Comprehensive List of Proceedings of All SMC Conferences

Titlesort icon Authors
3D GESTURAL INTERACTION WITH HARMONIC PITCH SPACE Hedges, T. W., & McPherson A. P.
A Bayesian Approach to Drum Tracking Robertson, A.
A CHROMA-BASED SALIENCE FUNCTION FOR MELODY AND BASS LINE ESTIMATION FROM MUSIC AUDIO SIGNALS Salamon, J., & Gómez E.
A CLASSIFICATION APPROACH TO MULTIPITCH ANALYSIS Klapuri, A.
A comparison of input devices in elemental pointing and dragging tasks I., M. K., & W. S. B. A.
A COMPARISON OF PERCEPTUAL RATINGS AND COMPUTED AUDIO FEATURES Friberg, A., & Hedblad A.
A COMPARISON OF PROBABILISTIC MODELS FOR ONLINE PITCH TRACKING Simsekli, U., & Cemgil T. A.
A Component-Based Framework for the Development of Virtual Musical Instruments Based on Physical Modeling Tzevelekos, P., Perperis T., Kyritsi V., & Kouroupetroglou G.
A COMPUTATIONAL METHOD FOR EXPLORING MUSICAL CREATIVITY DEVELOPMENT Alexakis, A.
A Computational Model of Tonality Cognition Based on Prime Factor Representation of Frequency Ratios and Its Application Shiramatsu, S., Ozono T., & Shintani T.
A COMPUTATIONAL MODEL THAT GENERALISES SCHOENBERG’S GUIDELINES FOR FAVOURABLE CHORD PROGRESSIONS Anders, T., & Miranda E. R.
A computer implementation of psychoacoustic grouping rules Ellis, D. P. W.
A Computer-Assisted Analysis of Rhythmic Periodicity Applied to Two Metric Versions of Luciano Berio’s Sequenza VII Alessandrini, P.
A CONTOUR-BASED JAZZ WALKING BASS GENERATOR Guedes, C., Blanton J., Brown R., Carter R., & Min- C.
A dispersive resonator in real-time on MARS workstation Paladin, A., & Rocchesso D.
A DYNAMIC ANALOGY BETWEEN INTEGRO-DIFFERENTIAL OPERATORS AND MUSICAL EXPRESSIVENESS Poli, G. D., Roda A., & Mion L.
A Dynamic Interface for the Audio-Visual Reconstruction of Soundscape, Based on the Mapping of its Properties Stratoudakis, C., & Papadimitriou K.
A dynamic spatial locator ugen for CLM Lopez-Lezcano, F.
A Faust Based Driving Simulator Sound Synthesis Engine Michon, R., Chafe C., Gang N., Johns M., O'Modhrain S., Wright M., et al.
A FRAMEWORK FOR ECOSYSTEM-BASED GENERATIVE MUSIC Bown, O.
A FRAMEWORK FOR MUSICAL MULTIAGENT SYSTEMS Thomaz, L. F., & Queiroz M.
A FRAMEWORK FOR SOUNDSCAPE ANALYSIS AND RE-SYNTHESIS Valle, A., Schirosa M., & Lombardo V.
A GAME AUDIO TECHNOLOGY OVERVIEW VENERI, O., Natkin S., Prado C. L., & EMERIT M.
A generative grammar approach to diatonic harmonic structure Rohrmeier, M.
A Grammatical Approach to Automatic Improvisation Keller, R. M., & Morrison D. R.
A HISTORY OF SEQUENCERS : INTERFACES FOR ORGANIZING PATTERN-BASED MUSIC Arar, R., & Kapur A.
A Hybrid Filter-Wavetable Oscillator Technique for FOF Synthesis Olsen, M., Smith J., & Abel J.
A JAVA FRAMEWORK FOR DATA SONIFICATION AND 3D GRAPHIC RENDERING Vicinanza, D.
A Learning Interface for Novice Guitar Players using Vibrotactile Stimulation Giordano, M., & Wanderley M.
A Liberated Sonic Sublime: Perspectives On The Aesthetics & Phenomenology Of Sound Synthesis Pedersen, A. B.
A LOOK INTO THE PAST: ANALYSIS OF TRENDS AND TOPICS IN PROCEEDINGS OF SOUND AND MUSIC COMPUTING CONFERENCE Pratyush, Umbert M., & XavierSerra
A LYRICS-MATCHING QBH SYSTEM FOR INTERACTIVE ENVIRONMENTS Papiotis, P., & Purwins H.
A MODEL SELECTION TEST ON EFFECTIVE FACTORS OF THE CHOICE OF EXPRESSIVE TIMING CLUSTERS FOR A PHRASE Li, S., Black D., Plumbley M., & Dixon S.
A MULTIPITCH ESTIMATION ALGORITHM BASED ON FUNDAMENTAL FREQUENCIES AND PRIME HARMONICS Camacho, A., & Kaver-oreamuno I.
A multirate approach to instrument body modeling for real-time sound synthesis applications Bank, B.
A Neural Network Approach for Synthesising Timbres from Adjectives Gounaropoulos, A., & Johnson C. G.
A neurocognitive analysis of rhythmic memory process as a social space phenomenon Bonda, E.
A new formulation of the 2D-waveguide mesh for percussion instruments Fontana, F., & Rocchesso D.
A PERCEPTUAL STUDY ON DYNAMICAL FORM IN MUSIC Hjortkjær, J., & Nielbo F.
A PREGROUP GRAMMAR FOR CHORD SEQUENCES TERRAT, R. G.
A PRELIMINARY COMPUTATIONAL MODEL OF IMMANENT ACCENT SALIENCE IN TONAL MUSIC Parncutt, R., Bisesi E., & Friberg A.
A Quantitative Review of Mappings in Musical iOS Applications Kell, T., Wanderley M. M., & Kit D.
A REAL-TIME BEAT TRACKER FOR UNRESTRICTED AUDIO SIGNALS Scaringella, N., & Zoia G.
A ROLE OF METRICAL STRUCTURE IN IMPLICIT MEMORY OF RHYTHM PERCEPTION: TOWARD A COMPUTATIONAL MODELING OF PERCEPTION PROCESS OF METRICAL STRUCTURE GOTO, Y.
A Rule-Based Generative Music System Controlled by Desired Valence and Arousal Wallis, I., Ingalls T., Campana E., & Goodman J.
A Score-Informed Computational Description of Svaras Using a Statistical Model Şentürk, S., Koduri G. K., & XavierSerra
A semi-automated tagging methodology for Orthodox Ecclesiastic Chant Acoustic corpora Chryssochoidis, G., Delviniotis D., & Kouroupetroglou G.
A Simplified Design of Multidimensional Transfer Function Models Petrausch, S., & Rabenstein R.
A social network integrated game experiment to relate tapping to speed perception and explore rhythm reproduction Bellec, G., Elowsson A., Friberg A., Wolff D., & Weyde T.
A STRATIFIED APPROACH FOR SOUND SPATIALIZATION Peters, N., Lossius T., Schacher J., Baltazar P., Bascou C., & Place T.
A Structural Approach to Distance Rendering in Personal Auditory Displays Fontana, F., Rocchesso D., & Ottaviani L.
A Study on the Use of Perceptual Features for Music Emotion Recognition Abela Scicluna, M., Muscat A., & Buttigieg V.
A STUDY ON USING THE MELLIN TRANSFORM FOR VOWEL RECOGNITION Sena, A. D., & Rocchesso D.
A Survey of Raaga Recognition Techniques and Improvements to the State-of-the-Art Gopala-Krishna, K., Gulati S., & Rao P.
A SYNTHESIZER BASED ON SQUARE WAVES Vergara, S.
A SYSTEM FOR MUSICAL IMPROVISATION COMBINING SONIC GESTURE RECOGNITION AND GENETIC ALGORITHMS Nort, D. V., Braasch J., & Oliveros P.
A system of interactive scores based on Petri nets Allombert, A., Assayag G., & Desainte-Catherine M.
A Tambourine Support System to Improve the Atmosphere of Karaoke Kurihara, T., Kinoshita N., Yamaguchi R., & Kitahara T.
A TEMPORAL CONCURRENT CONSTRAINT CALCULUS AS AN AUDIO PROCESSING FRAMEWORK Rueda, C., & Valencia F.
A toolbox for storing and streaming music-related data Nymoen, K., & Jensenius A. R.
A VERSATILE TOOLKIT FOR CONTROLLING DYNAMIC STOCHASTIC SYNTHESIS Krekovi, G., & Petrinovi D.
A Virtual Acousmonium for Transparent Speaker Systems Kermit-Canfield, E.
A waveguide model for slapbass synthesis Rank, E., & Kubin G.
A wavelet-based sinusoid model of sound for auditory signal separation Ellis, D. P. W., & Vercoe B. L.
About the Impact of Audio Quality on Overall Listening Experience Schoeffler, M.
ACCESSING STRUCTURE OF SAMBA RHYTHMS THROUGH CULTURAL PRACTICES OF VOCAL PERCUSSION Naveda, L., & Leman M.
Accurate and efficient modeling of beating and two-stage decay for string instruments Bank, B.
Acoustic Cues from Shapes between Spheres and Cubes Fontana, F., Rocchesso D., & Apollonio E.
ACOUSTIC REHABILITATIO Jaume Segura, A. R., & Navarro E.
ACOUSTIC RETROREFLECTORS FOR MUSIC PERFORMANCE MONITORING Tuominen, H. T.
ACOUSTIC SCORE FOLLOWING TO MUSICAL PERFORMANCE WITH ERRORS AND ARBITRARY REPEATS AND SKIPS Nakamura, T., Nakamura E., & Sagayama S.
Acoustical Analysis of Tanbur, a Turkish long-necked lute Erkut, C., Tolonen T., Karjalainen M., & V
Acoustically Guided Redirected Walking in a WFS System: Design of an Experiment to Identify Detection Thresholds Nogalski, M., & Fohl W.
Acoustics-like dynamics in signal-based synthesis through parameter mapping Gaffney, B. B., & Smyth T.
Acquisition of expanding targets McGuffin, M., & Balakrishnan R.
Active preservation of electrophone musical instruments. The case of the "Liettizzatore" of "Studio di Fonologia Musicale" (RAI, Milano) Canazza, S., Rodà A., Novati M., & Avanzini F.
Adapting a Computational Multi Agent Model for Humpback Whale Song Research for use as a Tool for Algorithmic Composition Mcloughlin, M., Lamoni L., Garland E., Ingram S., Kirke A., Noad M., et al.
ADAPTIVE SPATIALIZATION AND SCRIPTING CAPABILITIES IN THE SPATIAL TRAJECTORY EDITOR HOLO-EDIT Bascou, C.
ADDITIONAL EVIDENCE THAT COMMON LOW-LEVEL FEATURES OF INDIVIDUAL AUDIO FRAMES ARE NOT REPRESENTATIVE OF MUSIC GENRE Marques, G., Lopes M., Sordo M., Langlois T., & Gouyon F.
Addressing Tempo Estimation Octave Errors in Electronic Music by Incorporating Style Information Extracted from Wikipedia Hörschläger, F., Vogl R., Böck S., & Knees P.
Advanced Sound Manipulation in Interactive Multimedia Environments Deliyiannis, Y., Floros A., & Tsakostas C.
ALBUM AND ARTIST EFFECTS FOR AUDIO SIMILARITY AT THE SCALE OF THE WEB Flexer, A., & Schnitzer D.
Algorithmic Composition – ”gestalt revolution“– a new approach to a unfied view on structuring diverse levels of musical composition Schmitt, J.
AMAROK PIKAP: INTERACTIVE PERCUSSION PLAYING AUTOMOBILE Artut, S.
An A-Life Approach to Machine Learning of Musical Worldviews for Improvisation Systems Gimenes, M., & Miranda E. R.
An Adaptive Classification Algorithm For Semiotic Musical Gestures Gillian, N., Knapp B. R., & O'Modhrain S.
AN ADAPTIVE MULTI-PARAMETRIC AND REDUNDANCY-FILTERING APPROACH FOR MOTIVIC PATTERN DISCOVERY Lartillot, O.
An algorithm for real-time harmonic microtuning Sabat, M.
An analog I/O interface board for Audio Arduino open sound card system Dimitrov, S., & Serafin S.
AN AUDIOVISUAL WORKSPACE FOR PHYSICAL MODELS enjamin Schroeder, Ainger M., & Parent R.
An Augmented Guitar with Active Acoustics Lähdeoja, O.
AN ENERGY CONSERVING FINITE DIFFERENCE SCHEME FOR SIMULATION OF COLLISIONS Chatziioannou, V., & Walstijn M. V.
An Exploration of Mood Classification in the Million Songs Dataset Corona, H., & O’Mahony M. P.
AN EXPLORATION ON THE INFLUENCE OF VIBROTACTILE CUES DURING DIGITAL PIANO PLAYING Fontana, F., Papetti S., Bello V. D., Civolani M., & Bank B.
AN EXPLORATION ON WHOLE-BODY AND FOOT-BASED VIBROTACTILE SENSITIVITY TO MELODIC CONSONANCE Fontana, F., Camponogara I., Vallicella M., Ruzzenente M., & Cesari P.
An Improved Digital Waveguide Model of a Flute with Fractional Delay Filters H
An Innovative Method for the Study of African Musical Scales: Cognitive and Technical Aspects Arom, S., Fernando N., & Marandola F.
AN INTERACTIVE MUSIC COMPOSITION SYSTEM BASED ON AUTONOMOUS MAINTENANCE OF MUSICAL CONSISTENCY Kitahara, T., Fukayama S., Sagayama S., Katayose H., & Nagata N.
An Interactive Surface Realisation of Henri Pousseur's `Scambi' Fencott, R., & Dack J.
An Online Tempo Tracker for Automatic Accompaniment based on Audio-to-audio Alignment and Beat Tracking Burloiu, G.
An Open-source Framework for Time-domain Simulations Geyer, C. B.
AN XML-BASED FORMAT FOR ADVANCED MUSIC FRUITION Baratè, A., Haus G., & Ludovico L. A.
ANALYSIS AND ANALYSES OF ELECTROACOUSTIC MUSIC Zattra, L.
Analysis and automatic annotation of singer’s postures during concert and rehearsal Grachten, M., Demey M., Moelants D., & Leman M.
Analysis and Resynthesis of the Handpan Sound Alon, E., & Murphy D.
Analysis Of Musical Textures Played On The Guitar By Means Of Real-time Extraction Of Mid-level Descriptors Freire, S., & Cambraia P.
Analysis of Social Interaction in Music Performance with Score-Independent Audio Features Volpe, G., Varni G., Mazzarino B., Pisano S., & Camurri A.
ANALYZING GESTURE AND SOUND SIMILARITIES WITH A HMM-BASED DIVERGENCE MEASURE Caramiaux, B., Bevilacqua F., & Schnell N.
ANALYZING LEFT HAND FINGERING IN GUITAR PLAYING Guauss, E., & Arcos J. L.
Analyzing the influence of pitch quantization and note segmentation on singing voice alignment in the context of audio-based Query-by-Humming Valero-Mas, J. J., Salamon J., & Gómez E.
Applications of Synchronization in Sound Synthesis Neukom, M.
Applications of Typomorphology in Acute; Scoring the Ideal and its Mirror Climent, R.
APPLYING ASPECT ORIENTED PROGRAMMING TO MUSIC COMPUTING Hill, P., Holland S., & Laney R. C.
Archaeology And Virtual Acoustics. A Pan Flute From Ancient Egypt Avanzini, F., Canazza S., Poli G. D., Fantozzi C., Pretto N., Rodà A., et al.
ARCHITECTURE AND EXPERIMENTS IN NETWORKED 3D AUDIO/GRAPHIC RENDERING WITH VIRTUAL CHOREOGRAPHER Jacquemin, C.
Artificial Affective Listening towards a Machine Learning Tool for Sound-Based Emotion Therapy and Control Kirke, A., Miranda E., & Nasuto S. J.
ARTIFICIAL SINGING WITH A WEBCAM MOUTH-CONTROLLER Hapipis, A., & Miranda E. R.
Asymmetrical Envelope Shapes in Sound Spatialization Canavese, F., Giomi F., Meacci D., & Schwoon K.
Audio Content Transmission Amatriain, X., & Herrera P.
AUDIO FEEDBACK IN PREDICTIVE HCI METHODS de Gotzen, A., & Rocchesso D.
AUDIO INTERPOLATION AND MORPHING VIA STRUCTURED-SPARSE LINEAR REGRESSION Kereliuk, C., Depalle P., & Pasquier P.
Audio Physical Computing Valle, A.
Audio restoration of solo guitar excerpts using a excitation-filter instrument model Parras-Moral, J., Cañadas-Quesada F. J., Vera-Candeas P., & Ruiz-Reyes N.
AUDIO-BASED MUSIC VISUALIZATION FOR MUSIC STRUCTURE ANALYSIS Wu, H. - H., & Bello J. P.
AUDIO-TACTILE FEEDBACK IN MUSICAL GESTURE PRIMITIVES: FINGER PRESSING Järveläinen, H., Papetti S., Schiesser S., & Grosshauser T.
Auditory feedback in a multimodal balancing task: walking on a virtual rope Serafin, S., Turchet L., & Nordahl R.
AUDITORY REPRESENTATIONS AS LANDMARKS IN THE SOUND DESIGN SPACE Drioli, C., Polotti P., Rocchesso D., Monache S. D., Adiloglu K., Annies R., et al.
AUGMENTING C-CARDS WITH MUSIC ACTIONS Valente, A., Lyon K., & Jensen K.
AURALIZATION OF COUPLED SPACES BASED ON A DIFFUSION EQUATION MODEL Luizard, P., Polack J. - D., & Katz B. F. G.
Authenticity Issue in Performing Arts using Live Electronics Guercio, M., Barthélemy J., & Bonardi A.
Authoring Spatial Music with SpatDIF Version 0.4 Schacher, J. C., Peters N., Lossius T., & Miyama C.
AUTOMATIC COMPOSITION AND NOTATION IN NETWORK MUSIC ENVIRONMENTS Hajdu, G.
Automatic Creation of Mood Playlists in the Thayer Plane: a Methodology and a Comparative Study Panda, R., & Paiva R. P.
AUTOMATIC JAZZ HARMONY EVOLUTION Bäckman, K.
AUTOMATIC MANIPULATION OF MUSIC TO EXPRESS DESIRED EMOTIONS Oliveira, A. P., & Cardoso A.
Automatic Multitrack Mixing Using Linear Dynamical Systems Scott, J., Prockup M., Schmidt E., & Kim Y.
AUTOMATIC MUSIC COMPOSITION BASED ON COUNTERPOINT AND IMITATION USING STOCHASTIC MODELS Tanaka, T., Nishimoto T., Ono N., & Sagayama S.
AUTOMATIC MUSIC TAG CLASSIFICATION BASED ON BLOCK-LEVEL FEATURES Seyerlehner, K., Widmer G., Schedl M., & Knees P.
Automatic musical instrument recognition in audiovisual recordings by combining image and audio classification strategies Slizovskaia, O., Gomez E., & Haro G.
Automatic Semantic Annotation of Music with Harmonic Structure Weyde, T., & Wissmann J.
Automatic Singing Voice To Music Video Generation Via Mashup Of Singing Video Clips Hirai, T., Ikemiya Y., Yoshii K., Nakano T., Goto M., & Morishima S.
AUTOMATIC SONG COMPOSITION FROM THE LYRICS EXPLOITING PROSODY OF JAPANESE LANGUAGE Fukayama, S., Nakatsuma K., Sako S., Nishimoto T., & Sagayama S.
Automatic Tuning of the OP-1 Synthesizer Using a Multi-objective Genetic Algorithm Macret, M., & Pasquier P.
Automatically detecting key modulations in J.S. Bach chorale recordings Mearns, L., Benetos E., & Dixon S.
Autosimilar melodies and their implementation in OpenMusic Amiot, E., Agon C., & Andreatta M.
AV CLASH – ONLINE TOOL FOR MIXING AND VISUALIZING AUDIO RETRIEVED FROM FREESOUND.ORG DATABASE Correia, N. N.
Basic physiology of the hearing mechanism Ewans, E. F.
Bean: A Digital Musical Instrument For Use In Music Therapy Kirwan, N. J., Overholt D., & Erkut C.
BEAT-STATION: A REAL-TIME RHYTHM ANNOTATION SOFTWARE Miron, M., Gouyon F., Davies M. E. P., & Holzapfel A.
Beatings: a web application to foster the renaissance of the art of musical temperaments Penha, R., & Bernardes G.
BeatLED - The Social Gaming Partyshirt Nies, T. D., Vervust T., Demey M., Walle R. V. D., Vanfleteren J., & Leman M.
Beyond movement an animal, beyond an animal the sound Philippides, A.
Bioacoustical modeling for sound synthesis: a case study of odontoceti clicks Erkut, C.
Brazilian challenges on network music Arango, J. J., Tomiyoshi M., Iazzetta F., & Queiroz M.
Breeding Rhythms with Artificial Life Martins, J. M., & Miranda E. R.
C. Elegans Meets Data Sonification: Can We Hear its Elegant Movement? Terasawa, H., Takahashi Y., Hirota K., Hamano T., Yamada T., Fukamizu A., et al.
CAMeL: Carnatic Percussion Music Generation Using N-Gram Models Trochidis, K., Guedes C., Anantapadmanabhan A., & Klaric A.
Capacitive Left Hand Finger and Bow Sensors for Synchronization and Rhythmical Regularity Analysis in String Ensembles Grosshauser, T., Feese S., & Tröster G.
Capturing And Ranking Perspectives On The Consonance And Dissonance Of Dyads Breen, A., & O’Riordan C.
Cephalomorphic interface for emotion-based music synthesis Maniatakos, V. - F. A.
CHILD / MACHINE INTERACTION IN REFLEXIVE ENVIRONMENT. THE MIROR PLATFORM Addessi, A. R.
CHORD SEQUENCE PATTERNS IN OWL Wissmann, J., Weyde T., & Conklin D.
CLASSIFICATION INTO MUSICAL GENRES USING A RHYTHMIC KERNEL Frederico, G.
Comparing Inertial and Optical MoCap Technologies for Synthesis Control Skogstad, S. A., Nymoen K., & Høvin M.
Comparing Timbre-based Features for Musical Genre Classification Hartmann, M., Saari P., Toiviainen P., & Lartillot O.
COMPARISON OF NON-STATIONARY SINUSOID ESTIMATION METHODS USING REASSIGNMENT AND DERIVATIVES Musevic, S., & Bonada J.
Compilation of unified physical models for efficient sound synthesis Karjalainen, M., Erkut C., & Savioja L.
COMPOSING AUDIO-VISUAL ART: THE ISSUE OF TIME AND THE CONCEPT OF TRANSDUCTION Courribet, B.
Composing for cars Parkinson, A., & Tanaka A.
COMPOSING IN THE FLESH: PERCEPTUALLYINFORMED HARMONIC SYNTAX Ferguson, S., & Parncutt R.
Composing Social Interactions for an Interactive-Spatial Performance System Parkinson, A., & Tahiroğlu K.
COMPOSITION AND IMPROVISATION ON THE NET Hajdu, G.
Composition Identification in Ottoman-Turkish Makam Music Using Transposition-Invariant Partial Audio-Score Alignment Şentürk, S., & XavierSerra
CompScheme: A Language for Composition and Stochastic Synthesis Dobereiner, L.
COMPUTATIONAL INVESTIGATIONS INTO BETWEEN-HAND SYNCHRONIZATION IN PIANO PLAYING: MAGALOFF’S COMPLETE CHOPIN Goebl, W., Flossmann S., & Widmer G.
COMPUTER MUSIC ANALYSIS VIA A MULTIDISCIPLINARY APPROACH Nucibella, F., Porcelluzzi S., & Zattra L.
Computer synthesis of bird songs and calls Kahrs, M., & Avanzini F.
COMPUTER VISION METHOD FOR GUITARIST FINGERING RETRIEVAL Burns, A. - M., & Wanderley M. M.
COMPUTER-AIDED TRANSFORMATIONAL ANALYSIS WITH TONE SIEVES Noll, T., Andreatta M., Agon C., & Amiot E.
Concatenative Synthesis of Expressive Saxophone Performance Kersten, S., & Ramirez R.
CONCURRENT CONSTRAINTS CONDITIONAL-BRANCHING TIMED INTERACTIVE SCORES Toro-Bermudez, M., & Desainte-Catherine M.
CONCURRENT CONSTRAINTS MODELS FOR SPECIFYING INTERACTIVE SCORES Allombert, A., Assayag G., Desainte-Catherine M., & Rueda C.
CONDUCTING A VIRTUAL ENSEMBLE WITH A KINECT DEVICE Rosa-Pujazón, A., Barbancho I., Tardón L. J., & Barbancho A. M.
CONNECTING GRAPHICAL SCORES TO SOUND SYNTHESIS IN PWGL Kuuskankare, M., & Laurson M.
Constant beamwidth beamforming Goodwin, M. M., & Elko G. W.
CONSTANT-Q TRANSFORM TOOLBOX FOR MUSIC PROCESSING Schorkhuber, C., & Klapuri A.
CONSTRAINS ON THE MODEL FOR SELF-SUSTAINED SOUNDS GENERATED BY ORGAN PIPE INFERRED BY INDEPENDENT COMPONENT ANALYSIS Lauro, D. E., Martino D. S., Falanga M., & Sarno G.
Contact sounds for continuous feedback S., R. A. R. B. S. D. F. M. R.
CONTENT ANALYSIS OF NOTE TRANSITIONS IN MUSIC PERFORMANCE Loureiro, M., Yehia H., de Paula H., Campolina T., & Mota D.
CONTROL SEARCH USING RULES, TESTS AND MEASURES Phon-Amnuaisuk, S., & Smaill A.
CONTROLLING A SOUND SYNTHESIZER USING TIMBRAL ATTRIBUTES Pošćić, A., & Kreković G.
Controlling Aural and Visual Particle Systems through Human Movement Guedes, C., & Woolford K.
Controlling Material Properties in Physical Models of Sounding Objects Avanzini, F., & Rocchesso D.
Controlling the virtual bodhran - the vodhran B., B. D. M. R. M. R. S. M. M.
CONVERSATIONAL INTERACTIVITY IN SLOW-MOTION: A COMPARISON OF PHONE DIALOGUES AND OPERA SCENES Reichl, P., Hammer F., & Balinova M.
Cooperative musical creation using Kinect,WiiMote, Epoc and microphones: a case study with MinDSounDS Tavares, T. F., Rimoldi G., Pontes V. E., & Manzolli J.
Cordis Anima Physical Modeling and Simulation System Analysis Kontogeorgakopoulos, A., & Cadoz C.
Creating Expressive Piano Performance Using a Low-dimensional Performance Model Gu, Y., & Raphael C.
CREATION AND EXPLORATION OF A PERCEPTUAL SONIC TEXTURES SPACE USING A TANGIBLE INTERFACE Filatriau, J. - J., & ARFIB D.
CrossSong Puzzle: Generating and Unscrambling Music Mashups with Real-time Interactivity Smith, J., Percival G., Kato J., Goto M., & Fukayama S.
CROWDSOURCING A REAL-WORLD ON-LINE QUERY BY HUMMING SYSTEM Huq, A., Cartwright M., & Pardo B.
CURRENT DIRECTIONS WITH MUSICAL PLUS ONE Raphael, C.
D-JOGGER: SYNCING MUSIC WITH WALKING Moens, B., van Noorden L., & Leman M.
DANCE PATTERN RECOGNITION USING DYNAMIC TIME WARPING Pohl, H., & Hadjakos A.
DANCEREPRODUCER: AN AUTOMATIC MASHUP MUSIC VIDEO GENERATION SYSTEM BY REUSING DANCE VIDEO CLIPS ON THE WEB Nakano, T., Murofushi S., Goto M., & Morishima S.
David Wessel’s Slabs: a case study in Preventative Digital Musical Instrument Conservation Freed, A.
deepGTTM-II: Automatic Generation of Metrical Structure based on Deep Learning Technique Hamanaka, M., Hirata K., & Tojo S.
Demetrio Stratos rethinks voice techniques: a historical investigation at ISTC in Padova Ceolin, E., Tisato G., & Zattra L.
DEPENDENT VECTOR TYPES FOR MULTIRATE FAUST Jouvelot, P., & Orlarey Y.
DESCRIPTOR-BASED SOUND TEXTURE SAMPLING Schwarz, D., & Schnell N.
Design and Applications of a Multi-Touch Musical Keyboard Mcpherson, A., & Kim Y.
Design and Implementation of a Whole-Body Haptic Suit for “Ilinx”, a Multisensory Art Installation Giordano, M., Hattwick I., Franco I., Egloff D., Frid E., Lamontagne V., et al.
Design and Implementation of a Whole-Body Haptic Suit for “Ilinx”, a Multisensory Art Installation
Design of an efficient inharmonic digital waveguide filter for synthesis of hand-bell sounds Esquef, P. A. A., & V
Design of an Interactive Earphone Simulator and Results from a Perceptual Experiment Lindborg, P. M., & Lim M. J. Y.
Designing an Expressive Virtual Percussive Instrument Dolhansky, B., Mcpherson A., & Kim Y.
Designing and Synthesizing Delay-Based Digital Audio Effects using the CORDIS ANIMA Physical Modeling Formalism Kontogeorgakopoulos, A., & Cadoz C.
Desirable Aspects Of Visual Programming Languages For Different Applications In Music Creation Pošćić, A., Kreković G., & Butković A.
Detection Thresholds in Audio-Visual Redirected Walking Meyer, F., Nogalski M., & Fohl W.
DEVELOPING A NON-VISUAL OUTPUT DEVICE FOR MUSICAL PERFORMERS MIYASHITA, H., & NISHIMOTO K.
DEVELOPING A PARAMETRIC SPATIAL DESIGN FRAMEWORK FOR DIGITAL DRUMMING Ham, J., & Prohasky D.
Developing Mixer-style Controllers Based On Arduino/Teensy Microcontrollers Popp, C., & Soria-Luz R.
DIGITAL AUDIO EFFECTS AND PHYSICAL MODELING Alexandros, K., & Claude C.
Digital sound synthesis based on multidimensional system theory Rabenstein, R., & Trautmann L.
Digital sound sysnthesis based on transfer function models Trautmann, L., & Rabenstein R.
Digital waveguide mesh modelling of room acoustics: Surround-sound, boundaries and plugin implementation Murphy, D. T., Newton C. J. C., & Howard D. M.
Digitally Augmented Everyday Objects in Music Composition Kojs, J., & Serafin S.
Discovery of generalized interval patterns Conklin, D., & Bergeron M.
Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format Park, B., & Gerhard D.
DISSONANCES: BRIEF DESCRIPTION AND ITS COMPUTATIONAL REPRESENTATION IN THE RTCC CALCULUS Perchy, S., & M. G. S. M.
Distance Encoding in Ambisonics Using Three Angular Coordinates Penha, R.
Distance Mapping for Corpus-Based Concatenative Synthesis Schwarz, D.
Distributing Music Scores to Mobile Platforms and to the Internet using INScore Fober, D., Gouilloux G., Orlarey Y., & Letz S.
DOES A “NATURAL” SONIC FEEDBACK AFFECT PERCEIVED USABILITY AND EMOTION IN THE CONTEXT OF USE OF AN ATM? Susini, P., Misdariis N., Houix O., & Lemaitre G.
DOWNY OAK: RENDERING ECOPHYSIOLOGICAL PROCESSES IN PLANTS AUDIBLE Maeder, M., & Zweifel R.
DTW-based Score Following Method For Score-informed Sound Source Separation Rodriguez-Serrano, F. J., Canadas-Quesada F. J., Menndez-Canal J., Cortina R., & Vidal A.
DYNAMIC CUES FOR NETWORK MUSIC INTERACTIONS Renaud, A. B.
Dynamic FM synthesis using a network of complex resonator filters Parker, J., & Bovermann T.
DYNAMIC INTERMEDIATE MODELS FOR AUDIOGRAPHIC SYNTHESIS Goudard, V., Genevois H., Doval B., & Ghomi É.
Dynamic Modeling of Vibrating Structures for Sound Synthesis, Modal Synthesis Adrien, J. M.
Echi tra le Volte, a sound design project for churches Taroppi, A.
EFFECT OF TIMBRE ON MELODY RECOGNITION IN THREE-VOICE COUNTERPOINT MUSIC Chon, S. H., Schwartzbach K., Smith B., & McAdams S.
EFFICIENT EXTRACTION OF CLOSED MOTIVIC PATTERNS IN MULTI-DIMENSIONAL SYMBOLIC REPRESENTATIONS OF MUSIC Lartillot, O.
EFFICIENT FINITE DIFFERENCE-BASED SOUND SYNTHESIS USING GPUS Sosnick, M., & Hsu W.
Elimination of Delay-free Loops in Discrete- Time Models of Nonlinear Acoustic Systems Borin, G., Poli G. D., & Rocchesso D.
Embodied Auditory Display Affordances Roddy, S., & Furlong D.
Embodiment and Agency: Towards an Aesthetics of Interactive Performativity Kim, J. H., & Seifert U.
Emerging Composition: Being and Becoming Tipei, S.
EMOTION AND SOUNDSCAPE PREFERENCE RATING USING SEMANTIC DIFFERENTIAL PAIRS AND THE SELF-ASSESSMENT MANIKIN Stevens, F., Murphy D., & Smith S.
Emotion from Motion T., A. B. C. K. A.
Emotional response to major mode musical pieces: score-dependent perceptual and acoustic analysis Canazza, S., Roda' A., & Poli G. D.
EMOTIONS IN THE VOICE: HUMANISING A ROBOTIC VOICE Bowles, T., & Pauletto S.
EMPIRICALLY BASED AUDITORY DISPLAY DESIGN Brazil, E., & Fernstrom M.
Energy behavior in time-varying fractional delay filters for physical modeling of musical instruments Pakarinen, J., Karjalainen M., Välimäki V., & Bilbao S.
ENERGY HARVESTING POWER FLOWER BELL -€“ A CYBERNETIC SOUND INSTALLATION DRIVEN BY A DIRT-BATTERY Schauer, J., Ritsch W., & Fickert L.
ENGAGEMENT AND INTERACTION IN PARTICIPATORY SOUND ART Goudarzi, V., & Gioti A. - M.
ENHANCING EXPRESSIVE AND TECHNICAL PERFORMANCE IN MUSICAL VIDEO GAMES Marczak, R., Robine M., Desainte-Catherine M., Allombert A., Hanna P., & Kurtag G.
Ensemble: Implementing a Musical Multiagent System Framework Thomaz, L., & Queiroz M.
Ephemeron: Control over Self-Organised Music KOLLIAS, P. - A.
ETHERACTION: PLAYING A MUSICAL PIECE USING GRAPHICAL INTERFACES Couturier, J. - M.
Evaluating of sensor technologies for The Rulers, a kalimba-like Digital Musical Instrument Medeiros, C. B., & Wanderley M. M.
EVENT SYNCHRONOUS MUSIC THUMBNAILS: EXPERIMENTS Evangelista, G., & Cavaliere S.
Examining the role of context in the recognition of walking sounds Turchet, L., Nordahl R., & Serafin S.
Experimental (δ, γ)-Pattern-Matching with Don’t Cares Iliopoulos, C. S., Mohamed M., & Mohanaraj V.
Experimental results showing the effects of optimal spacing between elements of a linear microphone array Alvarado, V. M., & Silverman H. F.
Experiments on gestures: walking, running, and hitting S., B. D. R.
Explaining musical expression as a mixture of basis functions Grachten, M., & Widmer G.
EXPLOITING DOMAIN KNOWLEDGE IN MUSIC INFORMATION RESEARCH XavierSerra
EXPLORATIONS IN CONVOLUTIONAL SYNTHESIS Smyth, T., & Elmore A. R.
EXPLORING COMMON VARIATIONS IN STATE OF THE ART CHORD RECOGNITION SYSTEMS Cho, T., Weiss R. J., & Bello J. P.
Exploring Gesturality in Music Performance Schacher, J. C., Bisig D., & Neff P.
Exploring Moment-form in Generative Music Eigenfeldt, A.
Exploring the design space: prototyping "The Throat v3" for the Elephant Man opera Elblaus, L., Hansen K. F., & Unander-Scharin C.
EXPLORING THE EFFECT OF MAPPING TRAJECTORIES ON MUSICAL PERFORMANCE Nort, D. V., & Wanderley M. M.
Exploring the General Melodic Characteristics of XinTianYou Folk Songs Li, J., Dong L., Ding J., & Yang X.
EXPLORING TIMBRE SPACES WITH TWO MULTIPARAMETRIC CONTROLLERS Kiefer, C.
EXPRESSIVE GESTURAL CONTROL OF SOUND AND VISUAL OUTPUT IN MULTIMODAL INTERACTIVE SYSTEMS Camurri, A., Mazzarino B., & Volpe G.
EXPRESSIVE HUMANOID ROBOT FOR AUTOMATIC ACCOMPANIMENT Xia, G., Kawai M., Matsuki K., Fu M., Cosentino S., Trovato G., et al.
Expressive Performance in the Human Tenor Voice Marinescu, M. C., & Ramirez R.
EXPRESSIVE PERFORMANCE RENDERING: INTRODUCING PERFORMANCE CONTEXT Flossmann, S., Grachten M., & Widmer G.
EXPRESSIVE PRODUCTION OF PIANO TIMBRE: TOUCH AND PLAYING TECHNIQUES FOR TIMBRE CONTROL IN PIANO PERFORMANCE Bernays, M., & Traube C.
Expressive text-to-speech approaches Kanellos, I., Suciu I., & Moudenc T.
EXPRESSIVENESS DETECTION OF MUSIC PERFORMANCES IN THE KINEMATICS ENERGY SPACE Mion, L., & Poli G. D.
EXTENDED WAVEFORM SEGMENT SYNTHESIS, A NONSTANDARD SYNTHESIS MODEL FOR MICROSOUND COMPOSITION Valsamakis, N., & Miranda E. R.
EXTENDING A NETWORK-OF-ELABORATIONS REPRESENTATION TO POLYPHONIC MUSIC: SCHENKER AND SPECIES COUNTERPOINT Marsden, A.
EXTENDING THE FOLKSONOMIES OF FREESOUND.ORG USING CONTENT-BASED AUDIO ANALYSIS Martınez, E., Celma O., Sordo M., Jong B., & XavierSerra
Extending voice-driven synthesis to audio mosaicing Janer, J., & de Boer M.
EXTRACTING MUSICALLY-RELEVANT RHYTHMIC INFORMATION FROM DANCE MOVEMENT BY APPLYING PITCH TRACKING TECHNIQUES TO A VIDEO SIGNAL Guedes, C.
Extraction of sound localization cue utilizing pitch cue for modelling auditory system Okuno, T., Mcginnity T. M., & Maguire L. P.
Factors Influencing Vocal Pitch in Articulatory Speech Synthesis: A Study Using PRAAT Meenakshisundaram, S., Miranda E., & Kaimi I.
FACTORSYNTH: A MAX TOOL FOR SOUND ANALYSIS AND RESYNTHESIS BASED ON MATRIX FACTORIZATION Burred, J. J.
FaucK!! Hybridizing the FAUST and ChucK Audio Programming Languages Michon, R., & Wang G.
Fifty Years of Digital Sound for Music Risset, J. - C.
FIRST STEPS IN RELAXED REAL-TIME TYPO-MORPHOLOGICAL AUDIO ANALYSIS/SYNTHESIS Schnell, N., Cifuentes M. A. S., & Lambert J. - P.
FIRST STEPS TOWARDS A DIGITALASSISTANT FOR PERFORMERS AND STAGE DIRECTORS Bonardi, A., & Truck I.
FIRST-ORDER LOGIC CLASSIFICATION MODELS OF MUSICAL GENRES BASED ON HARMONY Anglade, A., Ramirez R., & Dixon S.
FM4 SOUNDPARK AUDIO-BASED MUSIC RECOMMENDATION IN EVERYDAY USE Gasser, M., & Flexer A.
Foley Sounds vs Real Sounds Trento, S., & de Gotzen A.
Follow the Tactile Metronome: Vibrotactile Stimulation for Tempo Synchronization in Music Performance Giordano, M., & Wanderley M. M.
FONASKEIN: An interactive application software for the practice of the singing voice Moschos, F., Georgaki A., & Kouroupetroglou G.
FORM-AWARE, REAL-TIME ADAPTIVE MUSIC GENERATION FOR INTERACTIVE EXPERIENCES Aspromallis, C., & Gold N. E.
Four-part Harmonization Using Probabilistic Models: Comparison of Models With and Without Chord Nodes Suzuki, S., & Kitahara T.
FREE CLASSIFICATION OF VOCAL IMITATIONS OF EVERYDAY SOUNDS Dessein, A., & Lemaitre G.
Frequency-independent beamforming Goodwin, M. M.
From Music Symbolic Information to Sound Synthesis: An Xml-Based Approach Haus, G., Ludovico L. A., & Russo E.
from snow [to space to movement] to sound Kontogeorgakopoulos, A., Kotsifa O., & Erichsen M.
FULL AUTOMATION OF REAL-TIME PROCESSES IN INTERACTIVE COMPOSITIONS: TWO RELATED EXAMPLES Garavaglia, J. A.
Functional Signal Processing with Pure and Faust using the LLVM Toolkit Gräf, A.
Generating Chants Using Mnemonic Capabilities Iyengar, S.
Generating Musical Accompaniment through Functional Scaffolding Hoover, A. K., Szerlip P. A., & Stanley K. O.
Generation and Representation of Data and Events for the Control of Sound Synthesis Bresson, J., Stroppa M., & Agon C.
Gestural and audio metaphors as a means of control for mobile devices Pirhonen, A., Brewster S., & Holguin C.
Gestural control of Music Wanderley, M.
GESTURAL CONTROL OF SINGING VOICE, A MUSICAL INSTRUMENT Kessous, L.
Gestural Control of Sonic Swarms: Composing with Grouped Sound Objects Davis, T., & Karamanlis O.
GESTURAL CONTROL OF THE SPEECH SYNTHESIS IN LUNA PARK Beller, G.
Gestural control of wavefield synthesis Grani, F., Di Carlo D., Madrid Portillo J., Girardi M., Paisa R., Banas J. S., et al.
Gestural strategies for specific filtering processes L., A. C. K. D. J. M.
Gesture-tactile controlled physical modelling music synthesis S., H. R. D.
GestureChords: Transparency in Gesturally Controlled Digital Musical Instruments through Iconicity and Conceptual Metaphor Brown, D., Nash C., & Mitchell T.
GLOBAL KEY EXTRACTION FROM CLASSICAL MUSIC AUDIO RECORDINGS BASED ON THE FINAL CHORD Weiß, C.
GMU, A FLEXIBLE GRANULAR SYNTHESIS ENVIRONMENT IN MAX/MSP Bascou, C., & Pottier L.
Granular Model of Multidimensional Spatial Sonification Rosli, M. H. W., Cabrera A., Wright M., & Roads C.
Granular Sound Spatialization Using Dictionary-Based Methods McLeran, A., Roads C., Sturm B. L., & Shynk J. J.
Guided improvisation as dynamic calls to an offline model Nika, J., Bouche D., Bresson J., Chemillier M., & Assayag G.
Haptic Feedback for Improved Positioning of the Hand for Empty Handed Gestural Control Modler, P., & Myatt T.
Harmony of the Spheres: A Physics-Based Android Synthesizer and Controller with Gestural Objects and Physical Transformations Thalmann, F.
HEAD IN SPACE: A HEAD-TRACKING BASED BINAURAL SPATIALIZATION SYSTEM Ludovico, L. A., Mauro D. A., & Pizzamiglio D.
High Precision Touch Screen Interaction Albinsson, P., & Zhai S.
High-level models: bouncing, breaking, rolling, crumpling, pouring Rath, F. F. F.
Horizontal and Vertical Integration/Segregation in Auditory Streaming: A Voice Separation Algorithm for Symbolic Musical Data Karydis, I., Nanopoulos A., Papadopoulos A., Cambouropoulos E., & Manolopoulos Y.
HOW DO PEOPLE ASSESS COMPUTER GENERATED EXPRESSIVE MUSIC PERFORMANCES? Canazza, S., Poli G. D., & Rodà A.
How Predictable Do We Like Our Music? Eliciting Aesthetic Preferences With The Melody Triangle Mobile App Ekeus, H., Abdallah S. A., McOwan P. W., & Plumbley M. D.
How well Can A Music Emotion Recognition System Predict The Emotional Responses Of Participants? Song, Y., & Dixon S.
HUBS AND ORPHANS - AN EXPLORATIVE APPROACH Gasser, M., Flexer A., & Schnitzer D.
Human Movement Performance in Relation to Path Constraint Zhai, S., & Woltjer R.
Human-Computer Music Performance: From Synchronized Accompaniment to Musical Partner Dannenberg, R. B., Jin Z., Gold N. E., Sandu O. - E., Palliyaguru P. N., Robertson A., et al.
HUMANITIES, ART AND SCIENCE IN THE CONTEXT OF INTERACTIVE SONIC SYSTEMS – SOME CONSIDERATIONS ON A CUMBERSOME RELATIONSHIP Polotti, P.
HutEar--a free Matlab toolbox for modeling of human hearing H
IANNIX Aesthetical/Symbolic Visualisations for Hypermedia Compositions. Coduys, T., & Ferry G.
Image Features Based on Two-dimensional FFT for Gesture Analysis and Recognition Modler, P., & Myatt T.
IMAGE SONIFICATION BASED ON OBJECT AND FEATURE EXTRACTION Kim, K. L., & Yeo W. S.
IMITATIVE AND GENERATIVE ORCHESTRATIONS USING PRE-ANALYSED SOUNDS DATABASES Carpentier, G., Tardieu D., Assayag G., Rodet X., & Saint-James E.
Immersion and content - a framework for audio research Karjalainen, M.
Implementation of recursive filters having delay free loops H
IMPROVED POLYNOMIAL TRANSITION REGIONS ALGORITHM FOR ALIAS-SUPPRESSED SIGNAL SYNTHESIS Ambrits, D., & Bank B.
Improved Sinusoidal Parameter Estimation through Iterative Linear Programming Schemes Shiv, V. L.
IMPROVING PERFORMERS’ MUSICALITY THROUGH LIVE INTERACTION WITH HAPTIC FEEDBACK: A CASE STUDY Michailidis, T., & Bullock J.
Improving tempo-sensitive and tempo-robust descriptors for rhythmic similarity Holzapfel, A., Flexer A., & Widmer G.
Improving the Efficiency of Open Sound Control with Compressed Address Strings Kleimola, J., & Mcglynn P. J.
IMPROVING THE REAL-TIME PERFORMANCE OF A CAUSAL AUDIO DRUM TRANSCRIPTION SYSTEM Miron, M., Davies M. E. P., & Gouyon F.
IMPROVISATION AND GESTURE AS FORM DETERMINANTS IN WORKS WITH ELECTRONICS Aska, A.
Improvisation Planning and Jam Session Design using concepts of Sequence Variation and Flow Experience Dubnov, S., & Assayag G.
IMPROVISING COMPUTER MUSIC: AN APPROACH Tarabella, L.
Impulse Response Estimation for the Auralisation of Vehicle Engine Sounds using Dual Channel FFT Analysis Shelley, S., Murphy D., & Goodwin S.
IN A CONCRETE SPACE. RECONSTRUCTING THE SPATIALIZATION OF IANNIS XENAKIS’ CONCRET PH ON A MULTICHANNEL SETUP Valle, A., Tazelaar K., & Lombardo K. T. V.
INFLUENCE OF MUSICAL SIMILARITY ON MELODIC SEGMENTATION: REPRESENTATIONS AND ALGORITHMS Cambouropoulos, E., & Tsougras C.
Informative sonic feedback for continuous human controlling a sound model of a rolling ball Rath, M., & Rocchesso D.
Injecting Periodicities: Sieves as Timbres Exarchos, D.
Input devices for musical expression: borrowing tools from HCI Orio, N., Schnell N., & Wanderley M.
INSTRUMENT AUGMENTATION USING ANCILLARY GESTURES FOR SUBTLE SONIC EFFECTS Lähdeoja, O., Wanderley M. M., & Malloch J.
INSTRUMENTAL GESTURES AND SONIC TEXTURES FILATRIAU, J. - J., & ARFIB D.
Inter-channel Synchronisation For Transmitting Live Audio Streams Over Digital Radio Links Brown, S., & Oliver J.
INTERACTION AND SPATIALIZATION : THREE RECENT MUSICAL WORKS Risset, J. - C.
INTERACTION WITH A LARGE SIZED AUGMENTED STRING INSTRUMENT INTENDED FOR A PUBLIC SETTING Paloranta, J., Lundström A., Elblaus L., Bresin R., & Frid E.
INTERACTIVE INFRASONIC ENVIRONMENT: A New Type of Sound Installation for Controlling Infrasound Gupfinger, R., Ogawa H., Sommerer C., & Mignonneau L.
Interactive music system for everyone:Exploring visual feedback as a way for creating more intuitive, productive and learnable instruments S., J.
INTERACTIVELY DETERMINED GENERATIVE SOUND DESIGN FOR SENSATE ENVIRONMENTS Beilharz, K.
Interfaces for Sound: Representing Material in Pop Music Productions Grote, F.
INTERLUDE - A FRAMEWORK FOR AUGMENTED MUSIC SCORES Fober, D., Daudin C., Orlarey Y., & Letz S.
INTERPRETATION AND COMPUTER ASSISTANCE IN JOHN CAGE’S CONCERT FOR PIANO AND ORCHESTRA (1957-58) Sluchin, B., & Malt M.
INTRODUCTION TO COMPUTER-ASSITED MUSIC ANALYSIS IN PWGL Laurson, M., Kuuskankare M., & Kuitunen K.
INTUNE: A MUSICIAN’S INTONATION VISUALIZATION SYSTEM Lim, K. A., & Raphael C.
Inversion of a physical model of a trumpet H
Investigating The Effects Of Introducing Nonlinear Dynamical Processes Into Digital Musical Interfaces Mudd, T., Holland S., Mulholland P., & Dalton N.
Investigation of the relationships between audio features and induced emotions in Contemporary Western music Trochidis, K., Delbé C., & Bigand E.
Irish Traditional Ethnomusicology Analysis Using Decision Trees And High Level Symbolic Features Martins, M. L. G., & Jr. C. S. N.
Is Knowledge Emerging in the Secrecy of our Digital Collections? Rousseaux, F., & Bonardi A.
Isomorphic Tessellations for Musical Keyboards Maupin, S., Gerhard D., & Park B.
ISSUES AND TECHNIQUES FOR COLLABORATIVE MUSIC MAKING ON MULTI-TOUCH SURFACES Laney, R., Dobbyn C., Xambo A., Schirosa M., Miell D., Littleton K., et al.
JACK AUDIO SERVER: MACOSX PORT AND MULTI-PROCESSOR VERSION Letz, S., Fober D., Orlarey Y., & Davis P.
JACKTRIP/SOUNDWIRE MEETS SERVER FARM Caceres, J. - P., & Chafe C.
Joint f0 and inharmoncity estimation using second order optimization Hahn, H., & Axel R.
KETTLE: A REAL-TIME MODEL FOR ORCHESTRAL TIMPANI Papiotis, P., & Papaioannou G.
KINETIC ENGINE: TOWARD AN INTELLIGENT IMPROVISING INSTRUMENT Eigenfeldt, A.
KLAMA: the Voice from Oral Tradition in Death Rituals to a Work for Choir & Live Electronics Spiropoulos, G., & Meudic B.
Komeda: Framework for Interactive Algorithmic Music On Embedded Systems Bacławski, K., & Jackowski D.
L-SYSTEMS, SCORES, AND EVOLUTIONARY TECHNIQUES Lourenco, B. F., Ralha J. C. L., & Brandao M. C. P.
LANdini : a networking utility for wireless LAN-based laptop ensembles Narveson, J., & Trueman D.
LARGE DATA SETS & RECOMMENDER SYSTEMS: A FEASIBLE APPROACH TO LEARNING MUSIC ? Gabriel, J.
Large Scale Musical Instrument Identification Benetos, E., Kotti M., & Kotropoulos C.
Lazy Evaluation in Microsound Synthesis Nishino, H., & Cheok A.
LEARNING JAZZ GRAMMARS Gillick, J., Tang K., & Keller R. M.
Learning pseudo-physical models for sound synthesis and transformation Drioli, C., & Rocchesso D.
Leech: BitTorrent and Music Piracy Sonification Mckinney, C., & Renaud A.
LEGATO AND GLISSANDO IDENTIFICATION IN CLASSICAL GUITAR Ozaslan, T. H., & JosepLluisArcos
LICHTGESTALT: Interaction With Sound Through Swarms Of Light Rays Fehr, J., & Erkut C.
LIMITATIONS IN THE RECOGNITION OF SOUND TRAJECTORIES AS MUSICAL PATTERNS Payri, B.
Limits of Control Rutz, H. H.
LISTEN LISBOA: Scripting Languages for Interactive Musical Installations Prado, C. L., & Natkin S.
Ljudskrapan/The Soundscraper: Sound exploration for children with complex needs, accommodating hearing aids and cochlear implants Hansen, K. F., Dravins C., & Bresin R.
LOGICAL REPRESENTATION OF MUSICAL CONCEPTS Phon-Amnuaisuk, S.
Loop filter design techniques for virtual string instruments Erkut, C.
Loop Sequencer That Selects Music Loops Based On The Degree Of Excitement Kitahara, T., Iijima K., Okada M., Yamashita Y., & Tsuruoka A.
LyricListPlayer: A Consecutive-Query-by-Playback Interface for Retrieving Similar Word Sequences from Different Song Lyrics Nakano, T., & Goto M.
LYRICS-TO-AUDIO ALIGNMENT AND PHRASE-LEVEL SEGMENTATION USING INCOMPLETE INTERNET-STYLE CHORD ANNOTATIONS Mauch, M., Fujihara H., & Goto M.
MAKING AN ORCHESTRA SPEAK Nouno, G., Cont A., Carpentier G., & Harvey J.
Making motion musical: gestural mapping strategies for interactive computer music T., W.
Mapping and dimensionality of a cloth-based sound instrument Birnbaum, D., Abtan F., Wei† S. X., & Wanderley M. M.
Mapping brain signals to music via executable graphs Crowley, K., & McDermott J.
Mapping Chaotic Dynamical Systems Into Timbre Evolution Rizzuti, C.
MARCO STROPPA’S COMPOSITIONAL PROCESS AND SCIENTIFIC KNOWLEDGE BETWEEN 1980-1991 Tiffon, V., & Sprenger-Ohana N.
Material Design in Physical Modeling Sound Synthesis Djoharian, P.
MATHEMATICAL STRUCTURE AND SOUND SYNTHESIS Essl, G.
Measured characteristics of development in adolescent singers Barlow, C., & Howard D. M.
Measurements of acoustical parameters for the classical guitar Hill, T. J. W., Richardson B. E., & Richardson S. J.
MEASURING THE INTERACTION BETWEEN BASSOON AND HORN PLAYERS IN ACHIEVING TIMBRE BLEND Lembke, S. -amin, Levine S., de Francisco M., & McAdams S.
MELODIC MEMORY AND ITS DEPENDENCE ON FAMILIARITY AND DIFFICULTY Benassi-Werke, M. E., Queiroz M., Germano N. G., & Oliveira M. G. M.
Melodic Outline Extraction Method for Non-note-level Melody Editing Tsuchiya, Y., & Kitahara T.
MELODY BOUNCE: MOBILE RHYTHMIC INTERACTION FOR CHILDREN Baldan, S., Serafin S., & Götzen A. D.
Melody Characterization by a Genetic Fuzzy System de León, P. P. J., Rizo D., Ramirez R., & Iñesta J. M.
MELODY CLASSIFICATION USING A SIMILARITY METRIC BASED ON KOLMOGOROV COMPLEXITY Li, M., & Sleep R.
Melody extraction based on a source-filter model using pitch contour selection Bosch, J. J., & Gómez E.
Melody Harmonization in Evolutionary Music using Multiobjective Genetic Algorithms Freitas, A., & Guimarães F.
Memory Space Emmerson, S.
MEPHISTO: A Source to Source Transpiler from Pure Data to Faust Demir, A. O., & Hacıhabiboğlu H.
Metal string Palumbi, M., & Seno L.
Methods for Real Time Harmonic Excitation of Acoustic Signals Enderby, S., Baracskai Z., & Athwal C.
Methods for simulating string collisions with rigid spatial objects Krishnaswamy, A., & Smith J. O.
MIMICRY OF TONE PRODUCTION: RESULTS FROM A PILOT EXPERIMENT Bianco, T., Wanderley M. M., & Bevilacqua F.
Minimalism And Process Music: A PureData Realization of Pendulum Music Coco, R.
MIXING SYMBOLIC AND AUDIO DATA IN COMPUTER ASSISTED MUSIC ANALYSIS A Case study from J . Harvey's Speakings (2008) for Orchestra and Live Electronics Schaub, S., Simurra I., & Tavares T. F.
Mixing Time Representations in a Programmable Score Editor Agon, C., & Bresson J.
MIXTRACT: AN ENVIRONMENT FOR DESIGNING MUSICAL PHRASE EXPRESSION Hashida, M., Tanaka S., Baba T., & Katayose H.
MOCAP TOOLBOX – A MATLAB TOOLBOX FOR COMPUTATIONAL ANALYSIS OF MOVEMENT DATA Burger, B., & Toiviainen P.
Mode-dependent Differences in Chord Classification under an Original Computational Method of Tonal Structure Analysis Majchrzak, M.
Model order selection techniques for the loop filter design of virtual string instruments Erkut, C.
Modeling Affective Content of Music: A Knowledge Base Approach Oliveira, A. P., & Cardoso A.
Modeling and real-time synthesis of the kantele using distributed tension modulation Pakarinen, J., Karjalainen M., & V"alim"aki V.
MODELING AND SIMULATION: THE SPECTRAL CANON FOR CONLON NANCARROW BY JAMES TENNEY de Paiva Santana, C., Bresson J., & Andreatta M.
Modeling Interactions between Rubbed Dry Surfaces Using an Elasto-Plastic Friction Model Avanzini, F., Serafin S., & Rocchesso D.
Modeling Moods in Violin Performances Perez, A., Ramirez R., & Kersten S.
Modeling of Melodic Rhythm Based on Entropy toward Creating Expectation and Emotion Ohmura, H., Shibayama T., Shibuya S., Takahashi T., Okanoya K., & Furukawa K.
Modelling a drum by interfacing 2-D and 3-D waveguide meshes Aird, M. - L., Laird J., & ffitch J.
Modelling dynamics of key induction in harmony progressions Rohrmeier, M.
MODELLING EMOTIONAL EFFECTS OF MUSIC: KEY AREAS OF IMPROVEMENT Eerola, T.
MODELLING PERCEPTION OF SPEED IN MUSIC AUDIO Elowsson, A., & Friberg A.
Modulating or 'Transferring' Between Non-octave Scales Harrop, T.
mono2eN: A Multi-Channel Autospatialisation Performance System Goddard, C.
Motion recurrence analysis in music performances Teixeira, E., Yehia H., Loureiro M., & Wanderley M.
MOTION-ENABLED LIVE ELECTRONICS Eckel, G., Pirro D., & Sharma G. K.
Motor Behavior Models for Human-Computer Interaction, Chapter for J.M.Carrol MacKenzie, I.
Movement Perception in Music Performance – A Mixed Methods Investigation Schacher, J. C., Järveläinen H., Strinning C., & Neff P.
Movement Sonification of Musical Gestures: Investigating Perceptual Processes Underlying Musical Performance Movements Hohagen, J., & Wöllner C.
Mozart is still blue: a comparison of sensory and verbal scales to describe qualities in music Murari, M., Rod`a A., Pos O. D., Schubert E., Canazza S., & Poli G. D.
Multi-channel formats in electroacoustic composition: Acoustic space as a carrier of musical structure Stavropoulos, N.
Multi-channel Spatial Sonification Of Chinook Salmon Migration Patterns In The Snake River Watershed Robertson, B. L., Middleton J., & Hegg J.
Multi-scale design of interactive music systems: the libTuiles experiment Janin, D., Berthaut F., & Desainte-Catherine M.
Multichannel Composition Using State-space Models And Sonification Soria-Luz, R.
MULTICHANNEL CONTROL OF SPATIAL EXTENT THROUGH SINUSOIDAL PARTIAL MODULATION (SPM) Cabrera, A., & Kendall G.
MULTIMODAL AND CROSS-MODAL PROCESSING IN INTERACTIVE SYSTEMS BASED ON TANGIBLE ACOUSTIC INTERFACES Camurri, A., Canepa C., Drioli C., Massari A., Mazzarino B., & Volpe G.
Multiple-Instrument Polyphonic Music Transcription using a Convolutive Probabilistic Model Benetos, E., & Dixon S.
MULTISENSORY INTERACTIVE INSTALLATION Voto, D., Limonchi M. V., & D’Auria U.
MUSE: a Music-making Sandbox Environment for Real-Time Collaborative Play Popa, I. A. T., Boyd J. E., & Eagle D.
MUSIC AS THE GOAL OF TRAINING AND MEANS OF REHABILITATION: EVIDENCE FROM BRAIN SCIENCE Tervaniemi, M.
Music Content Driven Automated Choreography With Beat-wise Motion Connectivity Constraints Fukayama, S., & Goto M.
Music Performance Assistance System Based On Vocal, Harmonic, And Percussive Source Separation And Content Visualization For Music Audio Signals Dobashi, A., Ikemiya Y., Itoyama K., & Yoshii K.
MUSIC RETRIEVAL ALGORITHMS FOR THE LEAD SHEET PROBLEM Clifford, R., Groult R., Iliopoulos C. S., & Byrd D.
MUSIC STRUCTURE REPRESENTATION: A FORMAL MODEL Tagliolato, P.
Music Synthesis based on Impression and Emotion of Input Narratives Kanno, S., Itoh T., & Takamura H.
MUSIC TRANSFORMATION IN CELLULAR SPACES TRIGGERED BY WALSH FUNCTIONS da Silva, P., & Jr. A. M.
MUSICAL APPLICATIONS AND DESIGN TECHNIQUES FOR THE GAMETRAK TETHERED SPATIAL POSITION CONTROLLER Freed, A., McCutchen D., Schmeder A., Hansen A. - M. S., Overholt D., Burleson W., et al.
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MUSICAL VOICE INTEGRATION/SEGREGATION: VISA REVISITED Rafailidis, D., Cambouropoulos E., & Manolopoulos Y.
Musically Informed Sonification For Self-directed Chronic Pain Physical Rehabilitation Newbold, J. W., Bianchi-Berthouze N., Gold N. E., & Williams A.
MUSICGALAXY – AN ADAPTIVE USER-INTERFACE FOR EXPLORATORY MUSIC RETRIEVAL Stober, S., & ̈rnberger A. N.
MUSICJSON: A REPRESENTATION FOR THE COMPUTER MUSIC CLOUD Alvaro, J. L., & Barros B.
Musicmean: Fusion-based Music Generation Hirai, T., Sasaki S., & Morishima S.
MX STRUCTURAL METADATA AS MIR TOOLS Haus, G., & Pinto A.
Navigating The Mix-space: Theoretical And Practical Level-balancing Technique In Multitrack Music Mixtures AlexWilson, & Fazenda B. M.
NETWORK MUSIC WITH MEDUSA: A COMPARISON OF TEMPO ALIGNMENT IN EXISTING MIDI APIS Schiavoni, F. L., Queiroz M., & Wanderley M.
New Approaches Of Theatre And Opera Directly Inspired By Interactive Data-mining Bonardi, A., & Rousseaux F.
NEW TENDENCIES IN THE DIGITAL MUSIC INSTRUMENT DESIGN : PROGRESS REPORT Ferreira-Lopes, P., Vitez F., Dominguez D., & Wikström V.
NON-NEGATIVE MATRIX FACTORIZATION WITH SELECTIVE SPARSITY CONSTRAINTS FOR TRANSCRIPTION OF BELL CHIMING RECORDINGS Marolt, M.
Non-negative Sparse Decomposition of Musical Signal using Pre-trained Dictionary of Feature Vectors of Possible Tones from Different Instruments Nomura, R., & Kurita T.
Non-Realtime Sonification of Motiongrams Jensenius, A. R.
NOVARS RESEARCH CENTRE, UNIVERSITY OF MANCHESTER, UK. STUDIO REPORT Climent, R., Berezan D., & Davison A.
Nuance: Adding Multi-Touch Force Detection to the iPad Michon, R., Smith J., Chafe C., Wang G., & Wright M. J.
Numerical integration of partial differential equations by means of multidimensional wave digital filters Fettweis, A., & Nitsche G.
NVM-a modular real-time physical modeling synthesis system for MSP Dudas, R.
OBSERVED DIFFERENCES IN RHYTHM BETWEEN PERFORMANCES OF CLASSICAL AND JAZZ VIOLIN STUDENTS Guaus, E., Saña O., & Llimona Q.
OMAX-OFON Assayag, G., Bloch G., & Chemillier M.
ON ARCHITECTURE AND FORMALISMS FOR COMPUTER-ASSISTED IMPROVISATION Maniatakos, F., Assayag G., Bevilacqua F., & Agon C.
On Computing Morphological Similarity of Audio Signals Gasser, M., Flexer A., & Grill T.
ON FINITE DIFFERENCE SCHEMES FOR THE 3-D WAVE EQUATION USING NON-CARTESIAN GRIDS Hamilton, B., & Bilbao S.
ON ONSETS ON-THE-FLY: REAL-TIME EVENT SEGMENTATION AND CATEGORISATION AS A COMPOSITIONAL EFFECT Collins, N.
On the Creative use of Score Following and its Impact on Research Cont, A.
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On the Musical Opportunities of Cylindrical Hexagonal Lattices: Mapping Flat Isomorphisms Onto Nanotube Structures Hu, H., Park B., & Gerhard D.
On the Nonlinear Commuted Synthesis of the Piano Bank, B.
ON THE TRACEABILITY OF THE COMPOSITIONAL PROCESS Rutz, H. H., Miranda E., & Eckel G.
Online Harmonic/percussive Separation Using Smoothness/sparseness Constraints Canadas-Quesada, F., Vera-Candeas P., N.Ruiz-Reyes, Alonso P., & Ranilla J.
OPEN SOURCE TOOLS FOR MUSIC REPRESENTATION AND NOTATION Fober, D., Letz S., & Orlarey Y.
Optical or Inertial? Evaluation of Two Motion Capture Systems for Studies of Clubbing to Electronic Dance Music Torvanger Solberg, R., & Jensenius A. R.
ORPHEUS: A Virtual Learning Environment of Ancient Greek Music Politis, D., Margounakis D., Botsaris G., & Papaleontiou L.
ÕDAIKO: A REAL TIME SCORE GENERATOR BASED ON RHYTHM Lopes, F.
PARALLELIZATION OF AUDIO APPLICATIONS WITH FAUST Orlarey, Y., Fober D., & Letz S.
Parametric Trombone Synthesis by Coupling Dynamic Lip Valve and Instrument Models Smyth, T., & Scott F.
Partial differential equation models for continuous mutlidimensional systems Rabenstein, R., & Trautmann L.
Pattern Anchoring, Identity and Signatures in Sound, Time and Space Izmirli, Ö., & Zahler N.
Perceiving And Predicting Expressive Rhythm With Recurrent Neural Networks Lambert, A. J., Weyde T., & Armstrong N.
Performance Evaluation of Input Devices in Trajectory-based Tasks: An application of The Steering Law Accot, J., & Zhai S.
PERFORMANCE RENDERING FOR POLYPHONIC PIANO MUSIC WITH A COMBINATION OF PROBABILISTIC MODELS FOR MELODY AND HARMONY Kim, T. H., Fukayama S., Nishimoto T., & Sagayama S.
Personal WebMelody: customized sonification of web servers, in Proceedings of the 2001 International Conference on Auditory Display Maria Barra, P. M. P.
PERSONALITY AND COMPUTER MUSIC Garrido, S., Schubert E., Kreutz G., & Halpern A.
PEVI: INTERFACE FOR RETRIEVING AND ANALYZING EXPRESSIVE MUSICAL PERFORMANCES WITH SCAPE PLOTS Miki, S., Baba T., & Katayose H.
PHASESHAPING OSCILLATOR ALGORITHMS FOR MUSICAL SOUND SYNTHESIS Kleimola, J., Lazzarini V., Timoney J., & Välimäki V.
PHENICX: Performances as Highly Enriched aNd Interactive Concert Experiences Gómez, E., Grachten M., Hanjalic A., Janer J., Jordá S., Juliá C. F., et al.
PHONODEON: CONTROLLING SYNTHETIC VOICES VIA MIDIACCORDEON Georgaki, A., Zannos I., & Valsmakis N.
PHOXES - MODULAR ELECTRONIC MUSIC INSTRUMENTS BASED ON PHYSICAL MODELING SOUND SYNTHESIS Gelineck, S., & Serafin S.
Physical Modeling for Pure Data (pmpd) and real time interaction with an audio synthesis Henry, C.
PHYSICAL MODELING FOR PURE DATA (PMPD) AND REAL TIME INTERACTION WITH AN AUDIO SYNTHESIS Henry, C.
PHYSICAL MODELING MEETS MACHINE LEARNING: TEACHING BOW CONTROL TO A VIRTUAL VIOLINIST Percival, G., Bailey N., & Tzanetakis G.
PHYSICAL MODELING OF IMPACTS: THEORY AND EXPERIMENTS ON CONTACT TIME AND SPECTRAL CENTROID Avanzini, F., & Rocchesso D.
PHYSICAL MOVEMENT AND MUSICAL GESTURES: A MULTILEVEL MAPPING STRATEGY Fenza, D., Mion L., Canazza S., & Roda A.
Pitch Contour Segmentation for Computer-aided Jingju Singing Training Gong, R., Yang Y., & XavierSerra
Pitch spelling: Investigating reductions of the search space Honingh, A.
Playing Integrated Music Knowledges with Artifical Neural Networks VOISIN, F. ́ed ́eric, & MEIER R.
PLUCKING BUTTONS: AN ALTERNATE SOFT BUTTON INPUT METHOD ON TOUCH SCREENS FOR MUSICAL INTERACTION Lee, E. J., & Yeo W. S.
pmpd : Physical modelling for Pure Data Henry, C.
POLYNOMIAL EXTRAPOLATION FOR PREDICTION OF SURPRISE BASED ON LOUDNESS - A PRELIMINARY STUDY Purwins, H., Holonowicz P., & Herrera P.
POLYTEMPO COMPOSER: A TOOL FOR THE COMPUTATION OF SYNCHRONISABLE TEMPO PROGRESSIONS Kocher, P.
Pop Music Visualization Based on Acoustic Features and Chord Progression Patterns Applying Dual Scatterplots Uehara, M., & Itoh T.
Precision Finger Pressing Force Sensing in the Pianist-Piano Interaction Flückiger, M., Grosshauser T., & Tröster G.
PREDICTING THE PERCEIVED SPACIOUSNESS OF STEREOPHONIC MUSIC RECORDINGS Sarroff, A. M., & Bello J. P.
Preparing for TreeTorika: Computer-Assisted Analysis of Mao’s oratory Lindborg, P. M.
Primary-Ambient Extraction Using Adaptive Weighting and Principal Component Analysis Ibrahim, K. M., & Allam M.
Prioritized Contig Combining to Segregate Voices in Polyphonic Music Ishigaki, A., Matsubara M., & Saito H.
Programming Interactive Music Scores with INScore Fober, D., Letz S., Orlarey Y., & Bevilacqua F.
Prolegomena to sonic toys de Gotzen, A., & Serafin S.
Prolegomena to the perceptual study of sound G., V.
PROTOTYPING MUSICAL EXPERIMENTS FOR TANGISENSE, A TANGIBLE AND TRACEABLE TABLE ARFIB, D., Filatriau J. - J., & Kessous L.
PROTOTYPING WIRELESS INTEGRATED WEARABLE INTERACTIVE MUSIC SYSTEM Tseng, Y. - C., Li B. - T., & Wang T. - H.
Psychoacoustic impact assessment of smoothed AM/FM "303" resonance signals Goulart, A. J. H., Timoney J., Lazzarini V., & Queiroz M.
PV STOCH: A SPECTRAL STOCHASTIC SYNTHESIS GENERATOR Dobereiner, L.
PWGL EDITORS: 2D-EDITOR AS A CASE STUDY Laurson, M., & Kuuskankare M.
QUANTIFYING MASKING IN MULTI-TRACK RECORDINGS Vega, S., & Janer J.
RaPScoM - A Framework for Rapid Prototyping of Semantically Enhanced Score Music Rubisch, J., Doppler J., & Raffaseder H.
Real time digital audio processing using Arduino Bianchi, A. J́, & Queiroz M.
Real, Foley or synthetic? An evaluation of everyday walking sounds Götzen, A. D., Sikström E., Grani F., & Serafin S.
REAL-TIME BINAURAL AUDIO RENDERING IN THE NEAR FIELD Spagnol, S., & Avanzini F.
Real-Time Control of Greek Chant Synthesis Georgaki, A., Zannos I., Delviniotis D., & Kouroupetroglou G.
REAL-TIME DTW-BASED GESTURE RECOGNITION EXTERNAL OBJECT FOR MAX/MSP AND PUREDATA Bettens, F., & Todoroff T.
REAL-TIME ESTIMATION OF THE VOCAL TRACT SHAPE FOR MUSICAL CONTROL Kestian, A. P., & Smyth T.
Real-time event sequencing without a visual interface Tavares, T. F., Monteiro A., Barbedo J. G. A., Attux R., & Manzolli J.
REAL-TIME HALLUCATINATION SONIFICATION AND SIMULATION THROUGH USER-LED DEVELOPMENT OF AN IPAD AUGMENTED REALITY PERFORMANCE Kirke, A., Eaton J., & Miranda E.
REAL-TIME NOTATION USING BRAINWAVE CONTROL Eaton, J., & Miranda E.
Real-time Spatial Mixing Using Binaural Processing Tsakostas, C., Floros A., & Deliyiannis Y.
REAL-TIME UNSUPERVISED MUSIC STRUCTURAL SEGMENTATION USING DYNAMIC DESCRIPTORS Pires, A. S., & Queiroz M.
RECENT DEVELOPMENTS IN ENP-SCORE-NOTATION Kuuskankare, M., & Laurson M.
Reconfigurable Autonomous Novel Guitar Effects (RANGE) Macconnell, D., Trail S., Tzanetakis G., Driessen P., & Page W.
Refined Spectral Template Models for Score Following Korzeniowski, F., & Widmer G.
REGARDS ON TWO REGARDS BY MESSIAEN: AUTOMATIC SEGMENTATION USING THE SPIRAL ARRAY Chew, E.
REINFORCEMENT LEARNING MODELS FOR ACQUIRING Tanaka, T., Ohmura H., & Furukawa K.
RELATIONSHIPS BETWEEN SPECTRAL FLUX, PERCEIVED RHYTHMIC STRENGTH, AND THE PROPENSITY TO MOVE Burger, B., Ahokas R., Keipi A., & Toiviainen P.
Remutualizing the Instrument: Co-design of Synthesis Algorithms and Controllers P., C.
Rencon Workshop 2011 (SMC-Rencon): Performance Rendering Contest for Computer Systems Hashida, M., Hirata K., & Katayose H.
Rendering And Subjective Evaluation Of Real Vs. Synthetic Vibrotactile Cues On A Digital Piano Keyboard Fontana, F., Avanzini F., Järveläinen H., Papetti S., Klauer G., & Malavolta L.
Rendering and Subjective Evaluation of Real vs. Synthetic Vibrotactile Cues on a Digital Piano Keyboard Fontana, F., Avanzini F., Järveläinen H., Papetti S., Klauer G., & Malavolta L.
Representing and Interpreting Multivariate Mix Data Mycroft, J., Reiss J., & Stockman T.
RESTORATION OF AUDIO DOCUMENTS WITH LOW SNR: A NMF PARAMETER ESTIMATION AND PERCEPTUALLY MOTIVATED BAYESIAN SUPPRESSION RULE Cabras, G., Canazza S., Montessoro P. L., & Rinaldo R.
Rethinking the audio workstation : tree-based sequencing with i-score and the LibAudioStream Celerier, J. - M., Desainte-Catherine M., & Couturier J. - M.
RetroSpat: a Perception-Based System for Semi-Automatic Diffusion of Acousmatic Music Mouba, J., Marchand S., Mansencal B., & Rivet J. - M.
REVEALING THE SECRET OF "GROOVE" SINGING: ANALYSIS OF J-POP MUSIC Arai, M., Matuba T., Hashida M., & Katayose H.
REVIEWING THE TRANSFORMATION OF SOUND TO IMAGE IN NEW COMPUTER MUSIC SOFTWARE Lemi, E., & Georgaki A.
RHYTHM TRANSCRIPTION OF POLYPHONIC MIDI PERFORMANCES BASED ON A MERGED-OUTPUT HMM FOR MULTIPLE VOICES Nakamura, E., Yoshii K., & Sagayama S.
ROBIN: AN ALGORITHMIC COMPOSER FOR INTERACTIVE SCENARIOS Morreale, F., Masu R., & Angeli A. D.
Robotic piano player making pianos talk Ritsch, W.
RoomWeaver: A digital waveguide mesh based room acoustics research tool Beeson, M. J., & Murphy D. T.
Scale Effects in Steering Law Tasks Accot, J., & Zhai S.
SCORE PLAYBACK DEVICES IN PWGL Laurson, M., & Kuuskankare M.
Score-informed Piano Tutoring System With Mistake Detection And Score Simplification Fukuda, T., Ikemiya Y., Itoyama K., & Yoshii K.
SEED: Resynthesizing Environmental Sounds from Examples Bernardes, G., Aly L., & Davies M.
SEGMENTAL TEMPO ANALYSIS OF PERFORMANCES IN USER-CENTERED EXPERIMENTS IN THE DISTRIBUTED IMMERSIVE PERFORMANCE PROJECT Chew, E., Sawchuk A., Tanoue C., & Zimmermann R.
Segmentation and Timbre Similarity in Electronic Dance Music Rocha, B., Bogaards N., & Honingh A.
Self-Space: Interactive, Self Organized, Robotics Mediated, Cross-Media Platform for Music and Multimedia Performance Marinos, G., & Iannis Z.
SEMI-AUTOMATIC MELODY EXTRACTION USING NOTE ONSET TIME AND PITCH INFORMATION FROM USERS Laaksonen, A.
SENSITIVITY TO LOUDSPEAKER PERMUTATIONS DURING AN EIGHT-CHANNEL ARRAY REPRODUCTION OF PIANO NOTES Fontana, F., Pra Y. D., & Amendola A.
Sensor and Software Technologies for Lip Pressure Measurements in Trumpet and Cornet Playing - from Lab to Classroom Grosshauser, T., Troester G., Thul A., & Bertsch M.
Sensors2OSC de Junior, A. D. C., & Mayer T.
SENSORY THREADS: SONIFYING IMPERCEPTIBLE PHENOMENA IN THE WILD Fencott, R., & Bryan-Kinns N.
SHAPE-BASED SPECTRAL CONTRAST DESCRIPTOR Akkermans, V., Serrà J., & Herrera P.
SHORT TERM PITCH MEMORY IN WESTERN vs. OTHER EQUAL TEMPERAMENT TUNING SYSTEMS Andreopoulou, A., & Farbood M.
SIM - SYSTÈME INTERACTIF MUSICAL (CYBERSONGOSSE 7MI) Clozier, C., Duc J. - C. L., & Mihalic A.
SIMILARITY SEARCH OF FREESOUND ENVIRONMENTAL SOUND BASED ON THEIR ENHANCED MULTISCALE FRACTAL DIMENSION Sunouchi, M., & Tanaka Y.
SIMPLE TEMPO MODELS FOR REAL-TIME MUSIC TRACKING Arzt, A., & Widmer G.
Simulation of the bowed string dynamics Antunes, J., Tafasca M., & Henrique L.
Singer Identification in Rembetiko Music Holzapfel, A., & Stylianou Y.
Situating the Performer and the Instrument in a Rich Social Context with PESI Extended System Goddard, C., & Tahiroğlu K.
SKALLDANS, AN AUDIOVISUAL IMPROVISATION FRAMEWORK Lindborg, P. M.
SKETCHING SONIC INTERACTIONS BY IMITATION-DRIVEN SOUND SYNTHESIS Baldan, S., Monache S. D., Rocchesso D., & Lachambre H.
Smart Instruments: Towards an Ecosystem of Interoperable Devices Connecting Performers and Audiences Turchet, L., Mcpherson A., & Fischione C.
SmartDJ, An Interactive Music Player for Music Discovery by Similarity Comparison Maureen, A. S. Y., Sion L. C., & Lindborg P. M.
Smooth Granular Sound Texture Synthesis by Control of Timbral Similarity Schwarz, D., & O’Leary S.
SOLILOQUE SUR [X, X, X ET X], MUSICAL COMMENTARIES FROM A COMPUTER ABOUT A CONCERT MISUNDERSTOOD BY IT Lévy, F., & Seelig T.
Solving interactions between nonlinear resonators Bensoam, J., & Roze D.
Songrium: Browsing and Listening Environment for Music Content Creation Community Hamasaki, M., Goto M., & Nakano T.
Sonic Gestures as Input in Human-Computer Interaction: Towards a Systematic Approach Jylhä, A.
SONIFICATION AND AUDITORY DISPLAYS IN ELECTRONIC DEVICES Walker, B. N.
SONIFICATION AS CATALYST IN TRAINING MANUAL WHEELCHAIR OPERATION FOR SPORTS AND EVERYDAY LIFE Almqvist Gref, A., Elblaus L., & Hansen K. F.
Sonification of Dark Matter: Challenges and Opportunities Bonet, N., Kirke A., & Miranda E.
Sonification of Gestures Using Specknets Lympouridis, V., Parker M., Young A., & Arvind D. K.
SONIK SPRING Henriques, T.
Sound analysis based on phase information that connects time and frequency Pabon, P., & van Velthoven J.
SOUND AND MUSIC DESIGN FOR GAMES AND INTERACTIVE MEDIA Natkin, S., & Prado C. L.
SOUND AND THE CITY: MULTI-LAYER REPRESENTATION AND NAVIGATION OF AUDIO SCENARIOS Ludovico, L. A., & Mauro D. A.
Sound as Multiplicity: Spaces and representations in computer music composition Fuentes, A.
Sound Bubbles: the aesthetic additive design approach to actively enhance acoustic office environments Ljungdahl Eriksson, M., Atienza R., & Pareto L.
SOUND FOREST/LJUDSKOGEN: A LARGE-SCALE STRING-BASED INTERACTIVE MUSICAL INSTRUMENT Bresin, R., Elblaus L., Frid E., Favero F., Annersten L., Berner D., et al.
Sound Hunter. Developing a Navigational HRTF-Based Audio Game for People with Visual Impairments Brieger, S. W.
Sound in Cyberspace: Exploring Material Technoculture Polymeropoulou, M.
Sound My Vision: Real-time Video Analysis On Mobile Platforms For Controlling Multimedia Performances Kreković, M., Grbac F., & Kreković G.
SOUND OBJECT CLASSIFICATION FOR SYMBOLIC AUDIO MOSAICING: A PROOF-OF-CONCEPT Janer, J., Haro M., Roma G., Fujishima T., & Kojima N.
SOUND SEARCH BY CONTENT-BASED NAVIGATION IN LARGE DATABASES Schwarz, D., & Schnell N.
Sound Spatialisation, Free Improvisation and Ambiguity Mooney, J., Belly P., & Parkinson A.
SOUND SPATIALIZATION CONTROL BY MEANS OF ACOUSTIC SOURCE LOCALIZATION SYSTEM Salvati, D., Canazza S., & Roda' A.
SOUND SPHERES: A DESIGN STUDY OF THE ARTICULACY OF A NON-CONTACT FINGER TRACKING VIRTUAL MUSICAL INSTRUMENT Hughes, C., Wermelinger M., & Holland S.
Sound Synthesis and Musical Composition by Physical Modelling of Self-Sustained Oscillating Structures Poyer, F., & Cadoz C.
SOUND TEXTURE MODELING: A SURVEY Strobl, G., Eckel G., & Rocchesso D.
SOUND TEXTURE SYNTHESIS WITH HIDDEN MARKOV TREE MODELS IN THE WAVELET DOMAIN Kersten, S., & Purwins H.
SoundAnchoring: Content-based Exploration of Music Collections with Anchored Self-Organized Maps Collares, L., Tavares T. F., Feliciano J., Gao S., Tzanetakis G., & Gooch A.
SoundScape: A music composition environment designed to facilitate collaborative creativity in the classroom Truman, S.
SoundScavenger: An Interactive Soundwalk Bosse, N.
Space as an Evolution Strategy. Sketch of a Generative Ecosystemic Structure of Sound Scamarcio, M.
Space Resonating Through Sound Iazzetta, F., & Campesato L.
Sparse Regression in Time-Frequency Representations of Complex Audio Dorfler, M., Velasco G., Flexer A., & Klien V.
Spatial Orchestration Lyon, E.
Spatio-temporal unfolding of sound sequences Rocchesso, D., & Monache S. D.
SPATIUM, TOOLS FOR SOUND SPATIALIZATION Penha, R., & Oliveira J. P.
Speaker-Herd: A Multi-channel Loudspeaker Project for Miscellaneous Spaces, Loudspeaker Architectures and Compositional Approaches Bierlein, F., Farchmin E., Fütterer L., Kerschkewitz A., Loscher D., Modler P., et al.
SPECIFICATION OF TEMPORAL RELATIONS BETWEEN INTERACTIVE EVENTS Desainte-Catherine, M., & Allombert A.
Spectral Distortion Using Second-Order Allpass Filters Surges, G., & Smyth T.
Speculative Digital Sound Synthesis Nishino, H., & Cheok A.
SRA: A Web-based Research Tool for Spectral and Roughness Analysis of Sound Signals Vassilakis, P. N.
STATE OF THE ART AND NEW RESULTS IN DIRECT MANIPULATION OF MPEG AUDIO CODES Haus, G., & Vercellesi G.
STATISTICAL GENERATION OF TWO-VOICE FLORID COUNTERPOINT Padilla, V., & Conklin D.
STEERING GENERATIVE RULES WITH THE EEG: AN APPROACH TO BRAIN-COMPUTER MUSIC INTERFACING Miranda, E. R., & Boskamp B.
STRATEGIES FOR CONTINUOUS PITCH AND AMPLITUDE TRACKING IN REALTIME INTERACTIVE IMPROVISATION SOFTWARE Dobrian, C.
STRATEGIES TOWARDS THE AUTOMATIC ANNOTATION OF CLASSICAL PIANO MUSIC Niedermayer, B., & Widmer G.
String excitation: piano, harpsichord and clavichord Hall, D. E.
Structural Modeling Of Pinna-Related Transfer Functions Spagnol, S., Geronazzo M., & Avanzini F.
STUDY OF THE TREMOLO TECHNIQUE ON THE ACOUSTIC GUITAR: EXPERIMENTAL SETUP AND PRELIMINARY RESULTS ON REGULARITY Freire, S., & Nézio L.
STYLE EMULATION OF DRUM PATTERNS BY MEANS OF EVOLUTIONARY METHODS AND STATISTICAL ANALYSIS Bernardes, G., Guedes C., & Pennycook B.
STYLE RECOGNITION THROUGH STATISTICAL EVENT MODELS Perez-Sancho, C., Inesta J. M., & Calera-Rubio J.
Support for Learning Synthesiser Programming Dykiert, M., & Gold N.
SUSTAINABLE LIVE ELECTRO-ACOUSTIC MUSIC Bernardini, N., & Vidolin A.
SYNCHRONIZATION IN CHAINS OF VAN DER POL OSCILLATORS Henrici, A., & Neukom M.
Synchronizing Spatially Distributed Musical Ensembles Hadjakos, A., Berndt A., & Waloschek S.
SynPy: a Python Toolkit for Syncopation Modelling Song, C., Pearce M., & Harte C.
Synthesis of a Macro Sound Structure within a Self Organizing System BÖKESOY, S.
Synthesis of Shape Dependent Sounds with Physical Modeling van den Doel, K., & Pai D. K.
Synthesis of Transients in Guitar Sounds Duru"oz, C. I.
Synthesis of trumpet tones by physical modeling Dietz, P. H., & Amir N.
Synthesising Singing Sundberg, J.
Tale following: real-time speech recognition applied to live performance Rouas, J. -luc, Mansencal B., & Larralde J.
Target-Based Rhythmic Pattern Generation and Variation with Genetic Algorithms and Cárthach Ó Nuanáin, P. H. S. J., Herrera P., & Jordà S.
Teaching Audio Programming with the Neonlicht-Engine Milde, J. - T.
Technical Report on a Short Live-action Film whose Story with Soundtrack is selected in Real-time based on Audience Arousal during Performance Kirke, A., Williams D., Miranda E., Bluglass A., Whyte C., Pruthi R., et al.
Tempo Curving As A Framework For Interactive Computer-aided Composition Bresson, J., & MacCallum J.
TEMPORAL CONTROL OVER SOUND SYNTHESIS PROCESSES Bresson, J., & Agon C.
Textural Composition and its Space Hagan, K.
THE ACTUATED GUITAR: A PLATFORM ENABLING ALTERNATIVE INTERACTION METHODS Larsen, J. V., Overholt D., & Moeslund T. B.
The AGNULA/DeMuDi distribution: GNU/Linux and Free Software for the pro audio and sound research domain Bernardini, N., Cirotteau D., Ekanayaka F., & Glorioso A.
THE AIRSTICKS: A NEW INTERFACE FOR ELECTRONIC PERCUSSIONISTS Ilsar, A., Havryliv M., & Johnston A.
The breaking-continuity paradox in artificial vocality aesthetics Bossis, B.
The Case Study of An Application of The System, "BodySuit" and "RoboticMusic" -Its Introduction and Aesthetics Goto, S.
The Closure-based Cueing Model: Cognitively-Inspired Learning and Generation of Musical Sequences Maxwell, J., Pasquier P., & Eigenfeldt A.
THE CROAKER: DESIGN AND EVALUATION OF A NEW MULTIMODAL INTERFACE Serafin, S., & de Gotzen A.
The Cube: An Audiovisual Interactive Installation Didakis, S.
The EyeHarp: An Eye-Tracking-Based Musical Instrument Vamvakousis, Z., & Ramirez R.
THE FLOPS GLASS: A DEVICE TO STUDY EMOTIONAL REACTIONS ARISING FROM SONIC INTERACTIONS Lemaitre, G., Houix O., Franinovic K., Visell Y., & Susini P.
The Hyper Hurdy-Gurdy Turchet, L.
The Hyper Zampogna Turchet, L.
THE HYPER-KALIMBA: DEVELOPING AN AUGMENTED INSTRUMENT FROM A PERFORMER’S PERSPECTIVE Rocha, F., & Malloch J.
THE IMPORTANCE OF AMPLITUDE ENVELOPE: SURVEYING THE TEMPORAL STRUCTURE OF SOUNDS IN PERCEPTUAL RESEARCH Gillard, J., & Schutz M.
The Influence of Graphical User Interface Design on Critical Listening Skills Mycroft, J., Reiss J. D., & Stockman T.
THE INFLUENCE OF REED MAKING ON THE PERFORMANCE AND SOUND QUALITY OF THE OBOE Blasco-Yepes, C., & Payri B.
THE KINEMATIC RUBATO MODEL AS A MEANS OF STUDYING FINAL RITARDS ACROSS PIECES AND PIANISTS Grachten, M., & Widmer G.
THE LOOP ENSEMBLE - OPEN SOURCE INSTRUMENTS FOR TEACHING ELECTRONIC MUSIC IN THE CLASSROOM Schultz, C. M., & Seedorf M.
The perceptual similarity of tone clusters: an experimental approach to the listening of avant-garde music Ong, A., & Kopiez R.
The plurality of melodic similarity Marsden, A.
The Program in Electronic Music Composition and Musical Production at the School of the Arts of the Polytechnic Institute of Castelo Branco Guedes, C., & Dias R.
THE REALTIME-SCORE. A MISSING-LINK IN COMPUTER-MUSIC PERFORMANCE Winkler, G. E.
THE SELFEAR PROJECT: A MOBILE APPLICATION FOR LOW-COST PINNA-RELATED TRANSFER FUNCTION ACQUISITION Geronazzo, M., Fantin J., Sorato G., Baldovino G., & Avanzini F.
THE SONIFIED MUSIC STAND – AN INTERACTIVE SONIFICATION SYSTEM FOR MUSICIANS Grosshauser, T., & Hermann T.
The sound signature of linear viscoelastic materials Djoharian, P.
The state of the art on the educational software tools for electroacoustic composition Anatrini, A.
The string-finger interaction in the classical guitar Pavlidou, M., & Richardson B. E.
The string-finger interaction in the classical guitar: Theoretical model and experiments Pavlidou, M., & Richardson B. E.
The Virtuoso Composer and the Formidable Machine: A Path to Preserving Human Compositional Expression Cullimore, J., & Gerhard D.
The VowelWorm: Real-time Mapping and Visualisation of Sung Vowels in Music Frostel, H., Arzt A., & Widmer G.
The wave digital piano hammer: a passive formulation Bilbao, S., Bensa J., Kronland-Martinet R., & Smith J. O.
The Wave Digital Reed: A Passive Formulation Bilbao, S., Bensa J., & Kronland-Martinet R.
THE ‘STANZA LOGO–MOTORIA’: AN INTERACTIVE ENVIRONMENT FOR LEARNING AND COMMUNICATION Camurri, A., Volpe G., & Canazza S.
The “Harmonic Walk” And Enactive Knowledge: An Assessment Report Mandanici, M., Rod`a A., Canazza S., & Altieri F.
This is an important message for Julie Wade: Emergent Performance Events in an Interactive Installation Lee, B.
This paper addresses the problem of using a semi automated process for tagging lyrics, notation and musical interval metadata of an Orthodox Ecclesiastic Chant (OEC) voice corpus. The recordings are post processed and segmented using the PRAAT software to Chen, A. L. P., Iliopoulos C. S., Michalakopoulos S., & Rahman S. M.
THREE METHODS FOR PIANIST HAND ASSIGNMENT Hadjakos, A., & Lefebvre-Albaret F.
THREE-DIMENSIONAL GESTURAL CONTROLLER BASED ON EYECON MOTION CAPTURE SYSTEM Merlier, B.
TIDAL – PATTERN LANGUAGE FOR LIVE CODING OF MUSIC McLean, A., & Wiggins G.
TIMBRE REMAPPING THROUGH A REGRESSION-TREE TECHNIQUE Stowell, D., & Plumbley M. D.
Time Domain Pitch Recognition Chourdakis, M. G., & Spyridis H. C.
To “Sketch-a-Scratch” Piccolo, D. A., Monache D. S., Rocchesso D., Papetti S., & Mauro D. A.
TONAL SIGNATURES Nouno, G., & Mezzadri M.
Towards a decodification of the graphical scores of Anestis Logothetis (1921-1994) . The graphical space of Odysee(1963). Maria-Dimitra, B., & Anastasia G.
Towards a discrete electronic transmission line as a musical harmonic oscillator Buys, K., & Auvray R.
Towards a Generative Electronica: Human-Informed Machine Transcription and Analysis in MaxMSP Eigenfeldt, A., & Pasquier P.
TOWARDS A PERSONALIZED TECHNICAL EAR TRAINING PROGRAM: AN INVESTIGATION OF THE EFFECT OF ADAPTIVE FEEDBACK Kaniwa, T., Kim S., Terasawa H., Ikeda M., Yamada T., & Makino S.
TOWARDS A PRACTICAL APPROACH TO MUSIC THEORY ON THE REACTABLE Franceschini, A.
TOWARDS A PROSODY MODEL OF ATTIC TRAGIC POETRY: FROM LOGOS TO MOUSIKE Georgaki, A., Psaroudakes S., Carle M., & Tzevelekos P.
Towards a Virtual-Acoustic String Instrument Mehes, S., Walstijn M. V., & Stapleton P.
TOWARDS ADAPTIVE MUSIC GENERATION BY REINFORCEMENT LEARNING OF MUSICAL TENSION Groux, S. L., & Verschure P. F. M. J.
TOWARDS AN EXPERIMENTAL PLATFORM FOR COLLECTIVE MOBILE MUSIC PERFORMANCE Tahiroglu, K.
TOWARDS AUDIO TO SCORE ALIGNMENT IN THE SYMBOLIC DOMAIN Niedermayer, B.
TOWARDS COMPUTABLE PROCEDURES FOR DERIVING TREE STRUCTURES IN MUSIC: CONTEXT DEPENDENCY IN GTTM AND SCHENKERIAN THEORY Marsden, A., Hirata K., & Tojo S.
Traditional and digital music instruments : a relationship based on a interactive model Ferreira-Lopes, P.
Transmitting Audio Content as Sound Objects Amatriain, X., & Herrera P.
TRAP: TRAnsient Presence detection exploiting Continuous Brightness Estimation (CoBE) Presti, G., Mauro D. A., & Haus G.
Trees: An artistic-scientific observation system Maeder, M., & Zweifel R.
TRENDS IN/OVER TIME: RHYTHM IN SPEECH AND MUSICAL MELODY IN 19TH-CENTURY ART SONG VanHandel, L.
TSAM: A TOOL FOR ANALYZING, MODELING, AND MAPPING THE TIMBRE OF SOUND SYNTHESIZERS Fasciani, S.
TYING SEMANTIC LABELS TO COMPUTATIONAL DESCRIPTORS OF SIMILAR TIMBRES Fitzgerald, R. A., & Lindsay A. T.
UNDERSTANDING EXPRESSIVE TRANSFORMATIONS IN SAXOPHONE JAZZ PERFORMANCES USING INDUCTIVE MACHINE LEARNING Ramirez, R., Hazan A., Gomez E., & Maestre E.
UNSUPERVISED GENERATION OF PERCUSSION SOUND SEQUENCES FROM A SOUND EXAMPLE Marchini, M., & Purwins H.
Urb: urban sound analysis and storage project Gomes, J. A., & Tudela D.
Using EarSketch to Broaden Participation in Computing and Music Freeman, J., Magerko B., Edwards D., Miller M., Moore R., & Xambó A.
Using Multidimensional Sequences For Improvisation In The OMax Paradigm Déguernel, K., Vincent E., & Assayag G.
USING PATTERNS TO GENERATE RHYTHMIC ACCOMPANIMENT FOR GUITAR Dahia, M., Trajano H. S. E., Ramalho G., Sandroni C., & Cabral G.
Using Physical Models is Necessary to Guarantee Stable Analog Haptic Feedback Control for New Media Edgar Berdahl, Florens J. - L., & Cadoz C.
USING SEMANTIC LAYER PROJECTION FOR ENHANCING MUSIC MOOD PREDICTION WITH AUDIO FEATURES Saari, P., Eerola T., Fazekas G., & Sandler M.
VEMUS - FEEDBACK AND GROUPWARE TECHNOLOGIES FOR MUSIC INSTRUMENT LEARNING Fober, D., Letz S., & Orlarey Y.
Version Detection for Historical Music Boxes Niedermayer, B., Widmer G., & Reuter C.
Vibrotactile Discrimination of Pure and Complex Waveforms Young, G. W., Murphy D., & Weeter J.
VIRTUAL CONDUCTOR FOR STRING QUARTET PRACTICE Baez, R., Barbancho A. M., Rosa-Pujazón A., Barbancho I., & Tardón L. J.
Virtual instruments in virtual rooms---a real-time binaural room simulation environment for physical modeling of musical instruments Huopaniemi, J., Karjalainen M., & V
VIRTUAL RECONSTRUCTION OF AN ANCIENT GREEK PAN FLUTE Avanzini, F., Canazza S., Poli G. D., Fantozzi C., Micheloni E., Pretto N., et al.
Virtual strings based on a 1-D FDTD Waveguide Model: Stability, Losses, and travelling waves Erkut, C., & Karjalainen M.
VIRTUAL VOICES ON HANDS: PROMINENT APPLICATIONS ON THE SYNTHESIS AND CONTROL OF THE SINGING VOICE Georgaki, A.
VISA3: REFINING THE VOICE INTEGRATION/SEGREGATION ALGORITHM Makris, D., Karydis I., & Cambouropoulos E.
Visions of sound : The Centro di Sonologia Computazionale , from Computer Music to Sound and Music Computing Canazza, S., Poli G. D., & Vidolin A.
VOCABULAIRE DE L’ESPACE ET DE LA SPATIALISATION DES MUSIQUES ÉLECTROACOUSTIQUES : PRÉSENTATION, PROBLÉMATIQUE ET TAXINOMIE DE L’ESPACE Merlier, B.
VOCABULARY OF SPACE PERCEPTION IN ELECTROACOUSTIC MUSICS COMPOSED OR SPATIALISED IN PENTAPHONY Merlier, B.
VOCALISTENER: A SINGING-TO-SINGING SYNTHESIS SYSTEM BASED ON ITERATIVE PARAMETER ESTIMATION Nakano, T., & Goto M.
VocaRefiner: An Interactive Singing Recording System with Integration of Multiple Singing Recordings Nakano, T., & Goto M.
VOICE CONVERSION: A CRITICAL SURVEY Machado, A. F., & Queiroz M.
Voice quality transformation using an extended source-filter speech model Huber, S., & Roebel A.
VR ‘SPACE OPERA’: MIMETIC SPECTRALISM IN AN IMMERSIVE STARLIGHT AUDIFICATION SYS-TEM Carey, B., & Ulas B.
Warped Frames: dispersive vs. non-dispersive sampling Evangelista, G.
Warped low-order modeling of musical tones Mignot, R., Lehtonen H. - M., & Välimäki V.
Wave Voxel Synthesis Haron, A., & Wright M.
Web Audio Evaluation Tool: A Browser-based Listening Test Environment Jillings, N., Man B. D., Moffat D., & Reiss J. D.
Web Audio Modules Kleimola, J., & Larkin O.
What is the Essence of "Music?" A Case Study on a Japanese Audience MIYASHITA, H., & NISHIMOTO K.
When sound teaches Zanolla, S., Canazza S., Rodà A., Romano F., Scattolin F., & Foresti G. L.
Where do you want your ears? Comparing performance quality as a function of listening position in a virtual jazz band Olmos, A., Rushka P., Ko D., Foote G., Woszczyk W., & Cooperstock J. R.
Wirelessly Interfacing with the Yamaha Disklavier Mark IV Teeter, M., & Dobrian C.
x-OSC: A Versatile Wireless I/O Device For Creative/Music Applications Madgwick, S., & Mitchell T.
Zirkonium, SpatDIF, and mediaartbase.de; an archiving strategy for spatial music at ZKM Miyama, C., Dipper G., Krämer R., & Schacher J.
Zsa.Descriptors: a library for real-time descriptors analysis Malt, M., & Jourdan E.
“Virtual Tettix” : Cicadas’ Sound Analysis And Modeling At Plato’s Academy Georgaki, A., & Queiroz M.