Proceedings of SMC Conference 2013, Stockholm

Complete list of all the publications of the Sound & Music Computing Conference SMC 2013



Titlesort icon Authors
3D GESTURAL INTERACTION WITH HARMONIC PITCH SPACE Hedges, T. W., & McPherson A. P.
A COMPUTATIONAL METHOD FOR EXPLORING MUSICAL CREATIVITY DEVELOPMENT Alexakis, A.
A CONTOUR-BASED JAZZ WALKING BASS GENERATOR Guedes, C., Blanton J., Brown R., Carter R., & Min- C.
A HISTORY OF SEQUENCERS : INTERFACES FOR ORGANIZING PATTERN-BASED MUSIC Arar, R., & Kapur A.
A MULTIPITCH ESTIMATION ALGORITHM BASED ON FUNDAMENTAL FREQUENCIES AND PRIME HARMONICS Camacho, A., & Kaver-oreamuno I.
A PRELIMINARY COMPUTATIONAL MODEL OF IMMANENT ACCENT SALIENCE IN TONAL MUSIC Parncutt, R., Bisesi E., & Friberg A.
A Quantitative Review of Mappings in Musical iOS Applications Kell, T., Wanderley M. M., & Kit D.
A social network integrated game experiment to relate tapping to speed perception and explore rhythm reproduction Bellec, G., Elowsson A., Friberg A., Wolff D., & Weyde T.
A VERSATILE TOOLKIT FOR CONTROLLING DYNAMIC STOCHASTIC SYNTHESIS Krekovi, G., & Petrinovi D.
About the Impact of Audio Quality on Overall Listening Experience Schoeffler, M.
ACOUSTIC RETROREFLECTORS FOR MUSIC PERFORMANCE MONITORING Tuominen, H. T.
ACOUSTIC SCORE FOLLOWING TO MUSICAL PERFORMANCE WITH ERRORS AND ARBITRARY REPEATS AND SKIPS Nakamura, T., Nakamura E., & Sagayama S.
Acoustics-like dynamics in signal-based synthesis through parameter mapping Gaffney, B. B., & Smyth T.
AMAROK PIKAP: INTERACTIVE PERCUSSION PLAYING AUTOMOBILE Artut, S.
AN ENERGY CONSERVING FINITE DIFFERENCE SCHEME FOR SIMULATION OF COLLISIONS Chatziioannou, V., & Walstijn M. V.
An Open-source Framework for Time-domain Simulations Geyer, C. B.
Artificial Affective Listening towards a Machine Learning Tool for Sound-Based Emotion Therapy and Control Kirke, A., Miranda E., & Nasuto S. J.
AUDIO INTERPOLATION AND MORPHING VIA STRUCTURED-SPARSE LINEAR REGRESSION Kereliuk, C., Depalle P., & Pasquier P.
Audio restoration of solo guitar excerpts using a excitation-filter instrument model Parras-Moral, J., Cañadas-Quesada F. J., Vera-Candeas P., & Ruiz-Reyes N.
AUDIO-TACTILE FEEDBACK IN MUSICAL GESTURE PRIMITIVES: FINGER PRESSING Järveläinen, H., Papetti S., Schiesser S., & Grosshauser T.
AURALIZATION OF COUPLED SPACES BASED ON A DIFFUSION EQUATION MODEL Luizard, P., Polack J. - D., & Katz B. F. G.
Automatic Tuning of the OP-1 Synthesizer Using a Multi-objective Genetic Algorithm Macret, M., & Pasquier P.
BEAT-STATION: A REAL-TIME RHYTHM ANNOTATION SOFTWARE Miron, M., Gouyon F., Davies M. E. P., & Holzapfel A.
Brazilian challenges on network music Arango, J. J., Tomiyoshi M., Iazzetta F., & Queiroz M.
Capacitive Left Hand Finger and Bow Sensors for Synchronization and Rhythmical Regularity Analysis in String Ensembles Grosshauser, T., Feese S., & Tröster G.
CHILD / MACHINE INTERACTION IN REFLEXIVE ENVIRONMENT. THE MIROR PLATFORM Addessi, A. R.
Comparing Timbre-based Features for Musical Genre Classification Hartmann, M., Saari P., Toiviainen P., & Lartillot O.
Composing for cars Parkinson, A., & Tanaka A.
Composing Social Interactions for an Interactive-Spatial Performance System Parkinson, A., & Tahiroğlu K.
CONDUCTING A VIRTUAL ENSEMBLE WITH A KINECT DEVICE Rosa-Pujazón, A., Barbancho I., Tardón L. J., & Barbancho A. M.
CONTROLLING A SOUND SYNTHESIZER USING TIMBRAL ATTRIBUTES Pošćić, A., & Kreković G.
Creating Expressive Piano Performance Using a Low-dimensional Performance Model Gu, Y., & Raphael C.
Design of an Interactive Earphone Simulator and Results from a Perceptual Experiment Lindborg, P. M., & Lim M. J. Y.
Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format Park, B., & Gerhard D.
DOWNY OAK: RENDERING ECOPHYSIOLOGICAL PROCESSES IN PLANTS AUDIBLE Maeder, M., & Zweifel R.
Dynamic FM synthesis using a network of complex resonator filters Parker, J., & Bovermann T.
EFFECT OF TIMBRE ON MELODY RECOGNITION IN THREE-VOICE COUNTERPOINT MUSIC Chon, S. H., Schwartzbach K., Smith B., & McAdams S.
ENERGY HARVESTING POWER FLOWER BELL -€“ A CYBERNETIC SOUND INSTALLATION DRIVEN BY A DIRT-BATTERY Schauer, J., Ritsch W., & Fickert L.
EXPLOITING DOMAIN KNOWLEDGE IN MUSIC INFORMATION RESEARCH XavierSerra
EXPRESSIVE PRODUCTION OF PIANO TIMBRE: TOUCH AND PLAYING TECHNIQUES FOR TIMBRE CONTROL IN PIANO PERFORMANCE Bernays, M., & Traube C.
Four-part Harmonization Using Probabilistic Models: Comparison of Models With and Without Chord Nodes Suzuki, S., & Kitahara T.
FULL AUTOMATION OF REAL-TIME PROCESSES IN INTERACTIVE COMPOSITIONS: TWO RELATED EXAMPLES Garavaglia, J. A.
GLOBAL KEY EXTRACTION FROM CLASSICAL MUSIC AUDIO RECORDINGS BASED ON THE FINAL CHORD Weiß, C.
HOW DO PEOPLE ASSESS COMPUTER GENERATED EXPRESSIVE MUSIC PERFORMANCES? Canazza, S., Poli G. D., & Rodà A.
How Predictable Do We Like Our Music? Eliciting Aesthetic Preferences With The Melody Triangle Mobile App Ekeus, H., Abdallah S. A., McOwan P. W., & Plumbley M. D.
Human-Computer Music Performance: From Synchronized Accompaniment to Musical Partner Dannenberg, R. B., Jin Z., Gold N. E., Sandu O. - E., Palliyaguru P. N., Robertson A., et al.
IMAGE SONIFICATION BASED ON OBJECT AND FEATURE EXTRACTION Kim, K. L., & Yeo W. S.
IMPROVED POLYNOMIAL TRANSITION REGIONS ALGORITHM FOR ALIAS-SUPPRESSED SIGNAL SYNTHESIS Ambrits, D., & Bank B.
IMPROVING THE REAL-TIME PERFORMANCE OF A CAUSAL AUDIO DRUM TRANSCRIPTION SYSTEM Miron, M., Davies M. E. P., & Gouyon F.
Impulse Response Estimation for the Auralisation of Vehicle Engine Sounds using Dual Channel FFT Analysis Shelley, S., Murphy D., & Goodwin S.
Joint f0 and inharmoncity estimation using second order optimization Hahn, H., & Axel R.
Komeda: Framework for Interactive Algorithmic Music On Embedded Systems Bacławski, K., & Jackowski D.
LANdini : a networking utility for wireless LAN-based laptop ensembles Narveson, J., & Trueman D.
LARGE DATA SETS & RECOMMENDER SYSTEMS: A FEASIBLE APPROACH TO LEARNING MUSIC ? Gabriel, J.
MEASURING THE INTERACTION BETWEEN BASSOON AND HORN PLAYERS IN ACHIEVING TIMBRE BLEND Lembke, S. -amin, Levine S., de Francisco M., & McAdams S.
Melodic Outline Extraction Method for Non-note-level Melody Editing Tsuchiya, Y., & Kitahara T.
MELODY BOUNCE: MOBILE RHYTHMIC INTERACTION FOR CHILDREN Baldan, S., Serafin S., & Götzen A. D.
Methods for Real Time Harmonic Excitation of Acoustic Signals Enderby, S., Baracskai Z., & Athwal C.
MIXING SYMBOLIC AND AUDIO DATA IN COMPUTER ASSISTED MUSIC ANALYSIS A Case study from J . Harvey's Speakings (2008) for Orchestra and Live Electronics Schaub, S., Simurra I., & Tavares T. F.
MOCAP TOOLBOX – A MATLAB TOOLBOX FOR COMPUTATIONAL ANALYSIS OF MOVEMENT DATA Burger, B., & Toiviainen P.
MODELING AND SIMULATION: THE SPECTRAL CANON FOR CONLON NANCARROW BY JAMES TENNEY de Paiva Santana, C., Bresson J., & Andreatta M.
Modeling of Melodic Rhythm Based on Entropy toward Creating Expectation and Emotion Ohmura, H., Shibayama T., Shibuya S., Takahashi T., Okanoya K., & Furukawa K.
MODELLING EMOTIONAL EFFECTS OF MUSIC: KEY AREAS OF IMPROVEMENT Eerola, T.
MODELLING PERCEPTION OF SPEED IN MUSIC AUDIO Elowsson, A., & Friberg A.
mono2eN: A Multi-Channel Autospatialisation Performance System Goddard, C.
Motion recurrence analysis in music performances Teixeira, E., Yehia H., Loureiro M., & Wanderley M.
Multi-scale design of interactive music systems: the libTuiles experiment Janin, D., Berthaut F., & Desainte-Catherine M.
MULTICHANNEL CONTROL OF SPATIAL EXTENT THROUGH SINUSOIDAL PARTIAL MODULATION (SPM) Cabrera, A., & Kendall G.
MUSIC AS THE GOAL OF TRAINING AND MEANS OF REHABILITATION: EVIDENCE FROM BRAIN SCIENCE Tervaniemi, M.
NETWORK MUSIC WITH MEDUSA: A COMPARISON OF TEMPO ALIGNMENT IN EXISTING MIDI APIS Schiavoni, F. L., Queiroz M., & Wanderley M.
Non-Realtime Sonification of Motiongrams Jensenius, A. R.
OBSERVED DIFFERENCES IN RHYTHM BETWEEN PERFORMANCES OF CLASSICAL AND JAZZ VIOLIN STUDENTS Guaus, E., Saña O., & Llimona Q.
ON FINITE DIFFERENCE SCHEMES FOR THE 3-D WAVE EQUATION USING NON-CARTESIAN GRIDS Hamilton, B., & Bilbao S.
PEVI: INTERFACE FOR RETRIEVING AND ANALYZING EXPRESSIVE MUSICAL PERFORMANCES WITH SCAPE PLOTS Miki, S., Baba T., & Katayose H.
PHENICX: Performances as Highly Enriched aNd Interactive Concert Experiences Gómez, E., Grachten M., Hanjalic A., Janer J., Jordá S., Juliá C. F., et al.
PLUCKING BUTTONS: AN ALTERNATE SOFT BUTTON INPUT METHOD ON TOUCH SCREENS FOR MUSICAL INTERACTION Lee, E. J., & Yeo W. S.
Programming Interactive Music Scores with INScore Fober, D., Letz S., Orlarey Y., & Bevilacqua F.
Real time digital audio processing using Arduino Bianchi, A. J́, & Queiroz M.
Real, Foley or synthetic? An evaluation of everyday walking sounds Götzen, A. D., Sikström E., Grani F., & Serafin S.
Real-time event sequencing without a visual interface Tavares, T. F., Monteiro A., Barbedo J. G. A., Attux R., & Manzolli J.
REAL-TIME HALLUCATINATION SONIFICATION AND SIMULATION THROUGH USER-LED DEVELOPMENT OF AN IPAD AUGMENTED REALITY PERFORMANCE Kirke, A., Eaton J., & Miranda E.
REAL-TIME NOTATION USING BRAINWAVE CONTROL Eaton, J., & Miranda E.
Reconfigurable Autonomous Novel Guitar Effects (RANGE) Macconnell, D., Trail S., Tzanetakis G., Driessen P., & Page W.
Refined Spectral Template Models for Score Following Korzeniowski, F., & Widmer G.
REINFORCEMENT LEARNING MODELS FOR ACQUIRING Tanaka, T., Ohmura H., & Furukawa K.
RELATIONSHIPS BETWEEN SPECTRAL FLUX, PERCEIVED RHYTHMIC STRENGTH, AND THE PROPENSITY TO MOVE Burger, B., Ahokas R., Keipi A., & Toiviainen P.
ROBIN: AN ALGORITHMIC COMPOSER FOR INTERACTIVE SCENARIOS Morreale, F., Masu R., & Angeli A. D.
Segmentation and Timbre Similarity in Electronic Dance Music Rocha, B., Bogaards N., & Honingh A.
SEMI-AUTOMATIC MELODY EXTRACTION USING NOTE ONSET TIME AND PITCH INFORMATION FROM USERS Laaksonen, A.
SENSITIVITY TO LOUDSPEAKER PERMUTATIONS DURING AN EIGHT-CHANNEL ARRAY REPRODUCTION OF PIANO NOTES Fontana, F., Pra Y. D., & Amendola A.
SIMILARITY SEARCH OF FREESOUND ENVIRONMENTAL SOUND BASED ON THEIR ENHANCED MULTISCALE FRACTAL DIMENSION Sunouchi, M., & Tanaka Y.
Situating the Performer and the Instrument in a Rich Social Context with PESI Extended System Goddard, C., & Tahiroğlu K.
SKALLDANS, AN AUDIOVISUAL IMPROVISATION FRAMEWORK Lindborg, P. M.
SmartDJ, An Interactive Music Player for Music Discovery by Similarity Comparison Maureen, A. S. Y., Sion L. C., & Lindborg P. M.
Solving interactions between nonlinear resonators Bensoam, J., & Roze D.
SONIFICATION AND AUDITORY DISPLAYS IN ELECTRONIC DEVICES Walker, B. N.
Sound analysis based on phase information that connects time and frequency Pabon, P., & van Velthoven J.
Sound Hunter. Developing a Navigational HRTF-Based Audio Game for People with Visual Impairments Brieger, S. W.
SoundAnchoring: Content-based Exploration of Music Collections with Anchored Self-Organized Maps Collares, L., Tavares T. F., Feliciano J., Gao S., Tzanetakis G., & Gooch A.
SPATIUM, TOOLS FOR SOUND SPATIALIZATION Penha, R., & Oliveira J. P.
Spectral Distortion Using Second-Order Allpass Filters Surges, G., & Smyth T.
STUDY OF THE TREMOLO TECHNIQUE ON THE ACOUSTIC GUITAR: EXPERIMENTAL SETUP AND PRELIMINARY RESULTS ON REGULARITY Freire, S., & Nézio L.
Tale following: real-time speech recognition applied to live performance Rouas, J. -luc, Mansencal B., & Larralde J.
Technical Report on a Short Live-action Film whose Story with Soundtrack is selected in Real-time based on Audience Arousal during Performance Kirke, A., Williams D., Miranda E., Bluglass A., Whyte C., Pruthi R., et al.
THE ACTUATED GUITAR: A PLATFORM ENABLING ALTERNATIVE INTERACTION METHODS Larsen, J. V., Overholt D., & Moeslund T. B.
THE AIRSTICKS: A NEW INTERFACE FOR ELECTRONIC PERCUSSIONISTS Ilsar, A., Havryliv M., & Johnston A.
THE IMPORTANCE OF AMPLITUDE ENVELOPE: SURVEYING THE TEMPORAL STRUCTURE OF SOUNDS IN PERCEPTUAL RESEARCH Gillard, J., & Schutz M.
The Influence of Graphical User Interface Design on Critical Listening Skills Mycroft, J., Reiss J. D., & Stockman T.
Towards a discrete electronic transmission line as a musical harmonic oscillator Buys, K., & Auvray R.
TOWARDS COMPUTABLE PROCEDURES FOR DERIVING TREE STRUCTURES IN MUSIC: CONTEXT DEPENDENCY IN GTTM AND SCHENKERIAN THEORY Marsden, A., Hirata K., & Tojo S.
Urb: urban sound analysis and storage project Gomes, J. A., & Tudela D.
USING SEMANTIC LAYER PROJECTION FOR ENHANCING MUSIC MOOD PREDICTION WITH AUDIO FEATURES Saari, P., Eerola T., Fazekas G., & Sandler M.
VIRTUAL CONDUCTOR FOR STRING QUARTET PRACTICE Baez, R., Barbancho A. M., Rosa-Pujazón A., Barbancho I., & Tardón L. J.
Visions of sound : The Centro di Sonologia Computazionale , from Computer Music to Sound and Music Computing Canazza, S., Poli G. D., & Vidolin A.
VocaRefiner: An Interactive Singing Recording System with Integration of Multiple Singing Recordings Nakano, T., & Goto M.
Warped Frames: dispersive vs. non-dispersive sampling Evangelista, G.
Warped low-order modeling of musical tones Mignot, R., Lehtonen H. - M., & Välimäki V.
x-OSC: A Versatile Wireless I/O Device For Creative/Music Applications Madgwick, S., & Mitchell T.