Biblio

Found 1115 results

2013
Alexakis, A. (2013).  A COMPUTATIONAL METHOD FOR EXPLORING MUSICAL CREATIVITY DEVELOPMENT. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 227–234.
Rosa-Pujazón, A., Barbancho I., Tardón L. J., & Barbancho A. M. (2013).  CONDUCTING A VIRTUAL ENSEMBLE WITH A KINECT DEVICE. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 284–291.
Guedes, C., Blanton J., Brown R., Carter R., & Min- C. (2013).  A CONTOUR-BASED JAZZ WALKING BASS GENERATOR. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 305–308.
Pošćić, A., & Kreković G. (2013).  CONTROLLING A SOUND SYNTHESIZER USING TIMBRAL ATTRIBUTES. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 467–472.
Gu, Y., & Raphael C. (2013).  Creating Expressive Piano Performance Using a Low-dimensional Performance Model. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 408–414.
Lindborg, P. M., & Lim M. J. Y. (2013).  Design of an Interactive Earphone Simulator and Results from a Perceptual Experiment. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 74–79.
Park, B., & Gerhard D. (2013).  Discrete Isomorphic Completeness and a Unified Isomorphic Layout Format. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 152–159.
Maeder, M., & Zweifel R. (2013).  DOWNY OAK: RENDERING ECOPHYSIOLOGICAL PROCESSES IN PLANTS AUDIBLE. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 142–145.
Parker, J., & Bovermann T. (2013).  Dynamic FM synthesis using a network of complex resonator filters. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013.
Chon, S. H., Schwartzbach K., Smith B., & McAdams S. (2013).  EFFECT OF TIMBRE ON MELODY RECOGNITION IN THREE-VOICE COUNTERPOINT MUSIC. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 54–61.
Chatziioannou, V., & Walstijn M. V. (2013).  AN ENERGY CONSERVING FINITE DIFFERENCE SCHEME FOR SIMULATION OF COLLISIONS. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 584–591.
Schauer, J., Ritsch W., & Fickert L. (2013).  ENERGY HARVESTING POWER FLOWER BELL -€“ A CYBERNETIC SOUND INSTALLATION DRIVEN BY A DIRT-BATTERY. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 253–258.
XavierSerra (2013).  EXPLOITING DOMAIN KNOWLEDGE IN MUSIC INFORMATION RESEARCH. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013.
Bernays, M., & Traube C. (2013).  EXPRESSIVE PRODUCTION OF PIANO TIMBRE: TOUCH AND PLAYING TECHNIQUES FOR TIMBRE CONTROL IN PIANO PERFORMANCE. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 341–346.
Suzuki, S., & Kitahara T. (2013).  Four-part Harmonization Using Probabilistic Models: Comparison of Models With and Without Chord Nodes. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 628–633.
Garavaglia, J. A. (2013).  FULL AUTOMATION OF REAL-TIME PROCESSES IN INTERACTIVE COMPOSITIONS: TWO RELATED EXAMPLES. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 164–171.
Weiß, C. (2013).  GLOBAL KEY EXTRACTION FROM CLASSICAL MUSIC AUDIO RECORDINGS BASED ON THE FINAL CHORD. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 742–747.
Arar, R., & Kapur A. (2013).  A HISTORY OF SEQUENCERS : INTERFACES FOR ORGANIZING PATTERN-BASED MUSIC. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 2, 383–388.
Canazza, S., Poli G. D., & Rodà A. (2013).  HOW DO PEOPLE ASSESS COMPUTER GENERATED EXPRESSIVE MUSIC PERFORMANCES?. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 353–359.
Ekeus, H., Abdallah S. A., McOwan P. W., & Plumbley M. D. (2013).  How Predictable Do We Like Our Music? Eliciting Aesthetic Preferences With The Melody Triangle Mobile App. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 80–85.
Dannenberg, R. B., Jin Z., Gold N. E., Sandu O. - E., Palliyaguru P. N., Robertson A., et al. (2013).  Human-Computer Music Performance: From Synchronized Accompaniment to Musical Partner. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 277–283.
Kim, K. L., & Yeo W. S. (2013).  IMAGE SONIFICATION BASED ON OBJECT AND FEATURE EXTRACTION. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 512–516.
Gillard, J., & Schutz M. (2013).  THE IMPORTANCE OF AMPLITUDE ENVELOPE: SURVEYING THE TEMPORAL STRUCTURE OF SOUNDS IN PERCEPTUAL RESEARCH. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 62–68.
Ambrits, D., & Bank B. (2013).  IMPROVED POLYNOMIAL TRANSITION REGIONS ALGORITHM FOR ALIAS-SUPPRESSED SIGNAL SYNTHESIS. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 561–568.
Miron, M., Davies M. E. P., & Gouyon F. (2013).  IMPROVING THE REAL-TIME PERFORMANCE OF A CAUSAL AUDIO DRUM TRANSCRIPTION SYSTEM. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 402–407.