Biblio

Found 1115 results

2016
Brown, D., Nash C., & Mitchell T. (2016).  GestureChords: Transparency in Gesturally Controlled Digital Musical Instruments through Iconicity and Conceptual Metaphor. Proceedings of the Sound and Music Computing Conference 2016, SMC 2016, Hamburg, Germany. Abstract
Olsen, M., Smith J., & Abel J. (2016).  A Hybrid Filter-Wavetable Oscillator Technique for FOF Synthesis. Proceedings of the Sound and Music Computing Conference 2016, SMC 2016, Hamburg, Germany (2016). Abstract
Turchet, L. (2016).  The Hyper Hurdy-Gurdy. Proceedings of the Sound and Music Computing Conference 2016, SMC 2016, Hamburg, Germany (2016). Abstract
Turchet, L. (2016).  The Hyper Zampogna. Proceedings of the Sound and Music Computing Conference 2016, SMC 2016, Hamburg, Germany. Abstract
Aska, A. (2016).  IMPROVISATION AND GESTURE AS FORM DETERMINANTS IN WORKS WITH ELECTRONICS. Proceedings of the Sound and Music Computing Conference 2016, SMC 2016, Hamburg, Germany. Abstract
Paloranta, J., Lundström A., Elblaus L., Bresin R., & Frid E. (2016).  INTERACTION WITH A LARGE SIZED AUGMENTED STRING INSTRUMENT INTENDED FOR A PUBLIC SETTING. Proceedings of the Sound and Music Computing Conference 2016, SMC 2016, Hamburg, Germany. Abstract
Grote, F. (2016).  Interfaces for Sound: Representing Material in Pop Music Productions. Proceedings of the Sound and Music Computing Conference 2016, SMC 2016, Hamburg, Germany. Abstract
Nishino, H., & Cheok A. (2016).  Lazy Evaluation in Microsound Synthesis. Proceedings of the Sound and Music Computing Conference 2016, SMC 2016, Hamburg, Germany. Abstract
Pedersen, A. B. (2016).  A Liberated Sonic Sublime: Perspectives On The Aesthetics & Phenomenology Of Sound Synthesis. Proceedings of the Sound and Music Computing Conference 2016, SMC 2016, Hamburg, Germany (2016). Abstract
Schultz, C. M., & Seedorf M. (2016).  THE LOOP ENSEMBLE - OPEN SOURCE INSTRUMENTS FOR TEACHING ELECTRONIC MUSIC IN THE CLASSROOM. Proceedings of the Sound and Music Computing Conference 2016, SMC 2016, Hamburg, Germany (2016). Abstract
Nakano, T., & Goto M. (2016).  LyricListPlayer: A Consecutive-Query-by-Playback Interface for Retrieving Similar Word Sequences from Different Song Lyrics. Proceedings of the Sound and Music Computing Conference 2016, SMC 2016, Hamburg, Germany (2016). Abstract
Bosch, J. J., & Gómez E. (2016).  Melody extraction based on a source-filter model using pitch contour selection. Proceedings of the Sound and Music Computing Conference 2016, SMC 2016, Hamburg, Germany. Abstract
Li, S., Black D., Plumbley M., & Dixon S. (2016).  A MODEL SELECTION TEST ON EFFECTIVE FACTORS OF THE CHOICE OF EXPRESSIVE TIMING CLUSTERS FOR A PHRASE. Proceedings of the Sound and Music Computing Conference 2016, SMC 2016, Hamburg, Germany. Abstract
Harrop, T. (2016).  Modulating or 'Transferring' Between Non-octave Scales. Proceedings of the Sound and Music Computing Conference 2016, SMC 2016, Hamburg, Germany. Abstract
Hohagen, J., & Wöllner C. (2016).  Movement Sonification of Musical Gestures: Investigating Perceptual Processes Underlying Musical Performance Movements. Proceedings of the Sound and Music Computing Conference 2016, SMC 2016, Hamburg, Germany. Abstract
Stahl, B., & Zmölnig I. (2016).  Musical sonification in electronic therapy aids for motor-functional treatment - a smartphone approach. Proceedings of the Sound and Music Computing Conference 2016, SMC 2016, Hamburg, Germany. Abstract
Michon, R., Smith J., Chafe C., Wang G., & Wright M. J. (2016).  Nuance: Adding Multi-Touch Force Detection to the iPad. Proceedings of the Sound and Music Computing Conference 2016, SMC 2016, Hamburg, Germany. Abstract
Burloiu, G. (2016).  An Online Tempo Tracker for Automatic Accompaniment based on Audio-to-audio Alignment and Beat Tracking. Proceedings of the Sound and Music Computing Conference 2016, SMC 2016, Hamburg, Germany. Abstract
Torvanger Solberg, R., & Jensenius A. R. (2016).  Optical or Inertial? Evaluation of Two Motion Capture Systems for Studies of Clubbing to Electronic Dance Music. Proceedings of the Sound and Music Computing Conference 2016, SMC 2016, Hamburg, Germany (2016). Abstract
Ong, A., & Kopiez R. (2016).  The perceptual similarity of tone clusters: an experimental approach to the listening of avant-garde music. Proceedings of the Sound and Music Computing Conference 2016, SMC 2016, Hamburg, Germany. Abstract
Kocher, P. (2016).  POLYTEMPO COMPOSER: A TOOL FOR THE COMPUTATION OF SYNCHRONISABLE TEMPO PROGRESSIONS. Proceedings of the Sound and Music Computing Conference 2016, SMC 2016, Hamburg, Germany. Abstract
Flückiger, M., Grosshauser T., & Tröster G. (2016).  Precision Finger Pressing Force Sensing in the Pianist-Piano Interaction. Proceedings of the Sound and Music Computing Conference 2016, SMC 2016, Hamburg, Germany. Abstract
Ibrahim, K. M., & Allam M. (2016).  Primary-Ambient Extraction Using Adaptive Weighting and Principal Component Analysis. Proceedings of the Sound and Music Computing Conference 2016, SMC 2016, Hamburg, Germany. Abstract
Tseng, Y. - C., Li B. - T., & Wang T. - H. (2016).  PROTOTYPING WIRELESS INTEGRATED WEARABLE INTERACTIVE MUSIC SYSTEM. Proceedings of the Sound and Music Computing Conference 2016, SMC 2016, Hamburg, Germany. Abstract
Mycroft, J., Reiss J., & Stockman T. (2016).  Representing and Interpreting Multivariate Mix Data. Proceedings of the Sound and Music Computing Conference 2016, SMC 2016, Hamburg, Germany. Abstract