Biblio

Found 843 results

2012
Thorogood, M., Pasquier P., & Eigenfeldt A. (2012).  Audio Metaphor: Audio Information Retrieval IN[A]MOMENT. Proceedings of the 9th Sound and Music Computing Conference. 372-378. Abstract
Peters, N., Lossius T., & Place T. (2012).  An Automated Testing Suite for Computer Music Environments. Proceedings of the 9th Sound and Music Computing Conference. 107-112. Abstract
Hori, G., Yoshinaga Y., Fukayama S., Kameoka H., & Sagayama S. (2012).  Automatic Arrangement For Guitars Using Hidden Markov Model. Proceedings of the 9th Sound and Music Computing Conference. 450-456. Abstract
Macret, M., Pasquier P., & Smyth T. (2012).  Automatic Calibration of Modified FM Synthesis to Harmonic Sounds using Genetic Algorithms. Proceedings of the 9th Sound and Music Computing Conference. 387-394. Abstract
Tanaka, T., & Furukawa K. (2012).  Automatic Melodic Grammar Generation For Polyphonic Music Using A Classifier System. Proceedings of the 9th Sound and Music Computing Conference. 150-156. Abstract
Schacher, J. C. (2012).  The Body in Electronic Music Performance. Proceedings of the 9th Sound and Music Computing Conference. 194-200. Abstract
Cartwright, M., & Pardo B. (2012).  Building a Music Search Database Using Human Computation. Proceedings of the 9th Sound and Music Computing Conference. 343-349. Abstract
Glazyrin, N., & Klepinin A. (2012).  Chord recognition using Prewitt filter and self-similarity. Proceedings of the 9th Sound and Music Computing Conference. 480-485. Abstract
Krebs, F., & Grachten M. (2012).  Combining Score And Filter Based Models To Predict Tempo Fluctuations In Expressive Music Performances. Proceedings of the 9th Sound and Music Computing Conference. 358-363. Abstract
Adhitya, S., & Kuuskankare M. (2012).  Composing Graphic Scores And Sonifying Visual Music With The Sum Tool. Proceedings of the 9th Sound and Music Computing Conference. 171-176. Abstract
Zappi, V., Mazzanti D., Brogni A., & Caldwell D. (2012).  Concatenative Synthesis Unit Navigation and Dynamic Rearrangement in vrGrains. Proceedings of the 9th Sound and Music Computing Conference. 403-408. Abstract
Holopainen, R. (2012).  The Constant-Q Iir Filterbank Approach To Spectral Flux. Proceedings of the 9th Sound and Music Computing Conference. 419-425. Abstract
Grill, T. (2012).  Constructing high-level perceptual audio descriptors for textural sounds. Proceedings of the 9th Sound and Music Computing Conference. 486-493. Abstract
Lallemand, I., Schwarz D., & Artières T. (2012).  Content-based retrieval of environmental sounds by multiresolution analysis. Proceedings of the 9th Sound and Music Computing Conference. 473-479. Abstract
Eigenfeldt, A., & Pasquier P. (2012).  Creative Agents, Curatorial Agents, and Human-Agent Interaction in Coming Together. Proceedings of the 9th Sound and Music Computing Conference. 181-186. Abstract
Martin, A., Jin C., Carey B., & Bown O. (2012).  Creative Experiments Using a System for Learning High-Level Performance Structure in Ableton Live. Proceedings of the 9th Sound and Music Computing Conference. 311-317. Abstract
Kaiser, F., Weger M., & Ritsch W. (2012).  Designing simulacra or the electronic replication of a mechanical instrument. Proceedings of the 9th Sound and Music Computing Conference. 201-207. Abstract
Mandanici, M., & Sapir S. (2012).  Disembodied Voices: A Kinect Virtual Choir Conductor. Proceedings of the 9th Sound and Music Computing Conference. 271-276. Abstract
Kim, S., & Yeo W. S. (2012).  Electronic Pipe Organ using Audio Feedback. Proceedings of the 9th Sound and Music Computing Conference. 75-78. Abstract
Spagnol, S., Geronazzo M., Avanzini F., Oscari F., & Rosati G. (2012).  Employing Spatial Sonification Of Target Motion In Tracking Exercises. Proceedings of the 9th Sound and Music Computing Conference. 85-89. Abstract
Collins, N. (2012).  Enumeration of Chord Sequences. Proceedings of the 9th Sound and Music Computing Conference. 529-534. Abstract
Jensenius, A. R. (2012).  Evaluating How Different Video Features Influence the Visual Quality of Resultant Motiongrams. Proceedings of the 9th Sound and Music Computing Conference. 467-472. Abstract