Proceedings of SMC Conference 2016, Hamburg

Complete list of all the publications of the Sound & Music Computing Conference SMC 2016



Title Authors
A Study on the Use of Perceptual Features for Music Emotion Recognition Abela Scicluna, M., Muscat A., & Buttigieg V.
SONIFICATION AS CATALYST IN TRAINING MANUAL WHEELCHAIR OPERATION FOR SPORTS AND EVERYDAY LIFE Almqvist Gref, A., Elblaus L., & Hansen K. F.
The state of the art on the educational software tools for electroacoustic composition Anatrini, A.
REVEALING THE SECRET OF "GROOVE" SINGING: ANALYSIS OF J-POP MUSIC Arai, M., Matuba T., Hashida M., & Katayose H.
IMPROVISATION AND GESTURE AS FORM DETERMINANTS IN WORKS WITH ELECTRONICS Aska, A.
FORM-AWARE, REAL-TIME ADAPTIVE MUSIC GENERATION FOR INTERACTIVE EXPERIENCES Aspromallis, C., & Gold N. E.
VIRTUAL RECONSTRUCTION OF AN ANCIENT GREEK PAN FLUTE Avanzini, F., Canazza S., Poli G. D., Fantozzi C., Micheloni E., Pretto N., et al.
SKETCHING SONIC INTERACTIONS BY IMITATION-DRIVEN SOUND SYNTHESIS Baldan, S., Monache S. D., Rocchesso D., & Lachambre H.
SEED: Resynthesizing Environmental Sounds from Examples Bernardes, G., Aly L., & Davies M.
Sonification of Dark Matter: Challenges and Opportunities Bonet, N., Kirke A., & Miranda E.
Melody extraction based on a source-filter model using pitch contour selection Bosch, J. J., & Gómez E.
SoundScavenger: An Interactive Soundwalk Bosse, N.
SOUND FOREST/LJUDSKOGEN: A LARGE-SCALE STRING-BASED INTERACTIVE MUSICAL INSTRUMENT Bresin, R., Elblaus L., Frid E., Favero F., Annersten L., Berner D., et al.
GestureChords: Transparency in Gesturally Controlled Digital Musical Instruments through Iconicity and Conceptual Metaphor Brown, D., Nash C., & Mitchell T.
An Online Tempo Tracker for Automatic Accompaniment based on Audio-to-audio Alignment and Beat Tracking Burloiu, G.
FACTORSYNTH: A MAX TOOL FOR SOUND ANALYSIS AND RESYNTHESIS BASED ON MATRIX FACTORIZATION Burred, J. J.
VR ‘SPACE OPERA’: MIMETIC SPECTRALISM IN AN IMMERSIVE STARLIGHT AUDIFICATION SYS-TEM Carey, B., & Ulas B.
Rethinking the audio workstation : tree-based sequencing with i-score and the LibAudioStream Celerier, J. - M., Desainte-Catherine M., & Couturier J. - M.
Using Multidimensional Sequences For Improvisation In The OMax Paradigm Déguernel, K., Vincent E., & Assayag G.
Exploring Moment-form in Generative Music Eigenfeldt, A.
TSAM: A TOOL FOR ANALYZING, MODELING, AND MAPPING THE TIMBRE OF SOUND SYNTHESIZERS Fasciani, S.
Precision Finger Pressing Force Sensing in the Pianist-Piano Interaction Flückiger, M., Grosshauser T., & Tröster G.
AN EXPLORATION ON WHOLE-BODY AND FOOT-BASED VIBROTACTILE SENSITIVITY TO MELODIC CONSONANCE Fontana, F., Camponogara I., Vallicella M., Ruzzenente M., & Cesari P.
David Wessel’s Slabs: a case study in Preventative Digital Musical Instrument Conservation Freed, A.
Using EarSketch to Broaden Participation in Computing and Music Freeman, J., Magerko B., Edwards D., Miller M., Moore R., & Xambó A.
THE SELFEAR PROJECT: A MOBILE APPLICATION FOR LOW-COST PINNA-RELATED TRANSFER FUNCTION ACQUISITION Geronazzo, M., Fantin J., Sorato G., Baldovino G., & Avanzini F.
ENGAGEMENT AND INTERACTION IN PARTICIPATORY SOUND ART Goudarzi, V., & Gioti A. - M.
Gestural control of wavefield synthesis Grani, F., Di Carlo D., Madrid Portillo J., Girardi M., Paisa R., Banas J. S., et al.
Interfaces for Sound: Representing Material in Pop Music Productions Grote, F.
DEVELOPING A PARAMETRIC SPATIAL DESIGN FRAMEWORK FOR DIGITAL DRUMMING Ham, J., & Prohasky D.
deepGTTM-II: Automatic Generation of Metrical Structure based on Deep Learning Technique Hamanaka, M., Hirata K., & Tojo S.
Modulating or 'Transferring' Between Non-octave Scales Harrop, T.
SYNCHRONIZATION IN CHAINS OF VAN DER POL OSCILLATORS Henrici, A., & Neukom M.
Movement Sonification of Musical Gestures: Investigating Perceptual Processes Underlying Musical Performance Movements Hohagen, J., & Wöllner C.
Primary-Ambient Extraction Using Adaptive Weighting and Principal Component Analysis Ibrahim, K. M., & Allam M.
A Virtual Acousmonium for Transparent Speaker Systems Kermit-Canfield, E.
POLYTEMPO COMPOSER: A TOOL FOR THE COMPUTATION OF SYNCHRONISABLE TEMPO PROGRESSIONS Kocher, P.
This is an important message for Julie Wade: Emergent Performance Events in an Interactive Installation Lee, B.
A MODEL SELECTION TEST ON EFFECTIVE FACTORS OF THE CHOICE OF EXPRESSIVE TIMING CLUSTERS FOR A PHRASE Li, S., Black D., Plumbley M., & Dixon S.
Sound Bubbles: the aesthetic additive design approach to actively enhance acoustic office environments Ljungdahl Eriksson, M., Atienza R., & Pareto L.
Trees: An artistic-scientific observation system Maeder, M., & Zweifel R.
VISA3: REFINING THE VOICE INTEGRATION/SEGREGATION ALGORITHM Makris, D., Karydis I., & Cambouropoulos E.
Adapting a Computational Multi Agent Model for Humpback Whale Song Research for use as a Tool for Algorithmic Composition Mcloughlin, M., Lamoni L., Garland E., Ingram S., Kirke A., Noad M., et al.
Factors Influencing Vocal Pitch in Articulatory Speech Synthesis: A Study Using PRAAT Meenakshisundaram, S., Miranda E., & Kaimi I.
Towards a Virtual-Acoustic String Instrument Mehes, S., Walstijn M. V., & Stapleton P.
Detection Thresholds in Audio-Visual Redirected Walking Meyer, F., Nogalski M., & Fohl W.
A Faust Based Driving Simulator Sound Synthesis Engine Michon, R., Chafe C., Gang N., Johns M., O'Modhrain S., Wright M., et al.
Nuance: Adding Multi-Touch Force Detection to the iPad Michon, R., Smith J., Chafe C., Wang G., & Wright M. J.
FaucK!! Hybridizing the FAUST and ChucK Audio Programming Languages Michon, R., & Wang G.
Teaching Audio Programming with the Neonlicht-Engine Milde, J. - T.
Zirkonium, SpatDIF, and mediaartbase.de; an archiving strategy for spatial music at ZKM Miyama, C., Dipper G., Krämer R., & Schacher J.
FONASKEIN: An interactive application software for the practice of the singing voice Moschos, F., Georgaki A., & Kouroupetroglou G.
Representing and Interpreting Multivariate Mix Data Mycroft, J., Reiss J., & Stockman T.
RHYTHM TRANSCRIPTION OF POLYPHONIC MIDI PERFORMANCES BASED ON A MERGED-OUTPUT HMM FOR MULTIPLE VOICES Nakamura, E., Yoshii K., & Sagayama S.
LyricListPlayer: A Consecutive-Query-by-Playback Interface for Retrieving Similar Word Sequences from Different Song Lyrics Nakano, T., & Goto M.
Lazy Evaluation in Microsound Synthesis Nishino, H., & Cheok A.
Speculative Digital Sound Synthesis Nishino, H., & Cheok A.
A Hybrid Filter-Wavetable Oscillator Technique for FOF Synthesis Olsen, M., Smith J., & Abel J.
The perceptual similarity of tone clusters: an experimental approach to the listening of avant-garde music Ong, A., & Kopiez R.
STATISTICAL GENERATION OF TWO-VOICE FLORID COUNTERPOINT Padilla, V., & Conklin D.
INTERACTION WITH A LARGE SIZED AUGMENTED STRING INSTRUMENT INTENDED FOR A PUBLIC SETTING Paloranta, J., Lundström A., Elblaus L., Bresin R., & Frid E.
A Liberated Sonic Sublime: Perspectives On The Aesthetics & Phenomenology Of Sound Synthesis Pedersen, A. B.
Beatings: a web application to foster the renaissance of the art of musical temperaments Penha, R., & Bernardes G.
Exploring Gesturality in Music Performance Schacher, J. C., Bisig D., & Neff P.
Authoring Spatial Music with SpatDIF Version 0.4 Schacher, J. C., Peters N., Lossius T., & Miyama C.
THE LOOP ENSEMBLE - OPEN SOURCE INSTRUMENTS FOR TEACHING ELECTRONIC MUSIC IN THE CLASSROOM Schultz, C. M., & Seedorf M.
A Score-Informed Computational Description of Svaras Using a Statistical Model Şentürk, S., Koduri G. K., & XavierSerra
Composition Identification in Ottoman-Turkish Makam Music Using Transposition-Invariant Partial Audio-Score Alignment Şentürk, S., & XavierSerra
Automatic musical instrument recognition in audiovisual recordings by combining image and audio classification strategies Slizovskaia, O., Gomez E., & Haro G.
Musical sonification in electronic therapy aids for motor-functional treatment - a smartphone approach Stahl, B., & Zmölnig I.
EMOTION AND SOUNDSCAPE PREFERENCE RATING USING SEMANTIC DIFFERENTIAL PAIRS AND THE SELF-ASSESSMENT MANIKIN Stevens, F., Murphy D., & Smith S.
Emerging Composition: Being and Becoming Tipei, S.
Optical or Inertial? Evaluation of Two Motion Capture Systems for Studies of Clubbing to Electronic Dance Music Torvanger Solberg, R., & Jensenius A. R.
CAMeL: Carnatic Percussion Music Generation Using N-Gram Models Trochidis, K., Guedes C., Anantapadmanabhan A., & Klaric A.
PROTOTYPING WIRELESS INTEGRATED WEARABLE INTERACTIVE MUSIC SYSTEM Tseng, Y. - C., Li B. - T., & Wang T. - H.
The Hyper Zampogna Turchet, L.
The Hyper Hurdy-Gurdy Turchet, L.
Smart Instruments: Towards an Ecosystem of Interoperable Devices Connecting Performers and Audiences Turchet, L., Mcpherson A., & Fischione C.
EXPRESSIVE HUMANOID ROBOT FOR AUTOMATIC ACCOMPANIMENT Xia, G., Kawai M., Matsuki K., Fu M., Cosentino S., Trovato G., et al.