Proceedings of SMC Conference 2004, Paris, France

Complete list of all the publications of the sound & music computing conference 2004


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Titlesort icon Authors
A PREGROUP GRAMMAR FOR CHORD SEQUENCES TERRAT, R. G.
A REAL-TIME BEAT TRACKER FOR UNRESTRICTED AUDIO SIGNALS Scaringella, N., & Zoia G.
A ROLE OF METRICAL STRUCTURE IN IMPLICIT MEMORY OF RHYTHM PERCEPTION: TOWARD A COMPUTATIONAL MODELING OF PERCEPTION PROCESS OF METRICAL STRUCTURE GOTO, Y.
A Simplified Design of Multidimensional Transfer Function Models Petrausch, S., & Rabenstein R.
AN ADAPTIVE MULTI-PARAMETRIC AND REDUNDANCY-FILTERING APPROACH FOR MOTIVIC PATTERN DISCOVERY Lartillot, O.
APPLYING ASPECT ORIENTED PROGRAMMING TO MUSIC COMPUTING Hill, P., Holland S., & Laney R. C.
ARCHITECTURE AND EXPERIMENTS IN NETWORKED 3D AUDIO/GRAPHIC RENDERING WITH VIRTUAL CHOREOGRAPHER Jacquemin, C.
Bioacoustical modeling for sound synthesis: a case study of odontoceti clicks Erkut, C.
CLASSIFICATION INTO MUSICAL GENRES USING A RHYTHMIC KERNEL Frederico, G.
COMPOSING IN THE FLESH: PERCEPTUALLYINFORMED HARMONIC SYNTAX Ferguson, S., & Parncutt R.
COMPOSITION AND IMPROVISATION ON THE NET Hajdu, G.
Contact sounds for continuous feedback S., R. A. R. B. S. D. F. M. R.
CONTROL SEARCH USING RULES, TESTS AND MEASURES Phon-Amnuaisuk, S., & Smaill A.
DEVELOPING A NON-VISUAL OUTPUT DEVICE FOR MUSICAL PERFORMERS MIYASHITA, H., & NISHIMOTO K.
ETHERACTION: PLAYING A MUSICAL PIECE USING GRAPHICAL INTERFACES Couturier, J. - M.
EXPRESSIVE GESTURAL CONTROL OF SOUND AND VISUAL OUTPUT IN MULTIMODAL INTERACTIVE SYSTEMS Camurri, A., Mazzarino B., & Volpe G.
EXPRESSIVENESS DETECTION OF MUSIC PERFORMANCES IN THE KINEMATICS ENERGY SPACE Mion, L., & Poli G. D.
EXTENDING A NETWORK-OF-ELABORATIONS REPRESENTATION TO POLYPHONIC MUSIC: SCHENKER AND SPECIES COUNTERPOINT Marsden, A.
GESTURAL CONTROL OF SINGING VOICE, A MUSICAL INSTRUMENT Kessous, L.
IANNIX Aesthetical/Symbolic Visualisations for Hypermedia Compositions. Coduys, T., & Ferry G.
IMPROVISING COMPUTER MUSIC: AN APPROACH Tarabella, L.
INFLUENCE OF MUSICAL SIMILARITY ON MELODIC SEGMENTATION: REPRESENTATIONS AND ALGORITHMS Cambouropoulos, E., & Tsougras C.
Informative sonic feedback for continuous human controlling a sound model of a rolling ball Rath, M., & Rocchesso D.
INTERACTIVELY DETERMINED GENERATIVE SOUND DESIGN FOR SENSATE ENVIRONMENTS Beilharz, K.
JACK AUDIO SERVER: MACOSX PORT AND MULTI-PROCESSOR VERSION Letz, S., Fober D., Orlarey Y., & Davis P.
LOGICAL REPRESENTATION OF MUSICAL CONCEPTS Phon-Amnuaisuk, S.
MELODY CLASSIFICATION USING A SIMILARITY METRIC BASED ON KOLMOGOROV COMPLEXITY Li, M., & Sleep R.
MUSIC RETRIEVAL ALGORITHMS FOR THE LEAD SHEET PROBLEM Clifford, R., Groult R., Iliopoulos C. S., & Byrd D.
New Approaches Of Theatre And Opera Directly Inspired By Interactive Data-mining Bonardi, A., & Rousseaux F.
ON ONSETS ON-THE-FLY: REAL-TIME EVENT SEGMENTATION AND CATEGORISATION AS A COMPOSITIONAL EFFECT Collins, N.
OPEN SOURCE TOOLS FOR MUSIC REPRESENTATION AND NOTATION Fober, D., Letz S., & Orlarey Y.
Pattern Anchoring, Identity and Signatures in Sound, Time and Space Izmirli, Ö., & Zahler N.
Physical Modeling for Pure Data (pmpd) and real time interaction with an audio synthesis Henry, C.
PHYSICAL MODELING FOR PURE DATA (PMPD) AND REAL TIME INTERACTION WITH AN AUDIO SYNTHESIS Henry, C.
PHYSICAL MODELING OF IMPACTS: THEORY AND EXPERIMENTS ON CONTACT TIME AND SPECTRAL CENTROID Avanzini, F., & Rocchesso D.
Playing Integrated Music Knowledges with Artifical Neural Networks VOISIN, F. ́ed ́eric, & MEIER R.
pmpd : Physical modelling for Pure Data Henry, C.
PWGL EDITORS: 2D-EDITOR AS A CASE STUDY Laurson, M., & Kuuskankare M.
RECENT DEVELOPMENTS IN ENP-SCORE-NOTATION Kuuskankare, M., & Laurson M.
REGARDS ON TWO REGARDS BY MESSIAEN: AUTOMATIC SEGMENTATION USING THE SPIRAL ARRAY Chew, E.
RoomWeaver: A digital waveguide mesh based room acoustics research tool Beeson, M. J., & Murphy D. T.
SIM - SYSTÈME INTERACTIF MUSICAL (CYBERSONGOSSE 7MI) Clozier, C., Duc J. - C. L., & Mihalic A.
SOLILOQUE SUR [X, X, X ET X], MUSICAL COMMENTARIES FROM A COMPUTER ABOUT A CONCERT MISUNDERSTOOD BY IT Lévy, F., & Seelig T.
SPECIFICATION OF TEMPORAL RELATIONS BETWEEN INTERACTIVE EVENTS Desainte-Catherine, M., & Allombert A.
STRATEGIES FOR CONTINUOUS PITCH AND AMPLITUDE TRACKING IN REALTIME INTERACTIVE IMPROVISATION SOFTWARE Dobrian, C.
STYLE RECOGNITION THROUGH STATISTICAL EVENT MODELS Perez-Sancho, C., Inesta J. M., & Calera-Rubio J.
The AGNULA/DeMuDi distribution: GNU/Linux and Free Software for the pro audio and sound research domain Bernardini, N., Cirotteau D., Ekanayaka F., & Glorioso A.
THE REALTIME-SCORE. A MISSING-LINK IN COMPUTER-MUSIC PERFORMANCE Winkler, G. E.
THREE-DIMENSIONAL GESTURAL CONTROLLER BASED ON EYECON MOTION CAPTURE SYSTEM Merlier, B.
TYING SEMANTIC LABELS TO COMPUTATIONAL DESCRIPTORS OF SIMILAR TIMBRES Fitzgerald, R. A., & Lindsay A. T.
UNDERSTANDING EXPRESSIVE TRANSFORMATIONS IN SAXOPHONE JAZZ PERFORMANCES USING INDUCTIVE MACHINE LEARNING Ramirez, R., Hazan A., Gomez E., & Maestre E.
USING PATTERNS TO GENERATE RHYTHMIC ACCOMPANIMENT FOR GUITAR Dahia, M., Trajano H. S. E., Ramalho G., Sandroni C., & Cabral G.
VIRTUAL VOICES ON HANDS: PROMINENT APPLICATIONS ON THE SYNTHESIS AND CONTROL OF THE SINGING VOICE Georgaki, A.