Since the 1950's, Sound and Music Computing (SMC) research has been producing a profound impact on the development of culture and technology in our post-industrial society. SMC research approaches the whole sound and music communication chain from a multidisciplinary point of view. By combining scientific, technological and artistic methodologies it aims at understanding, modelling, representing and producing sound and music using computational approaches. This book, by describing the state of the art in SMC research, gives hints of future developments, whose general purpose will be to bridge the semantic gap, the hiatus that currently separates sound from sense and sense from sound.
The book can be purchased here.
The book is licensed CreativeCommons BY-NC-ND. A copy of the book can be downloaded here.
Contents:
Sound, Sense and Music Mediation:
Marc Leman, Frederik Styns, and Nicola Bernardini
Learning Music
Emmanuel Bigand, Philippe Lalitte, and Barbara Tillmann
Content Processing of Music Audio Signals
Fabien Gouyon, Perfecto Herrera, Emilia Gomez, Pedro Cano, Jordi Bonada, Alex Loscos, Xavier Amatriain, and Xavier Serra
From Sound to Sense via Feature Extraction and Machine Learning
Gerhard Widmer, Simon Dixon, and Peter Knees
Sense in Expressive Music Performance
Werner Goebl, Simon Dixon, Giovanni De Poli, Anders Friberg, Roberto Bresin, and Gerhard Widmer
Controlling Sound with Senses
Antonio Camurri, Carlo Drioli, Barbara Mazzarino, Gualtiero Volpe
Real-Time Control of Music Performance
Anders Friberg and Roberto Bresin
Physics-Based Sound Synthesis
Cumhur Erkut, Vesa Valimaki, Matti Karjalainen, and Henri Penttinen
Interactive Sound
Federico Avanzini
Sound Design and Auditory Displays
Amalia de Götzen, Pietro Polotti, and Davide Rocchesso
Controlling Sound Production
Roberto Bresin, Kjetil Falkenberg Hanse, Matti Karjalainen, Teemu Mäki-Patola, Aki Kanerva, Antti Huovilainen, Sergi Jordà, Martin Kaltenbrunner, Günter Geiger, Ross Bencina, Amalia de Götzen, and Davide Rocchesso
DAFxTRa 2008 (DAFx Transformation RAting) is a new initiative aimed at evaluating and comparing algorithms for audio effects. Our goal is to have the main evaluation in September 2008 during DAFx-08 (http://www.acoustics.hut.fi/dafx08/) but to make it happen we need the involvement of the audio effects research community.
More information in: DAFxTRa Wiki
You can register now or if you registered at the old soundandmusiccomputing.org site you can Login with the same name and password.
There is some useful information and many things with which you can contribute:
Read the current version of the SMC Roadmap. Contribute to the new version by making comments to any of its sections.
Check the centers that are active in SMC research. If your center is not there you can add it and if it is there and you want to add the basic numbers that contribute to the statistics contact the Webmaster to get edit permits for the center.
Find other key resources related to SMC research. Add references to conferences, articles, or software you believe might be useful for the research community.
Read SMC related News. Propose to the Webmaster new RSS feeds that might be relevant for SMC research.
Read and write the forum for members of the SMC community. Add your own topic to share something about your SMC activities.
Edit your own profile and add some personal information.
See the list of registered users and find people working in SMC.
View statistics from the SMC centers grouped by countries. The statistics are calculated from the numbers given by members of the different centers.
Check the SMC Summer Schools.
For any comment or suggestion please contact the Promoters of SMCNetwork.org
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