Proceedings of SMC Conference 2010, Barcelona

Complete list of all the publications of the sound & music computing conference 2010


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Titlesort icon Authors
A COMPARISON OF PROBABILISTIC MODELS FOR ONLINE PITCH TRACKING Simsekli, U., & Cemgil T. A.
A LOOK INTO THE PAST: ANALYSIS OF TRENDS AND TOPICS IN PROCEEDINGS OF SOUND AND MUSIC COMPUTING CONFERENCE Pratyush, Umbert M., & XavierSerra
A LYRICS-MATCHING QBH SYSTEM FOR INTERACTIVE ENVIRONMENTS Papiotis, P., & Purwins H.
A PERCEPTUAL STUDY ON DYNAMICAL FORM IN MUSIC Hjortkjær, J., & Nielbo F.
ACOUSTIC REHABILITATIO Jaume Segura, A. R., & Navarro E.
ADAPTIVE SPATIALIZATION AND SCRIPTING CAPABILITIES IN THE SPATIAL TRAJECTORY EDITOR HOLO-EDIT Bascou, C.
ADDITIONAL EVIDENCE THAT COMMON LOW-LEVEL FEATURES OF INDIVIDUAL AUDIO FRAMES ARE NOT REPRESENTATIVE OF MUSIC GENRE Marques, G., Lopes M., Sordo M., Langlois T., & Gouyon F.
AN AUDIOVISUAL WORKSPACE FOR PHYSICAL MODELS enjamin Schroeder, Ainger M., & Parent R.
ANALYZING GESTURE AND SOUND SIMILARITIES WITH A HMM-BASED DIVERGENCE MEASURE Caramiaux, B., Bevilacqua F., & Schnell N.
ANALYZING LEFT HAND FINGERING IN GUITAR PLAYING Guauss, E., & Arcos J. L.
AUDIO-BASED MUSIC VISUALIZATION FOR MUSIC STRUCTURE ANALYSIS Wu, H. - H., & Bello J. P.
AUTOMATIC MUSIC COMPOSITION BASED ON COUNTERPOINT AND IMITATION USING STOCHASTIC MODELS Tanaka, T., Nishimoto T., Ono N., & Sagayama S.
AUTOMATIC MUSIC TAG CLASSIFICATION BASED ON BLOCK-LEVEL FEATURES Seyerlehner, K., Widmer G., Schedl M., & Knees P.
AUTOMATIC SONG COMPOSITION FROM THE LYRICS EXPLOITING PROSODY OF JAPANESE LANGUAGE Fukayama, S., Nakatsuma K., Sako S., Nishimoto T., & Sagayama S.
AV CLASH – ONLINE TOOL FOR MIXING AND VISUALIZING AUDIO RETRIEVED FROM FREESOUND.ORG DATABASE Correia, N. N.
CHORD SEQUENCE PATTERNS IN OWL Wissmann, J., Weyde T., & Conklin D.
COMPARISON OF NON-STATIONARY SINUSOID ESTIMATION METHODS USING REASSIGNMENT AND DERIVATIVES Musevic, S., & Bonada J.
CONCURRENT CONSTRAINTS CONDITIONAL-BRANCHING TIMED INTERACTIVE SCORES Toro-Bermudez, M., & Desainte-Catherine M.
CONNECTING GRAPHICAL SCORES TO SOUND SYNTHESIS IN PWGL Kuuskankare, M., & Laurson M.
CONSTANT-Q TRANSFORM TOOLBOX FOR MUSIC PROCESSING Schorkhuber, C., & Klapuri A.
CREATION AND EXPLORATION OF A PERCEPTUAL SONIC TEXTURES SPACE USING A TANGIBLE INTERFACE Filatriau, J. - J., & ARFIB D.
CROWDSOURCING A REAL-WORLD ON-LINE QUERY BY HUMMING SYSTEM Huq, A., Cartwright M., & Pardo B.
D-JOGGER: SYNCING MUSIC WITH WALKING Moens, B., van Noorden L., & Leman M.
DANCE PATTERN RECOGNITION USING DYNAMIC TIME WARPING Pohl, H., & Hadjakos A.
DEPENDENT VECTOR TYPES FOR MULTIRATE FAUST Jouvelot, P., & Orlarey Y.
DESCRIPTOR-BASED SOUND TEXTURE SAMPLING Schwarz, D., & Schnell N.
DYNAMIC CUES FOR NETWORK MUSIC INTERACTIONS Renaud, A. B.
EFFICIENT FINITE DIFFERENCE-BASED SOUND SYNTHESIS USING GPUS Sosnick, M., & Hsu W.
EMOTIONS IN THE VOICE: HUMANISING A ROBOTIC VOICE Bowles, T., & Pauletto S.
Examining the role of context in the recognition of walking sounds Turchet, L., Nordahl R., & Serafin S.
EXPLORING COMMON VARIATIONS IN STATE OF THE ART CHORD RECOGNITION SYSTEMS Cho, T., Weiss R. J., & Bello J. P.
EXPLORING TIMBRE SPACES WITH TWO MULTIPARAMETRIC CONTROLLERS Kiefer, C.
FIRST STEPS IN RELAXED REAL-TIME TYPO-MORPHOLOGICAL AUDIO ANALYSIS/SYNTHESIS Schnell, N., Cifuentes M. A. S., & Lambert J. - P.
HEAD IN SPACE: A HEAD-TRACKING BASED BINAURAL SPATIALIZATION SYSTEM Ludovico, L. A., Mauro D. A., & Pizzamiglio D.
HUBS AND ORPHANS - AN EXPLORATIVE APPROACH Gasser, M., Flexer A., & Schnitzer D.
IN A CONCRETE SPACE. RECONSTRUCTING THE SPATIALIZATION OF IANNIS XENAKIS’ CONCRET PH ON A MULTICHANNEL SETUP Valle, A., Tazelaar K., & Lombardo K. T. V.
INTERLUDE - A FRAMEWORK FOR AUGMENTED MUSIC SCORES Fober, D., Daudin C., Orlarey Y., & Letz S.
INTERPRETATION AND COMPUTER ASSISTANCE IN JOHN CAGE’S CONCERT FOR PIANO AND ORCHESTRA (1957-58) Sluchin, B., & Malt M.
ISSUES AND TECHNIQUES FOR COLLABORATIVE MUSIC MAKING ON MULTI-TOUCH SURFACES Laney, R., Dobbyn C., Xambo A., Schirosa M., Miell D., Littleton K., et al.
KETTLE: A REAL-TIME MODEL FOR ORCHESTRAL TIMPANI Papiotis, P., & Papaioannou G.
LEGATO AND GLISSANDO IDENTIFICATION IN CLASSICAL GUITAR Ozaslan, T. H., & JosepLluisArcos
LIMITATIONS IN THE RECOGNITION OF SOUND TRAJECTORIES AS MUSICAL PATTERNS Payri, B.
LYRICS-TO-AUDIO ALIGNMENT AND PHRASE-LEVEL SEGMENTATION USING INCOMPLETE INTERNET-STYLE CHORD ANNOTATIONS Mauch, M., Fujihara H., & Goto M.
MELODIC MEMORY AND ITS DEPENDENCE ON FAMILIARITY AND DIFFICULTY Benassi-Werke, M. E., Queiroz M., Germano N. G., & Oliveira M. G. M.
MIMICRY OF TONE PRODUCTION: RESULTS FROM A PILOT EXPERIMENT Bianco, T., Wanderley M. M., & Bevilacqua F.
MIXTRACT: AN ENVIRONMENT FOR DESIGNING MUSICAL PHRASE EXPRESSION Hashida, M., Tanaka S., Baba T., & Katayose H.
MUSICGALAXY – AN ADAPTIVE USER-INTERFACE FOR EXPLORATORY MUSIC RETRIEVAL Stober, S., & ̈rnberger A. N.
MUSICJSON: A REPRESENTATION FOR THE COMPUTER MUSIC CLOUD Alvaro, J. L., & Barros B.
ON ARCHITECTURE AND FORMALISMS FOR COMPUTER-ASSISTED IMPROVISATION Maniatakos, F., Assayag G., Bevilacqua F., & Agon C.
ON THE TRACEABILITY OF THE COMPOSITIONAL PROCESS Rutz, H. H., Miranda E., & Eckel G.
ÕDAIKO: A REAL TIME SCORE GENERATOR BASED ON RHYTHM Lopes, F.
PERFORMANCE RENDERING FOR POLYPHONIC PIANO MUSIC WITH A COMBINATION OF PROBABILISTIC MODELS FOR MELODY AND HARMONY Kim, T. H., Fukayama S., Nishimoto T., & Sagayama S.
PHASESHAPING OSCILLATOR ALGORITHMS FOR MUSICAL SOUND SYNTHESIS Kleimola, J., Lazzarini V., Timoney J., & Välimäki V.
PHOXES - MODULAR ELECTRONIC MUSIC INSTRUMENTS BASED ON PHYSICAL MODELING SOUND SYNTHESIS Gelineck, S., & Serafin S.
QUANTIFYING MASKING IN MULTI-TRACK RECORDINGS Vega, S., & Janer J.
REAL-TIME ESTIMATION OF THE VOCAL TRACT SHAPE FOR MUSICAL CONTROL Kestian, A. P., & Smyth T.
RESTORATION OF AUDIO DOCUMENTS WITH LOW SNR: A NMF PARAMETER ESTIMATION AND PERCEPTUALLY MOTIVATED BAYESIAN SUPPRESSION RULE Cabras, G., Canazza S., Montessoro P. L., & Rinaldo R.
SHORT TERM PITCH MEMORY IN WESTERN vs. OTHER EQUAL TEMPERAMENT TUNING SYSTEMS Andreopoulou, A., & Farbood M.
SIMPLE TEMPO MODELS FOR REAL-TIME MUSIC TRACKING Arzt, A., & Widmer G.
SOUND TEXTURE SYNTHESIS WITH HIDDEN MARKOV TREE MODELS IN THE WAVELET DOMAIN Kersten, S., & Purwins H.
Sparse Regression in Time-Frequency Representations of Complex Audio Dorfler, M., Velasco G., Flexer A., & Klien V.
STRATEGIES TOWARDS THE AUTOMATIC ANNOTATION OF CLASSICAL PIANO MUSIC Niedermayer, B., & Widmer G.
Structural Modeling Of Pinna-Related Transfer Functions Spagnol, S., Geronazzo M., & Avanzini F.
STYLE EMULATION OF DRUM PATTERNS BY MEANS OF EVOLUTIONARY METHODS AND STATISTICAL ANALYSIS Bernardes, G., Guedes C., & Pennycook B.
THE INFLUENCE OF REED MAKING ON THE PERFORMANCE AND SOUND QUALITY OF THE OBOE Blasco-Yepes, C., & Payri B.
THE ‘STANZA LOGO–MOTORIA’: AN INTERACTIVE ENVIRONMENT FOR LEARNING AND COMMUNICATION Camurri, A., Volpe G., & Canazza S.
TIDAL – PATTERN LANGUAGE FOR LIVE CODING OF MUSIC McLean, A., & Wiggins G.
TIMBRE REMAPPING THROUGH A REGRESSION-TREE TECHNIQUE Stowell, D., & Plumbley M. D.
TONAL SIGNATURES Nouno, G., & Mezzadri M.
TOWARDS A PRACTICAL APPROACH TO MUSIC THEORY ON THE REACTABLE Franceschini, A.
TOWARDS ADAPTIVE MUSIC GENERATION BY REINFORCEMENT LEARNING OF MUSICAL TENSION Groux, S. L., & Verschure P. F. M. J.
UNSUPERVISED GENERATION OF PERCUSSION SOUND SEQUENCES FROM A SOUND EXAMPLE Marchini, M., & Purwins H.
VOICE CONVERSION: A CRITICAL SURVEY Machado, A. F., & Queiroz M.