Sound and music computing

Wilfrido Terrazas – Alta – Flute Music from Mexican Composers in California

CCRMA-Stanford University - Sat, 03/17/2018 - 23:19
Date:  Thu, 05/10/2018 - 7:30pm - 9:00pm Location:  CCRMA Stage Event Type:  Concert This concert presents recent works by Carmina Escobar, Guillermo Galindo, Ivan Naranjo, Mauricio Rodriguez, Pablo Rubio and Wilfrido Terrazas. It offers a vivid picture of contemporary Mexican composers based in the California. Beyond the allegorical references of a New Mexican Music, pure and fresh forms of musical expression come together to broaden the musical map of the most uncompromising acoustic art. This event is kindly supported by the Cultural Affairs section of the General Mexican Consulate in San Jose, California. FREE Open to the Public

Akiko Hatakeyama

CCRMA-Stanford University - Sat, 03/17/2018 - 23:17
Date:  Sat, 05/05/2018 - 7:30pm - 9:00pm Location:  CCRMA Stage Event Type:  Concert Akiko Hatakeyama is a composer/performer of electroacoustic music and intermedia. She explores the boundaries between written music, improvisation, electronics, real-time computer-based interactivity, and visual media. Storytelling, memories, and nature play an important role in Akiko's work, and she most often finds beauty in simplicity.  Akiko's practice focuses on realizing her ideas of relations between the body and mind into intermedia composition, often in conjunction with building customized instruments/interfaces. It is a form of nonverbal communication with her inner self and with the environment, including the audience. By somatically actuating perceptions with sound, light, and haptic objects, her ideas of relations between the body and mind become embraceable. FREE Open to the Public

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scapegoat - new music for sax, percussion, and electronics

CCRMA-Stanford University - Sat, 03/17/2018 - 23:14
Date:  Tue, 04/10/2018 - 7:30pm - 9:00pm Location:  CCRMA Stage Event Type:  Concert scapegoat is an experimental saxophone and percussion duo. Close creative collaboration and multi-media projects form the basis of their pursuit for artistic innovation and expression. Programmes are designed to broaden and challenge the musical experience of the audience, through original works featuring live electronics, performer-controlled sonic and visual amplification, video and lighting design, and improvisation. scapegoat's 2017/18 season features new commissions of composers Pierluigi Billone and Michelle Lou funded by the Ernst von Siemens Music Foundation, with residencies and performances as part of an Australian tour, a Californian tour, and at the Ultima Festival (Oslo) and Open Ears Festival (Kitchener). FREE Open to the Public

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CEMEC 2018

CCRMA-Stanford University - Sat, 03/17/2018 - 22:53
Date:  Sat, 04/07/2018 - 7:30pm - 9:00pm Location:  CCRMA Stage Event Type:  Concert The California Electronic Music Exchange Concerts (CEMEC) form a series of events designed to strengthen the connections between the various California educational institutions that maintain computer and electronic music programs. These events are run and curated by the graduate students and faculty of each participating institution. The 2018 series of California Electronic Music Exchange Concerts will be held at the campuses of UCSD, UCSB, Mills, CCRMA/Stanford, UC Santa Cruz, and CalArts throughout April 2018. The Stanford/CCRMA leg will be held on April 7th from 7.30PM FREE Open to the Public

Jaap Blonk

CCRMA-Stanford University - Sat, 03/17/2018 - 22:48
Date:  Thu, 04/05/2018 - 7:30pm - 9:00pm Location:  CCRMA Stage Event Type:  Concert Ahead of his Other Minds Festival performance in SF, Jaap Blonk presents “Songs of Little Sleep" and other recent works for voice and electronics. As a vocalist, Jaap is unique for his powerful stage presence and almost childlike freedom in improvisation, combined with a keen grasp of structure. He has performed around the world, on all continents. With the use of live-electronics the scope and range of his concerts has acquired a considerable extension. Besides working as a soloist, he collaborated with many musicians and ensembles in the field of contemporary and improvised music, like Maja Ratkje, Mats Gustafsson, Joan La Barbara, The Ex, the Netherlands Wind Ensemble and the Ebony Band. Free Open to the Public

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Michiko Theurer - Circling the Waves

CCRMA-Stanford University - Sat, 03/17/2018 - 22:44
Date:  Tue, 04/03/2018 - 7:30pm - 9:00pm Location:  CCRMA Stage Event Type:  Concert Circling the Waves is a multimedia performance designed by violinist and artist Michiko Theurer. It interweaves music commissioned from six composers around a central series of paintings created by Michiko. The project is inspired by Virginia Woolf's novel The Waves, and explores a multiplicity of independent voices wrapping around a shared visual space. Free Open to the Public

Co-adaptation in situated dialogue reference resolution

KTH Royal Institute of Technology - Tue, 03/13/2018 - 22:21

Time: Tue 2018-03-13 15.00

Location: F0, TMH

Type of event: Seminarier

Expiratory turn-taking cues

KTH Royal Institute of Technology - Fri, 03/09/2018 - 17:41

Time: Fri 2018-03-09 15.00

Location: Fantum, TMH

Type of event: Seminarier

Jordan Rudess - CCRMA Encore

CCRMA-Stanford University - Tue, 03/06/2018 - 08:06
Date:  Thu, 03/08/2018 - 7:30pm - 9:00pm Location:  CCRMA Stage Event Type:  Concert CCRMA visiting artist Jordan Rudess presents one last evening of keyboard and technological virtuosity and dexterity to close out his current residency at the Knoll. For this show he will perform selections from his Bach to Rock solo piano tour as well as his own synthesizer improvisations  FREE Open to the Public

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Jonathan Berger- Vân-Ánh Võ - Kronos Quartet - Rinde Eckert - My Lai

CCRMA-Stanford University - Fri, 03/02/2018 - 01:41
Date:  Sun, 03/04/2018 - 7:00pm - 8:30pm Location:  Zellerbach Hall - Berkeley Event Type:  Concert Cal Performances presents - MY LAI - the Kronos Quartet’s fully-staged collaboration with CCRMA composer Jonathan Berger and librettist Harriet Scott Chessman that explores the aftermath of My Lai—a tragic episode in the Vietman War when American soldiers massacred hundreds of unarmed villagers—from the perspective of the helicopter pilot who tried to intervene. Berger’s score blends Rinde Eckert’s voice with the strings of the Kronos Quartet augmented by traditional Vietnamese instruments played by Vân-Ánh Võ, and an electronic soundscape of helicopters, voices, and snippets of American blues. $38-68: available from: Open to the Public

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