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Proceedings of SMC Conference 2009, Porto, Portugal

Complete list of all the publications of the sound & music computing conference 2009


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Titlesort icon Authors
A CHROMA-BASED SALIENCE FUNCTION FOR MELODY AND BASS LINE ESTIMATION FROM MUSIC AUDIO SIGNALS Salamon, J., & Gómez E.
A CLASSIFICATION APPROACH TO MULTIPITCH ANALYSIS Klapuri, A.
A COMPUTATIONAL MODEL THAT GENERALISES SCHOENBERG’S GUIDELINES FOR FAVOURABLE CHORD PROGRESSIONS Anders, T., & Miranda E. R.
A DYNAMIC ANALOGY BETWEEN INTEGRO-DIFFERENTIAL OPERATORS AND MUSICAL EXPRESSIVENESS Poli, G. D., Roda A., & Mion L.
A FRAMEWORK FOR ECOSYSTEM-BASED GENERATIVE MUSIC Bown, O.
A FRAMEWORK FOR MUSICAL MULTIAGENT SYSTEMS Thomaz, L. F., & Queiroz M.
A FRAMEWORK FOR SOUNDSCAPE ANALYSIS AND RE-SYNTHESIS Valle, A., Schirosa M., & Lombardo V.
A STRATIFIED APPROACH FOR SOUND SPATIALIZATION Peters, N., Lossius T., Schacher J., Baltazar P., Bascou C., & Place T.
A SYSTEM FOR MUSICAL IMPROVISATION COMBINING SONIC GESTURE RECOGNITION AND GENETIC ALGORITHMS Nort, D. V., Braasch J., & Oliveros P.
ACCESSING STRUCTURE OF SAMBA RHYTHMS THROUGH CULTURAL PRACTICES OF VOCAL PERCUSSION Naveda, L., & Leman M.
ALBUM AND ARTIST EFFECTS FOR AUDIO SIMILARITY AT THE SCALE OF THE WEB Flexer, A., & Schnitzer D.
Analysis and automatic annotation of singer’s postures during concert and rehearsal Grachten, M., Demey M., Moelants D., & Leman M.
AUDITORY REPRESENTATIONS AS LANDMARKS IN THE SOUND DESIGN SPACE Drioli, C., Polotti P., Rocchesso D., Monache S. D., Adiloglu K., Annies R., et al.
AUTOMATIC JAZZ HARMONY EVOLUTION Bäckman, K.
AUTOMATIC MANIPULATION OF MUSIC TO EXPRESS DESIRED EMOTIONS Oliveira, A. P., & Cardoso A.
COMPUTATIONAL INVESTIGATIONS INTO BETWEEN-HAND SYNCHRONIZATION IN PIANO PLAYING: MAGALOFF’S COMPLETE CHOPIN Goebl, W., Flossmann S., & Widmer G.
CONTENT ANALYSIS OF NOTE TRANSITIONS IN MUSIC PERFORMANCE Loureiro, M., Yehia H., de Paula H., Campolina T., & Mota D.
CURRENT DIRECTIONS WITH MUSICAL PLUS ONE Raphael, C.
DISSONANCES: BRIEF DESCRIPTION AND ITS COMPUTATIONAL REPRESENTATION IN THE RTCC CALCULUS Perchy, S., & M. G. S. M.
DOES A “NATURAL” SONIC FEEDBACK AFFECT PERCEIVED USABILITY AND EMOTION IN THE CONTEXT OF USE OF AN ATM? Susini, P., Misdariis N., Houix O., & Lemaitre G.
EMPIRICALLY BASED AUDITORY DISPLAY DESIGN Brazil, E., & Fernstrom M.
ENHANCING EXPRESSIVE AND TECHNICAL PERFORMANCE IN MUSICAL VIDEO GAMES Marczak, R., Robine M., Desainte-Catherine M., Allombert A., Hanna P., & Kurtag G.
EXPLORATIONS IN CONVOLUTIONAL SYNTHESIS Smyth, T., & Elmore A. R.
EXPRESSIVE PERFORMANCE RENDERING: INTRODUCING PERFORMANCE CONTEXT Flossmann, S., Grachten M., & Widmer G.
EXTENDING THE FOLKSONOMIES OF FREESOUND.ORG USING CONTENT-BASED AUDIO ANALYSIS Martınez, E., Celma O., Sordo M., Jong B., & XavierSerra
FIRST-ORDER LOGIC CLASSIFICATION MODELS OF MUSICAL GENRES BASED ON HARMONY Anglade, A., Ramirez R., & Dixon S.
FM4 SOUNDPARK AUDIO-BASED MUSIC RECOMMENDATION IN EVERYDAY USE Gasser, M., & Flexer A.
FREE CLASSIFICATION OF VOCAL IMITATIONS OF EVERYDAY SOUNDS Dessein, A., & Lemaitre G.
INSTRUMENT AUGMENTATION USING ANCILLARY GESTURES FOR SUBTLE SONIC EFFECTS Lähdeoja, O., Wanderley M. M., & Malloch J.
INTERACTIVE INFRASONIC ENVIRONMENT: A New Type of Sound Installation for Controlling Infrasound Gupfinger, R., Ogawa H., Sommerer C., & Mignonneau L.
INTUNE: A MUSICIAN’S INTONATION VISUALIZATION SYSTEM Lim, K. A., & Raphael C.
JACKTRIP/SOUNDWIRE MEETS SERVER FARM Caceres, J. - P., & Chafe C.
L-SYSTEMS, SCORES, AND EVOLUTIONARY TECHNIQUES Lourenco, B. F., Ralha J. C. L., & Brandao M. C. P.
LEARNING JAZZ GRAMMARS Gillick, J., Tang K., & Keller R. M.
MAKING AN ORCHESTRA SPEAK Nouno, G., Cont A., Carpentier G., & Harvey J.
MOTION-ENABLED LIVE ELECTRONICS Eckel, G., Pirro D., & Sharma G. K.
MUSICAL APPLICATIONS AND DESIGN TECHNIQUES FOR THE GAMETRAK TETHERED SPATIAL POSITION CONTROLLER Freed, A., McCutchen D., Schmeder A., Hansen A. - M. S., Overholt D., Burleson W., et al.
MUSICAL GROOVE IS CORRELATED WITH PROPERTIES OF THE AUDIO SIGNAL AS REVEALED BY COMPUTATIONAL MODELLING, DEPENDING ON MUSICAL STYLE Madison, G., Gouyon F., & Ullén F.
MUSICAL VOICE INTEGRATION/SEGREGATION: VISA REVISITED Rafailidis, D., Cambouropoulos E., & Manolopoulos Y.
NEW TENDENCIES IN THE DIGITAL MUSIC INSTRUMENT DESIGN : PROGRESS REPORT Ferreira-Lopes, P., Vitez F., Dominguez D., & Wikström V.
NON-NEGATIVE MATRIX FACTORIZATION WITH SELECTIVE SPARSITY CONSTRAINTS FOR TRANSCRIPTION OF BELL CHIMING RECORDINGS Marolt, M.
PARALLELIZATION OF AUDIO APPLICATIONS WITH FAUST Orlarey, Y., Fober D., & Letz S.
POLYNOMIAL EXTRAPOLATION FOR PREDICTION OF SURPRISE BASED ON LOUDNESS - A PRELIMINARY STUDY Purwins, H., Holonowicz P., & Herrera P.
PREDICTING THE PERCEIVED SPACIOUSNESS OF STEREOPHONIC MUSIC RECORDINGS Sarroff, A. M., & Bello J. P.
PROTOTYPING MUSICAL EXPERIMENTS FOR TANGISENSE, A TANGIBLE AND TRACEABLE TABLE ARFIB, D., Filatriau J. - J., & Kessous L.
PV STOCH: A SPECTRAL STOCHASTIC SYNTHESIS GENERATOR Dobereiner, L.
REAL-TIME BINAURAL AUDIO RENDERING IN THE NEAR FIELD Spagnol, S., & Avanzini F.
REAL-TIME DTW-BASED GESTURE RECOGNITION EXTERNAL OBJECT FOR MAX/MSP AND PUREDATA Bettens, F., & Todoroff T.
SCORE PLAYBACK DEVICES IN PWGL Laurson, M., & Kuuskankare M.
SENSORY THREADS: SONIFYING IMPERCEPTIBLE PHENOMENA IN THE WILD Fencott, R., & Bryan-Kinns N.
SHAPE-BASED SPECTRAL CONTRAST DESCRIPTOR Akkermans, V., Serrà J., & Herrera P.
SOUND AND THE CITY: MULTI-LAYER REPRESENTATION AND NAVIGATION OF AUDIO SCENARIOS Ludovico, L. A., & Mauro D. A.
SOUND OBJECT CLASSIFICATION FOR SYMBOLIC AUDIO MOSAICING: A PROOF-OF-CONCEPT Janer, J., Haro M., Roma G., Fujishima T., & Kojima N.
SOUND SEARCH BY CONTENT-BASED NAVIGATION IN LARGE DATABASES Schwarz, D., & Schnell N.
THE FLOPS GLASS: A DEVICE TO STUDY EMOTIONAL REACTIONS ARISING FROM SONIC INTERACTIONS Lemaitre, G., Houix O., Franinovic K., Visell Y., & Susini P.
THE HYPER-KALIMBA: DEVELOPING AN AUGMENTED INSTRUMENT FROM A PERFORMER’S PERSPECTIVE Rocha, F., & Malloch J.
THE KINEMATIC RUBATO MODEL AS A MEANS OF STUDYING FINAL RITARDS ACROSS PIECES AND PIANISTS Grachten, M., & Widmer G.
THE SONIFIED MUSIC STAND – AN INTERACTIVE SONIFICATION SYSTEM FOR MUSICIANS Grosshauser, T., & Hermann T.
THREE METHODS FOR PIANIST HAND ASSIGNMENT Hadjakos, A., & Lefebvre-Albaret F.
TOWARDS A PROSODY MODEL OF ATTIC TRAGIC POETRY: FROM LOGOS TO MOUSIKE Georgaki, A., Psaroudakes S., Carle M., & Tzevelekos P.
TOWARDS AN EXPERIMENTAL PLATFORM FOR COLLECTIVE MOBILE MUSIC PERFORMANCE Tahiroglu, K.
TOWARDS AUDIO TO SCORE ALIGNMENT IN THE SYMBOLIC DOMAIN Niedermayer, B.
VOCALISTENER: A SINGING-TO-SINGING SYNTHESIS SYSTEM BASED ON ITERATIVE PARAMETER ESTIMATION Nakano, T., & Goto M.