Proceedings of SMC Conference 2005, Salerno, Italy

Complete list of all the publications of the sound & music computing conference 2005.


Download the entire proceeding as an archive by clicking here.




Titlesort icon Authors
A STUDY ON USING THE MELLIN TRANSFORM FOR VOWEL RECOGNITION Sena, A. D., & Rocchesso D.
A SYNTHESIZER BASED ON SQUARE WAVES Vergara, S.
A TEMPORAL CONCURRENT CONSTRAINT CALCULUS AS AN AUDIO PROCESSING FRAMEWORK Rueda, C., & Valencia F.
ANALYSIS AND ANALYSES OF ELECTROACOUSTIC MUSIC Zattra, L.
ARTIFICIAL SINGING WITH A WEBCAM MOUTH-CONTROLLER Hapipis, A., & Miranda E. R.
AUDIO FEEDBACK IN PREDICTIVE HCI METHODS de Gotzen, A., & Rocchesso D.
AUGMENTING C-CARDS WITH MUSIC ACTIONS Valente, A., Lyon K., & Jensen K.
COMPUTER MUSIC ANALYSIS VIA A MULTIDISCIPLINARY APPROACH Nucibella, F., Porcelluzzi S., & Zattra L.
CONSTRAINS ON THE MODEL FOR SELF-SUSTAINED SOUNDS GENERATED BY ORGAN PIPE INFERRED BY INDEPENDENT COMPONENT ANALYSIS Lauro, D. E., Martino D. S., Falanga M., & Sarno G.
CONVERSATIONAL INTERACTIVITY IN SLOW-MOTION: A COMPARISON OF PHONE DIALOGUES AND OPERA SCENES Reichl, P., Hammer F., & Balinova M.
DIGITAL AUDIO EFFECTS AND PHYSICAL MODELING Alexandros, K., & Claude C.
EFFICIENT EXTRACTION OF CLOSED MOTIVIC PATTERNS IN MULTI-DIMENSIONAL SYMBOLIC REPRESENTATIONS OF MUSIC Lartillot, O.
Energy behavior in time-varying fractional delay filters for physical modeling of musical instruments Pakarinen, J., Karjalainen M., Välimäki V., & Bilbao S.
EVENT SYNCHRONOUS MUSIC THUMBNAILS: EXPERIMENTS Evangelista, G., & Cavaliere S.
EXTENDED WAVEFORM SEGMENT SYNTHESIS, A NONSTANDARD SYNTHESIS MODEL FOR MICROSOUND COMPOSITION Valsamakis, N., & Miranda E. R.
GMU, A FLEXIBLE GRANULAR SYNTHESIS ENVIRONMENT IN MAX/MSP Bascou, C., & Pottier L.
Improvisation Planning and Jam Session Design using concepts of Sequence Variation and Flow Experience Dubnov, S., & Assayag G.
INSTRUMENTAL GESTURES AND SONIC TEXTURES FILATRIAU, J. - J., & ARFIB D.
INTRODUCTION TO COMPUTER-ASSITED MUSIC ANALYSIS IN PWGL Laurson, M., Kuuskankare M., & Kuitunen K.
MATHEMATICAL STRUCTURE AND SOUND SYNTHESIS Essl, G.
MULTIMODAL AND CROSS-MODAL PROCESSING IN INTERACTIVE SYSTEMS BASED ON TANGIBLE ACOUSTIC INTERFACES Camurri, A., Canepa C., Drioli C., Massari A., Mazzarino B., & Volpe G.
MULTISENSORY INTERACTIVE INSTALLATION Voto, D., Limonchi M. V., & D’Auria U.
MUSIC TRANSFORMATION IN CELLULAR SPACES TRIGGERED BY WALSH FUNCTIONS da Silva, P., & Jr. A. M.
MX STRUCTURAL METADATA AS MIR TOOLS Haus, G., & Pinto A.
ON THE LEARNING STAGES OF AN INTELLIGENT RHYTHMIC GENERATOR Gimenes, M., Miranda E. R., & Johnson C.
PHONODEON: CONTROLLING SYNTHETIC VOICES VIA MIDIACCORDEON Georgaki, A., Zannos I., & Valsmakis N.
PHYSICAL MOVEMENT AND MUSICAL GESTURES: A MULTILEVEL MAPPING STRATEGY Fenza, D., Mion L., Canazza S., & Roda A.
SEGMENTAL TEMPO ANALYSIS OF PERFORMANCES IN USER-CENTERED EXPERIMENTS IN THE DISTRIBUTED IMMERSIVE PERFORMANCE PROJECT Chew, E., Sawchuk A., Tanoue C., & Zimmermann R.
STATE OF THE ART AND NEW RESULTS IN DIRECT MANIPULATION OF MPEG AUDIO CODES Haus, G., & Vercellesi G.
STEERING GENERATIVE RULES WITH THE EEG: AN APPROACH TO BRAIN-COMPUTER MUSIC INTERFACING Miranda, E. R., & Boskamp B.
SUSTAINABLE LIVE ELECTRO-ACOUSTIC MUSIC Bernardini, N., & Vidolin A.
THE CROAKER: DESIGN AND EVALUATION OF A NEW MULTIMODAL INTERFACE Serafin, S., & de Gotzen A.
What is the Essence of "Music?" A Case Study on a Japanese Audience MIYASHITA, H., & NISHIMOTO K.