland S.
Sound Synthesis and Musical Composition by Physical Modelling of Self-Sustained Oscillating Structures Poyer, F., & Cadoz C.
SOUND TEXTURE MODELING: A SURVEY Strobl, G., Eckel G., & Rocchesso D.
SOUND TEXTURE SYNTHESIS WITH HIDDEN MARKOV TREE MODELS IN THE WAVELET DOMAIN Kersten, S., & Purwins H.
SoundScape: A music composition environment designed to facilitate collaborative creativity in the classroom Truman, S.
Space as an Evolution Strategy. Sketch of a Generative Ecosystemic Structure of Sound Scamarcio, M.
Space Resonating Through Sound Iazzetta, F., & Campesato L.
Sparse Regression in Time-Frequency Representations of Complex Audio Dorfler, M., Velasco G., Flexer A., & Klien V.
Spatial Orchestration Lyon, E.
Spatio-temporal unfolding of sound sequences Rocchesso, D., & Monache S. D.
Speaker-Herd: A Multi-channel Loudspeaker Project for Miscellaneous Spaces, Loudspeaker Architectures and Compositional Approaches Bierlein, F., Farchmin E., Fütterer L., Kerschkewitz A., Loscher D., Modler P., et al.
SPECIFICATION OF TEMPORAL RELATIONS BETWEEN INTERACTIVE EVENTS Desainte-Catherine, M., & Allombert A.
SRA: A Web-based Research Tool for Spectral and Roughness Analysis of Sound Signals Vassilakis, P. N.
STATE OF THE ART AND NEW RESULTS IN DIRECT MANIPULATION OF MPEG AUDIO CODES Haus, G., & Vercellesi G.
STEERING GENERATIVE RULES WITH THE EEG: AN APPROACH TO BRAIN-COMPUTER MUSIC INTERFACING Miranda, E. R., & Boskamp B.
STRATEGIES FOR CONTINUOUS PITCH AND AMPLITUDE TRACKING IN REALTIME INTERACTIVE IMPROVISATION SOFTWARE Dobrian, C.
STRATEGIES TOWARDS THE AUTOMATIC ANNOTATION OF CLASSICAL PIANO MUSIC Niedermayer, B., & Widmer G.
String excitation: piano, harpsichord and clavichord Hall, D. E.
Structural Modeling Of Pinna-Related Transfer Functions Spagnol, S., Geronazzo M., & Avanzini F.
STYLE EMULATION OF DRUM PATTERNS BY MEANS OF EVOLUTIONARY METHODS AND STATISTICAL ANALYSIS Bernardes, G., Guedes C., & Pennycook B.
STYLE RECOGNITION THROUGH STATISTICAL EVENT MODELS Perez-Sancho, C., Inesta J. M., & Calera-Rubio J.
Support for Learning Synthesiser Programming Dykiert, M., & Gold N.
SUSTAINABLE LIVE ELECTRO-ACOUSTIC MUSIC Bernardini, N., & Vidolin A.
Synthesis of a Macro Sound Structure within a Self Organizing System BÖKESOY, S.
Synthesis of Shape Dependent Sounds with Physical Modeling van den Doel, K., & Pai D. K.
Synthesis of Transients in Guitar Sounds Duru"oz, C. I.
Synthesis of trumpet tones by physical modeling Dietz, P. H., & Amir N.
Synthesising Singing Sundberg, J.
TEMPORAL CONTROL OVER SOUND SYNTHESIS PROCESSES Bresson, J., & Agon C.
Textural Composition and its Space Hagan, K.
The AGNULA/DeMuDi distribution: GNU/Linux and Free Software for the pro audio and sound research domain Bernardini, N., Cirotteau D., Ekanayaka F., & Glorioso A.
The breaking-continuity paradox in artificial vocality aesthetics Bossis, B.
The Case Study of An Application of The System, "BodySuit" and "RoboticMusic" -Its Introduction and Aesthetics Goto, S.
The Closure-based Cueing Model: Cognitively-Inspired Learning and Generation of Musical Sequences Maxwell, J., Pasquier P., & Eigenfeldt A.
THE CROAKER: DESIGN AND EVALUATION OF A NEW MULTIMODAL INTERFACE Serafin, S., & de Gotzen A.
The Cube: An Audiovisual Interactive Installation Didakis, S.
The EyeHarp: An Eye-Tracking-Based Musical Instrument Vamvakousis, Z., & Ramirez R.
THE FLOPS GLASS: A DEVICE TO STUDY EMOTIONAL REACTIONS ARISING FROM SONIC INTERACTIONS Lemaitre, G., Houix O., Franinovic K., Visell Y., & Susini P.
THE HYPER-KALIMBA: DEVELOPING AN AUGMENTED INSTRUMENT FROM A PERFORMER’S PERSPECTIVE Rocha, F., & Malloch J.
THE INFLUENCE OF REED MAKING ON THE PERFORMANCE AND SOUND QUALITY OF THE OBOE Blasco-Yepes, C., & Payri B.
THE KINEMATIC RUBATO MODEL AS A MEANS OF STUDYING FINAL RITARDS ACROSS PIECES AND PIANISTS Grachten, M., & Widmer G.
The plurality of melodic similarity Marsden, A.
The Program in Electronic Music Composition and Musical Production at the School of the Arts of the Polytechnic Institute of Castelo Branco Guedes, C., & Dias R.
THE REALTIME-SCORE. A MISSING-LINK IN COMPUTER-MUSIC PERFORMANCE Winkler, G. E.
THE SONIFIED MUSIC STAND – AN INTERACTIVE SONIFICATION SYSTEM FOR MUSICIANS Grosshauser, T., & Hermann T.
The sound signature of linear viscoelastic materials Djoharian, P.
The string-finger interaction in the classical guitar Pavlidou, M., & Richardson B. E.
The string-finger interaction in the classical guitar: Theoretical model and experiments Pavlidou, M., & Richardson B. E.
The VowelWorm: Real-time Mapping and Visualisation of Sung Vowels in Music Frostel, H., Arzt A., & Widmer G.
The wave digital piano hammer: a passive formulation Bilbao, S., Bensa J., Kronland-Martinet R., & Smith J. O.
The Wave Digital Reed: A Passive Formulation Bilbao, S., Bensa J., & Kronland-Martinet R.
THE ‘STANZA LOGO–MOTORIA’: AN INTERACTIVE ENVIRONMENT FOR LEARNING AND COMMUNICATION Camurri, A., Volpe G., & Canazza S.
This paper addresses the problem of using a semi automated process for tagging lyrics, notation and musical interval metadata of an Orthodox Ecclesiastic Chant (OEC) voice corpus. The recordings are post processed and segmented using the PRAAT software to Chen, A. L. P., Iliopoulos C. S., Michalakopoulos S., & Rahman S. M.
THREE METHODS FOR PIANIST HAND ASSIGNMENT Hadjakos, A., & Lefebvre-Albaret F.
THREE-DIMENSIONAL GESTURAL CONTROLLER BASED ON EYECON MOTION CAPTURE SYSTEM Merlier, B.
TIDAL – PATTERN LANGUAGE FOR LIVE CODING OF MUSIC McLean, A., & Wiggins G.
TIMBRE REMAPPING THROUGH A REGRESSION-TREE TECHNIQUE Stowell, D., & Plumbley M. D.
Time Domain Pitch Recognition Chourdakis, M. G., & Spyridis H. C.
TONAL SIGNATURES Nouno, G., & Mezzadri M.
Towards a decodification of the graphical scores of Anestis Logothetis (1921-1994) . The graphical space of Odysee(1963). Maria-Dimitra, B., & Anastasia G.
Towards a Generative Electronica: Human-Informed Machine Transcription and Analysis in MaxMSP Eigenfeldt, A., & Pasquier P.
TOWARDS A PERSONALIZED TECHNICAL EAR TRAINING PROGRAM: AN INVESTIGATION OF THE EFFECT OF ADAPTIVE FEEDBACK Kaniwa, T., Kim S., Terasawa H., Ikeda M., Yamada T., & Makino S.
TOWARDS A PRACTICAL APPROACH TO MUSIC THEORY ON THE REACTABLE Franceschini, A.
TOWARDS A PROSODY MODEL OF ATTIC TRAGIC POETRY: FROM LOGOS TO MOUSIKE Georgaki, A., Psaroudakes S., Carle M., & Tzevelekos P.
TOWARDS ADAPTIVE MUSIC GENERATION BY REINFORCEMENT LEARNING OF MUSICAL TENSION Groux, S. L., & Verschure P. F. M. J.
TOWARDS AN EXPERIMENTAL PLATFORM FOR COLLECTIVE MOBILE MUSIC PERFORMANCE Tahiroglu, K.
TOWARDS AUDIO TO SCORE ALIGNMENT IN THE SYMBOLIC DOMAIN Niedermayer, B.
Traditional and digital music instruments : a relationship based on a interactive model Ferreira-Lopes, P.
Transmitting Audio Content as Sound Objects Amatriain, X., & Herrera P.
TRENDS IN/OVER TIME: RHYTHM IN SPEECH AND MUSICAL MELODY IN 19TH-CENTURY ART SONG VanHandel, L.
TYING SEMANTIC LABELS TO COMPUTATIONAL DESCRIPTORS OF SIMILAR TIMBRES Fitzgerald, R. A., & Lindsay A. T.
UNDERSTANDING EXPRESSIVE TRANSFORMATIONS IN SAXOPHONE JAZZ PERFORMANCES USING INDUCTIVE MACHINE LEARNING Ramirez, R., Hazan A., Gomez E., & Maestre E.
UNSUPERVISED GENERATION OF PERCUSSION SOUND SEQUENCES FROM A SOUND EXAMPLE Marchini, M., & Purwins H.
USING PATTERNS TO GENERATE RHYTHMIC ACCOMPANIMENT FOR GUITAR Dahia, M., Trajano H. S. E., Ramalho G., Sandroni C., & Cabral G.
Using Physical Models is Necessary to Guarantee Stable Analog Haptic Feedback Control for New Media Edgar Berdahl, Florens J. - L., & Cadoz C.
VEMUS - FEEDBACK AND GROUPWARE TECHNOLOGIES FOR MUSIC INSTRUMENT LEARNING Fober, D., Letz S., & Orlarey Y.
Version Detection for Historical Music Boxes Niedermayer, B., Widmer G., & Reuter C.
Virtual instruments in virtual rooms---a real-time binaural room simulation environment for physical modeling of musical instruments Huopaniemi, J., Karjalainen M., & V
Virtual strings based on a 1-D FDTD Waveguide Model: Stability, Losses, and travelling waves Erkut, C., & Karjalainen M.
VIRTUAL VOICES ON HANDS: PROMINENT APPLICATIONS ON THE SYNTHESIS AND CONTROL OF THE SINGING VOICE Georgaki, A.
VOCABULAIRE DE L’ESPACE ET DE LA SPATIALISATION DES MUSIQUES ÉLECTROACOUSTIQUES : PRÉSENTATION, PROBLÉMATIQUE ET TAXINOMIE DE L’ESPACE Merlier, B.
VOCABULARY OF SPACE PERCEPTION IN ELECTROACOUSTIC MUSICS COMPOSED OR SPATIALISED IN PENTAPHONY Merlier, B.
VOCALISTENER: A SINGING-TO-SINGING SYNTHESIS SYSTEM BASED ON ITERATIVE PARAMETER ESTIMATION Nakano, T., & Goto M.
VOICE CONVERSION: A CRITICAL SURVEY Machado, A. F., & Queiroz M.
What is the Essence of "Music?" A Case Study on a Japanese Audience MIYASHITA, H., & NISHIMOTO K.
When sound teaches Zanolla, S., Canazza S., Rodà A., Romano F., Scattolin F., & Foresti G. L.
Where do you want your ears? Comparing performance quality as a function of listening position in a virtual jazz band Olmos, A., Rushka P., Ko D., Foote G., Woszczyk W., & Cooperstock J. R.
Wirelessly Interfacing with the Yamaha Disklavier Mark IV Teeter, M., & Dobrian C.
Zsa.Descriptors: a library for real-time descriptors analysis Malt, M., & Jourdan E.