Porto 2009

Porto skyline

Interacting with sounds of Porto

2009 Summer School in Sound and Music Computing & SID Training School on Interactions with Environmental Sounds

Casa Da Música , Porto, Portugal, July 18-21, 2009

The 2009 Sound and Music Computing Summer School is organized as a Training School of The COST IC0601 Action on Sonic Interaction Design (SID). The theme of this summer school is Interacting with Sounds of Porto. This summer school explores the potential of recording, processing, sharing and interacting with city sounds.

This is the fifth SMC Summer School (after the Genova and Barcelona editions funded by the European Coordination Action IST-FET S2S² and later editions in Stockholm and Genova again) and the second Training School of the COST Action on Sonic Interaction Design. It takes place just before the 6th Sound and Music Computing Conference.

This Summer School aims at giving an opportunity to young researchers interested in the field of Sound and Music Computing to showcase their ideas, learn new skills and work with senior researchers. The School caters to suit different student backgrounds. If your background is an Electrical Engineering, Computer Science, Music, Art, Sound recording, Design, etc., there is something new for you to learn at this Summer School.

Academic program Blog TeamApplicationRelated links Travelling and Accomodation

Academic program

During 4 days, the program includes lectures, as well as hands-on practical sessions under the supervision of tutors who provide one-to-one mentoring on artistic and/or scientific projects focused on interactions with sounds that reflect the city of Porto and its activities.

Lectures and hands-on practical sessions take place in the Digitopia installations in the Casa da Musica.

Speed talks and poster sessions are also organized for students to give an overview and receive feedback on their current research, and to foster scientific cross-fertilization.

The summer school includes 3 main lectures:

  1. Design of new interfaces for musical expression. This lecture reviews existing examples of novel interfaces for musical expression (also known as gestural controllers or control surfaces), as well as the various sensing technologies used in these devices. We will also discuss ways to design mapping strategies between interface output variables and sound synthesis input variables and approaches to the design of novel interfaces and digital musical instruments. Course material.
  2. Registering the soundscape. This lecture presents basic aesthetic, technical, and cultural aspects of audio field recording, interactive approaches to sound design with environmental sounds, and the nature of the roles that soundscape composition can play in our lives.
  3. Sound edition, description and retrieval, social networks. Present current technologies for sound edition, description and retrieval, and introduce students to the use of the Freesound.org platform with which they will edit, tag and share their sound recordings. Slides of presentations.
In practical hands-on sessions, participants, alone or in small groups, are asked to record environmental sounds related to their project, to describe these sounds and upload them to Freesound.org. Using the obtained sonic material (which can be complemented with other sounds), the participants are asked, under supervision of tutors, to develop artistic and/or scientific projects.
Projects are defined in accordance between students and summer school tutors.
A blog provides an interactive communication channel between teachers and students (e.g. for daily description of project developments, and/or teaching and learning experiences), and it serves as a dissemination forum of the school's achievements.

Universidade Católica Portuguesa certifies 3 ECTS to the summer school students.

Preliminary schedule

 Saturday 18/07
Sunday 19/07Monday 20/07 Tuesday 21/07
10:30Lecture 1
Lecture 1 Lecture 1 Lecture 1
11:30Coffee break & poster presentationsCoffee break & poster presentations
Coffee break & poster presentations Coffee break & poster presentations
12:00Lecture 2
Lecture 2 Lecture 2 Lecture 2
13:00Lecture 3
Lecture 3 Lecture 3 Lecture 3
15:00Tutor presentations
Student speed talks
Hands-on sessionHands-on sessionHands-on session
Coffee break & tips on "How to move around Porto"
Coffee break & poster presentations Coffee break & poster presentations Coffee break & poster presentations
17:30Team building.


Hands-on session

Hands-on sessionProject presentation by students.
20:30Get together drink and dinner.   


Course material

Lecture 1:

E. R. Miranda and M. M. Wanderley. 2006. New Digital Musical Instruments: Control and Interaction Beyond the Keyboard. Middleton, WI: A-R Editions Inc. ISBN: 0-89579-585-X

Lecture 3:

Bram de Jong: slides from Freesound presentation

Xavier Serra: slides from presentations of days 2, 3, 4




Tutors and proposed topics:


The deadline for applications for the summer school has now passed, and notifications of acceptance have been already sent.

Applications did include the following documents in pdf format:

21 students have been selected by the Summer School team to participate in this year's summer school.

Admitted students are requested to bring a poster at the Summer School summarizing their research project.

For additional information, please use this form.

Deadline for applications: April 24th 2009 For sending your application, please use this form.

Notification of acceptance: May 12th

There is a student registration fee of 200 Euros to the Summer School (covering costs for meals, coffee breaks, 1 dinner, material, etc). The COST Action IC0601 on Sonic Interaction Design provides financial help to a selection of students under the form of individual fixed grants of 500 Euros. (preference is given to students whose proposal projects best fit SID topics -see here).

Summer School students are also encouraged to attend the Sound and Music Computing Conference (23-25th July 2009). A special reduced-price package is available to summer school students that grants assistance to all events between July 18-25 (the conference, tutorials and summer school). Click here for price details.

Travelling and accomodation

Participants must arrange their own travel and accommodation.
For more info on special rates hotels, traveling tips and local information, please see here.


Inspiration links

Thanks to Daniel Arfib, Karmen Franinovic, Stephan Baumann, Trond Lossius, Antti Ikonen, Ademar Aguiar and Michael Harding for links.